Dray Prescot begins an entirely new phase of his adventures on Kregen, that magnificent and terrible world four hundred light years from Earth. Reared in the harsh conditions of Nelson's Navy, Dray Prescot failed to find success on Earth but has succeeded in winning fortune on Kregen. He is called the Emperor of Emperors, the Emperor of Paz, but he himself regards these titles as meaningless. Paz is a vast grouping of continents and islands and is inhabited by innumerable races and nations, so why should they band together under Prescot? The Star Lords themselves have chosen him for this heavy task. Intrigue of Antares In this, the first book of the Balintol cycle, the Star Lords have dispatched Dray Prescot to the town of Amintin in the continent of Balintol. Under the streaming mingled lights of the Suns of Scorpio, Dray Prescot sets forth on new adventures in the subcontinent of Balintol. Gangs of Antares All hell was due to break out in the country of Tolindrin, and the city of Oxonium, as the capital, was likely to receive more than its fair share. Dray Prescot is in the middle of it, and strangeness unlike any that he has previously encountered awaits him... Demons of Antares Dray Prescot's task of uniting the disparate countries so that all Paz can defend itself against the predatory, fish-headed Shanks from the other side of the world is complicated. And the megalomaniac desires of certain princes and nobles who are determined to win the crown of Tolindrin for themselves, and who are willing to destroy anyone who gets in their way, isn't helping. They have hired mercenary armies and allied themselves with the traditional enemies of the country. Prescot must travel to Prebaya, the capital of Caneldrin, and use all his strengths and all his scheming and tricks to achieve his goal with as little bloodshed as possible...

Set in the inter-war period, between the late 1920s, when Italy began solidifying its power in its new Libyan colony, and the end of World War II, when control of the country passed into British hands. Spina's chief subjects in these stories are Italian military officers who idle their time away at their club or exploring the strange lands where they have been posted, always at odds between the jingoistic education they received at home and the lessons they've learned during their time in Libya. These short stories map the transformation of the Libyan city of Benghazi from a sleepy Ottoman backwater in the 1910s to the second capital of an oil-rich kingdom in the 1960s. Employing a cosmopolitan array of characters, ranging from Ottoman functionaries, to Sanussi aristocrats and Italian officers, Spina chronicles Italy's colonial experience from the euphoria of conquest - giving us a front row seat to the rise and subsequent fall of Fascism in the aftermath of World War II - to the country's independence in the 1950s. Spina continues his narrative with the discovery of Libya's vast oil and gas reserves, which triggered the tumultuous changes that led to Muammar Gaddafi's forty-two-year dictatorship.

Introduction to Secrets: A Story of Addiction, Grief ＆amp; Healing ? Highly educated individuals with doctorates publish papers full of information, facts, and figures, explaining reasons for addiction. It is often good information extensively researched and properly cited. I do not have a Ph.D. or a doctorate. I am simply one who loves to teach, write, and more importantly, a mom who loves her family. I majored in motherhood. I minored in English. ? Sadly, I lost something most dear to my heart, my daughter’s voice. I only hear her voice as echoes in my mind, and as I read her journals. Her journals are full of her—her voice, worries, goals, sadness, hopes, desires, disappointments, happiness and love. Her writing identified her feelings, but they do not clearly define her as a person because her life was so much more. How to define, articulate her essence, her multi-dimensional personality? ??????????? In writing this story, I used words and prose that allow the reader to peer into the looking glass, perhaps to see beyond themselves to what lurks in the background of the human soul. How special each of us really is. We all deserve to be loved and to be recognized for the good we do, for the difference we make by just being. ? The writing of this story has been incredibly difficult. I was told that I was terribly hard on myself. Well, the truth is not always pretty. But accepting the truth as a means to better understand one’s environment and to move forward can be healing. It is not easy. Healing takes time. It can be painful. It is often long and arduous. Sometimes, the nearly healed wound is reinjured, the scab is torn loose, exposing the tender flesh beneath. It may ooze again for a time, but then the healing begins again. Grief can be like that. A year has passed; a year of grief, healing, learning, better understanding addiction. ? The road leading to addiction and the reasons one succumbs to substance use disorder is long and winding. Addiction is complex and those who struggle with it usually face other mental health challenges too. They struggle with loss, loneliness, pain, and emptiness. They long for fulfillment. They feel misunderstood, misjudged, stigmatized, unloved. These voids must be filled. The human spirit demands it. ? Society is quick to formulate judgments toward those struggling with addiction. However, is addiction a choice? Is mental illness a choice? Everyone’s story is different. I can only share mine. The effects of addiction ripple out, washing over everyone in some manner or form. Like many, I originally thought substance use was a choice, a deficit in one’s moral code, a weakness that one should be able to control. Why must tragedy occur to inspire illumination? ? As I began to write, my inner eye became focused, intent on rediscovering Sarah. The Sarah I knew as a child had long ago morphed into an adult I did not recognize or understand. I blamed myself. Where did I go wrong? In how many ways did we fail her as her parents? I wanted to understand. Will sharing my story allow others to more easily identify the symptoms of addiction and to recognize addiction as a disease? I hope so. That is why I am breaking the silence, using Sarah’s voice, as well as my own with a clear objective: To de-stigmatize addiction. ? Can we work towards removing the fear and the terrifying stigmatization attached to addiction and try something different? Let us direct positive energies toward these struggling souls. Rather than projecting fear and judgment, what would happen if society projected understanding, empathy, compassion, and acceptance? Acceptance that they have an illness, not just addiction, but often, buried beneath the surface, acute sadness, and unresolved conflict. ? As society begins to remove the stigma of addiction, boundaries to seeking recovery will lessen, improving the odds of recovery, decreasing the risk of death by overdose. Sarah’s death must not be an ending—let it be a beginning towards understanding, acceptance, and empathy.

n ultimele secole, omenirea a evoluat spectaculos la nivel intelectul i tehnic. Numai c, n planul dezvoltrii emoionale, a rmas cu multe veacuri n urm, susine Fromm. Cum se explic i cum poate fi soluionat acest decalaj socio-istoric dintre minte i inim Fcnd apel la date din istorie, psihologie social i psihanaliz, prezentul volum descrie modul n care destrmarea lumii medievale, cu ierarhiile sale stabile i securizante, a adus lumii occidentale moderne un confort material i o democratizare nesperate, ns cu preul unei anxieti venite din izolarea social, din dezrdcinare. n acest context, fuga de libertate" devine o fals soluie la alienare, prin care omul zilelor noastre e tentat s-i cedeze libertatea unor regimuri autoritariste, care, dei l transform ntr-o marionet, i ofer un sentiment de apartenen i de siguran. Ca antidot la nregimentare i extremism, Fromm mizeaz pe contientizarea resorturilor existenei noastre sociale, proces care ne poate face mai maturi la nivel afectiv i mai autonomi n gndire. Fuga de libertate apare atunci cnd eul se dovedete prea slab - sau prea slbit - pentru a-i mai asuma rspunderea propriilor alegeri, renunnd ca atare la puterea de decizie. Fromm vede n aceast capitulare o trstur inaugural pentru ceea ce el numete caracter autoritar sau sado-masochist. -- Dorin Liviu Btfoi - Romnia literarNumai dac omul va stpni societatea i va subordona angrenajul economic scopurilor fericirii umane, i numai dac va participa activ la procesul social, va putea s nving ceea ce l duce acum la disperare — singurtatea lui i sentimentul de neputin. - Erich Fromm

Now you can enjoy the full Upheaval Series trilogy at a discounted price. Slow Walk Every journey begins with a need and a single step. SLOW WALK, the first book in the Upheaval series, introduces the reader to a new world where survival often means choosing who deserves to live—and who should die. Edge of Reality Sanity is madness put to good use. George Santayana Book Two of the Upheaval series, EDGE of REALITY takes the reader on an extraordinary and unexpected adventure in a world turned upside down. Solstice Moon Survival can be summed up in three words–Never Give Up. Bear Grylls Book Three of the Upheaval series, SOLSTICE MOON concludes Sydney’s courageous journey, traveling down twisty and challenging paths the reader never imagined.

Simona Drgan are fora de a supune textele de autoritate asupra crora se apleac unei lecturi personale, “vede“ ideile n intricaia lor originar, le restructureaz n conformitate cu propriul ei scenariu. in sa apreciez faptul c, n ciuda tematicii sale, lucrarea de fa nu este arid, nu sufer (dect n proporii acceptabile) de acea placiditate stilistic, inevitabil analizelor teoretice. Capacitatea de sintez, spiritul critic, precizia terminologic, luciditatea i supleea, calmul operator, toate acestea atest o cert vocaie teoretic“. (Mircea Martin)Cum se ntmpl cnd o ecuaie care a umilit cerbicia multor duzini de matematicieni i afl mintea capabil s-i dea de capt, mprtim n cazul de fa bucuria unei revelaii: pare ca Foucault i consorii, cei ce n loc de scrieri i texte au inventat uzul sofisticat al scriiturii i discursului, au ntlnit n autoarea de fa un autentic partener de dialog. Avem a face cu o lucrare fr caracter compilativ, demonstrnd o amprent personal, o anumit prospeime a observaiei directe, un soi de entuziasm agreabil al dezbaterii de idei, care se transmite i cititorului, smulgndu-l reflexelor lui sceptice ori obosite“. (Paul Cornea)n opinia mea, un merit major al Simonei Drgan este acela de a reui, ntr-o manier indubitabil personal, sa exprime, cu o elegan a claritii ce se remarc de la prima la ultima pagin a lucrrii, unele dintre cele mai complicate, ca sa nu spunem “stufoase“, idei formulate vreodat n perimetrul tiinelor filologice“. (Ciu Dobrescu)

Necesitatea acestei carti s-a impus in campul istoriografiei contemporane ca un raspuns ce se cerea stringent intr-un moment in care istoriografia in ansamblul ei a intrat intr-un serios impas girat si incurajat de predominanta agresiva si interferenta unor scoli si curente inconsistente, care de care mai zgomotoase, mai belicoase, mai ?originale“, concomitent cu intensificarea presiunii factorului politic (guverne, parlamente, tribunale, ong-uri etc).Tematica lucrarii o constituie evenimentele care au tulburat intreaga lume in perioada celui de-al Doilea Razboi Mondial.Studiile din aceasta carte au aparut sub semnatura celor mai prestigiosi istorici ai neamului nostru din aceasta perioada: acad. Dan Berindei, acad. Florin Constantiniu, prof. univ. dr. Gh. Buzatu (coordonatorul editiei), Stela Cheptea si multi altii.

Trei fo?ti ofi?eri CIA, autorit??i interna?ionale ?n detectarea disimul?rii, v? ofer? un set de tehnici accesibile pentru a afla dac? vorbitorul din fa?a voastr? spune sau nu adev?rul. Fie c? realiza?i un interviu de angajare sau o anchet? judiciar?, fie c? vre?i s? afla?i dac? adolescentul vostru a consumat droguri ori dac? partenerul v? ?n?al?, ave?i acum la dispozi?ie un arsenal de ?ntreb?ri ?i tehnici de interpretare care ?i-au dovedit eficien?a chiar ?i ?n fa?a celor mai versa?i spioni ?i terori?ti. Baz?ndu-se pe analize complexe ale unor anchete de contraspionaj sau ale unor interviuri televizate cu politicieni pref?cu?i, cartea v? ?nva?? s? pune?i cele mai percutante ?ntreb?ri ?i s? identifica?i minciuna pornind de la semnele ei verbale (ezit?ri, generaliz?ri, apelul la divinitate) ?i nonverbale (mutarea centrului de sprijin, acoperirea fe?ei cu palma etc.). ?Arta ?n?el?ciunii este tema principal? a acestei c?r?i, care se adreseaz? unui spectru larg de speciali?ti: psihologi, avoca?i, judec?tori, procurori, poli?i?ti, investigatori, oameni de afaceri, oameni de v?nz?ri etc.“ – Ion Duvac, fondator al Psychological Profiler Academy

Totul e repetat p?n? ?n cel mai mic detaliu. Secund? cu secund?. Fiecare mi?care e atent studiat?. Nu va fi niciun martor care s? poat? reproduce exact ce s-a ?nt?mplat. Niciun poli?ist nu va g?si vreo pist? care s? duc? la f?pta?i. Av?nd la baz? o poveste adev?rat?, Made in Sweden e un roman cu o intrig? bine condus? despre o band? de infractori neobi?nui?i. Dar este ?i o poveste despre familie, despre dragostea fr??easc? ?i rela?ia complicat? dintre ta?i ?i fii. Despre Leo, Felix ?i Vincen – nu-i ve?i uita! ?Absolut nebunesc, absolut extravagant ?i absolut fantastic: ?n plus, foarte bine documentat.“ – Nordjyske Stiftstidende ?Extrem de bine scris, palpitant, captivant, vesel, tulbur?tor, emo?ionat, ??i d? fiori ?i-?i ?nghea?? s?ngele ?n vene – pur ?i simplu spectaculos. Made in Sweden e o pies? de categorie grea.“ – Fredericia Dagblad ?Structura e perfect cinematic?: scene bine construite, dialoguri vii ?i ac?iune atent condus?. Tema educa?iei ?i-a ?nsu?irilor cu care ne na?tem e abordat? cu subtilitate. Odat? ce-ai ?nceput s? cite?ti, nu te mai po?i opri!“ – Politiken

Povestiri de p?n? azi adun? ?ntre coper?ile sale povestirile c?rtur?re?ti ?i parabolice, cumva borgesiene, din Semnele timpului, volumul de debut al autorului, cu cele explod?nd ?realist“, infuzate de senzualitate ?i sexualitate, din Check Point Charlie, c?rora se adaug? c?teva nara?iuni inedite, care anun?? – poate prefa?eaz? – romanele cosmopolite cu care Liviu Antonesei ?amenin??“ de mai mul?i ani. Indiferent ?ns? de stil, tematic?, viziune ori inten?ii viitoare, toate au poveste, toate te ?in, p?n? la ultima pagin?, cu sufletul la gur? pe parcursul lecturii. F?r? a fi poli?iste, se citesc ca un thriller de bun? calitate.

Greva foamei, trotuare ocupate de protestatari, prim?rii luate cu asalt. Dar ?i un student care o seduce pe amanta profesorului. Pumni ridica?i, manifeste radicale, acuza?ii scandate contra guvernului. Dar ?i o b?tr?n? furi??ndu-se spre ?nt?lnirea cu iubitul ei. Nunta unor mafio?i, un uciga? cu ?ndoieli, un medic criminal. C??iva pui de g?in? ciugulind ni?te ro?ii. Povestirile lui Dumitru Crudu, scriitor pe deplin consacrat, redau ?ntreaga forfot? a vie?ii de azi, ?ntr un limbaj savuros, cu o verv? inegalabil? ?i cu un umor de cea mai bun? calitate.

Toate raionamentele brbailor nu cost nici mcar un sentiment al femeilor.“ – VoltairePractici eficiente de pick-up. nceptor Fii pe faz! Urmeaz cursul de iniiere n ale pick-up-ului.Primo. Cine eti i doreti ceva i chiar obii sau doar visezi i colectezi frustrriSecundo. Ce tii s faci Procedee, tehnici i metode... Te tenteaz Citete.Tero. Rezultatul ine minte, rezultatul nu poate fi dect unul de succes.Pick-up – un model de comportament al omului de succes, dar i o abordare bine gndit a comunicrii cu persoanele de sex opus i seducerea lor. Pentru aceasta ai nevoie de un maxim de informaie util i dexteritate.Probabil aceast carte te va supra. Poate c te va face s te dezamgeti. Probabil c vei pierde cele mai dragi iluzii. Cu siguran te vei indispune, vei fi suprat, te vei nfuria sau vei rde. Nu este exclus c te vei cstori sau poate c invers, vei divora, citind-o. Aa c, nainte de a da pagina, gndete-te bine, poate ca nu merit s tii attea lucruri despre brbai.n aceast carte brbatul apare exact aa cum este n realitate. Iar aceasta privelite nu este pentru cei cu psihicul slab. Anume din aceast cauz i mai repet: dac ii la iluziile tale, dac vrei n continuare s crezi c brbaii sunt nite copii mari, renun la aceast carte. F acelai lucru, dac eti convins c i cunoti pe brbai.Brbatul ideal nu bea, nu fumeaz, nu pariaz la curse, niciodat nu face reprouri i nu exist.

Rstimp de douzeci de ani, sub egida acestui prestigios Club de Dialog – Ideea European – au fost organizate numeroase dezbateri, turnee, lecturi publice, conferine, ntruniri, simpozioane, att n ar, ct i peste hotare. M refer, n aceast ordine de idei, la Conferinele Modele Europene. Friedrich Nietzsche, Marx i Nietzsche. Vinovai fr vin, Modele europene. Ion Ianoi, Eugen Negrici. Iluziile literaturii romne sau Nicolae Breban. Trdarea criticii (...) in deopotriv la toate. Unele dintre acestea, multe – majoritatea! – au fost gndite de subsemnata mpreun cu romancierul Nicolae Breban, fiind rodul unei prietenii, al unei compliciti de litere rare – a spune, citnd-o de fapt pe Magda Ursache, unice – cum sunt, de pild, dezbaterile dedicate crilor-eveniment: Iluziile literaturii romne de Eugen Negrici i Trdarea criticii de Nicolae Breban, ca s citez exclusiv dou, oprindu-ne aici. Dar, m ntreb, iar i iar, de ce ne-am opri Nu spunea Blaga, oare, ntr-un vers memorabil: Orice nceput se vrea fecund“ Douzeci de ani sunt un nceput!Destinul nostru este literatura, spuneam ani de-a rndul, parafrazndu-l pe Napoleon, repetnd, iar i iar, aceast afirmaie gnomic, nu rareori, c pe o rugciune, ca pe o litanie, cu smerenie, iar, uneori-adeseori, cu spaim, ntruct – iubindu-l atroce pe sihastrul de la Torino, da, pe Nietzsche cel unic, cel hamletian – tiam, da, tiam, cine se joac de-a destinul... devine destin.“ – Aura Christi

The Art of War

De Japanse Bakker: Een Hartendiefjes Verhaal

Het pad van De Waterbloesems: Saga Van De Twee Prinsessen 4

De legende van Are en Dina: Ictiluni

Case: PZ35-321-01: Infinitus Memorias verhaal

Fruit Art for Children

Star Runners Omnibus

Be Positive Be Happy Be Strong Enjoy Life