The coroner’s report identifies the body as young, black, female, and impossibly anonymous. Yet one thing is clear to Detective Chief Inspector Jane Tennison about the latest victim discovered in one of London’s poorest districts—that news of her murder will tear apart a city already crackling with racial tensions, hurling Scotland Yard and Tennison herself into a maelstrom of shocking accusations and sudden, wrenching violence.Even as London’s brutal killer remains at large, Tennison remains locked in a struggle to overcome her station house’s brutal chauvinism and insidious politicking. And as the department’s deeply rooted racism rears its head to overshadow every facet of her new investigation, the trail of her prime suspect is growing colder. Worse, when the details of the beleaguered detective’s stormy personal life explode across the headlines of London’s sleaziest tabloids, Tennison’s already frenzied determination to bring the killer to justice will be catapulted into obsession—one that could send her spiraling over the edge.

It's the dead of winter and struggling actress and wedding-cake decorator Piper Donovan is thrilled to be in warm and romantic Sarasota, Florida, enjoying the powdery white beaches, soothing seas, and golden sunsets over the Gulf of Mexico. She and her family are there to celebrate her beloved cousin's wedding. Not only is Piper creating the sugar-sand-dollar-festooned wedding cake, she's also the maid of honor.But a cloud seems to be hovering over the whole affair. Shortly after a bridesmaid mysteriously disappears, a kindly neighbor's car is run off the road and a prospective witness, an innocent Amish teenager, is threatened to keep silent. Then a body is found on the beach where the wedding will take place. With the nuptials threatened, it falls to Piper to unmask a killer. Could it be the wedding planner with something to hideA doctor and his wife who collect unusual Japanese figurinesThe best man, an ex–drug dealer with lecherous eyes and roving handsWhat about her cousin's future stepfather—or even the bridegroom himself?As Piper gets close to figuring out who's been covering his guilty footprints in the sand, the cunning killer has already set his sights on Piper as his next victim!

A riveting Southern mystery in which Memphis detective Billy Able descends into the bizarre world of flawed heroes, Santería voodoo, and cold-hearted killings linked to a damning photograph and a stunning betrayal by a civil rights iconBurned by his last case, Memphis detective Billy Able is at a crossroads. He doubts himself. He doubts his career. But he can't turn off instincts honed by a decade on the force. The suspicious deaths of two legendary bluesmen are ruled due to natural causes. Convinced that a crime has been committed, Billy Able and straitlaced female cop Frankie Malone refuse to let it go. A voodoo curse, a Santerían priest, and a decades-old photograph may connect the seemingly unrelated homicides. But the clues don't add up until a third victim is cruelly murdered. Guilt-ridden, Billy swears to dig into the city's dark history for answers, then finds himself caught up in a web of incriminating evidence. Hunter becomes prey. Frankie has his back as they race to solve the deadly puzzle from which Billy may not come out alive.

From the critically acclaimed author of Real Life & Liars and Things We Didn't Say comes a timely and provocative novel that asks: What happens when the things we own become more important than the people we love?Trish isn't perfect. She's divorced and raising two kids—so of course her house isn't pristine. But she's got all the important things right and she's convinced herself that she has it all under control. That is, until the day her youngest son gets hurt and Child Protective Services comes calling. It's at that moment when Trish is forced to consider the one thing she's always hoped wasn't true: that she's living out her mother's life as a compulsive hoarder.The last person Trish ever wanted to turn to for help is her sister, Mary—meticulous, perfect Mary, whose house is always spotless . . . and who moved away from their mother to live somewhere else, just like Trish's oldest child has. But now, working together to get Trish's disaster of a home into livable shape, two very different sisters are about to uncover more than just piles of junk, as years of secrets, resentments, obsessions, and pain are finally brought into the light.

As a writer for Chick Habit, an increasingly popular women's website, Alex Lyons gets paid to be a bitch. She's churning out several posts a day, and she saves her juiciest ones for blog prime time, when working women eat their sad desk salads in their offices. Alex tells herself she's fulfilling her dream of being a professional writer; so what if it means being glued to her couch and her laptop from six a.m. to six p.m., scouring the web in search of the next big celebrity scandalSince Chick Habit's parent company keeps close tabs on page views, Alex knows her job is always at risk.So when an anonymous tipster sends her the year's most salacious story—a politico's squeaky-clean Ivy League daughter caught in a very R-rated activity—it's a no-brainer. But is Alex really willing to ruin the girl's life by igniting the next Internet feeding frenzyAnd what she doesn't yet realize is how this big scoop is about to send her own life spiraling out of control.

Molly Hagan is overwhelmed.Her husband left her for a younger, blonder woman; her six-year-old son is questioning her authority, and now so is she. In order to pay her Brooklyn rent and keep her son supplied with Pokémon and Legos, not to mention food and clothing, she has to get a job—fast.So when an old friend offers Molly a freelance position copywriting for a new bakery, finding romance is just about the last thing on her mind. But the sexy British pastry chef who's heading up the bakery has other thoughts. And then so does Molly, when she meets the chef's intimidating business partner—who also happens to have a secret that might prevent Molly from getting her own happily ever after.

A brilliantly crafted modern tale from acclaimed film critic and screenwriter C. Robert Cargill—part Neil Gaiman, part Guillermo Del Toro, part William S. Burroughs—that charts the lives of two boys from their star-crossed childhood in the realm of magic and mystery to their anguished adulthoodsThere is another world than our own—one no closer than a kiss and one no further than our nightmares—where all the stuff of which dreams are made is real and magic is just a step away. But once you see that world, you will never be the same.Dreams and Shadows takes us beyond this veil. Once bold explorers and youthful denizens of this magical realm, Ewan is now an Austin musician who just met his dream girl, and Colby, meanwhile, cannot escape the consequences of an innocent wish. But while Ewan and Colby left the Limestone Kingdom as children, it has never forgotten them. And in a world where angels relax on rooftops, whiskey-swilling genies argue metaphysics with foul-mouthed wizards, and monsters in the shadows feed on fear, you can never outrun your fate.Dreams and Shadows is a stunning and evocative debut about the magic and monsters in our world and in our self.

For more than two decades, Terry Pratchett has been regaling readers with tales of Discworld—a flat world balanced on the backs of four elephants, which are standing on the back of a giant turtle, flying through space. It is a world populated by ineffectual wizards and sharp-as-tacks witches, by tired policemen and devious dictators, by reformed thieves and vampires who have sworn to drink no blood. It is a world that is vastly different from our own . . . except when it isn't.Now, in The Wit and Wisdom of Discworld, various nuggets of Pratchett's witty commentary and sagacious observations have been compiled by Pratchett expert Stephen Briggs, a man who, they say, knows even more about Discworld than Terry Pratchett.Within these pages, you'll find musings on:Interior decorating: "It's a fact known throughout the universes that no matter how carefully the colors are chosen, institutional decor ends up as either vomit green, unmentionable brown, nicotine yellow, or surgical appliance pink. By some little-understood process of sympathetic resonance, corridors painted in those colors always smell slightly of boiled cabbage—even if no cabbage is ever cooked in the vicinity." (Equal Rites)Travel: "Any seasoned traveler soon learns to avoid anything wished on them as a 'regional speciality,' because all the term means is that the dish is so unpleasant the people living everywhere else will bite off their own legs rather than eat it. But hosts still press it upon distant guests anyway: 'Go on, have the dog's head stuffed with macerated cabbage and pork noses—it's a regional speciality.'" (The Last Continent)Young men: "And then there was the young male walk. At least women swung only their hips. Young men swung everything, from the shoulders down. You have to try to occupy a lot of space. It makes you look bigger, like a tomcat fluffing his tail. The boys tried to walk big in self-defense against all those other big boys out there. I'm bad, I'm fierce, I'm cool, I'd like a pint of shandy and me mam wants me home by nine." (Monstrous Regiment)Class: "'Old money' meant that it had been made so long ago that the black deeds that had originally filled the coffers were now historically irrelevant. Funny, that; a brigand for a father was something you kept quiet about, but a slave-taking pirate for a great-great-great-grandfather was something to boast of over the port. Time turned the evil bastards into rogues, and rogue was a word with a twinkle in its eye and nothing to be ashamed of." (Making Money) . . . and more! Culled from all the Discworld novels, The Wit and Wisdom of Discworld confirms Pratchett's place in the pantheon of great satirists and proves why the Chicago Tribune has praised his Discworld as "entertaining and gloriously funny . . . an accomplishment nothing short of magical."

At just twenty-three years old, Shauna Reid weighed 351 pounds. Spurred into action by the sight of her enormous white knickers billowing on the clothesline, she created the hugely successful blog "The Amazing Adventures of Dietgirl." Hiding behind her Lycra-clad, roly-poly alter-ego, her transformation from couch potato to svelte goddess began.Today, eight thousand miles, seven years, and 175 pounds later, the gloriously gorgeous Shauna is literally half the woman she used to be. Hysterically funny and heart-wrenchingly honest, The Amazing Adventures of Dietgirl includes travel tales from Australia to Paris to Red Square, plus romance when she meets the man of her dreams in a Scottish pub. This is the uplifting true story of a young woman who defeated her demons and conquered her cravings to become a real-life superhero to inspire us all.

A fake suitcase bomb discovered in suburban Tel Aviv turns out to be only the first strand in an all-too- real web of deceit and malevolence.A witness sees a man with a limp abandon a suitcase near a suburban Tel Aviv daycare center. The explosive device it contains turns out to be a dud, but a few hours after the discovery, the daycare receives a phone call: The suitcase is only the beginning.Although the police are quick to finger a known felon as a suspect, Detective Avraham Avraham is not convinced after he volunteers to conduct the interrogation. So he returns to the quiet streets of this family-friendly neighborhood in his search for answers, treating no one—not the teacher, not the children's parents—above suspicion.Despite his colleagues' dismissals, Avraham keeps coming back to one man. A father of two, Avraham's person of interest does not seem like the criminal type . . . until he suddenly vanishes, and jagged holes start appearing in his story. Much to Avraham's frustration, each development appears to take him further and further away from the answers he so desperately seeks.Told from alternating perspectives, A Possibility of Violence is the heart-pounding story of one man on the run with a tenacious and persistent police detective in pursuit.

The only thing I felt was a strong hand around my neck, another around my waist, and -- before I could cry out -- I smelled the thick, sweet scent of a mandrake-soaked cloth. Unforgiving hands clapped it against my face, and all went dark.Ala?s, the king of France's sister, is abducted while on her mission for the wily Eleanor of Aquitaine, the former Queen of England, to retrieve hidden letters that, in the wrong hands, could bring down the English king. In exchange, the French princess was to receive long-heldand dangerous information. Now Ala?s, along with help from the very intriguing leader of the Knights Templar, must unravel a tangled web of family secrets and lies.Filled with intrigue and peopled with compelling legendary figures, The Canterbury Papers is an "electrifying journey into the past" (Booklist).

The critically acclaimed and bestselling author of The Raising returns with a haunting and shadowy thriller about the love between a mother and daughter.Something had followed them from Russia.On a snowy Christmas morning, Holly Judge awakens, the fragments of a nightmare—something so important that she must write it down—floating on the edge of her consciousness.Something had followed them from Russia.It was thirteen years ago that she and her husband, Eric, went to Siberia to adopt the sweet, dark-haired child they had wanted so desperately. How they laughed at the nurses of Pokrovka Orphanage #2 with their garlic and superstitions, and ignored their insistent warnings. After all, their fairy princess Tatiana—Baby Tatty—was perfect.As the snow falls, enveloping the world in its white silence, Holly senses that something is not right, and has never been right in the years since they brought their daughter home. Now Tatty is a dangerously beautiful, petulant, and often erratic teenager, and Holly feels there is something evil lurking within their house.She and Tatiana are alone. Eric is stuck on the roads, and none of the other guests for Christmas dinner will be able to make it through the snow. With each passing hour, the blizzard rages and Tatiana's mood darkens, her behavior becoming increasingly disturbing . . . until, in every mother's worst nightmare, Holly finds she no longer recognizes her daughter.

Don't try to find me. Though the message on the kitchen whiteboard is in fourteen-year-old Marley's handwriting, her mother, Rachel, knows there has to be some other explanation. Marley would never run away.I'll be okay. Marley's quiet. Innocent. Sheltered. Growing up in Northern California with all the privilege Rachel never had, what does Marley know about taking care of herselfAbout being okay?Rachel might not know her daughter at all. But she does know that she needs to find Marley before someone else does. Someone dangerous.I'll be better. The police have limited resources devoted to runaways. If Rachel and her husband, Paul, want their daughter back, they'll have to find her themselves. Paul turns to Facebook and Twitter and launches FindMarley.com.But Marley isn't the only one with something to hide. Paul's social media campaign generates national attention, and the public scrutiny could expose Rachel's darkest secrets. When she blows a television interview, the dirty speculation begins.I love you. The blogosphere is convinced Rachel is hiding something. It's not what they think; Rachel would never hurt Marley. Not intentionally, anyway. But when it's discovered that Rachel lied to the police, the devoted mother becomes the prime suspect in Marley's disappearance.Is Marley out there, somewhere, watching it all happen . . . or is the truth something far worse?

A suspenseful debut novel of desire, obsession, power, and vulnerability, in which a crisis of inheritance leads to the downfall of a wealthy family of Persian Jews in early twentieth-century IranFor all his wealth and success, Asher Malacouti—the head of a prosperous Jewish family living in the Iranian town of Kermanshah—cannot have the one thing he desires above all: a son. His young wife, Rakhel, trapped in an oppressive marriage at a time when a woman's worth is measured by her fertility, is made desperate by her failure to conceive, and grows jealous and vindictive.Rakhel's despair is compounded by the pregnancy of her sister-in-law, Khorsheed, and by her husband's growing desire for Kokab, his cousin's wife. Frustrated by his own wife's inability to bear him an heir, Asher makes a fateful choice that will shatter the household and drive Rakhel to dark extremes to save herself and preserve her status within the family.Witnessed through the memories of the family's sole surviving daughter, Mahboubeh, now an elderly woman living in Los Angeles, The Girl from the Garden unfolds the complex, tragic history of the Malacouti family in a long-lost Iran of generations past. Haunting, suspenseful, and inspired by events in the author's own family, it is an evocative and poignant exploration of sacrifice, betrayal, and the indelible legacy of the families that forge us.

In late September 1993, Brooke Fielding, a thirty-eight-year-old New York investment manager and the daughter of Jewish Holocaust survivors, accepts an invitation to teach entrepreneurial skills to Russian businesswomen in Moscow. Though excited by the opportunity to be one of the first Americans to visit Russia after the fall of communism, she wonders what awaits her in the country that persecuted her mother just a generation ago. But as the Russian parliament's uprising against President Boris Yeltsin turns Moscow into a volatile war zone, Brooke finds that her involvement comes at a high cost. For in a city where "capitalism" is still a dirty word, where neighbors spy on neighbors and the new economy is in the hands of a few dangerous men, nothing Brooke does goes unnoticed—and a mistake in her past may now compromise her future.

Orphaned as a child, Octavia Leander was doomed to grow up on the streets until Miss Percival saved her. Gifted with incredible powers, the young healer is about to embark on her first mission, visiting suffering cities in the far reaches of the war-scarred realm. But the airship on which she is traveling is plagued by a series of strange and disturbing occurrences, including murder, and Octavia herself is threatened. Suddenly, she is caught up in a flurry of intrigue: the dashingly attractive steward may be one of the infamous Clockwork Daggers the Queen's spies and assassins and her cabinmate harbors disturbing secrets. But the danger is only beginning, for Octavia discovers that the deadly conspiracy may reach the crown itself.

The acclaimed Asylum Tales continueWizard and tattoo artist Gage escaped the dread Ivory Towers, but no one can outrun his past forever. The wizards know Gage is using forbidden magic, and they will stop at nothing—even destroying cities—to stop him?.?.?.?and the nascent human uprising.

Some secrets belong to the past. Others refuse to stay there . . .In 1959, in an underground laboratory in a remote region of West Virginia, a secret government experiment went terribly awry. Half a dozen scientists mysteriously disappeared, and all subsequent efforts to rescue them failed. In desperation, President Eisenhower ordered the lab sealed shut and all records of its existence destroyed. Now, fifty-four years later, something from the lab has emerged.When mysterious events begin occurring along the New River Valley in West Virginia, government agents Mike Califano and Ana Thorne are sent to investigate. What they discover will shake the foundations of science and religion and put both agents in the crosshairs of a deadly, worldwide conspiracy. A powerful and mysterious force has been unleashed, and it's about to fall into the wrong hands. To prevent a global catastrophe, Califano and Thorne must work together to solve a biblical mystery that has confounded scholars for centuries. And they must do so quickly, before time runs out . . . forever.

They call it pulling the trigger.Not by a killer in the night, but by a judge on the bench.Twenty years ago, Judge Ray McMullin proved to the people of San Francisco that he could pull that trigger by sentencing Israel Dominguez to death for a gangland murder. But it meant suppressing his own doubts about whether the punishment really did fit the crime. Now, as the execution date nears, the conscience-wracked judge confesses his unease to former homicide detective Harlan Donnally on a riverbank in far Northern California. And after immersing himself in the Norte?o and Sure?o gang wars, which left trails of bullets and blood crisscrossing the state, and in the betrayals of both cops and crooks alike, Donnally is forced to question not only whether the penalty was undeserved but the conviction itself.Soon those doubts and questions double back, for in the aging judge's panic, in his lapses of memory and his confusions, Donnally begins to wonder whether he's chasing the facts of the case or just phantoms of a failing mind. But there's no turning back, for the edge of night is fast closing in on Dominguez, on McMullin, and on Donnally himself.

The prizewinning author of Dirt, Caribou Island, and Legend of a Suicide returns with a searing, morally complex novel about families, violence, regret, and shattered faith.In the fall of 1978, on a 640-acre family ranch on Goat Mountain in Northern California, an eleven-year-old boy joins his grandfather, his father, and his father’s best friend on the family’s annual deer hunt.Every fall they return to this dry, yellowed landscape dotted with oak, buckbrush, and the occasional stand of pine trees. Goat Mountain is what this family owns and where they belong. It is where their history is kept, where their memories and stories are shared. And for the first time, the boy’s story will become part of their narrative, if he can find a buck. Itching to shoot, he is ready. When the men arrive at the gate to their land, the father discovers a poacher and sights him through the scope of his gun. He offers his son a look—a simple act that will explode in tragedy, transforming these men and this family, forcing them to question themselves and everything they thought they knew.David Vann creates a haunting and provocative novel, in prose devastating and beautiful in its precision, that explores our most primal urges and beliefs, the bonds of blood and religion that define and secure us, and the consequences of our actions—what we owe for what we’ve done.

Hannah the elephant is thriving in her new home, peacemaker Truman Levy is the new director of the Max L. Biedelman Zoo, and life in Bladenham, Washington, has finally settled down . . . or has itFrom his eccentric aunt Ivy, Truman learns of the plight of a desperately sick, captive killer whale named Friday.Reluctantly Truman agrees to give the orca a new home—and a new lease on life—at the zoo. But not everybody believes in his captivity. Soon the Max L. Biedelman Zoo is embroiled in a whale-size controversy and Friday's fate is up for grabs.Like The Art of Racing in the Rain and Water for Elephants, Friday's Harbor beautifully illuminates the special bond between animals and humans.