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Berlin 1945: The Final Reckoning
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In April 1945, the final dramatic act of World War II in Europe was played out in Germanys capital city. Berlin 1945: The Final Reckoning is a comprehensive history of the last battle of Nazi Germany, which would see the virtual destruction of a city, and the eventual suicide of Adolf Hitler. Berlin 1945: The Final Reckoning begins with a study of the background to the battle and a description of events on the Eastern and Western Fronts before the Soviet forces reached Berlin. The city’s strategic importance to the German war effort and morale is considered, along with factors that caused the Western Allies to halt their advance on the Elbe rather than race the Soviet troops to the Reichstag. The German forces available for Berlin’s defence and their actual defensive preparations (or lack of them) are covered in depth, as is the devastating destruction caused by the ceaseless Allied bombing and remorseless shelling by the Soviet forces. The book describes in words and graphic pictures how, in a city reduced to rubble, a bitter hand-to-hand struggle developed between fanatical Nazis, SS troopers, old men and young boys of the Hitler Youth and the hard-bitten Soviet front-line troops bent on revenge. The suffering of the soldiers and civilians are revealed in full detail, with personal accounts from those involved in the battle. The book also describes the events in the bunker behind the Reichschancellery, where Hitler spent his last months. Finally the reader learns how German commanders disobey the Fuhrer’s orders to fight to the last man, and the fate of the city was sealed. The final chapter discusses the full implications of the battle for the Germans and Soviets, and briefly describes the search for Hitler’s body. Berlin 1945: The Final Reckoning is a brilliant, superbly illustrated account of the battle that ended the Nazi dream of a 100-year Reich.
Naval Warfare 1914–1918: From Coronel to the Atlantic and Zeebrugge
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The struggle for naval supremacy and the naval arms race inspired by HMS Dreadnought may have captured the headlines, but the opening stages of the naval war were dominated by the threat from German cruisers stationed outside European waters, until they were hunted down and sunk by the Royal Navy, notably at the Battle of the Falkland Islands in 1914. Germany switched its focus to the U-boat, seeing it as a weapon capable of winning the war by starving Britain into surrender. Unrestricted submarine warfare led to the sinking of millions of tons of shipping, but it would also force the USA to enter the war on the Allied side in 1917. In the Mediterranean, the French fleet took the lead, while Austria-Hungary supported German actions. The Allied attempt in 1915 to use maritime power to break the strategic deadlock with an amphibious operation in the Dardanelles ultimately failed, although Allied sea power helped sustain the successful campaigns against the Ottoman Empire in the Middle East. What would prove to be the decisive naval engagement of the war took place in 1916 at the Battle of Jutland. Whilst the clash itself was inconclusive, the German High Seas Fleet would be all but confined to port for the rest of the war, handing the initiative to the Royal Navy. The resultant command of the seas allowed the Allies to carry fresh American armies and much-needed supplies to Europe in 1917. However, victory for the Allies was ultimately delivered by the naval economic blockade. By preventing the import of war materials and food, the fighting power and morale of the German armed forces was weakened. It was the mutiny of the High Seas Fleet in October 1918 that prompted the German Revolution and the subsequent abdication of the Kaiser. With the aid of over 300 photographs, complemented by full-colour maps, Naval Warfare provides a detailed guide to the background and conduct of World War I naval operations, describing the struggle to win control of the high seas around the globe.
The Balintol Cycle I: The thirteenth Dray Prescot omnibus
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Dray Prescot begins an entirely new phase of his adventures on Kregen, that magnificent and terrible world four hundred light years from Earth. Reared in the harsh conditions of Nelson's Navy, Dray Prescot failed to find success on Earth but has succeeded in winning fortune on Kregen. He is called the Emperor of Emperors, the Emperor of Paz, but he himself regards these titles as meaningless. Paz is a vast grouping of continents and islands and is inhabited by innumerable races and nations, so why should they band together under Prescot? The Star Lords themselves have chosen him for this heavy task. Intrigue of Antares In this, the first book of the Balintol cycle, the Star Lords have dispatched Dray Prescot to the town of Amintin in the continent of Balintol. Under the streaming mingled lights of the Suns of Scorpio, Dray Prescot sets forth on new adventures in the subcontinent of Balintol. Gangs of Antares All hell was due to break out in the country of Tolindrin, and the city of Oxonium, as the capital, was likely to receive more than its fair share. Dray Prescot is in the middle of it, and strangeness unlike any that he has previously encountered awaits him... Demons of Antares Dray Prescot's task of uniting the disparate countries so that all Paz can defend itself against the predatory, fish-headed Shanks from the other side of the world is complicated. And the megalomaniac desires of certain princes and nobles who are determined to win the crown of Tolindrin for themselves, and who are willing to destroy anyone who gets in their way, isn't helping. They have hired mercenary armies and allied themselves with the traditional enemies of the country. Prescot must travel to Prebaya, the capital of Caneldrin, and use all his strengths and all his scheming and tricks to achieve his goal with as little bloodshed as possible...
Colonial Tales: The Confines of the Shadow – Volume II
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Set in the inter-war period, between the late 1920s, when Italy began solidifying its power in its new Libyan colony, and the end of World War II, when control of the country passed into British hands. Spina's chief subjects in these stories are Italian military officers who idle their time away at their club or exploring the strange lands where they have been posted, always at odds between the jingoistic education they received at home and the lessons they've learned during their time in Libya. These short stories map the transformation of the Libyan city of Benghazi from a sleepy Ottoman backwater in the 1910s to the second capital of an oil-rich kingdom in the 1960s. Employing a cosmopolitan array of characters, ranging from Ottoman functionaries, to Sanussi aristocrats and Italian officers, Spina chronicles Italy's colonial experience from the euphoria of conquest - giving us a front row seat to the rise and subsequent fall of Fascism in the aftermath of World War II - to the country's independence in the 1950s. Spina continues his narrative with the discovery of Libya's vast oil and gas reserves, which triggered the tumultuous changes that led to Muammar Gaddafi's forty-two-year dictatorship.
Nightcreatures
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This brilliant edition of a timeless story is sure to become the favorite of a generation. Readers young and old will be enchanted by the illustrations of W. H. Thwaite. This is a picture book to treasure.Once upon a time, a rich merchant lived with his daughter. He loved the girl for her beautiful face and her sweet heart. But after his wife died, he decided to marry a second time, and his new wife was selfish and cruel. She had two daughters of her own who were just like her. . . .
Cartea clanului din Baltimore
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Inima te ?n?eap?, stomacul devine rebel, urechile ?iuie, tremuri de furie sau de nervi. Emo?iile clocotesc ?i e?ti ve?nic stresat. Pe ne?tiute, organismul se fr?nge sub aceast? presiune: apar palpita?iile, respiri mai greu, transpiri mai des ?i acuzi tulbur?ri gastrointestinale. Evit?nd capcana explica?iilor simpliste, de tipul ?bolile de inim? sunt efectul ambi?iei ?i agita?iei", cartea de fa?? prezint? un model complex, bio-psiho-social, ?n care stresul emo?ional este v?zut nu doar ca factor de ?mboln?vire sau agravare a bolii, dar ?i ca efect adesea ignorat al afec?iunii somatice. Organizat pe diverse grupe de organe (inima, pielea, organele genitale, vocea, aparatul locomotor etc.), volumul ofer? clarific?rile medicale ?i psihologice necesare, dar ?i m?suri terapeutice eficiente – de la procedee de relaxare ?i somatoterapie la tehnici cognitiv-comportamentele pentru re?ncadrarea bolii, reintegrarea la locul de munc? ?i mai buna gestionare a emo?iilor. Cartea se adreseaz? at?t publicului larg (bolnavi ?i apar?in?tori), c?t ?i medicilor ?i psihologilor clinicieni.
Ghidul de fertilitate ?i contracep?ie. Clinica Mayo
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Specialist ?n domeniul avangardei, scriitorul – extrem de incomod uneori! – Ovidiu Morar, scrie despre scriitorii evrei din Rom?nia ?ntr-un stil incomod, m?nat de un zeu al drept??ii, impar?ial ?i feroce. Cine sunt scriitorii evrei? ?n ce m?sura ei se deosebesc de rom?ni, unguri, francezi, ?i ?n ce m?sur? se aseam?n?? Aceste ?i multe alte ?ntreb?ri mai mult sau mai pu?in comode revin aidoma unui laitmotiv pe parcursul c?r?ii, scrise ?ntr-un stil alert, incitant, cu note v?dit incomode, iar pe aclouri de-a dreptul provocatoare.
tiin?a ?i experien?ele ?n pragul mor?ii.
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Rstimp de douzeci de ani, sub egida acestui prestigios Club de Dialog – Ideea European – au fost organizate numeroase dezbateri, turnee, lecturi publice, conferine, ntruniri, simpozioane, att n ar, ct i peste hotare. M refer, n aceast ordine de idei, la Conferinele Modele Europene. Friedrich Nietzsche, Marx i Nietzsche. Vinovai fr vin, Modele europene. Ion Ianoi, Eugen Negrici. Iluziile literaturii romne sau Nicolae Breban. Trdarea criticii (...) in deopotriv la toate. Unele dintre acestea, multe – majoritatea! – au fost gndite de subsemnata mpreun cu romancierul Nicolae Breban, fiind rodul unei prietenii, al unei compliciti de litere rare – a spune, citnd-o de fapt pe Magda Ursache, unice – cum sunt, de pild, dezbaterile dedicate crilor-eveniment: Iluziile literaturii romne de Eugen Negrici i Trdarea criticii de Nicolae Breban, ca s citez exclusiv dou, oprindu-ne aici. Dar, m ntreb, iar i iar, de ce ne-am opri Nu spunea Blaga, oare, ntr-un vers memorabil: Orice nceput se vrea fecund“ Douzeci de ani sunt un nceput!Destinul nostru este literatura, spuneam ani de-a rndul, parafrazndu-l pe Napoleon, repetnd, iar i iar, aceast afirmaie gnomic, nu rareori, c pe o rugciune, ca pe o litanie, cu smerenie, iar, uneori-adeseori, cu spaim, ntruct – iubindu-l atroce pe sihastrul de la Torino, da, pe Nietzsche cel unic, cel hamletian – tiam, da, tiam, cine se joac de-a destinul... devine destin.“ – Aura Christi
Noua cardiologie. Opri?i afec?iunile cardiovasculare cu efecete letale ?nainte
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Citind romanul lui Cosmin, am intrat automat n rolul unui cenzor paranoid, din ce n ce mai ncruntat, pe msur ce intram n pinea de cuvinte. Mai ncruntat fiindc am nceput s adun ntrebri pentru a pune la punct autorul, pentru a-l convinge c un asemenea text nu trebuie publicat, fiindc este periculos pentru ceteanul de bun credin, este subversiv i cu att mai nociv, cu ct ncearc s se ascund n spatele absurdului. Fiindc nou, cenzorilor, la cursul de cenzur aplicat ni s-a atras atenia de la bun nceput: atenie mare la absurdul cu substrat, la textele aparent schizoide! Acolo se ascunde buba! Iar buba trebuie tratat chirurgical! Cine se ascunde n spatele Cinelui de lemn Cine e Jumtatea de Matrioc Iar antierul e cumva La Canal Adic personajele tale au nnebunit din cauza regimului Nu neleg! Mi biete, ai cam srit calul! Fii atent la mine, textul tu nu poate fi publicat! Sau te apuci de scris normal, pe nelesul omului echilibrat, sau las-te! Auzi la el, CHINUL VENIC I NEOSTOITA SCRNIRE A DINILOR!“ – Micleuanu M. Bi, Pera sta e de belea. N-am mai citit nici un scriitor de sta care s-i frece creierii cum o face el. Dup ce termini cartea te nvri n cerc n mijlocul camerei, ca un tmpit, i nu tii ce-i cu tine, frate, pe bune. Eti praf.“ – Un biat C. Pera pare s fie al treilea frate Strugatski. Umor, suspans, intertextualism, fantasy – acestea sunt ingredientele romanului pe care tocmai l citesc i n care, mai mult ca sigur, i-ai dori i tu s fii personaj, fie i mcar unul secundar. Mie mi-ar plcea s fiu Cinele.“ – V. Leac
Pas?rea Bunului Dumnezeu
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O emo?ionant? poveste de dragoste despre o fat? care ?nva?? s? tr?iasc? de la un b?iat care vrea s? moar?. Theodore Finch e fascinat de moarte ?i se g?nde?te ne?ncetat la tot felul de modalit??i ?n care ?i-ar putea pune cap?t zilelor.Violet Markey tr?ie?te pentru viitor, num?r?nd zilele r?mase p?n? la absolvire.Cand Finch ar putea evada at?t din micul ei ora? din Indiana, c?t ?i din suferin?a cople?itoare provocat? de recenta moarte a surorii sale.C?nd Finch ?i Violet se ?nt?lnesc pe marginea clopotni?ei de la ?coal?, nu este foarte limpede cine pe cine salveaz?. Iar c?nd devin parteneri ?ntr-un proiect de descoperire a ?minunilor naturale“ din statul lor, am?ndoi fac descoperiri mult mai importante: Finch poate fi el ?nsu?i numai al?turi de Violet. Iar Violet numai al?turi de Finch poate uita de num?r?toarea zilelor ?i poate ?ncepe s? le tr?iasc?. ?ns?, ?n timp ce lumea lui Violet cre?te, a lui Finch ?ncepe s? scad?. O carte impresionant? despre doi liceeni amuzan?i, fragili ?i suferinzi. -- Entertainment Weekly Multe romane pentru adolescen?i trateaz? teme similare, dar pu?ine o fac ?ntr-o manier? memorabil?. -- Kirkus Reviews Ai terminat Sub aceea?i stea? Po?i ?ncepe acest roman emo?ionant despre o fat? care ??i promite sie?i s? tr?iasc? av?nd un rost, dup? o rela?ie cu un b?iat care pl?nuie?te s?-?i ia via?a. -- SELF Magazine ?M? ?nvelesc ?n pilot? c?t de str?ns pot – astfel ?nc?t nu mai pot z?ri nici camera – ?i m? ?ntind pe spate ?n pat, ca o mumie. Este o modalitate de a conserva c?ldura ?i lumina, ca s? nu mai poat? ie?i iar. ?ntind o m?n? prin deschiz?tur? ?i apuc alt? carte, apoi alta. ?i dac? via?a ar fi a?a? F?cut? numai din p?r?i fericite, niciuna ?ngrozitoare, nici m?car nepl?cut?. ?i dac? ne-ar sta ?n putere s? decup?m r?ul, pur ?i simplu, ?i s? p?str?m doar binele? Asta este ceea ce vreau s? fac pentru Violet – s?-i ofer numai binele, s? o ?in departe de r?u, a?a ?nc?t acel bine s? r?m?n? pentru totdeauna ?mprejurul nostru.“
Marile minciuni nevinovate
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Trebuie cu orice pre? s? treci examenul de admitere? Se cuvine ca so?ul sau so?ia ta s?-?i acorde mai mult timp? Este imperios necesar s? fii apreciat la serviciu? Desigur c? ??i dore?ti s? fie a?a ?i ar fi bine ?i pl?cut dac? aceste lucruri s-ar ?nt?mpla. Dar via?a nu se desf??oar? ?ntotdeauna dup? cum ne dorim noi. Vestea bun? este, ?ns?, c? tu ?i numai tu alegi cum s? te sim?i. Tu alegi dac? o situa?ie este o catastrof? sau o problem? obi?nuit? de via??, ce poate fi ?n?eleas? ?i dep??it?.Aceast? carte ??i ofer? numeroase tehnici ?i metode practice, u?or de aplicat, prin care s? po?i schimba felul ?n care te raportezi la evenimentele de zi cu zi, astfel ?nc?t ele s? devin? mai nuan?ate, mai suportabile, mai pu?in ?nfrico??toare. Utiliz?nd exemple din via?a oamenilor obi?nui?i, te invit? ?i pe tine, cititorule, s? redevii st?p?nul g?ndurilor ?i al vie?ii tale.
Creatorii de manechine
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~~30 de povestiri surprinz?toare Jon McGregor, autor distins cu premiul IMPAC Dublin ?i de dou? ori nominalizat la Man Booker Prize, prezint? un ?ndr?zne? volum de povestiri ?cu ?nceputuri r?u prevestitoare ?i urm?ri care ??i dau fiori” (The New York Times). ?n ?inuturile ml??tinoase din Lincolnshire, un comitat din estul Angliei, pericolul se ascunde ?n detalii. Aici, via?a ??i poate schimba cursul ?n orice clip?, din senin. Accentul cade pe lucrurile m?runte, dar evenimentele minore cap?t? propor?ii colosale ?i schimb? pentru totdeauna existen?a fragil? a personajelor. Naratorii acestor ?nt?mpl?ri delicate ?i uimitoare ne povestesc ceea ce cred ei c? este important, ?n vreme ce adev?rul se refugiaz? tocmai ?n ceea ce r?m?ne nespus. Sunt pove?ti despre ?ncurcatele c?i ale izol?rii ?i descoperirii de sine, despre strania leg?tur? dintre mediul de via?? ?i psihicul uman. O t?n?r? vede moartea cu ochii c?nd o c?p???n? de sfecl? ?i p?trunde prin parbriz ?n ma?in?. Un pu?ti d? foc unui hambar ?i un anume domn Davison p??e?te ceva ce nu vom afla niciodat?. Un tat? este arestat c?nd ?ncearc? s?-?i vad? feti?a la serbarea de Cr?ciun. Un b?rbat ?nfrico?at c? va veni o vreme c?nd ploaia nu se va mai opri construie?te o c?s? ?n copac. Un adolescent ucide ?ntr-un accident un b?rbat ap?rut de nic?ieri ?i ?ngroap? cadavrul. Doi muncitori poart? o conversa?ie pe malul lacului, ?n timp ce avioanele de lupt? zboar? deasupra lor preg?tindu-se de r?zboi. ?ie nu ?i s-ar putea ?nt?mpla a?a ceva. Dar uneori se ?nt?mpl?… ?30 de povestiri electrizante.” - New York Times ?O carte plin? de sev?, inventivitate ?i ?ndr?zneal?, care ne asigur? c? proza scurt? nu a murit – este bine-mersi, ?i poate atinge noi culmi.” - The Guardian ?Proza lui McGregor curge ap?s?tor ca ploaia englezeasc?, ?n cel mai bun sens cu putin??. Amplaste ?n estul Angliei, cele 30 de povestiri se ?es ?n jurul ?nt?mpl?rilor nea?teptate, ?ntr-un peisaj sc?ldat ?n lumina rece ?i umed? a dimine?ii. - Library Journal ?Sunt de-a dreptul captivante, surprinz?toare, povestirile acestui autor nominalizat la Man Booker Prize.” Kirkus Reviews De acela?i autor: P?n? ?i c?inii Initial value.
Cei care se ?ntorc
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Volumul de fa?? din seria Eminescu, poem cu poem ne dezva?? de toate vechile obiceiuri de interpretare care au prezentat ?n limbaj de lemn poeziile eminesciene. Alex. ?tef?nescu ne face din nou cuno?tin??, de data aceasta ?n cuvinte simple ?i idei proaspete, cu unele dintre cele mai cunoscute poezii din literatura rom?n?. Analiza sa cuprinde observa?ii fresh ?i referin?e culturale pe gustul elevilor, tinerilor ?i iubitorilor de literatur? care (re)descoper? ast?zi crea?ia eminescian?.
100 de remedii naturale pentru copilul t?u
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La Zürich, c?nd intri ?ntr-un magazin, spui ?Grüetzi“, la Berlin, ?Hallo“, la Buenos Aires, ?Ola“, un ?Hallo“ ?ntors pe dos, poate unde-i pe emisfera cealalt?, la Viena, ?Grüss Gott“, dar ?i la Sibiu, acum 60 de ani, se spunea tot ?Grüss Gott“. Timi?oara nu cred c? f?cea opinie separat?, c? unde-i unu’ nu-i putere, o ?tie tot rom?nu’, dar nici Budapesta n-avea de ce s? fac? mofturi, de vreme ce Sisi, superba ?mp?r?teas? a Austriei, devenise regina Ungariei, datorit? unui foarte cool conte maghiar... cam a?a se ?ncruci?eaz? ?i limbile. ?Grüss Gott“ ?nseamn?: ?Salut?-l pe Dumnezeu“ sau ?Domnul s? te aibe ?n paz?“. Din binecuv?ntare a ajuns marcaj de grani?? a fostului imperiu habsburgic. Gata. Mi-am f?cut intrarea ?n scen?. De fapt n-am vrut dec?t s? v? spun ?Bun? ziua“. (Nora Iuga 29 decembrie 2009)
Biruitorii mor?ii
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n doar civa ani, tefan Manasia a devenit una dintre cele mai importante figuri ale poeziei noastre de azi. i nu m refer aici doar la activitatea lui poetic propriu-zis (dac lsm la o parte plachetele underground, autorul a publicat deja trei volume), ci i la prezena pregnant n spaiul public(istic).“ – Alex Golditefan Manasia dispune – i n noul volum se vede cu ochiul liber – de o capacitate enorm de a experimenta. De altfel, poetul este cunoscut nc de la Amazon ca un mptimit al stilisticii glam. Poezia luxuriant, baroc, domolit i mprosptat de o estetic a onestitii discursului definesc, acum la al patrulea volum, anarhismul livresc al autorului.“ – tefan Baghiu
Pe via?? ?i pe moarte. Al doilea volum din trilogia Pe t?r?mul haosului
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Cum convingi un f?pta? s?-?i recunoasc? nelegiuirile? Dar un angajat s? admit? c? a furat din companie? ?i cum vei reu?i s?-l faci pe partenerul de via?? s? admit? c? a min?it? Dac? ?n bestsellerul Spy the Lie, cei trei fo?ti agen?i CIA te-au ?nv??at cum s? detectezi ?n?el?toria, acum vei afla ?n ce fel po?i s?-l determini pe cel?lalt, ?n mod persuasiv, dar neagresiv, s? dest?inuie secretele ce-l apas?.Plec?nd de la propria experien?? de interogatori, autorii ofer? o serie de tehnici relevante pentru arta ?smulgerii“ adev?rului: ?inerea celui interogat ?n modul de g?ndire pe termen scurt (pentru a nu se mai ?ntreba ce va p??i dac? m?rturise?te), proiectarea vinov??iei (?Poate c? ceva independent de tine te-a ?mpins s? faci asta“), ra?ionalizarea ac?iunilor (?Mul?i ar fi reac?ionat la fel ?n atare condi?ii“), empatia cu f?pta?ul ?i identificarea tipurilor sale de rezisten??. Cartea este o dovad? vie c? tehnicile create pentru contraspionaj sau investiga?ii penale pot fi adaptate destul de u?or pentru interviul de angajare, ?n examin?rile din sala de tribunal, la masa negocierilor sau ?n via?a de familie.
Ziua recuno?tin?ei
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Cum s? cre?tem copii care s? aib? ?ncredere ?n ei O dispozi?ie ?ncrez?toare ?i fericit?, bazat? pe respect s?n?tos de sine, este cel mai bun cadou pe care un p?rinte ?l poate oferi copilului s?u. Nu exist? formula perfect? pentru a fi p?rinte ?i a?a ceva este, ?n orice caz, un vis irealizabil. To?i avem momente c?nd nu facem fa?? presiunilor. Elizabeth Hartley-Brewer porne?te de la premisa c? respectul de sine este ingredientul de baz? al fericirii profunde ?i c? st? ?n puterea noastr?, ca p?rin?i, s? le d?ruim celor mici un respect s?n?tos de sine ?i, prin aceasta, fericirea aceea durabil? dup? care t?njim cu to?ii. Ce ?nseamn? respectul de sine? S? ne sim?im bine ?n leg?tur? cu noi ?n?ine, s? fim m?ndri de cine suntem. Dac? ai stim? de sine, e?ti fericit ?i ai ?ncredere ?n valoarea ta intrinsec?, ca persoan? unic?. Copiii, la fel ca adul?ii, au cele mai bune rezultate atunci c?nd se simt confortabil ?n propria piele. Iar acest lucru se ?nt?mpl? atunci c?nd li se spune c? au f?cut ceva bine, c? sunt simpatici, c? sunt o companie pl?cut?. Un copil ??i va dezvolta respectul de sine ?i va deveni o persoan? ?ncrez?toare, independent? ?i fericit? numai dac? este ferm convins de dragostea ?i aprecierea p?rin?ilor lui. Dac? te ?ntrebi cum po?i s? ??i aju?i copilul s? ??i dezvolte respectul de sine, ?n aceast? carte vei g?si solu?iile! Cartea cuprinde: - 9 capitole despre cum s? ??i cre?ti copilul av?nd o atitudine pozitiv? - Concepte-cheie precum ?laud?“, ?joac?“, ?timp“, ?atingere“ ?i ?discu?ie“ care te vor ghida ?n interac?iunea cu cel mic - ?ntreb?ri care te vor ajuta s? ??i ?n?elegi ?i s? ??i ?mbun?t??e?ti comportamentul - Informa?ii punctate, cu caracter concret ?i u?or de parcurs - Casete ?n care po?i face noti?e personale - 2 schi?e care explic? perfect raportul de cauzalitate dintre emo?ii, comportamente ?i urm?rile lor ?O carte practic? ?i bine scris?, care ofer? sprijin p?rin?ilor ?i expune multe idei utile.“ - Nursery World ?Se spune c? adev?rata fericire nu este reprezentat? de linia de sosire; ea este constituit? pe parcursul care te duce acolo. Dac? vom concepe fericirea drept ceva ce trebuie atins, g?sit sau cump?rat, rezult? c? ea poate, de asemenea, s? dispar?. Acest tip de fericire exist?, ?ntr-adev?r, dar este, prin defini?ie, extern, trec?tor ?i fragil. Exist? ?ns? o fericire mai ad?nc ?nr?d?cinat?, mai durabil?, ?i anume una care este situat? ?n interior. Dac? o avem sau nu depinde de cum ne apreciem pe noi ?n?ine, adic? de respectul de sine.”
Iluzia iubirii. De ce se ?ntoarce femeia maltratat? la agresorul s?u
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Hogyan lesz a bácskai f?ldesúr fiából a cigányok bárója, hogyan találja meg az apja által elrejtett mérhetetlen kincsen kívül a boldogságot is egy gy?ny?r? t?r?k lány oldalán? – ezt meséli el Jókai ebben a kisregényében, amelyet a bel?le készült operett tett világhír?vé.
Na paraye 'ham: Nem tudom visszafizetni nektek
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Маг?я Анджея Сапковського — у його вм?нн? з л?ризмом ? сарказмом створити уявний св?т, кожен з мешканц?в якого, кожне м?сце ? кожна под?я наст?льки нагадують нам св?т реальний, сучасний, що в?д?рватися в?д книжок неможливо. Дуже давно, коли людська раса т?льки обживала ворожий св?т, а маги у сво?х вежах займалися лише високою наукою чар?вництва, було створено г?льд?ю в?дьмак?в — рем?сник?в в?д маг??, яких навчали вбивати темн? породження потойб?ччя: в??в ? в?ппер?в, мантикор ? гул?в, грифон?в ? брукс-вамп?риць. Але з часом страшних почвар меншало, меншало й тих, хто мусив захищати в?д них людей, — ? дедал? част?ше в?дьмакам у спину лет?ли з-за паркан?в прокльони та кам?ння. В?д Яруги до Драконячих г?р мандру? один з останн?х в?дьмак?в — ?еральт ?з Р?в??, зустр?чаючи людей та ?стот, як? чимось дуже нагадують персонаж?в в?домих казок, та намагаючись зрозум?ти, чи залишилося у ньому самому хоч щось в?д людини, чи в?н — т?льки додаток до двох сво?х меч?в: звичайного зал?зного та в?дьмачого, з карбованим рук?в’ям та ср?бним клинком, який колись стане для нього мечем призначення… Mag?ja Andzheja Sapkovs'kogo — u jogo vm?nn? z l?rizmom ? sarkazmom stvoriti ujavnij sv?t, kozhen z meshkanc?v jakogo, kozhne m?sce ? kozhna pod?ja nast?l'ki nagadujut' nam sv?t real'nij, suchasnij, shho v?d?rvatisja v?d knizhok nemozhlivo. Duzhe davno, koli ljuds'ka rasa t?l'ki obzhivala vorozhij sv?t, a magi u svo?h vezhah zajmalisja lishe visokoju naukoju char?vnictva, bulo stvoreno g?l'd?ju v?d'mak?v — rem?snik?v v?d mag??, jakih navchali vbivati temn? porodzhennja potojb?chchja: v??v ? v?pper?v, mantikor ? gul?v, grifon?v ? bruks-vamp?ric'. Ale z chasom strashnih pochvar menshalo, menshalo j tih, hto musiv zahishhati v?d nih ljudej, — ? dedal? chast?she v?d'makam u spinu let?li z-za parkan?v prokl'oni ta kam?nnja. V?d Jarugi do Drakonjachih g?r mandru? odin z ostann?h v?d'mak?v — ?eral't ?z R?v??, zustr?chajuchi ljudej ta ?stot, jak? chimos' duzhe nagadujut' personazh?v v?domih kazok, ta namagajuchis' zrozum?ti, chi zalishilosja u n'omu samomu hoch shhos' v?d ljudini, chi v?n — t?l'ki dodatok do dvoh svo?h mech?v: zvichajnogo zal?znogo ta v?d'machogo, z karbovanim ruk?v’jam ta sr?bnim klinkom, jakij kolis' stane dlja n'ogo mechem priznachennja…
Celtic Legends: Heroes and Warriors, Myths and Monsters
￥81.67
From around 750BC to 12BC, the Celts were the most powerful people in central and northern Europe. With the expansion of the Roman Empire and the later Christianization of these lands, they were pushed to the fringes of north-western Spain, France and the British Isles. But there the mythology of these peoples held strong. The tales from Celtic myth were noted down and also absorbed into other cultures. From Roman and Christian scribes we know of characters like Morrigan the shape-shifting queen, who could change herself from a crow to a wolf, Cu Chulainn, who, mortally wounded in battle, tied himself with his own intestines to a rock so that he’d die standing up, and the Cauldron of Bran, which could restore life. Other than being fascinating in their own right, Celtic legends are of interest for the influence they had over subsequent mythologies. The story of the Holy Grail first appears in medieval romances but its antecedents can be found in the Celtic tale, the Mabinogion. Illustrated with more than 180 colour and black-and-white artworks and photographs and maps, Celtic Legends is an expertly written account of the mythological tales that both fascinate us and influence other writings.
The Fifth Foreign Legion Omnibus: Contains Three Full Novels
￥81.67
All three grand military SF adventures featuring the Fifth Foreign Legion—on the front lines in the hottest and strangest conflicts in the galaxy. Contains the complete novels March or Die, Honor and Fidelity, and Cohort of the Damned.
