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Four Years in the Stonewall Brigade
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Four Years in the Stonewall Brigade
Dealing With Women: The Lack of Reason
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Dealing With Women: The Lack of Reason
The Lost Tools of Learning
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The Lost Tools of Learning
Real Estate Investing: 7 Ways ANYONE Can Use to Make Money in Real Estate
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Real Estate Investing: 7 Ways ANYONE Can Use to Make Money in Real Estate
Moths of the Limberlost
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Moths of the Limberlost
The Autobiography of Benjamin Franklin
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Space and Time are pleased to bring you this classic presented as a wonderfully presented edition with a fully interactive table of contents.
Virginibus Puerisque
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Virginibus Puerisque
The Complete Tradesman
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The Complete Tradesman
Vailima Letters
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Vailima Letters
Disruption: Lifelong Learning in the Knowledge Economy
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Disruption: Lifelong Learning in the Knowledge Economy
A Pluralistic Universe
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A Pluralistic Universe
Lincoln's Yarns and Stories
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Lincoln's Yarns and Stories
La Démocratie en Amérique
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La Démocratie en Amérique
Memoirs of Jacques Casanova de Seingalt
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Memoirs of Jacques Casanova de Seingalt
Pragmatism
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Pragmatism
Note-Book of Anton Chekhov
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Note-Book of Anton Chekhov
The Art of Literature
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The Art of Literature
My Life and Work
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My Life and Work
3rd Class in Indian Railway
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3rd Class in Indian Railway
The Memoirs of Victor Hugo
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According to Wikipedia: "Victor-Marie Hugo (26 February 1802 – 22 May 1885) was a French poet, playwright, novelist, essayist, visual artist, statesman, human rights activist and exponent of the Romantic movement in France. In France, Hugo's literary fame comes first from his poetry but also rests upon his novels and his dramatic achievements. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem, and Hugo is sometimes identified as the greatest French poet. Outside France, his best-known works are the novels Les Misérables and Notre-Dame de Paris (known in English also as The Hunchback of Notre Dame). Though a committed conservative royalist when he was young, Hugo grew more liberal as the decades passed; he became a passionate supporter of republicanism, and his work touches upon most of the political and social issues and artistic trends of his time. He is buried in the Panthéon."
Anatomy of Melancholy
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According to Wikipedia: "The Anatomy of Melancholy (Full title: The Anatomy of Melancholy, What it is: With all the Kinds, Causes, Symptomes, Prognostickes, and Several Cures of it. In Three Maine Partitions with their several Sections, Members, and Subsections. Philosophically, Medicinally, Historically, Opened and Cut Up) is a book by Robert Burton, first published in 1621. Burton's book consists mostly of a collection of opinions of a multitude of writers, grouped under quaint and old-fashioned divisions; in a solemn tone Burton endeavoured to prove indisputable facts by weighty quotations. The subjects discussed and determined by Burton ranged from the doctrines of religion to military discipline, from inland navigation to the morality of dancing-schools. On its surface, the book is presented as a medical textbook in which Burton applies his vast and varied learning, in the scholastic manner, to the subject of melancholia (which includes what is now termed clinical depression). Though presented as a medical text, The Anatomy of Melancholy is as much a sui generis work of literature as it is a scientific or philosophical text, and Burton addresses far more than his stated subject. In fact, the Anatomy uses melancholy as the lens through which all human emotion and thought may be scrutinized, and virtually the entire contents of a 17th-century library are marshalled into service of this goal. It is encyclopedic in its range and reference. In his satirical preface to the reader, Burton's persona Democritus Junior explains, "I write of melancholy by being busy to avoid melancholy." This is characteristic of the author's style, which often supersedes the book's strengths as a medical text or historical document as its main source of appeal to admirers. Both satirical and serious in tone, the Anatomy is "vitalized by (Burton's) pervading humour",[3] and Burton's digressive and inclusive style, often verging on a stream of consciousness, consistently informs and animates the text."
