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Love in the Time of Taffeta
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At age 30, Iley Gilbert is thoroughly sick of trying to make it in the photo biz, and disenchanted after putting in stints at a Boston-area newspaper, a photography gallery, and even a pathetic frame shop. When she abruptly quits the frame shop, she's ready to give up for good, until she spots a compelling ad in the paper. A photographer who shoots high school prom photos is looking for an assistant. Not only that, He's willing to pay top dollar to someone who would give up Friday and Saturday nights to help take pre-prom pictures of high-school kids dressed in their finery and candid shots during the dance. William Jasper, Prom Photographer, is not the brand of aging, greasy wedding photographer she was expecting. Rather, He's 35, strikingly handsome, and sharp-witted. Iley is instantly attracted to him and gets the sense the feeling is mutual. But William isn't everything He's made himself out to be that is, he's not single. He's got a permanently out-of town wife-he doesn't need a girlfriend. But Iley has lost her way, and she-ll need her friends and her photos and a lot of bad proms before she can find her way back on track, away from the sleezeball, and into a life that-s a little more picture-perfect.
We Only Know So Much
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Jean Copeland, an emotionally withdrawn wife and mother of two, has taken a secret lover—only to lose him in a moment of tragedy that leaves her reeling. Her husband, Gordon, is oblivious, distracted by the fear that he's losing his most prized asset: his memory. Daughter Priscilla (a pill since birth—don't get us started) is talking about clothes, or TV, or whatever, and hatching a plan to extend her maddening reach to all of America. Nine-year-old Otis is torn between his two greatest loves: crossword puzzles and his new girlfriend. At the back of the house, grandfather Theodore is in the early throes of Parkinson's disease. (And he's fine with it—as long as they continue to let him walk the damn dog alone.) And Vivian, the family's ninety-eight-year-old matriarch, is a razor-sharp grande dame who suffers no fools...and still harbors secret dreams of her own. With empathy, humor, and an unforgettable voice, Elizabeth Crane reveals what one family finds when everyone goes looking for meaning in all the wrong places.
The Boy Who Stole the Leopard's Spots
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A decades-old murder, a strange superstition, an enormous snake, and one giant secret are about to rock the beautiful Belle Vue to its core. It is a time of great upheaval for the Belgian Congo and Belle Vue is not safe from the changes. But there are more pressing problems as an unsolved disappearance brings up issues for some of the denizens of the village. Add to that a sudden influx of strangers and a horrible storm that literally divides the village in half, and suddenly danger seems to be everywhere. The lovely young American missionary Amanda, the police chief Captain Pierre Jardin, and the local witch doctor and his wise-woman wife, Cripple, all become embroiled in the mystery as evil omens and strange happenings at every turn suggest that more lives will be lost before the true killer is unmasked.
Miss Me When I'm Gone
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Author Gretchen Waters made a name for herself with her bestseller Tammyland—a memoir about her divorce and her admiration for country music icons Tammy Wynette, Loretta Lynn, and Dolly Parton that was praised as a "honky-tonk Eat, Pray, Love." But her writing career is cut abruptly short when she dies from a fall down a set of stone library steps. It is a tragic accident and no one suspects foul play, certainly not Gretchen's best friend from college, Jamie, who's been named the late author's literary executor. But there's an unfinished manu* Gretchen left behind that is much darker than Tammyland: a book ostensibly about male country musicians yet centered on a murder in Gretchen's family that haunted her childhood. In its pages, Gretchen seems to be speaking to Jamie from beyond the grave—suggesting her death was no accident . . . and that Jamie must piece together the story someone would kill to keep untold.
My Jane Austen Summer
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Lily has squeezed herself into undersized relationships all her life, hoping one might grow as large as those found in the Jane Austen novels she loves. But lately her world is running out of places for her to fit. So when her bookish friend invites her to spend the summer at a Jane Austen literary festival in England, she jumps at the chance to reinvent herself.There, among the rich, promising world of Mansfield Park reenactments, Lily finds people whose longing to live in a novel equals her own. But real-life problems have a way of following you wherever you go, and Lily's accompany her to England. Unless she can change her ways, she could face the fate of so many of Miss Austen's characters, destined to repeat the same mistakes over and over again. My Jane Austen Summer explores how we fall in love, how we come to know ourselves better, and how it might be possible to change and be happier in the real world.
The Ninth Wife
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What sane woman would consider becoming any man's ninth wife?Bess Gray is a thirty-five-year-old folklorist and amateur martial artist living in Washington, DC. Just as she's about to give up all hope of marriage, she meets Rory, a charming Irish musician, and they fall in love. But Rory is a man with a secret, which he confesses to Bess when he asks for her hand: He's been married eight times before. Shocked, Bess embarks on a quest she feels she must undertake before she can give him an answer. With her bickering grandparents (married sixty-five years), her gay neighbor (himself a mystery), a shar-pei named Stella, and a mannequin named Peace, Bess sets out on a cross-country journey—unbeknownst to Rory—to seek out and question the wives who came before. What she discovers about her own past is far more than she bargained for. The Ninth Wife is a smart, funny, eye-opening tale of love, marriage, and the power of stories to unlock the true meaning of home and family.
After I'm Gone
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The acclaimed New York Times bestselling author of The Most Dangerous Thing, I'd Know You Anywhere, and What the Dead Know returns with an addictive story that explores how one man's disappearance echoes through the lives of the five women he left behind—his wife, his daughters, and his mistressDead is dead. Missing is gone.When Felix Brewer meets nineteen-year-old Bernadette "Bambi" Gottschalk at a Valentine's Day dance in 1959, he charms her with wild promises, some of which he actually keeps. Thanks to his lucrative—if not all legal—businesses, she and their three little girls live in luxury. But on the Fourth of July in 1976, Bambi's comfortable world implodes when Felix, facing prison, vanishes. Though Bambi has no idea where her husband—or his money—might be, she suspects one woman does: his devoted young mistress, Julie. When Julie disappears ten years to the day after Felix went on the lam, everyone assumes she's left to join her old lover—until her remains are discovered in a secluded park.Now, twenty-six years later, Roberto "Sandy" Sanchez, a retired Baltimore detective working cold cases for some extra cash, is investigating her murder. What he discovers is a tangled web of bitterness, jealousy, resentment, greed, and longing stretching over five decades. And at its center is the man who, though long gone, has never been forgotten by the five women who loved him: the enigmatic Felix Brewer.Felix Brewer left five women behind. Now there are four. Does at least one of them know the truth?
Tears of a Class Clown
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Have you ever suffered from FUNNY GIRL SYNDROMEAre you the gal who makes people laughAre you considered "a lot of fun" and "a good sport"Do all your male friends bring you their troubles and ask for your advice––about their girlfriendsIf so, you will relate to Nina––a wry, hip, hilarious gal who is sure to make you laugh. Nina has a roommate who showers with her cat. Nina has a college education she hasn't used. And Nina has waited tables at Bellyaches Comedy Den in Boston for way too long... She's heard it all: mother jokes, sister jokes, chick jokes, and fat jokes. And then some. She's served beer to half–broke hipsters, drinks to businessmen with bad dates, and occasionally hears something truly hilarious. But what Nina hides from the world is that she is FUNNY. Because she has suffered in the past from Funny Girl Syndrome––you know, she makes you laugh but you won't take her on a date. But all that's about to change, because it's high school reunion time. And there's nothing like facing a gym–full of people you knew back ten years ago to make you want to pull up your socks and shine.
You or Someone Like You
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Anne Rosenbaum leads a life of quiet Los Angeles privilege, the wife of Hollywood executive Howard Rosenbaum and mother of their seventeen-year-old son, Sam. Years ago Anne and Howard met studying litera-ture at Columbia—she, the daughter of a British diplo-mat from London, he a boy from an Orthodox Jewish neighborhood in Brooklyn. Now on sleek blue California evenings, Anne attends halogen-lit movie premieres on the arm of her powerful husband. But her private life is lived in the world of her garden, reading books.When one of Howard's friends, the head of a studio, asks Anne to make a reading list, she casually agrees—though, as a director reminds her, "no one reads in Hollywood." To her surprise, they begin calling: screen-writers; producers, from their bungalows; and agents, from their plush offices on Wilshire and Beverly. Soon Anne finds herself leading an exclusive book club for the industry elite. Emerging gradually from her seclu-sion, she guides her readers into the ideas and beauties of Donne, Yeats, Auden, and Mamet, with her brilliant and increasingly bold opinions. But when a crisis of identity unexpectedly turns an anguished Howard back toward the Orthodoxy he left behind as a young man, Anne must set out to save what she values above all else: her husband's love. At once fiercely intelligent and emotionally grip-ping, You or Someone Like You confronts the fault lines between inherited faith and personal creed, and, through the surprising transformation of one exceptional, unfor-gettable woman, illuminates literature's power to change our lives.
The Web and The Root
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Shortly before his death at a tragically young age, author Thomas Wolfe presented his editor with an epic masterwork that was subsequently published as three separate novels: You Can't Go Home Again, The Hills Beyond, and The Web and the Rock.The Web and the Root features the three initial sections of the The Web and the Rock, widely considered to be the book's strongest material. A prequel to You Can't Go Home Again, it is the story of George Webber's momentous journey from Libya Falls, North Carolina, to the Golden City of the North—offering vivid, sometimes cutting depictions of rural pleasures and small-town clannishness while exploring boundless urban possibility and the complex, violent undercurrents of the metropolis.
The Color of Family
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A poignant and provactive novel of truth, race, and religions.
Red on a Rose
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In a captivating voice that wafts around you like a rose's rich fragrance, Patricia ]ones peels back the petals of emotion that blanket a woman's soul and, in this poignant and wise novel, tells a powerful story of love and redemption.Lila Giles Calloway has come a long way since she stepped out from under her stepmother's controlling thumb. Happily married to cardiac surgeon Jack Calloway and living in her beloved hometown of Baltimore, Lila splits her time among visiting with Jack's elderly patients, directing her own on-line reading program for children, and contemplating the possibility of motherhood. But all this comes to a screeching halt when, one typical Saturday afternoon, Lila is confronted with a situation that challenges the very core of her moral fiber. In a split second, the idyllic life lack and Lila have built together is threatened, and suddenly she must reconcile the truth that there's a bit of evil in all of us with her love for her husband and her faith in her life's purpose.
Charlotte Street
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Jason Priestley (no, not that Jason Priestley) is in a rut. He gave up his teaching job to write snarky reviews of cheap restaurants for the free newspaper you take but don't read. He lives above a video-game store, between a Polish newsstand and that place that everyone thinks is a brothel but isn't. His most recent Facebook status is "Jason Priestley is . . . eating soup." Jason's beginning to think he needs a change. So he uncharacteristically moves to help a girl on the street who's struggling with an armload of packages, and she smiles an incredible smile at him before her cab pulls away. What for a fleeting moment felt like a beginning is cruelly cut short—until Jason realizes that he's been left holding a disposable camera. And suddenly, with prodding and an almost certainly disastrous offer of assistance from his socially inept best friend Dev, a coincidence-based, half-joking idea—What if he could track this girl down based on the photos in her camera?—morphs into a full-fledged quest to find the woman of Jason's dreams.
The Echo
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The disappearance of the spaceship Ishiguro twenty-three years ago devastated the global space program and set back exploration for a generation. Now, thanks to the tireless efforts of twin brothers Mira and Tomas Hyvonen, the program has been resurrected. Spearheading a new age of human discovery, the brothers also hope to solve the mystery behind the Ishiguro's disastrous mission.Mira and Tomas are determined to make their trip successful. They have arranged everything down to the smallest detail. Nothing has been overlooked.They don't know that in space, the devil isn't always in the details . . . and nothing goes according to plan.
Ice Shear
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As a cop on the night shift in Hopewell Falls, New York, June Lyons drives drunks home and picks up the doughnuts. A former FBI agent, she left the Bureau when her husband died, and now she and her young daughter are back in upstate New York, living with her father, the town's retired chief of police.When June discovers a young woman's body impaled on an ice shear in the frozen Mohawk River, news of the murder spreads fast; the dead girl was the daughter of a powerful local congresswoman, and her troubled youth kept the gossips busy. Though June was born and raised in Hopewell Falls, the local police see her as an interloper—resentment that explodes in anger when the FBI arrive and deputize her to work on the murder investigation. But June may not find allies among the feds. The agent heading the case is someone from her past—someone she isn't sure she can trust.As June digs deeper, her already tumultuous murder case turns red-hot when it leads to a notorious biker gang and a meth lab hidden in plain sight—and an unmistakable sign that the river murder won't be the last.
All That Is Solid Melts into Air
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Russia, 1986. On a run-down apartment block in Moscow, a nine-year-old prodigy plays his piano silently for fear of disturbing the neighbors. In a factory on the outskirts of the city, his aunt makes car parts, hiding her dissident past. In a nearby hospital, a surgeon immerses himself in his work, avoiding his failed marriage.And in a village in Belarus, a teenage boy wakes to a sky of the deepest crimson. Outside, the ears of his neighbor's cattle are dripping blood. Ten miles away, at the Chernobyl Power Plant, something unimaginable has happened.Now their lives will change forever. An end-of-empire novel charting the collapse of the Soviet Union, All That Is Solid Melts into Air is a gripping and epic love story by a major new talent.
Anything You Say Can and Will Be Used Against You
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This riveting debut collection of short fiction about women cops comes from the author's real life experience as a Baton Rouge police officer. In an entirely fresh and unique voice, these stories reveal the humanity, compassion, humour, tragedy and redemption hidden behind the "blue wall." Anything You Say Can and Will Be Used Against You centres on the lives of five female police officers. Each woman's story like each call in a police officer's day varies in its unique drama, but all the tales illuminate the tenuous line between life and death, violence and control, despair and salvation. Because the stories come from the author's own experience, they open a curtain on the truth behind the job how officers are trained to deal with the smell of death, how violence clings to a crime scene long after the crime is committed, how the police determine when to engage in or diffuse violence, why some people make it from the academy to the force and some don't, and all the friendships, romances, and dramas that happen along the way. It illuminates not only how officers feel while they are in uniform, holding their guns, but also what they feel after they go home and put those guns aside.
Good Evening Mr. and Mrs. America, and All the Ships at Sea
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The critics have been effusive in their praise for Richard Bausch's Good Evening Mr. and Mrs. America and All the Ships at Sea.His hardover sales have also never been higher.Taking its title from Walter Winchell's famous radio salutation, Good Evening Mr. and Mrs. America opens in Washington, DC, in 1964, just after the Kennedy assassination, telling the story of Walter Marshall, an idealistic 19-year-old who lives with his widowed mother and studies to be a journalist like his hero, Edward R. Murrow. In this coming-of-age novel in the truest sense of the phrase, young Marshall fumbles toward manhood in a nation that is itself in the midst of cataclysmic change.With the same elegance and precision that has distinguished his other novels, Richard Bausch has evoked a sense of time and place in a different America and brings the last 30 years of history profoundly and vividly to life.
Holy Skirts
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No one in 1917 New York had ever encountered a woman like the Bar-oness Elsa von Freytag-Loringhoven -- poet, artist, proto-punk rocker, sexual libertine, fashion avatar, and unrepentant troublemaker. When she wasn't stalking the streets of Greenwich Village wearing a brassiere made from tomato cans, she was enthusiastically declaiming her poems to sailors in beer halls or posing nude for Man Ray or Marcel Duchamp. In an era of brutal war, technological innovation, and cataclysmic change, the Baroness had resolved to create her own destiny -- taking the center of the Dadaist circle, breaking every bond of female propriety . . . and transforming herself into a living, breathing work of art.
Play Dates
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With her sharp wit and riveting style, Leslie Carroll plunges us deep into the world of the overscheduled children of New York, and the oversexed, over-lipoed, overpaid people who raise them -or pay their nannies!What happens when a trophy wife gets turned in for someone even younger, blonder, and prettierClaire Marsh doesn't take it lying down. She may have lost both husband and housekeeper in the horrible divorce, but even if she's not able to keep living in the manner to which she's accustomed, she'll do what it takes so that her daughter will with a little help from her slightly wild, slightly out-of-control sister MiMi.
Passing
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Like a glass of lemonade that is both sweet and tart, writer Patricia Jones mixes up a refreshing blend of deep emotion and raw truth, tempered by a grounded dose of wisdom.To Lila Giles, the term "passing" refers to those pale-hued folks who take advantage of their creamy shade by crossing into the white world. Descended from a long line of an elite Baltimore family awash with "high-colored" skin just right for "passing", family lore told Lila that not one of them would have thought to deny their true selves and rich history in such a way. It is this sense of pride that bonds the Giles family together -- a bond strongly enforced by Lila's controlling stepmother Eulelie. But the delicate balance of this branch of the family Eulelie has so carefully engineered is threatened when Lila's brother decides to marry a woman from an oh-so-very-wrong family.A proud though severe matriarch, Eulelie Giles has ruled her four grown stepchildren with a heavy self-righteousness that could break the spirit of the most sound opponent, let alone the nearly thirty-year-old Lila. Relentlessly loyal to her privileged world, Eulelie has ingrained upon Lila and her three other stepchildren the importance of distinguishing between acceptable and unacceptable blacks. Despite her strident belief in an unyielding class line, Eulelie has kept a secret about her own past that manages to affect, in more ways than a few, anyone who enters her life. As the wedding day draws closer, Lila begins to look at her reality versus Eulelie's, and what Lila finds leads to a confrontation between stepmother and stepdaughter that could finally shatter Eulelie's reign over Lila and the family, but ultimately, one that will lead Eulelie back to the truth.Filled with multi-dimensional characters and rich with atmosphere, Passing is a story of tangled family relationships; the secrets, misunderstanding, and deceptions that hold them together.
