It's New Year's Eve, 1919. Scotland Yard Inspector Ian Rutledge has accompanied his sister to the home of mutual friends for dinner but gets a call from the office and has to leave. On the steps outside, he sees a brass cartridge casing, like countless others he's seen during the war. But this one has an engraving in the metal. Curious, he pockets it. Soon after, Rutledge is on the southern coast of England helping the local police capture a murderer. Work done, on a whim he drives along the cliffs overlooking the Atlantic and takes a walk out on the headland. Returning to his car, he finds another engraved cartridge casing on the driver's seat. He's been followed. The cartridge casing seems to point to the war and unfinished business there. To stay alive in the face of an unknown and unseen adversary, Rutledge is pressed to the limits of his skills. He's the prey. But who is the hunter?

Bestselling author and Zen Master Thich Nhat Hanh transforms an ancient folktale into a timeless parable of a young woman who dares to risk her life for her faith. Born to an aristocratic family in rural Vietnam, Kinh Tam’s uncommon beauty and intelligence were obvious to all she encountered. From an early age she was drawn to the teachings of Buddha and the rewards of a monastic life, but to please her family she agreed to walk the traditional path of marriage. Throughout her marriage, Kinh Tam’s mind was devoted to her husband but her heart never waivered from her true calling. She wanted to be a monk. And yet Buddhism was still new to Vietnam and temples accepted only men for ordination. Making a decision that would forever change her life, Kinh Tam left town, disguised herself as a man, and joined a monastery as a novice. Despite the many challenges of living as a man, Kinh Tam thrived and became a beloved member of the community. Years of profound joy and peace passed until a local woman accuses the novice of fathering her unborn child. Kinh Tam is torn between two impossible choices: keep her secret and endure brutal punishment or reveal the truth that would prove her innocence but put an end to her spiritual path.Facing the unbearable with the boundless heart of Buddha, her choice forever changes her life, her country, and her faith. In spare, elegant prose, Thich Nhat Hanh reminds us that we, too, face our own injustices and suffering, and by connecting with love, we can, like Kinh Tam, discover a mind and heart that are peaceful, happy, and free.

Three sips to mind the dead . . .Rebekkah Barrow never forgot the attention her grandmother Maylene bestowed upon the dead of Claysville, the small town where Bek spent her adolescence. There wasn't a funeral that Maylene didn't attend, and at each one Rebekkah watched as Maylene performed the same unusual ritual: She took three sips from a silver flask and spoke the words "Sleep well, and stay where I put you."Now Maylene is dead, and Bek must go back to the place she left a decade earlier. She soon discovers that Claysville is not just the sleepy town she remembers, and that Maylene had good reason for her odd traditions. It turns out that in Claysville the worlds of the living and the dead are dangerously connected; beneath the town lies a shadowy, lawless land ruled by the enigmatic Charles, aka Mr. D. If the dead are not properly cared for, they will come back to satiate themselves with food, drink, and stories from the land of the living. Only the Graveminder, by tradition a Barrow woman, and her Undertaker—in this case Byron Montgomery, with whom Bek shares a complicated past—can set things right once the dead begin to walk.Although she is still grieving for Maylene, Rebekkah will soon find that she has more than a funeral to attend to in Claysville, and that what awaits her may be far worse: dark secrets, a centuries-old bargain, a romance that still haunts her, and a frightening new responsibility—to stop a monster and put the dead to rest where they belong.

As a teenager, Hannah Benson ran away from home in order to save herself. Now, twenty years later, the past comes calling and delivers life-changing news: her mother and sister have passed away, leaving Hannah the guardian of her fifteen-year-old niece.Returning home to bitter memories and devastating secrets, Hannah must overcome her painful past to pave a future with her niece, the last best chance at a family for both of them. She begins to create a new, happier life with her niece and rekindles a relationship with Grady Steadman, one of the few people she’s ever called a friend. But she can’t forget what she cannot forgive, or lay to rest those ghosts that will not die. Will love and trust—and the truth—give her the strength to stand her ground and fight for what she deserves?

Introduction"If you leave Opi, you'll die with strangers," Irma Vitale's mother always warned. Even after her beloved mother's passing, 20-year-old Irma longs to stay in her Abruzzo mountain village, plying her needle. But too poor and plain to marry and subject to growing danger in her own home, she risks rough passage to America and workhouse servitude to achieve her dream of making dresses for gentlewomen. In the raw immigrant quarters and with the help of an entrepreneurial Irish serving girl, ribbon-decked Polish ragman and austere Alsatian dressmaker, Irma begins to stitch together a new life . . . until her peace and self are shattered in the charred remains of the Great Chicago Fire. Enduring a painful recovery, Irma reaches deep within to find that she has even more to offer the world than her remarkable ability with a needle and threadQuestions for Discussion1. Irma's practical skills and world knowledge seem so limited, even compared to those of her brother Carlo. What abilities and traits help her navigate the difficult passages from Opi to Naples and then west?2. Irma's mother devoutly believes that "If you leave Opi, you will die with strangers." How does this assertion shape Irma's experience and how does she ultimately refine it in a way that allows her to move forward in her journeyHow does this family assertion compare to others you may have encountered?3. Opi, real and remembered, is a powerful force for Irma's self-image and world-view. How does her conception of Opi change through the novel?4. Unlike many fictional heroines and perhaps many young women, Irma initially has little interest in a romantic union. Why not and what must change for her to have a satisfying intimate relationship?5. At various times in her journey, Irma makes choices which she herself feels are at odds with the Irma Vitale that she "really is." Is she accurate in this assessment?6. Irma Vitale is surrounded by immigrants as she makes her passage west. What various ways of relating to "the Old Country" are represented by these other immigrants, her "fellow strangers"?7. Sofia gives Irma the option to leave Jake and Daisy's flat. Yet Irma stays. How does this choice reflect her course since first encountering Jake?8. Irma's profession evolves from needle worker to dressmaker and finally surgeon. What inner changes parallel this evolution?9. Today, as in Irma's time, many people live far from their birthplace for a variety of reasons. What pressures, challenges and supports seem universal about her experience?About the AuthorPamela Schoenewaldt lived for ten years in a small town outside Naples, Italy. Her short stories have appeared in literary magazines in England, France, Italy and the United States. She taught writing for the University of Maryland, European Division and the University of Tennessee and now lives in Knoxville, Tennessee with her husband, Maurizio Conti, a medical physicist, and their dog Jesse, a philosopher.

Take Me Home is a powerful story about friendship and love set against the stunning backdrop of 1880's Wyoming and based in the pages of history.Like many classic stories, Brian Leung’s new novel begins with a journey home. Adele “Addie” Maine is returning to Dire, a Wyoming coal-mining town, forty years after the deadly events that nearly took her life and drove her away without a word to her husband. Years earlier: Headed West to stay with her brother Tommy, a young and feisty Addie arrives in Wyoming having been convinced along the way that the Chinese who work alongside the white men in the small Wyoming town are half-man, half-beast—devious creatures to be wary of. When Tommy falters at homesteading, the siblings look to the coal mines and Addie comes into close contact with one Chinese man in particular, Wing Lee. The bond between the two is a mere spark at first, hampered by the reality for both that a friendship would be impossible, forbidden, even in a territory where almost everyone is an immigrant. Together, Addie and Wing harbor a secret. Ultimately Addie must protect Wing’s life and fight for what she knows is right, but she still can’t find the answers to life’s most important questions. It’s only as a much older woman, returning to Dire to bid farewell to a friend from decades ago, that Addie comes face-to-face with the man she’s certain tried to kill her, and at last confronts the surprises and losses that await at the end of a difficult journey. Take Me Home is a searing, redemptive novel that explores justice in a time of violence, and the sweeping landscape between friendship and love.

A powerful tale of family and community, This House Is Not for Sale brings to life an African neighborhood and one remarkable house, seen through the eyes of a young member of the household. It lies in a town seemingly lost in time, full of colorful, larger-than-life characters. At the narrative's heart are Grandpa, the family patriarch, whose occasional cruelty is balanced by his willingness to open his doors to those in need, and the house itself, which becomes a character in its own right and takes on the scale of legend.From the decades-long rivalry between the owners of two competing convenience stores to the man who persuades his neighbors to give up their earthly possessions to prepare for the end of the world, E. C. Osondu's story captures a place beyond the reach of the outside world, full of superstitions and myths that sustain its people. His prose has the lightness and magic of fable, but his themes—poverty, disease, the arrival of civilization in an isolated community—are timeless and profound.At once resounding with joyful energy and reverent with quiet heartbreak, This House Is Not for Sale is an utterly original novel from a master storyteller.

Over the course of one year, in a charming cottage by the sea, eight people will discover love and remembrance, reconciliation and reunion, beginnings and endings in this unforgettable sequel to Georgia Bockoven's The Beach House and Another SummerAlison arrives at the beach house in June to spend a month with her restless grandson before he leaves for his first year of college. More than a decade earlier, Alison lost her beloved husband, and has faced life alone ever since. Now she discovers a new life and a possible new love.August brings together four college friends facing a milestone. During summer's final days, they share laughter, tears, and love—revealing long-held secrets and creating new and even more powerful bonds.World-class wildlife photographer Matthew and award-winning war photographer Lindsey arrive at the beach house in January, each harboring the very real fear that it will mark the end of their decade-long love affair. Alone in the house's warm peace, they are forced to truly look at who they are and what they want, discovering surprising truths that will change their lives forever.

With the passing of a new state law, it becomes a felony to harbor an undocumented immigrant in Oklahoma. So when Robert John Brown, a churchgoing family man and respected community member, is caught hiding a barnful of migrant workers with no papers, he is arrested and sent to prison. Meanwhile, his ten-year-old grandson Dustin tries to help the sole escapee of the raid reunite with his family, and his granddaughter, Misty, is struggling to raise her daughter alone after her husband, an illegal immigrant himself, has been deported. Then there's Brown's daughter Sweet, who finds her life unraveling: her father is refusing to speak in court to defend himself, her nephew is missing, her niece is in need of shelter, and the stress of it all is destroying her marriage.Rilla Askew's brilliant, hilarious, and heartfelt novel follows a handful of complicated lawmakers and lawbreakers as workers are exiled, friends turn informers, and families are torn apart in a statewide exodus of Hispanics. In the end, Kind of Kin reveals how an ad hoc family, and an entire town, will unite to do anything necessary to protect its own.

In his heartbreaking yet hopeful fourth novel, award-winning author Willy Vlautin demonstrates his extraordinary talent for illuminating the disquiet of modern American life, captured in the experiences of three memorable characters looking for meaning in distressing times.Severely wounded in the Iraq war, Leroy Kervin has lived in a group home for eight years. Frustrated by the simplest daily routines, he finds his existence has become unbearable. An act of desperation helps him disappear deep into his mind, into a world of romance and science fiction, danger and adventure where he is whole once again.Freddie McCall, the night man at Leroy's group home, works two jobs yet still can't make ends meet. He's lost his wife and kids, and the house is next. Medical bills have buried him in debt, a situation that propels him to consider a lucrative—and dangerous—proposition.Pauline Hawkins, a nurse, cares for the sick and wounded, including Leroy. She also looks after her mentally ill elderly father. Yet she remains emotionally removed, until she meets a young runaway who touches something deep and unexpected inside her.In crystalline prose, both beautiful and devastating, this "major realist talent" (Seattle Post-Intelligencer) considers the issues transforming ordinary people's lives—the cost of health care, the lack of economic opportunity, the devastating scars of war—creating an extraordinary contemporary portrait that is also a testament to the resiliency of the human heart.

The screenplay for McCarthy's classic film, bearing in full measure his gift—the ability to fit complex and universal emotions into ordinary lives and still preserve all of their power and significanceIn the spring of 1975 the film director Richard Pearce approached Cormac McCarthy with a screenplay idea. Though already a widely acclaimed novelist, the author of such modern classics as The Orchard Keeper and Child of God, McCarthy had never before written a screenplay. Using a few photographs in the footnotes to a 1928 biography of a famous pre–Civil War industrialist as inspiration, McCarthy and Pearce roamed the mill towns of the South researching their subject. A year later McCarthy finished The Gardener's Son, a taut, riveting drama of impotence, rage, and violence spanning two generations of mill owners and workers, fathers and sons, during the rise and fall of one of America's most bizarre utopian industrial experiments. Produced as a two-hour film and broadcast on PBS in 1976, The Gardener's Son received two Emmy Award nominations and was shown at the Berlin and Edinburgh Film Festivals.Set in Graniteville, South Carolina, The Gardener's Son is the tale of two families: the wealthy Greggs, who own and operate the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. The action opens as Robert McEvoy, a young mill worker, is having his leg amputated after an accident rumored to have been caused by James Gregg, the son of the mill's founder. Crippled and consumed by bitterness, McEvoy deserts both his job and his family.Returning two years later at the news of his mother's terminal illness, McEvoy arrives only to confront the grave diggers preparing her final resting place. His father, the mill's gardener, is now working on the factory line, the gardens forgotten. These proceedings stoke the slow-burning rage McEvoy carries within him, a fury that will ultimately consume both families.

From the inimitable and utterly unconventional voice of Nell Zink comes a wickedly humorous and sharply observed novel that exposes all of our assumptions about race and racism, sexuality and desire, through the making and unmaking of one American family.In 1960s Virginia, college freshman and ingenue Peggy falls for professor and poet Lee, and what begins as an ill-advised affair results in an unplanned pregnancy and marriage. Mismatched from the start—she's a lesbian; he's gay—Peggy eventually finds herself in crisis and runs away with their daughter, leaving their son behind.Estranged from the rest of the family, Peggy and her daughter adopt African American identities and live in near poverty to escape detection. Meanwhile, Lee and his son carry on, enjoying all the social privileges their gender, class, and whiteness afford them. Eventually the long-lost siblings meet, setting off a series of misunderstandings that culminate in a darkly comedic finale worthy of Shakespeare.With an arch sense of humor and a witty satirical eye, Nell Zink upends the foundational categories of American life—race, class, gender, and sexuality—in a novel that is at once daring, envelope-pushing, and utterly hilarious, all the while tracing how a mother, daughter, father, and son figure out what it means to belong.

James Stark, aka Sandman Slim, has met his share of demons and angels, on earth and beyond. Now, in this high octane seventh installment of the Sandman Slim series, he's come face to face with the one entity few care to meet: Death.Someone has tried to kill Death—ripping the heart right out of him—or rather, the body he's inhabiting. So Death wants Sandman Slim's help, because the man who can beat Lucifer and the old gods at their own game is the only one who can solve the murder of someone who can't die.Stark follows a sordid trail deep into L.A.'s subterranean world, from vampire-infested nightclubs to talent agencies specializing in mad ghosts, from Weimar Republic mystical societies to sleazy supernatural underground fight and sex clubs. Along the way he meets a mysterious girl—distinguished by a pair of graveyard eyes—as badass as Slim: she happens to be the only person who ever outwitted Death. But escaping her demise has had dire consequences for the rest of the world . . . and a few others.For years, Slim has been fighting cosmic forces bent on destroying Heaven, Hell, and Earth. This time, the battle is right here on the gritty streets of the City of Angels, where a very clever, very ballsy killer lies in wait.

In a glamorous Newport mansion filled with secrets, a debonair lawyer must separate truth from deception. . . .Spring 1921. The Great War is over, Prohibition is in full swing, the Great Depression is still years away. Wealthy families flock to the glittering "summer cottages" they built in Newport, Rhode Island.Having sheltered in Newport during his misspent youth, attorney Adrian de la Noye is no stranger to the city. Though he'd prefer to forget the place, he returns to revise the will of a well-heeled client. Bennett Chapman's offspring have the usual concerns about their father's much-younger fiancée. But when they learn of the old widower's firm belief that his late first wife, who "communicates" via séance, has chosen the stunning Catharine Walsh for him, they're shocked. And for Adrian, encountering Catharine in the last place he saw her decades ago proves to be a far greater surprise.Adrian is here to handle a will, and he intends to do so—just as soon as he unearths every last secret about the Chapmans, Catharine Walsh . . . and his own very fraught history.Vividly bringing to life the glitzy era of the 1920s, Newport is a skillful alchemy of social satire, dark humor, and finely drawn characters.

At an elite New England art school, two young women collide. Paulina is a sexually adventurous wannabe queen bee with a devastating mean- girl streak. Fran is a gifted yet reluctant painter with gorgeous curly hair and uncertain dreams. On a trip to Norway the two are drawn together, but as adult life encroaches, jealousy and unexpected love tear them apart. Rachel B. Glaser's Paulina & Fran is both a sparkling dance party of a novel and a wicked, wistful snapshot of that moment when the carefree cocoon of adolescence opens into the permanent, unknowable future.

I fell in love with William Ashe at gunpoint, in a Circle KFor single mom Shandi Pierce, life is a juggling act. She's finishing college; raising her delightful three-year-old genius son, Nathan, aka Natty Bumppo; and keeping the peace between her eternally warring, long-divorced Christian mother and Jewish father. She's got enough to deal with before she gets caught in the middle of a stickup in a gas station mini-mart and falls in love with a great wall of a man named William Ashe, who steps between the armed robber and her son to shield the child from danger.Shandi doesn't know that her blond god has his own baggage. When he looked down the barrel of the gun in the gas station he believed it was destiny: it's been exactly one year since a tragic act of physics shattered his universe. But William doesn't define destiny the way other people do. A brilliant geneticist who believes in science and numbers, destiny to him is about choice.Now, William and Shandi are about to meet their so-called destinies head-on, making choices that will reveal unexpected truths about love, life, and the world they think they know.Someone Else's Love Story is Joshilyn Jackson's funny, charming, and poignant novel about science and miracles, secrets and truths, faith and forgiveness; about falling in love and learning that things aren't always what they seem—or what we hope they will be. It's a story about discovering what we want and ultimately finding what we need.

A suspenseful tale of free will versus fate—an extraordinary story of love and family, and the risks we take to break free from the past Newlyweds Holly and Tom have just moved into their dream home, a charming English carriage house in the London suburbs. A rising television journalist, Tom can't wait to fill the house with children. Holly, a budding artist, isn't so sure. She fears that as a mother, she will repeat the terrible mistakes of her own neglectful parents. But Holly and Tom are young and deeply in love, and they have time to decide. While renovating the house, Holly finds an unusual crystal orb—the missing top to the moondial in their garden. She soon discovers this is no ordinary timepiece. Under the full moon's brilliant light, it reveals the future—a future in which Tom cares for their baby daughter . . . alone. Holly's new friend in the village, an elderly woman named Jocelyn, reveals the cursed secret of the moondial's power. Now Holly must choose between herself and her future child—a painful decision that will ultimately teach her about motherhood and sacrifice . . . and reveal how far she will go in the name of love.

In Sucess Stories, an exceptionally varied yet coherent collection, Russell Banks proves himself one of the most astute and forceful writers in America today. Queen for a Day, Success Story, and Adultery trace fortunes of the Painter family in there pursuit of and retreat from the American dream. Banks also explores the ethos of rampant materialism in a group of contemporary moral fables. The Fish is an evocating parable of faith and greed set in a Southeast Asian village, The Gully tells of the profitability of violence and the ironies of upward mobility in a Latin American shantytown, and Chrildren's Story explores the repressed rage that boils beneath the surface of relationships between parents and children and between citizens of the first and third worlds.

"this is my book and i am writing it by my own hand."Mary and her three sisters rise every day to backbreaking farmwork that threatens to suppress their own awakening desires, whether it's Violet's pull toward womanhood or Beatrice's affinity for the Scriptures. But it's their father, whose anger is unleashed at the slightest provocation, who stands to deliver the most harm. Only Mary, fierce of tongue and a spitfire since birth, dares to stand up to him. When he sends her to work for the local vicar and his invalid wife in their house on the hill, he deals her the only blow she may not survive.Within walking distance of her family farm, the vicarage is a world away–a curious, unsettling place unlike any she has ever known. Teeming with the sexuality of the vicar's young son and the manipulations of another servant, it is also a place of books and learning–a source of endless joy. Yet as young Mary soon discovers, such precious knowledge comes at a devastating price, as is gradually made clear once she begins the task of telling her own story.Reminiscent of Alias Grace in the exploration of the power dynamics between servants and those they serve and of Celie's struggles in The Color Purple, this quietly devastating tour de force reminds us that knowledge can destroy even as it empowers.

A man broken in body and spirit, Cazaril returns to the noble household he once served as page and is named secretary-tutor to the beautiful, strong-willed sister of the impetuous boy who is next in line to rule. It is an assignment Cazaril dreads, for it must ultimately lead him to the place he most fears: the royal court of Cardegoss, where the powerful enemies who once placed him in chains now occupy lofty positions.But it is more than the traitorous intrigues of villains that threaten Cazaril and the Royesse Iselle here, for a sinister curse hangs like a sword over the entire blighted House of Chalion. And only by employing the darkest, most forbidden of magics can Cazaril hope to protect his royal charge -- an act that will mark him as a tool of the miraculous . . . and trap him in a lethal maze of demonic paradox.

In 1793, a canal digger named William Smith made a startling discovery. He found that by tracing the placement of fossils, which he uncovered in his excavations, one could follow layers of rocks as they dipped and rose and fell clear across England and, indeed, clear across the world making it possible, for the first time ever, to draw a chart of the hidden underside of the earth. Smith spent twenty-two years piecing together the fragments of this unseen universe to create an epochal and remarkably beautiful hand-painted map. But instead of receiving accolades and honors, he ended up in debtors' prison, the victim of plagiarism, and virtually homeless for ten years more. The Map That Changed the World is a very human tale of endurance and achievement, of one man's dedication in the face of ruin. With a keen eye and thoughtful detail, Simon Winchester unfolds the poignant sacrifice behind this world-changing discovery.