Het pad van De Waterbloesems: Saga Van De Twee Prinsessen 4

De legende van Are en Dina: Ictiluni

Case: PZ35-321-01: Infinitus Memorias verhaal

The Art of War

Trebuie cu orice pre? s? treci examenul de admitere? Se cuvine ca so?ul sau so?ia ta s?-?i acorde mai mult timp? Este imperios necesar s? fii apreciat la serviciu? Desigur c? ??i dore?ti s? fie a?a ?i ar fi bine ?i pl?cut dac? aceste lucruri s-ar ?nt?mpla. Dar via?a nu se desf??oar? ?ntotdeauna dup? cum ne dorim noi. Vestea bun? este, ?ns?, c? tu ?i numai tu alegi cum s? te sim?i. Tu alegi dac? o situa?ie este o catastrof? sau o problem? obi?nuit? de via??, ce poate fi ?n?eleas? ?i dep??it?.Aceast? carte ??i ofer? numeroase tehnici ?i metode practice, u?or de aplicat, prin care s? po?i schimba felul ?n care te raportezi la evenimentele de zi cu zi, astfel ?nc?t ele s? devin? mai nuan?ate, mai suportabile, mai pu?in ?nfrico??toare. Utiliz?nd exemple din via?a oamenilor obi?nui?i, te invit? ?i pe tine, cititorule, s? redevii st?p?nul g?ndurilor ?i al vie?ii tale.

Simona Drgan are fora de a supune textele de autoritate asupra crora se apleac unei lecturi personale, “vede“ ideile n intricaia lor originar, le restructureaz n conformitate cu propriul ei scenariu. in sa apreciez faptul c, n ciuda tematicii sale, lucrarea de fa nu este arid, nu sufer (dect n proporii acceptabile) de acea placiditate stilistic, inevitabil analizelor teoretice. Capacitatea de sintez, spiritul critic, precizia terminologic, luciditatea i supleea, calmul operator, toate acestea atest o cert vocaie teoretic“. (Mircea Martin)Cum se ntmpl cnd o ecuaie care a umilit cerbicia multor duzini de matematicieni i afl mintea capabil s-i dea de capt, mprtim n cazul de fa bucuria unei revelaii: pare ca Foucault i consorii, cei ce n loc de scrieri i texte au inventat uzul sofisticat al scriiturii i discursului, au ntlnit n autoarea de fa un autentic partener de dialog. Avem a face cu o lucrare fr caracter compilativ, demonstrnd o amprent personal, o anumit prospeime a observaiei directe, un soi de entuziasm agreabil al dezbaterii de idei, care se transmite i cititorului, smulgndu-l reflexelor lui sceptice ori obosite“. (Paul Cornea)n opinia mea, un merit major al Simonei Drgan este acela de a reui, ntr-o manier indubitabil personal, sa exprime, cu o elegan a claritii ce se remarc de la prima la ultima pagin a lucrrii, unele dintre cele mai complicate, ca sa nu spunem “stufoase“, idei formulate vreodat n perimetrul tiinelor filologice“. (Ciu Dobrescu)

~~30 de povestiri surprinz?toare Jon McGregor, autor distins cu premiul IMPAC Dublin ?i de dou? ori nominalizat la Man Booker Prize, prezint? un ?ndr?zne? volum de povestiri ?cu ?nceputuri r?u prevestitoare ?i urm?ri care ??i dau fiori” (The New York Times). ?n ?inuturile ml??tinoase din Lincolnshire, un comitat din estul Angliei, pericolul se ascunde ?n detalii. Aici, via?a ??i poate schimba cursul ?n orice clip?, din senin. Accentul cade pe lucrurile m?runte, dar evenimentele minore cap?t? propor?ii colosale ?i schimb? pentru totdeauna existen?a fragil? a personajelor. Naratorii acestor ?nt?mpl?ri delicate ?i uimitoare ne povestesc ceea ce cred ei c? este important, ?n vreme ce adev?rul se refugiaz? tocmai ?n ceea ce r?m?ne nespus. Sunt pove?ti despre ?ncurcatele c?i ale izol?rii ?i descoperirii de sine, despre strania leg?tur? dintre mediul de via?? ?i psihicul uman. O t?n?r? vede moartea cu ochii c?nd o c?p???n? de sfecl? ?i p?trunde prin parbriz ?n ma?in?. Un pu?ti d? foc unui hambar ?i un anume domn Davison p??e?te ceva ce nu vom afla niciodat?. Un tat? este arestat c?nd ?ncearc? s?-?i vad? feti?a la serbarea de Cr?ciun. Un b?rbat ?nfrico?at c? va veni o vreme c?nd ploaia nu se va mai opri construie?te o c?s? ?n copac. Un adolescent ucide ?ntr-un accident un b?rbat ap?rut de nic?ieri ?i ?ngroap? cadavrul. Doi muncitori poart? o conversa?ie pe malul lacului, ?n timp ce avioanele de lupt? zboar? deasupra lor preg?tindu-se de r?zboi. ?ie nu ?i s-ar putea ?nt?mpla a?a ceva. Dar uneori se ?nt?mpl?… ?30 de povestiri electrizante.” - New York Times ?O carte plin? de sev?, inventivitate ?i ?ndr?zneal?, care ne asigur? c? proza scurt? nu a murit – este bine-mersi, ?i poate atinge noi culmi.” - The Guardian ?Proza lui McGregor curge ap?s?tor ca ploaia englezeasc?, ?n cel mai bun sens cu putin??. Amplaste ?n estul Angliei, cele 30 de povestiri se ?es ?n jurul ?nt?mpl?rilor nea?teptate, ?ntr-un peisaj sc?ldat ?n lumina rece ?i umed? a dimine?ii. - Library Journal ?Sunt de-a dreptul captivante, surprinz?toare, povestirile acestui autor nominalizat la Man Booker Prize.” Kirkus Reviews De acela?i autor: P?n? ?i c?inii Initial value.

Volumul de fa?? din seria Eminescu, poem cu poem ne dezva?? de toate vechile obiceiuri de interpretare care au prezentat ?n limbaj de lemn poeziile eminesciene. Alex. ?tef?nescu ne face din nou cuno?tin??, de data aceasta ?n cuvinte simple ?i idei proaspete, cu unele dintre cele mai cunoscute poezii din literatura rom?n?. Analiza sa cuprinde observa?ii fresh ?i referin?e culturale pe gustul elevilor, tinerilor ?i iubitorilor de literatur? care (re)descoper? ast?zi crea?ia eminescian?.

Inima te ?n?eap?, stomacul devine rebel, urechile ?iuie, tremuri de furie sau de nervi. Emo?iile clocotesc ?i e?ti ve?nic stresat. Pe ne?tiute, organismul se fr?nge sub aceast? presiune: apar palpita?iile, respiri mai greu, transpiri mai des ?i acuzi tulbur?ri gastrointestinale. Evit?nd capcana explica?iilor simpliste, de tipul ?bolile de inim? sunt efectul ambi?iei ?i agita?iei", cartea de fa?? prezint? un model complex, bio-psiho-social, ?n care stresul emo?ional este v?zut nu doar ca factor de ?mboln?vire sau agravare a bolii, dar ?i ca efect adesea ignorat al afec?iunii somatice. Organizat pe diverse grupe de organe (inima, pielea, organele genitale, vocea, aparatul locomotor etc.), volumul ofer? clarific?rile medicale ?i psihologice necesare, dar ?i m?suri terapeutice eficiente – de la procedee de relaxare ?i somatoterapie la tehnici cognitiv-comportamentele pentru re?ncadrarea bolii, reintegrarea la locul de munc? ?i mai buna gestionare a emo?iilor. Cartea se adreseaz? at?t publicului larg (bolnavi ?i apar?in?tori), c?t ?i medicilor ?i psihologilor clinicieni.

This brilliant edition of a timeless story is sure to become the favorite of a generation. Readers young and old will be enchanted by the illustrations of W. H. Thwaite. This is a picture book to treasure.Once upon a time, a rich merchant lived with his daughter. He loved the girl for her beautiful face and her sweet heart. But after his wife died, he decided to marry a second time, and his new wife was selfish and cruel. She had two daughters of her own who were just like her. . . .

Citind romanul lui Cosmin, am intrat automat n rolul unui cenzor paranoid, din ce n ce mai ncruntat, pe msur ce intram n pinea de cuvinte. Mai ncruntat fiindc am nceput s adun ntrebri pentru a pune la punct autorul, pentru a-l convinge c un asemenea text nu trebuie publicat, fiindc este periculos pentru ceteanul de bun credin, este subversiv i cu att mai nociv, cu ct ncearc s se ascund n spatele absurdului. Fiindc nou, cenzorilor, la cursul de cenzur aplicat ni s-a atras atenia de la bun nceput: atenie mare la absurdul cu substrat, la textele aparent schizoide! Acolo se ascunde buba! Iar buba trebuie tratat chirurgical! Cine se ascunde n spatele Cinelui de lemn Cine e Jumtatea de Matrioc Iar antierul e cumva La Canal Adic personajele tale au nnebunit din cauza regimului Nu neleg! Mi biete, ai cam srit calul! Fii atent la mine, textul tu nu poate fi publicat! Sau te apuci de scris normal, pe nelesul omului echilibrat, sau las-te! Auzi la el, CHINUL VENIC I NEOSTOITA SCRNIRE A DINILOR!“ – Micleuanu M. Bi, Pera sta e de belea. N-am mai citit nici un scriitor de sta care s-i frece creierii cum o face el. Dup ce termini cartea te nvri n cerc n mijlocul camerei, ca un tmpit, i nu tii ce-i cu tine, frate, pe bune. Eti praf.“ – Un biat C. Pera pare s fie al treilea frate Strugatski. Umor, suspans, intertextualism, fantasy – acestea sunt ingredientele romanului pe care tocmai l citesc i n care, mai mult ca sigur, i-ai dori i tu s fii personaj, fie i mcar unul secundar. Mie mi-ar plcea s fiu Cinele.“ – V. Leac

All three grand military SF adventures featuring the Fifth Foreign Legion—on the front lines in the hottest and strangest conflicts in the galaxy. Contains the complete novels March or Die, Honor and Fidelity, and Cohort of the Damned.

Маг?я Анджея Сапковського — у його вм?нн? з л?ризмом ? сарказмом створити уявний св?т, кожен з мешканц?в якого, кожне м?сце ? кожна под?я наст?льки нагадують нам св?т реальний, сучасний, що в?д?рватися в?д книжок неможливо. Дуже давно, коли людська раса т?льки обживала ворожий св?т, а маги у сво?х вежах займалися лише високою наукою чар?вництва, було створено г?льд?ю в?дьмак?в — рем?сник?в в?д маг??, яких навчали вбивати темн? породження потойб?ччя: в??в ? в?ппер?в, мантикор ? гул?в, грифон?в ? брукс-вамп?риць. Але з часом страшних почвар меншало, меншало й тих, хто мусив захищати в?д них людей, — ? дедал? част?ше в?дьмакам у спину лет?ли з-за паркан?в прокльони та кам?ння. В?д Яруги до Драконячих г?р мандру? один з останн?х в?дьмак?в — ?еральт ?з Р?в??, зустр?чаючи людей та ?стот, як? чимось дуже нагадують персонаж?в в?домих казок, та намагаючись зрозум?ти, чи залишилося у ньому самому хоч щось в?д людини, чи в?н — т?льки додаток до двох сво?х меч?в: звичайного зал?зного та в?дьмачого, з карбованим рук?в’ям та ср?бним клинком, який колись стане для нього мечем призначення… Mag?ja Andzheja Sapkovs'kogo — u jogo vm?nn? z l?rizmom ? sarkazmom stvoriti ujavnij sv?t, kozhen z meshkanc?v jakogo, kozhne m?sce ? kozhna pod?ja nast?l'ki nagadujut' nam sv?t real'nij, suchasnij, shho v?d?rvatisja v?d knizhok nemozhlivo. Duzhe davno, koli ljuds'ka rasa t?l'ki obzhivala vorozhij sv?t, a magi u svo?h vezhah zajmalisja lishe visokoju naukoju char?vnictva, bulo stvoreno g?l'd?ju v?d'mak?v — rem?snik?v v?d mag??, jakih navchali vbivati temn? porodzhennja potojb?chchja: v??v ? v?pper?v, mantikor ? gul?v, grifon?v ? bruks-vamp?ric'. Ale z chasom strashnih pochvar menshalo, menshalo j tih, hto musiv zahishhati v?d nih ljudej, — ? dedal? chast?she v?d'makam u spinu let?li z-za parkan?v prokl'oni ta kam?nnja. V?d Jarugi do Drakonjachih g?r mandru? odin z ostann?h v?d'mak?v — ?eral't ?z R?v??, zustr?chajuchi ljudej ta ?stot, jak? chimos' duzhe nagadujut' personazh?v v?domih kazok, ta namagajuchis' zrozum?ti, chi zalishilosja u n'omu samomu hoch shhos' v?d ljudini, chi v?n — t?l'ki dodatok do dvoh svo?h mech?v: zvichajnogo zal?znogo ta v?d'machogo, z karbovanim ruk?v’jam ta sr?bnim klinkom, jakij kolis' stane dlja n'ogo mechem priznachennja…

On the magnificent and mysterious, beautiful and terrible world of Kregen, a planet orbiting Antares four-hundred light-years from Earth, much may be achieved and much lost. Far more than merely a strong sword arm is required for victory. Far more than a cunning and devious brain is needed to secure success. Having won his princess, Delia of Delphond, Delia of the Blue Mountains, and having become the Emperor of Vallia with Delia at his side as Empress, Dray Prescot has renounced the crown and throne. Any thoughts of a quiet life are foolish, as he well knows. Among the many problems besetting him, the most important are uniting the lands of Paz and beating off the viciously hostile raiders from over the curve of the sea, the feared and hated Shanks. Containing three novels: Scorpio Reborn Scorpio Assassin Scorpio Invasion

From around 750BC to 12BC, the Celts were the most powerful people in central and northern Europe. With the expansion of the Roman Empire and the later Christianization of these lands, they were pushed to the fringes of north-western Spain, France and the British Isles. But there the mythology of these peoples held strong. The tales from Celtic myth were noted down and also absorbed into other cultures. From Roman and Christian scribes we know of characters like Morrigan the shape-shifting queen, who could change herself from a crow to a wolf, Cu Chulainn, who, mortally wounded in battle, tied himself with his own intestines to a rock so that he’d die standing up, and the Cauldron of Bran, which could restore life. Other than being fascinating in their own right, Celtic legends are of interest for the influence they had over subsequent mythologies. The story of the Holy Grail first appears in medieval romances but its antecedents can be found in the Celtic tale, the Mabinogion. Illustrated with more than 180 colour and black-and-white artworks and photographs and maps, Celtic Legends is an expertly written account of the mythological tales that both fascinate us and influence other writings.

The divisions of the Waffen-SS were the e?lite of Hitler’s armies in World War II. SS-Totenkopf is an in-depth examination of one of the most famous – or rather, infamous – of these divisions: the ‘Death’s Head’ division. The book explores the background to the unit’s formation from the early concentration camp guards; the men it recruited and the level of brutalisation to which they became accustomed; the key figures involved in its history, such as Theodor Eicke, its founding commanding officer; and the division’s organization. It also looks at the training regimen of the Waffen-SS, and the uniforms and insignia that members of the division wore. SS-Totenkopf also provides a full combat record of the division, which fought on both fronts during World War II, increasingly serving as a ‘fire brigade’ unit as the war turned against Germany, plugging gaps wherever they appeared in the front. The book outlines the unit’s involvement in the invasion of Poland, the fall of France, the invasion of the Soviet Union, the battle of Kharkov, the defence of Warsaw, and the final fruitless attempt to relieve Budapest in the last days of the Reich. Illustrated with rare photographs and written by an acknowledged expert, SS-Totenkopf is a definitive history of one of Germany’s leading fighting units of World War II.

In April 1945, the final dramatic act of World War II in Europe was played out in Germanys capital city. Berlin 1945: The Final Reckoning is a comprehensive history of the last battle of Nazi Germany, which would see the virtual destruction of a city, and the eventual suicide of Adolf Hitler. Berlin 1945: The Final Reckoning begins with a study of the background to the battle and a description of events on the Eastern and Western Fronts before the Soviet forces reached Berlin. The city’s strategic importance to the German war effort and morale is considered, along with factors that caused the Western Allies to halt their advance on the Elbe rather than race the Soviet troops to the Reichstag. The German forces available for Berlin’s defence and their actual defensive preparations (or lack of them) are covered in depth, as is the devastating destruction caused by the ceaseless Allied bombing and remorseless shelling by the Soviet forces. The book describes in words and graphic pictures how, in a city reduced to rubble, a bitter hand-to-hand struggle developed between fanatical Nazis, SS troopers, old men and young boys of the Hitler Youth and the hard-bitten Soviet front-line troops bent on revenge. The suffering of the soldiers and civilians are revealed in full detail, with personal accounts from those involved in the battle. The book also describes the events in the bunker behind the Reichschancellery, where Hitler spent his last months. Finally the reader learns how German commanders disobey the Fuhrer’s orders to fight to the last man, and the fate of the city was sealed. The final chapter discusses the full implications of the battle for the Germans and Soviets, and briefly describes the search for Hitler’s body. Berlin 1945: The Final Reckoning is a brilliant, superbly illustrated account of the battle that ended the Nazi dream of a 100-year Reich.

The struggle for naval supremacy and the naval arms race inspired by HMS Dreadnought may have captured the headlines, but the opening stages of the naval war were dominated by the threat from German cruisers stationed outside European waters, until they were hunted down and sunk by the Royal Navy, notably at the Battle of the Falkland Islands in 1914. Germany switched its focus to the U-boat, seeing it as a weapon capable of winning the war by starving Britain into surrender. Unrestricted submarine warfare led to the sinking of millions of tons of shipping, but it would also force the USA to enter the war on the Allied side in 1917. In the Mediterranean, the French fleet took the lead, while Austria-Hungary supported German actions. The Allied attempt in 1915 to use maritime power to break the strategic deadlock with an amphibious operation in the Dardanelles ultimately failed, although Allied sea power helped sustain the successful campaigns against the Ottoman Empire in the Middle East. What would prove to be the decisive naval engagement of the war took place in 1916 at the Battle of Jutland. Whilst the clash itself was inconclusive, the German High Seas Fleet would be all but confined to port for the rest of the war, handing the initiative to the Royal Navy. The resultant command of the seas allowed the Allies to carry fresh American armies and much-needed supplies to Europe in 1917. However, victory for the Allies was ultimately delivered by the naval economic blockade. By preventing the import of war materials and food, the fighting power and morale of the German armed forces was weakened. It was the mutiny of the High Seas Fleet in October 1918 that prompted the German Revolution and the subsequent abdication of the Kaiser. With the aid of over 300 photographs, complemented by full-colour maps, Naval Warfare provides a detailed guide to the background and conduct of World War I naval operations, describing the struggle to win control of the high seas around the globe.

Introduction to Secrets: A Story of Addiction, Grief ＆amp; Healing ? Highly educated individuals with doctorates publish papers full of information, facts, and figures, explaining reasons for addiction. It is often good information extensively researched and properly cited. I do not have a Ph.D. or a doctorate. I am simply one who loves to teach, write, and more importantly, a mom who loves her family. I majored in motherhood. I minored in English. ? Sadly, I lost something most dear to my heart, my daughter’s voice. I only hear her voice as echoes in my mind, and as I read her journals. Her journals are full of her—her voice, worries, goals, sadness, hopes, desires, disappointments, happiness and love. Her writing identified her feelings, but they do not clearly define her as a person because her life was so much more. How to define, articulate her essence, her multi-dimensional personality? ??????????? In writing this story, I used words and prose that allow the reader to peer into the looking glass, perhaps to see beyond themselves to what lurks in the background of the human soul. How special each of us really is. We all deserve to be loved and to be recognized for the good we do, for the difference we make by just being. ? The writing of this story has been incredibly difficult. I was told that I was terribly hard on myself. Well, the truth is not always pretty. But accepting the truth as a means to better understand one’s environment and to move forward can be healing. It is not easy. Healing takes time. It can be painful. It is often long and arduous. Sometimes, the nearly healed wound is reinjured, the scab is torn loose, exposing the tender flesh beneath. It may ooze again for a time, but then the healing begins again. Grief can be like that. A year has passed; a year of grief, healing, learning, better understanding addiction. ? The road leading to addiction and the reasons one succumbs to substance use disorder is long and winding. Addiction is complex and those who struggle with it usually face other mental health challenges too. They struggle with loss, loneliness, pain, and emptiness. They long for fulfillment. They feel misunderstood, misjudged, stigmatized, unloved. These voids must be filled. The human spirit demands it. ? Society is quick to formulate judgments toward those struggling with addiction. However, is addiction a choice? Is mental illness a choice? Everyone’s story is different. I can only share mine. The effects of addiction ripple out, washing over everyone in some manner or form. Like many, I originally thought substance use was a choice, a deficit in one’s moral code, a weakness that one should be able to control. Why must tragedy occur to inspire illumination? ? As I began to write, my inner eye became focused, intent on rediscovering Sarah. The Sarah I knew as a child had long ago morphed into an adult I did not recognize or understand. I blamed myself. Where did I go wrong? In how many ways did we fail her as her parents? I wanted to understand. Will sharing my story allow others to more easily identify the symptoms of addiction and to recognize addiction as a disease? I hope so. That is why I am breaking the silence, using Sarah’s voice, as well as my own with a clear objective: To de-stigmatize addiction. ? Can we work towards removing the fear and the terrifying stigmatization attached to addiction and try something different? Let us direct positive energies toward these struggling souls. Rather than projecting fear and judgment, what would happen if society projected understanding, empathy, compassion, and acceptance? Acceptance that they have an illness, not just addiction, but often, buried beneath the surface, acute sadness, and unresolved conflict. ? As society begins to remove the stigma of addiction, boundaries to seeking recovery will lessen, improving the odds of recovery, decreasing the risk of death by overdose. Sarah’s death must not be an ending—let it be a beginning towards understanding, acceptance, and empathy.

The first five books in the Saga of Dray Prescot of Earth and of Kregen are brought together in this omnibus edition. Together, they make up the Delian Cycle, in which Dray Prescot comes to terms with the alien world of Kregen. Here he tries to make sense of his situation: the Star Lords, the Savanti, the marvelous places, strange beasts and stranger people. And here he pursues his greatest love of two worlds, Delia of the Blue Mountains. Dray Prescot's saga has been aclaimed as the best planetary adventure series since Burroughs stopped writing about Barsoom. This edition contains a map and glossary.

Breaking Free from Bias: Preventing Costly Complaints, Conflict and Talent Loss