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Disruption: Lifelong Learning in the Knowledge Economy
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Disruption: Lifelong Learning in the Knowledge Economy
A Pluralistic Universe
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A Pluralistic Universe
Lincoln's Yarns and Stories
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Lincoln's Yarns and Stories
La Démocratie en Amérique
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La Démocratie en Amérique
Memoirs of Jacques Casanova de Seingalt
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Memoirs of Jacques Casanova de Seingalt
The Origin of Species (Illustrated)
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The Origin of Species (Illustrated)
My Life and Work
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My Life and Work
Vailima Letters
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Vailima Letters
The Complete Tradesman
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The Complete Tradesman
The Cult of the Emperor
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The Cult of the Emperor
The End of the Middle Ages
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The End of the Middle Ages
The English Church in the Middle Ages
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The English Church in the Middle Ages
The Great Revolt of 1381
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The Great Revolt of 1381
Beyond Good and Evil
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Beyond Good and Evil
Introduction to Physical ＆ Online Real Estate
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Introduction to Physical ＆ Online Real Estate
The Souls of Black Folk
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The Souls of Black Folk
Wanelo for Small Business: How to Make Money on Wanelo
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Wanelo for Small Business: How to Make Money on Wanelo
Uncle Tom's Cabin
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Eram ?n Her?str?u, la parcul de distrac?ii, ?Luna-parc“, cum i se spunea pe atunci, ?ase b?ie?i ?i o fat?: Vintil? Iv?nceanu, Virgil Mazilescu, Daniel Turcea, Mihai Teclu, George Almosnino, Iulian Neac?u ?i Nora Iuga. Infatua?ii, arogan?ii, scandalagii, cosmopoli?ii – ONIRICII. B?ie?ii trecuser? un pic de dou?zeci, ?fata“ trecuse bini?or de treizeci, important era c? nu se vedea. Ne d?deam ?n ma?inu?e; caramboluri ?i chiote! Pe urm?, la bere, Pur?i – a?a ?i spuneam eu lui Vintil? – se ia de Iulian: ?Da’ neagra ta, cum ?i zice, dactilografa de noapte, te mai viziteaz??“... ?i urechea mea p?lnie se f?cu ?i la dou? noaptea, la ma?ina mea, am b?tut eu mai departe ce-mi dicta ea. (Nora Iuga, iulie 2010)
Mastering Rejections In One Sitting
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Mastering Rejections In One Sitting
Intentions
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Dodo Collections brings you another classic from Oscar Wilde, ‘Intentions’. Originally published in 1891 when Wilde was at the height of his form, these brilliant essays on art, literature, criticism, and society display the flamboyant poseur’s famous wit and wide learning. A leading spokesman for the English Aesthetic movement, Wilde promoted "art for art’s sake" against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power," but also that criticism itself can be raised to an art form possessing these very qualities. Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish author, playwright and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, as well as the circumstances of his imprisonment and early death. At the height of his fame and success, while his masterpiece, The Importance of Being Earnest (1895), was still on stage in London, Wilde had the Marquess of Queensberry prosecuted for libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The charge carried a penalty of up to two years in prison. The trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with other men. After two more trials he was convicted and imprisoned for two years' hard labour. In 1897, in prison, he wrote De Profundis, which was published in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of 46.
Books and Persons: Being Comments on a Past Epoch (1908-1911)
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Dodo Collections brings you another classic from Arnold Bennett, ‘"Books and Persons; Being Comments on a Past Epoch, 1908-1911".’ ? The contents of this book have been chosen from a series of weekly articles which enlivened the?New Ageduring the years 1908, 1909, 1910, and 1911, under the pseudonym "Jacob Tonson." The man responsible for the republication is the dedicatee, who, having mysteriously demanded from me back numbers of theNew Age, sat in my house one Sunday afternoon and in four hours read through the entire series. He then announced that he had made a judicious selection, and that the selection must positively be issued in volume form. Mr. Frank Swinnerton approved the selection and added to it slightly. In my turn I suggested a few more additions. The total amounts to one-third of the original matter. Beyond correcting misprints, softening the crudity of several epithets, and censoring lines here and there which might give offence without helping the sacred cause, I have not altered the articles. They appear as they were journalistically written in Paris, London, Switzerland, and the Forest of Fontainebleau. In particular I have left the critical judgments alone, for the good reason that I stand by nearly all of them, though perhaps with a less challenging vivacity, to this day. ARNOLD BENNETT February 1917 Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his hometown, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc.
