A brilliantly crafted modern tale from acclaimed film critic and screenwriter C. Robert Cargill—part Neil Gaiman, part Guillermo Del Toro, part William S. Burroughs—that charts the lives of two boys from their star-crossed childhood in the realm of magic and mystery to their anguished adulthoodsThere is another world than our own—one no closer than a kiss and one no further than our nightmares—where all the stuff of which dreams are made is real and magic is just a step away. But once you see that world, you will never be the same.Dreams and Shadows takes us beyond this veil. Once bold explorers and youthful denizens of this magical realm, Ewan is now an Austin musician who just met his dream girl, and Colby, meanwhile, cannot escape the consequences of an innocent wish. But while Ewan and Colby left the Limestone Kingdom as children, it has never forgotten them. And in a world where angels relax on rooftops, whiskey-swilling genies argue metaphysics with foul-mouthed wizards, and monsters in the shadows feed on fear, you can never outrun your fate.Dreams and Shadows is a stunning and evocative debut about the magic and monsters in our world and in our self.

At just twenty-three years old, Shauna Reid weighed 351 pounds. Spurred into action by the sight of her enormous white knickers billowing on the clothesline, she created the hugely successful blog "The Amazing Adventures of Dietgirl." Hiding behind her Lycra-clad, roly-poly alter-ego, her transformation from couch potato to svelte goddess began.Today, eight thousand miles, seven years, and 175 pounds later, the gloriously gorgeous Shauna is literally half the woman she used to be. Hysterically funny and heart-wrenchingly honest, The Amazing Adventures of Dietgirl includes travel tales from Australia to Paris to Red Square, plus romance when she meets the man of her dreams in a Scottish pub. This is the uplifting true story of a young woman who defeated her demons and conquered her cravings to become a real-life superhero to inspire us all.

A fake suitcase bomb discovered in suburban Tel Aviv turns out to be only the first strand in an all-too- real web of deceit and malevolence.A witness sees a man with a limp abandon a suitcase near a suburban Tel Aviv daycare center. The explosive device it contains turns out to be a dud, but a few hours after the discovery, the daycare receives a phone call: The suitcase is only the beginning.Although the police are quick to finger a known felon as a suspect, Detective Avraham Avraham is not convinced after he volunteers to conduct the interrogation. So he returns to the quiet streets of this family-friendly neighborhood in his search for answers, treating no one—not the teacher, not the children's parents—above suspicion.Despite his colleagues' dismissals, Avraham keeps coming back to one man. A father of two, Avraham's person of interest does not seem like the criminal type . . . until he suddenly vanishes, and jagged holes start appearing in his story. Much to Avraham's frustration, each development appears to take him further and further away from the answers he so desperately seeks.Told from alternating perspectives, A Possibility of Violence is the heart-pounding story of one man on the run with a tenacious and persistent police detective in pursuit.

The only thing I felt was a strong hand around my neck, another around my waist, and -- before I could cry out -- I smelled the thick, sweet scent of a mandrake-soaked cloth. Unforgiving hands clapped it against my face, and all went dark.Ala?s, the king of France's sister, is abducted while on her mission for the wily Eleanor of Aquitaine, the former Queen of England, to retrieve hidden letters that, in the wrong hands, could bring down the English king. In exchange, the French princess was to receive long-heldand dangerous information. Now Ala?s, along with help from the very intriguing leader of the Knights Templar, must unravel a tangled web of family secrets and lies.Filled with intrigue and peopled with compelling legendary figures, The Canterbury Papers is an "electrifying journey into the past" (Booklist).

Some secrets belong to the past. Others refuse to stay there . . .In 1959, in an underground laboratory in a remote region of West Virginia, a secret government experiment went terribly awry. Half a dozen scientists mysteriously disappeared, and all subsequent efforts to rescue them failed. In desperation, President Eisenhower ordered the lab sealed shut and all records of its existence destroyed. Now, fifty-four years later, something from the lab has emerged.When mysterious events begin occurring along the New River Valley in West Virginia, government agents Mike Califano and Ana Thorne are sent to investigate. What they discover will shake the foundations of science and religion and put both agents in the crosshairs of a deadly, worldwide conspiracy. A powerful and mysterious force has been unleashed, and it's about to fall into the wrong hands. To prevent a global catastrophe, Califano and Thorne must work together to solve a biblical mystery that has confounded scholars for centuries. And they must do so quickly, before time runs out . . . forever.

They call it pulling the trigger.Not by a killer in the night, but by a judge on the bench.Twenty years ago, Judge Ray McMullin proved to the people of San Francisco that he could pull that trigger by sentencing Israel Dominguez to death for a gangland murder. But it meant suppressing his own doubts about whether the punishment really did fit the crime. Now, as the execution date nears, the conscience-wracked judge confesses his unease to former homicide detective Harlan Donnally on a riverbank in far Northern California. And after immersing himself in the Norte?o and Sure?o gang wars, which left trails of bullets and blood crisscrossing the state, and in the betrayals of both cops and crooks alike, Donnally is forced to question not only whether the penalty was undeserved but the conviction itself.Soon those doubts and questions double back, for in the aging judge's panic, in his lapses of memory and his confusions, Donnally begins to wonder whether he's chasing the facts of the case or just phantoms of a failing mind. But there's no turning back, for the edge of night is fast closing in on Dominguez, on McMullin, and on Donnally himself.

The critically acclaimed and bestselling author of The Raising returns with a haunting and shadowy thriller about the love between a mother and daughter.Something had followed them from Russia.On a snowy Christmas morning, Holly Judge awakens, the fragments of a nightmare—something so important that she must write it down—floating on the edge of her consciousness.Something had followed them from Russia.It was thirteen years ago that she and her husband, Eric, went to Siberia to adopt the sweet, dark-haired child they had wanted so desperately. How they laughed at the nurses of Pokrovka Orphanage #2 with their garlic and superstitions, and ignored their insistent warnings. After all, their fairy princess Tatiana—Baby Tatty—was perfect.As the snow falls, enveloping the world in its white silence, Holly senses that something is not right, and has never been right in the years since they brought their daughter home. Now Tatty is a dangerously beautiful, petulant, and often erratic teenager, and Holly feels there is something evil lurking within their house.She and Tatiana are alone. Eric is stuck on the roads, and none of the other guests for Christmas dinner will be able to make it through the snow. With each passing hour, the blizzard rages and Tatiana's mood darkens, her behavior becoming increasingly disturbing . . . until, in every mother's worst nightmare, Holly finds she no longer recognizes her daughter.

For more than two decades, Terry Pratchett has been regaling readers with tales of Discworld—a flat world balanced on the backs of four elephants, which are standing on the back of a giant turtle, flying through space. It is a world populated by ineffectual wizards and sharp-as-tacks witches, by tired policemen and devious dictators, by reformed thieves and vampires who have sworn to drink no blood. It is a world that is vastly different from our own . . . except when it isn't.Now, in The Wit and Wisdom of Discworld, various nuggets of Pratchett's witty commentary and sagacious observations have been compiled by Pratchett expert Stephen Briggs, a man who, they say, knows even more about Discworld than Terry Pratchett.Within these pages, you'll find musings on:Interior decorating: "It's a fact known throughout the universes that no matter how carefully the colors are chosen, institutional decor ends up as either vomit green, unmentionable brown, nicotine yellow, or surgical appliance pink. By some little-understood process of sympathetic resonance, corridors painted in those colors always smell slightly of boiled cabbage—even if no cabbage is ever cooked in the vicinity." (Equal Rites)Travel: "Any seasoned traveler soon learns to avoid anything wished on them as a 'regional speciality,' because all the term means is that the dish is so unpleasant the people living everywhere else will bite off their own legs rather than eat it. But hosts still press it upon distant guests anyway: 'Go on, have the dog's head stuffed with macerated cabbage and pork noses—it's a regional speciality.'" (The Last Continent)Young men: "And then there was the young male walk. At least women swung only their hips. Young men swung everything, from the shoulders down. You have to try to occupy a lot of space. It makes you look bigger, like a tomcat fluffing his tail. The boys tried to walk big in self-defense against all those other big boys out there. I'm bad, I'm fierce, I'm cool, I'd like a pint of shandy and me mam wants me home by nine." (Monstrous Regiment)Class: "'Old money' meant that it had been made so long ago that the black deeds that had originally filled the coffers were now historically irrelevant. Funny, that; a brigand for a father was something you kept quiet about, but a slave-taking pirate for a great-great-great-grandfather was something to boast of over the port. Time turned the evil bastards into rogues, and rogue was a word with a twinkle in its eye and nothing to be ashamed of." (Making Money) . . . and more! Culled from all the Discworld novels, The Wit and Wisdom of Discworld confirms Pratchett's place in the pantheon of great satirists and proves why the Chicago Tribune has praised his Discworld as "entertaining and gloriously funny . . . an accomplishment nothing short of magical."

For more than three decades, Louise Erdrich has enthralled readers with dazzling novels that paint an evocative portrait of Native American life.In Books and Islands in Ojibwe Country, Erdrich takes us on an illuminating tour through the terrain her ancestors have inhabited for centuries: the lakes and islands of southern Ontario. Summoning to life the Ojibwe's sacred spirits and songs, their language and sorrows, she considers the many ways in which her tribe—whose name derives from the word ozhibii'ige, "to write"—have influenced her. Her journey links ancient stone paintings with a magical island where a bookish recluse built an extraordinary library, and she reveals how both have transformed her.A blend of history, mythology, and memoir, Books and Islands in Ojibwe Country is an enchanting meditation on modern life, natural splendor, and the ancient spirituality and creativity of Erdrich's native homeland—a long, elemental tradition of storytelling that is in her blood.

The award-winning speculative debut novel, now in English for the first time!In the far north of the Scandinavian Union, now occupied by the power state of New Qian, seventeen-year-old Noria Kaitio studies to become a tea master like her father. It is a position that holds great responsibility and a dangerous secret. Tea masters alone know the location of hidden water sources, including the natural spring that once provided water for her whole village. When Noria's father dies, the secret of the spring reaches the new military commander . . . and the power of the army is vast indeed. But the precious water reserve is not the only forbidden knowledge Noria possesses, and resistance is a fine line.Threatened with imprisonment, and with her life at stake, Noria must make an excruciating, dangerous choice between knowledge and freedom.

Full of emotion and suspense, Crooked River is an inventive and atmospheric story about family and friendship, good and evil, secrets and lies, grief and forgivenessWhere should I startWith Mom's funeralOr a week earlier on the Fourth of July, the day she diedOr should I skip all that stuff and get straight to the part where Ollie and I just wanted to go swimming and pretend our lives were ordinary again, but when we got down to the river we found another dead woman instead?Still grieving over the sudden death of their mother, fifteen-year-old Sam McAlister and her ten-year-old sister, Ollie, move from the comforts of Eugene to rural Oregon to live in a meadow in a teepee under the stars with Bear, their reclusive beekeeper father. But soon after they arrive in Terrebone, a young woman is found dead floating in Crooked River and the police arrest their eccentric father for the murder. He is not evil. I am not good.We are the same: broken and put back together again.Sam knows that Bear is not a killer, even though the evidence points to his guilt—including information that she and Ollie have uncovered. Filled with remorse and refusing to accept that her father could have hurt anyone, Sam embarks on a desperate hunt to save him and keep her damaged family together. They had mysteriously lost Bear once before and Sam is terrified they will lose him again. Only this time they won't ever get him back. She needs Ollie to help her, but Ollie has not spoken a word since their mother's death.I see things no one else does.I see them there and wish I didn't. I want to tell and I can't.Ollie, too, knows that Bear is innocent. The Shimmering have told her so. One followed her home from her mom's funeral and continues to hover, a spectrum of colors—pink and rose red, sky blue and honey gold. Now another, coiled and hissing, is following Sam. Both spirits warn Ollie: the real killer is out there, waiting. Somehow, she must warn her sister. But Ollie worries that if she tries to speak—even to write—the Shimmering will slip inside her, take control, and never leave. Sam and Ollie must find the truth quickly—a search that will lead them to unexpected secrets and terrible lies—because the danger is closer to them than either girl knows.Told in Sam's and Ollie's vibrant voices, Crooked River is a family story, a coming-of-age story, a ghost story, and a psychological mystery as haunting as the best Southern gothic fiction that will touch your heart and grip you until the final page.

Jarvis Jay Masters has taken an extraordinary journey of faith. Strangely enough, his moment of enlightenment came behind the bars of San Quentin's death row. In this compelling memoir, inmate and author Jarvis Jay Masters takes us from the arms of his heroin-addicted mother to an abusive foster home, on his escape to the illusory freedom of the streets and through lonely nights spent in bus stations and juvenile homes, and finally to life inside the walls of San Quentin State Prison. Using the nub and filler from a ballpoint pen (the only writing instrument allowed him in solitary confinement), Masters chronicles the story of a bright boy who turns to a life of crime, and of a penitent man who embraces Buddhism to find hope in this ultimately inspirational story. Masters has written his remarkable story as a cautionary tale for anyone who might be tempted to follow in his footsteps, and as a plea for under-standing to a world that too often ignores the plight of the forgotten members of society. His personal story dramatically reminds us all that freedom and opportunity are not to be taken for granted, and that no matter what their neighborhood, no matter what their race, every child matters.

Do you really need to buy this bookYou gotta ask yourself one question: Are you going to be ready when the sh*t goes downHere is a quick checklist:1. Have you dug up your wife's rose garden and built a fallout shelter, equipped with a prison where you can lock up annoying family members?2. Have you mapped out an escape route to your safe zone?3. Is there a vehicle of death sitting in your garage?4. Have you filled your go bag with all the needed instruments, including waterproof matches, postapocalyptic goggles, and at least one sexual party favor?5. Have you learned how to milk various types of animals, including a giraffe?As you can see, you need this book more than you even know. Without it, you're roadkill. Lucky for you, Forrest Griffin is the perfect apocalyptic chaperon. When he was in the womb, his mother had visions that the world would soon crumble, and Forrest would be the messiah of all mankind. He learned of these "visions" at the age of ten, and although they led him to believe that his mom had just been watching Mad Max and eating bad Mexican food, nevertheless he began his postapocalyptic training a part of which involved his becoming a proud member of the Webelos, which is just one step below Boy Scout. And you know what the Boy Scout motto is. (Well, I hope you do, because Forrest doesn't have a clue). Another part involved hoarding ketchup packets, which he sucked down in the darkness of his room while listening to Nine Inch Nails. Hey, don't judge . . . hoarders are survivors. Just look at squirrels, they have been around longer than sharks.If you want to survive the end of the world, and then avoid ending up in a government holding pen suffering from a bunch of diseases and listening to crying babies, you've got some skills to master. But don't worry Forrest has you covered. From spotting the signs of the global downfall, to alienating your loved ones now so they don't come looking for you after, to hot-wiring a car to starting a religion in your own image, he provides you with all the hot knowledge you need to survive the downfall of civilization. Simply put, this is the most important book about the apocalypse that you will ever read by a UFC fighter from Georgia.

An ambitious and startling debut novel that follows the lives of four women at a resort popular among slaveholders who bring their enslaved mistresseswench 'wench n. from Middle English "wenchel," 1 a: a girl, maid, young woman; a female child.Tawawa House in many respects is like any other American resort before the Civil War. Situated in Ohio, this idyllic retreat is particularly nice in the summer when the Southern humidity is too much to bear. The main building, with its luxurious finishes, is loftier than the white cottages that flank it, but then again, the smaller structures are better positioned to catch any breeze that may come off the pond. And they provide more privacy, which best suits the needs of the Southern white men who vacation there every summer with their black, enslaved mistresses. It's their open secret.Lizzie, Reenie, and Sweet are regulars at Tawawa House. They have become friends over the years as they reunite and share developments in their own lives and on their respective plantations. They don't bother too much with questions of freedom, though the resort is situated in free territory–but when truth-telling Mawu comes to the resort and starts talking of running away, things change.To run is to leave behind everything these women value most–friends and families still down South–and for some it also means escaping from the emotional and psychological bonds that bind them to their masters. When a fire on the resort sets off a string of tragedies, the women of Tawawa House soon learn that triumph and dehumanization are inseparable and that love exists even in the most inhuman, brutal of circumstances–all while they are bearing witness to the end of an era.An engaging, page-turning, and wholly original novel, Wench explores, with an unflinching eye, the moral complexities of slavery.

Don't try to find me. Though the message on the kitchen whiteboard is in fourteen-year-old Marley's handwriting, her mother, Rachel, knows there has to be some other explanation. Marley would never run away.I'll be okay. Marley's quiet. Innocent. Sheltered. Growing up in Northern California with all the privilege Rachel never had, what does Marley know about taking care of herselfAbout being okay?Rachel might not know her daughter at all. But she does know that she needs to find Marley before someone else does. Someone dangerous.I'll be better. The police have limited resources devoted to runaways. If Rachel and her husband, Paul, want their daughter back, they'll have to find her themselves. Paul turns to Facebook and Twitter and launches FindMarley.com.But Marley isn't the only one with something to hide. Paul's social media campaign generates national attention, and the public scrutiny could expose Rachel's darkest secrets. When she blows a television interview, the dirty speculation begins.I love you. The blogosphere is convinced Rachel is hiding something. It's not what they think; Rachel would never hurt Marley. Not intentionally, anyway. But when it's discovered that Rachel lied to the police, the devoted mother becomes the prime suspect in Marley's disappearance.Is Marley out there, somewhere, watching it all happen . . . or is the truth something far worse?

Thrust into the unlikely role of professional "literary walking tour" guide, an expat writer provides the most irresistibly witty and revealing tour of Paris in years. In this enchanting memoir, acclaimed author and long- time Paris resident John Baxter remembers his yearlong experience of giving "literary walking tours" through the city. Baxter sets off with unsuspecting tourists in tow on the trail of Paris's legendary artists and writers of the past. Along the way, he tells the history of Paris through a brilliant cast of characters: the favorite cafés of Ernest Hemingway, F. Scott Fitzgerald, and James Joyce; Pablo Picasso's underground Montmartre haunts; the bustling boulevards of the late-nineteenth-century fl?neurs; the secluded "Little Luxembourg" gardens beloved by Gertrude Stein; the alleys where revolutionaries plotted; and finally Baxter's own favorite walk near his home in Saint-Germain-des-Prés.

On a quiet morning in California, a lone gunman opens fire on a busload of children headed for a field trip, then turns the gun on himself. Forensic psychiatrist Leander Heartwood and special agent Gabriel Chin team up to investigate the case, seeking at first only to solve this single disturbing crime but in time delving into issues of race, morality, and the complex forces at work in all horrifying acts of violence.Part mystery, part psychological thriller, part piercing social commentary, Equation for Evil is a riveting and incisive meditation on violence and the nature of evil.

I'd been demoted and was shoveling slide-back and minding my own business when they found Dwayne Mays's body in a pile of gob. Shoveling slide-back is maybe the worst job in the mine. Slide-back is what they give you when they want you to quit. It's a punishment.In the depths of the Knight Hawk, one of the last working collieries in downstate Illinois, the body of a reporter is found, his mini-recorder tied around his neck and a notepad stuffed in his mouth.The Knight Hawk's owner, Matthew Luster, isn't happy. He wants answers—and he doesn't want the cops or any more press poking into his business. To protect himself and the operation, he turns to Slim, a mine employee with a reputation for "bloodhounding"—finding lost souls when the police can't or won't. Luster needs Slim to locate a missing photographer named Beckett, a close associate of the victim . . . and who just happens to be his son-in-law.A hardworking single father barely making ends meet, Slim accepts the job— after Luster offers him a guaranteed pension and job security for life. But when you make a deal with the devil, you're going to get burned . . . and now Slim is all too close to the flames. Circumstances have led him into the grimy underworld of Little Egypt, Illinois—a Babel's Tower of rednecks, rubes, freaks, tweakers, gun nuts, and aging hippies—and it quickly becomes clear that he's much more involved in the murder than an innocent man should be.Down Don't Bother Me marks the debut of a wildly assured mystery novelist.

What happens when a graduate of MIT, the bastion of technological advancement, and his bride move to a community so primitive in its technology that even Amish groups consider it antiquated?Eric Brende conceives a real-life experiment: to see if, in fact, all our cell phones, wide-screen TVs, and SUVs have made life easier and better -- or whether life would be preferable without them. By turns, the query narrows down to a single question: What is the least we need to achieve the mostWith this in mind, the Brendes ditch their car, electric stove, refrigerator, running water, and everything else motorized or "hooked to the grid" and begin an eighteen-month trial run -- one that dramatically changes the way they live, and proves entertaining and surprising to readers.Better OFF is a smart, often comedic, and always riveting book that also mingles scientific analysis with the human story, demonstrating how a world free of technological excess can shrink stress -- and waistlines -- and expand happiness, health, and leisure. Our notion that technophobes are backward gets turned on its head as the Brendes realize that the crucial technological decisions of their adopted Minimite community are made more soberly and deliberately than in the surrounding culture, and the result is greater -- not lesser -- mastery over the conditions of human existence.

Shakespeare's plays are usually studied by literary scholars and historians and the books about him from those perspectives are legion. It is most unusual for a trained philosopher to give us his insight, as Colin McGinn does here, into six of Shakespeare's greatest plays A Midsummer Night's Dream, Hamlet, Othello, Macbeth, King Lear, and The Tempest. In his brilliant commentary, McGinn explores Shakespeare's philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing. In addition to chapters on the great plays, there are also essays on Shakespeare and gender and his plays from the aspects of psychology, ethics, and tragedy. As McGinn says about Shakespeare, "There is not a sentimental bone in his body. He has the curiosity of a scientist, the judgement of a philosopher, and the soul of a poet." McGinn relates the ideas in the plays to the later philosophers such as David Hume and the modern commentaries of critics such as Harold Bloom. The book is an exhilarating reading experience, especially at a time when a new audience has opened up for the greatest writer in English.

A momentous memoir of childhood and adolescence from one of our finest and most beloved writers, as we've never seen her beforeIn The Lost Landscape, Joyce Carol Oates vividly re-creates the early years of her life in western New York State, powerfully evoking the romance of childhood and the way it colors everything that comes after. From early memories of her relatives to remembrances of a particularly poignant friendship with a red hen, from her first friendships to her first experiences with death, The Lost Landscape is an arresting account of the ways in which Oates's life (and her life as a writer) was shaped by early childhood and how her later work was influenced by a hardscrabble rural upbringing.In this exceptionally candid, moving, and richly reflective recounting of her early years, Oates explores the world through the eyes of her younger self and reveals her nascent experiences of wanting to tell stories about the world and the people she meets. If Alice in Wonderland was the book that changed a young Joyce forever and inspired her to look at life as offering end-less adventures, she describes just as unforgettably the harsh lessons of growing up on a farm. With searing detail and an acutely perceptive eye, Oates renders her memories and emotions with exquisite precision to truly transport the reader to a bygone place and time, to the lost landscape of the writer's past but also to the lost landscapes of our own earliest, and most essential, lives.