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Júlia 444. (A milliomos kertész)
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Júlia 444. (A milliomos kertész)
Júlia 492. (Szerelemr?l szó sem volt)
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Júlia 492. (Szerelemr?l szó sem volt)
Romana 480. (Gy?r? k?lcs?nbe)
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Romana 480. (Gy?r? k?lcs?nbe)
Provence-ban mindig süt a nap
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Provence-ban mindig süt a nap
Romana 594. (Felséges szívügyek)
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Romana 594. (Felséges szívügyek)
Romana 483. (?trendezem az életed)
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Romana 483. (?trendezem az életed)
Bianca 248. (Szóbeszéd)
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Bianca 248. (Szóbeszéd)
Szívhang 417. (Szívek háborúja)
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Szívhang 417. (Szívek háborúja)
Júlia 487. (Egy büszke spanyol szerelme)
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Júlia 487. (Egy büszke spanyol szerelme)
Szívhang 420. (Számolom a perceket)
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Szívhang 420. (Számolom a perceket)
Szívhang 421. (Két keréken tér vissza a szerelem)
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Szívhang 421. (Két keréken tér vissza a szerelem)
Júlia 483. (Becsület kérdése)
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Júlia 483. (Becsület kérdése)
Romana 473. (?r?k?s harc)
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Romana 473. (?r?k?s harc)
Bianca 244. (Az igazi nyeremény)
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Bianca 244. (Az igazi nyeremény)
Júlia 481. (Egy csokor meglepetés)
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Júlia 481. (Egy csokor meglepetés)
Romana 467. (Sakk-matt)
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Romana 467. (Sakk-matt)
Romana 465. (Cowboy karácsonyra)
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Romana 465. (Cowboy karácsonyra)
Just a Boy: An Inspiring and Heartwarming Short Story
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A heartwarming short story from bestselling author and foster carer Casey Watson. A digital-exclusive short story from Casey Watson, plus a sneak peek chapter from Casey’s highly anticipated next title, Breaking the Silence, and sample chapters from each of Casey’s five moving and inspirational titles. Although he isn’t with them for long, Cameron immediately touches the hearts of Casey’s whole family. A sweet boy with a great sense of humour, he seems different from the other children she’s cared for. But after a disastrous and embarrassing family trip, Cameron disappears. Casey fears the worst. Will her fears be realised?
Mostantól mindhalálig
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Mostantól mindhalálig
Az id?gép
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Az id?gép
The Alchemist
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Of all the myths which have come down to us from the East, and of all the creations of Western fancy and belief, the Personality of Evil has had the strongest attraction for the mind of man. The Devil is the greatest enigma that has ever con-fronted the human intelligence. So large a place has Satan taken in our imagination, and we might also say in our heart, that his expulsion therefrom, no matter what philosophy may teach us, must for ever remain an impossibility. As a character in imagi-native literature Lucifer has not his equal in heaven above or on the earth beneath. In contrast to the idea of Good, which is the more exalted in proportion to its freedom from anthropomor-phism, the idea of Evil owes to the presence of this element its chief value as a poetic theme. The discrowned archangel may have been inferior to St. Michael in military tactics, but he cer-tainly is his superior in matters literary. The fair angels—all frankness and goodness—are beyond our comprehension, but the fallen angels, with all their faults and sufferings, are kin to us. There is a legend that the Devil has always had literary aspi-rations. The German theosophist Jacob B?hme relates that when Satan was asked to explain the cause of God’s enmity to him and his consequent downfall, he replied: “I wanted to be an author.” Whether or not the Devil has ever written anything over his own signature, he has certainly helped others compose their greatest works. It is a significant fact that the greatest im-aginations have discerned an attraction in Diabolus. What would the world’s literature be if from it we eliminated Dante’s Divine Comedy, Calderón’s Marvellous Magician, Milton’s Paradise Lost, Goethe’s Faust, Byron’s Cain, Vigny’s Eloa, and Lermon-tov’s Demon? Sorry indeed would have been the plight of litera-ture without a judicious admixture of the Diabolical. Without the Devil there would simply be no literature, because without his intervention there would be no plot, and without a plot the story of the world would lose its interest. Even now, when the belief in the Devil has gone out of fashion, and when the very mention of his name, far from causing men to cross themselves, brings a smile to their faces, Satan has continued to be a puissant personage in the realm of letters. As a matter of fact, Beelzebub has perhaps received his greatest elaboration at the hands of writers who believed in him just as little as Shake-speare did in the ghost of Hamlet’s father.
