The Crito seems intended to exhibit the character of Socrates in one light only, not as the philosopher, fulfilling a divine mission and trusting in the will of heaven, but simply as the good citizen, who having been unjustly condemned is willing to give up his life in obedience to the laws of the state . . .

Categories is a text from Aristotle's Organon that enumerates all the possible kinds of things that can be the subject or the predicate of a proposition. They are considered the single most heavily discussed of all Aristotelian notions.

Caesar, although he was not as yet at open enmity with him, determined neither to aid him by his influence nor openly oppose him on this occasion. But the consuls Lentulus and Marcellus, who had previously been on unfriendly terms with Caesar, resolved to use all means in their power to prevent him from gaining his object. Marcellus in particular did not hesitate to offer Caesar other insults. Caesar had lately planned the colony of Novumcomum in Gaul: Marcellus, not content with taking from it the right of citizenship, ordered the principal man of the colony to be arrested and scourged at Rome, and sent him to make his complaints to Caesar: an insult of this description had never before been offered to a Roman citizen.

In Civil Disobedience Thoreau argues that individuals should not permit governments to overrule or atrophy their consciences, and that they have a duty to avoid allowing such acquiescence to enable the government to make them the agents of injustice.

Generally seen as a pioneering work of zoology, Aristotle frames his text by explaining that he is investigating the existing facts about animals. History of Animals is one of the major texts on biology.

Medierea este o alternativ? la procesul ?n instan??. La mediere, p?r?ile sper? ?ntr-o solu?ie amiabil?; la proces, dimpotriv?, fiecare parte sper? s-o ?nfr?ng? pe cealalt?. Lucrarea de fa?? prezint? o nou? metod? de rezolvare a conflictelor, mult mai rapid?, mai eficient? ?i aproape deloc traumatizant? pentru p?r?ile aflate ?n conflict: medierea.

Cartea publicat? ?n 1983 este ?mp?r?it? ?n cinci p?r?i (ce cuprind treisprezece capitole). Fiecare capitol este constituit dintr-un dialog sau dialoguri, povestiri sau ra?ionamente ce abordeaz?, ?n general, paradoxuri, probleme de filosofie, logic? ?i matematic?. Printre temele redate ?n aceast? lucrare se num?r? problema p?catului ?i a virtu?ii (capitolul 4, intitulat ,,O ?ntrebare“), percep?ia ?i reprezentarea realit??ii (capitolul 7 ,,O fantezie minte-corp“), ontologia (capitolul 10 ,,Ce este existen?a?“), solipsismul (capitolul 12 ,,Solipsismul luminat“), problema adev?rului (capitolul 1 ,,De ce spui adev?rul?“ ?i capitolul 2 ,,O problem?“), problema vie?ii ?i a mor?ii (capitolul 9 ,,Zen de via?? ?i de moarte“). Lucrarea se remarc? printr-o formul? dens? ?i, ?n egal? m?sur?, elegant?, care ?i permite autorului s? prezinte chestiuni de altfel complexe ?n c?teva pagini revelatoare, prin povestiri sau dialoguri, f?r? a-?i plictisi cititorii. Ca ?ntr-un num?r de magie, art? de care autorul nu este str?in, publicul este atras ?i captivat de aparenta simplitate ?i ingeniozitate a ra?ionamentelor expuse. Probabil, ceea ce face cartea mai u?or de citit este atitudinea autorului, tonul s?u glume?, ludic ?n cea mai mare parte din cele 200 de pagini. Putem ilustra aceast? idee prin c?teva exemple. ?n cadrul capitolului 3, denumit ,,C?teva fragmente“, Raymond Smullyan poveste?te c? le-ar fi declarat studen?ilor ?n timpul unui examen c? dac? ei ?i-ar da cuv?ntul de onoare c? nu vor copia, atunci el ?i-ar da cuv?ntul c? nu va raporta mai departe dac? ei ar ?ncerca s? copieze. Cineva l-ar fi ?ntrebat la un moment dat dac? crede ?n astrologie. El a r?spuns c? nu crede ?n astrologie deoarece este ?n zodia Gemeni. Lista de propozi?ii care se contrazic singure, a lui Saul Gorn, un specialist ?n informatic?, pe care Smullyan le citeaz?, reprezint? ?i ele o mostr? de umor. Printre acestea se reg?sesc afirma?ii precum: ,,?nainte de a ?ncepe s? vorbesc, a? vrea s? v? spun ceva.“, ,,Jum?tate dintre minciunile pe care ei le spun despre mine sunt adev?rate.“ sau ,,Te ai dep??it pe tine ?nsu?i, ca de obicei.“

My whole being from head to heels is bursting with a strange, incomprehensible feeling. I can't analyse it just now—I haven't the time, I'm too lazy, and there—hang analysis! Why, is a man likely to interpret his sensations when he is flying head foremost from a belfry, or has just learned that he has won two hundred thousand? Is he in a state to do it? This was more or less how I began my love-letter to Sasha, a girl of nineteen with whom I had fallen in love.

Malcolm Ross, a young barrister, is awakened in the middle of the night and summoned to the house of famous Egyptologist Abel Trelawny at the request of his daughter, Margaret, with whom Malcolm is enamored. Once Malcolm arrives at the house, he meets Margaret, Superintendent Dolan, and Doctor Winchester, and learns why he has been called: Margaret, hearing strange noises from her father’s bedroom, woke to find him unconscious and bloodied on the floor of his room, under some sort of trance.

Ivan Ivanovitch attends the funeral of a casual acquaintance and falls to contemplation in the graveyard. He hears the voices of the recently deceased and buried, and he listens to their conversation. They discuss card games and political scandals. As the deceased entertain themselves by revealing all of the shameful details of their earthly lives, Ivan Ivanovitch sneezes.

Laevsky is a dissipated romantic given to gambling and flirtation. He has run off to the sea with another man's wife and quickly grown tired of her, but two obstacles block his route to escape: he is broke, and he faces the absolute enmity of Von Koren, an arrogant zoologist and former friend who can no longer tolerate Laevsky's irresponsibility. Soon Laevsky confronts Von Koren, accusing him of meddling in his affairs, but Von Koren maneuvers a criticism Laevsky makes of their mutual friend, Dr. Samoylenko, into a challenge to a duel.

As he waited for his breakfast, never served to time, Mr. Lashmar drummed upon the window-pane, and seemed to watch a blackbird lunching with much gusto about the moist lawn of Alverholme Vicarage. But his gaze was absent and worried. The countenance of the reverend gentleman rarely wore any other expression, for he took to heart all human miseries and follies, and lived in a ceaseless mild indignation against the tenor of the age.

Emelian was a labourer and worked for a master. He was walking through a field one day on his way to work, when a frog hopped in front of him and he just missed crushing it by stepping across. Suddenly some one called to him from behind. He turned, and there stood a beautiful maiden, who said to him, 'Why don’t you marry, Emelian?'

Eugenie's father Felix is a former cooper who has become wealthy through both business ventures and inheritance. However, he is very miserly, and he, his wife, daughter and their servant Nanon live in a run-down old house which he is too miserly to repair. His banker des Grassins wishes Eugenie to marry his son Adolphe, and his lawyer Cruchot wishes Eugenie to marry his nephew President Cruchot des Bonfons, both parties eyeing the inheritance from Felix.

Set during the political upheavals of 19th Century England, Middlemarch is an epic story of love, politics, and passion. The novel follows lives of the ambitious young Doctor Lydgate as he takes up his position at Middlemarch’s new hospital, and Dorothea Brooke who desperately wants to make something of her life; however, as a woman she is forbidden the study of Greek and Latin and no one takes her notions of societal improvement seriously.

It was now two years and a half since the castaways from the balloon had been thrown on Lincoln Island, and during that period there had been no communication between them and their fellow-creatures. Once the reporter had attempted to communicate with the inhabited world by confiding to a bird a letter which contained the secret of their situation, but that was a chance on which it was impossible to reckon seriously. Ayrton, alone, under the circumstances which have been related, had come to join the little colony.

Come on a journey into the nature of consciousness, finding the space 'between thoughts' as the most obvious place to recognize your true and eternal Self. We recognize overlooked aspects of the natural world around us; as ourselves, as well as using nature to demonstrate spiritual concepts such as God, union and liberation. Your true 'nature' awaits...---------------------------"No matter how it is approached, no amount of words will ever transmit to another person the indescribable 'ultimate Truth'. The fact that it's described as indescribable should be enough to stop us trying. Yet it's made even more difficult because of our troublesome human mind. As intelligent and magnificent as it is, it has a deep and tragic habit of confusing the symbols we use (for simple convenience) in our lives, for the actual things or ideas they represent. As Alan Watts used to say, it's like climbing a signpost rather than walking in the direction it points. Our greatest of misunderstandings is that we confuse the story and idea of who we are, with what is actually true; pure and simple. We make a false judgment on who or what we are, and you wouldn't believe the amount of mischief that arises in result.As exaggerated or humorous as all this may sound on first impressions, this habit of confusing symbols for reality is a very real problem plaguing our human world, and the implications are exceptionally far reaching. We have confused such things as money for wealth, status or fame for character and even the virtual world for real - but most appropriate to this book, is that religious or spiritual concepts are always confused for the things they are pointing towards. That's particularly true of our concepts of 'God', particularly true of Buddha's Dharma, particularly true of any teaching towards enlightenment or liberation."---------------------------"OmniscienceOh father in heaven, omniscience cannot be. It makes no sense, no sense to me....***Between thoughts, your functioning remains flawless. Between thoughts you are ego-less, yet still exist...?How is it so that your heart beats without your control?How do migrating birds travel without directions, newborn horses stand straight up and embryos form without instruction. How does a plant know how to flower and a seed mature into a tree??Without thought or instruction, nature around you is already omniscient. Are you different from nature, or one and the same?***Young one, nature already exists in an omniscient state with no mind…?Between thoughts, are you omniscient?Mid-thought, do you believe you're not?"

Durban Dialogues, Indian Voice is an anthology of five engaging and eclectic South African plays by award-winning playwright Ashwin Singh. The plays selected, namely To House, Duped, Spice ’n Stuff, Reoca Light and Beyond the Big Bangs represent the complete array of Singh’s storytelling skills in drama as well as satire. Each play reflects, in different ways, on the complexities and contradictions of life in post-Apartheid South Africa, and focuses particularly on people of Indian origin and their relationship with other South African communities. The plays present a moving portrait of a unique array of characters and are also punctuated by Singh’s trademark humour. Each one is set in Durban, South Africa’s third largest and most diverse city, and they are described by renowned academic and critic Betty Govinden as ‘undressing Durban, as they take us away from the neon lights and “candy floss” to the reality of the underbelly of post-Apartheid urban and suburban existence’.

Die bildsch?ne junge Witwe Lady Barton hat es sich in den Kopf gesetzt, den Herzog von Wyndonbury zu heiraten, doch als dieser sie für nicht standesgem??h?lt und sie zurückweist, kennt ihre Rache keine Grenzen. Die unschuldige Valessa, die zuf?llig zur Stelle ist, wird in den Strudel der Ereignisse gerissen und findet sich pl?tzlich im Auge des Sturms. Ganz auf sich gestellt, sieht sie nur einen Ausweg…

A delightful children's classic dealing with questions of natural life with plentiful and colourful examples of how things work, and more importantly, why such things as rain, snow, wind and others happen.

Michael Snowdon inherits a substantial sum of money from his deceased son and decides to return from Australia to London. He spends only on necessities and lives like a poor man despite being able to live comfortably. His fortune is kept a secret even from his close friends and relatives.