本书把康德的伦理学放在德国近代启蒙运动的语境中,把康德后期伦理学看作康德在批判哲学时期所确立起来的自由概念的系统展,试图回应“定言命令是空洞的,没有内容的”等质疑，并通过考察康德的历史哲学和教育学,试图呈现出康德伦理学的多重维度。

本书记录著名学者赵敦华教授最近十几年的研究心得，是一部关于中西哲学与马克思哲学对话的原创论文集。作者创造性地试图用达尔文的发生学观，重新解释中国文明的起源；用中西比较哲学的方法，重新理解先秦经典；并且对马克思主义，做了正本清源的工作。全书分三篇，上篇：马克思哲学：正本清源；中篇：西方哲学：推本溯源；下篇：中国哲学:返本新。

本书全面而系统地展现了新中国成立70年来中国伦理学发展中富有创新性的思想观、*争议性的理论论题和*代表性的学术文献，简要而深地评述了新中国伦理学研究的历程与概况、学术路径与理论成就，并力图做到“镜像式”展示，以帮助广大读者获得对我国70年来伦理学发展的整体把握和系统理解。  本书既对伦理学的学科体系、研究方法和道德的本质、功能行了系统的述论，又对伦理学的诸多分支学科的研究成果行了全面的梳理和分析，包括应用伦理、经济伦理、企业伦理、管理伦理、劳动伦理、金融伦理、乡村伦理、环境伦理、体育伦理、政治伦理、行政伦理、科技伦理、教育伦理、法律伦理、生命伦理、宗教伦理、性和婚姻家庭伦理、传媒伦理、网络伦理、军事伦理、艺术伦理、文学伦理、中国传统伦理思想、西方伦理思想、马克思主义伦理思想等，呈现了一幅中国伦理学70年发展 “全息图”。

Inigo (Ignatius de Loyola) begins as a hot-headed, street-fighting sensualist, in this action-packed play but due to serious injury in a sword-fight, he has to spend time recovering and reassessing his dissolute life. This stage version of his life follows his transformation to become the co-founder of the Jesuits in the sixteenth century, battling the powers of the day and the Inquisition. In Moore's bold, funny play, he asserts Inigo's position as a radical figure bent on changing the Catholic Church.?? This play is not only for those interested in Inigo and the Jesuits. It is also about individuals who fight for change against an implacable Establishment and it is ideal for performing in schools, colleges and theatres. Of special interest to schools and colleges, many of which are named after Inigo (Ignatius de Loyola).?Inigo's spiritual tools for change have informed other self-development programs such as the 12 step program for recovering drug and alcohol addicts. As Pope Francis is a Jesuit, this is a timely exploration of one of history's major spiritual leaders and reformers. "This is the most interesting play text to have reached me for a while... Ignatius of Loyala, founder of the Jesuits is not the most obvious choice for a play subject until you remember that he was effectively a counter-cultural radical fighting an implacable establishment suddenly it s both topical and relevant. I hope this thoughtful, engaging and very funny in places eight-hander will get more outings very soon. If not read the text anyway." --Susan Elkin, The Stage"Brilliantly written... a great evening of thoughtful and dynamic theatre." --Mark Lawson, arts correspondent"The structure and dynamism of the play, the art with which Jonathan Moore makes Ignatius accessible to us, capturing much of the drama of the Spiritual Exercises themselves, would also make I?igo an excellent discovery for schools and colleges." --James Hanvey SJ, Master of Campion Hall, University of Oxford, Thinking Faith Jonathan Moore is an award-winning actor, writer and director. As an actor he has played leading roles at the Royal Shakespeare Co, Royal Court, Donmar, the Royal Exchange and on BBC TV. He has directed theatre and opera world premieres at the Almeida, Donmar, West End, Royal Exchange, Gate, English National Opera, Covent Garden, La Fenice in Venice and on TV among many others. He has directed world premieres by composers such as Turnage, MacMillan, Henze, Schnittke, Nyman, Copeland and more, and his early work was sponsored by Joe Strummer of The Clash. He has collaborated with members of punk band Killing Joke and on several projects with Industrial group Test Dept. A published playwright and librettist, his work has been performed at leading theatres including the Donmar, Royal Exchange, Gate, BBC TV, radio and internationally. Jonathan was asked by Mark Rylance to direct the large-scale immersive project for over fifty performers What You Will, a co-production for Shakespeare s Globe, The Cultural Olympiad and Mayor s Office and several subsequent Shakespeare projects. He is due to direct a large-scale site-specific immersive project for Ludovico Einaudi in Italy and a new opera project with Stewart Copeland. He is on the Artistic Advisory Committee of the Royal Academy of Dramatic Art. He has had a Who s Who entry since 2007. A collection of Moore's plays has been previously published by Aurora Metro Books. www.jonathanmooreuk.com

The city of Serenstad has never been stronger, and superstitions are waning in the light of reason and civilization. For the Guild of Dream Finders this has proved disastrous, until Duke Ibris, troubled by mystifying and unsettling dreams, orders Antyr, leader of the Guild, to become the Dream Nexus. Dream Finder is an independent novel set in the world of The Chronicles of Hawklan". --------------- "This is good grown-up stuff; more please." -- Interzone "Big meaty fantasy." -- Darlington Northern Echo "This is wonderful stuff." -- Brum Group News "

Urm?nd acela?i tipar de p?n? acum (Logica elefan?ilor, Editura All, 2012), Ciprian V?lcan ?i Dana Percec au selectat c?te dou?zeci de eseuri care formuleaz?, ?ntr-o manier? doar aparent lejer?, un r?spuns la tot at?tea pretexte, culese cu ochiul colec?ionarului de caricaturi din presa rom?neasc? ?i interna?ional? sau din tomuri mai mult sau mai pu?in colbuite. Autorii inspecteaz? cu lupa ?i curiozitatea entomologului numeroase ?nt?mpl?ri, mesaje ?i personaje contemporane, ?ndemn?ndu-i pe cititori, prin stilul degajat ?i tonul convivial, s? se amuze pe seama absurdului din via?a de zi cu zi. Fie c? este vorba de politic?, sport, mod?, mass-media sau tribunale, de gastronomie sau vr?jitorie, eseurile demonteaz? adev?ruri mici, truisme, precum ?i pl?smuiri de tot felul. Fiec?rei p??anii evocate ?n pretext – unele ilare, cu miros de b?lci, altele aproape detestabile – autorii Metafizicii bicicli?tilor ?i r?spund ?n manier? diferit?, dar convergent?, contur?nd o nevoie de a r?scoli excesele lumii pentru a o ?ndemna s? se rea?eze.

Alchimia fericirii, publicat? ?n persan? (Kimiya?yi sa’adat), spre sf?r?itul vie?ii autorului, urm?re?te atenuarea tensiunilor dintre filosofii ?i misticii Islamului ?i scoate ?n eviden?? importan?a autodisciplinei ?i a ascetismului. Traducerea de fa?? are la baz? traducerea publicat? ?n 1910, ?n englez? de Claud Field (The Alchemy of Happiness) ?i este structurat? ?n opt capitole, aproximativ egale ca ?ntindere. Cartea de fa?? reune?te o serie de interpret?ri ale unor pilde cu con?inut religios evocate ?n Coran ?i ale unor idei exprimate de Mahomed, de al?i profe?i sau ?nv??ati musulmani. Chestiunile abordate de Al-Ghazali aduc ?n prim-plan ideea unei vie?i religioase exemplare. Astfel, el prezint? mai multe sfaturi pentru musulmanii pio?i. Raportul omului cu divinitatea, cu semenii s?i, cu rudele apropiate, dar ?i implica?iile religioase ale institu?iei c?s?toriei sau ale muzicii ?i dansului sunt printre cele mai importante subiecte din lucrarea lui Al-Ghazali. S? ?tii, o, preaiubite, c? omul nu a fost creat ?n glum? sau la ?nt?mplare, ci a fost f?cut ?ntr?un fel minunat ?i pentru un ?el ?nalt. Chiar dac? nu a existat dintotdeauna, el tr?ie?te ve?nic; ?i chiar dac? trupul s?u este slab ?i p?m?ntesc, spiritul ?i este m?re? ?i dumnezeiesc. ?i cu c?t este mai ales subiectul cunoa?terii noastre,cu at?t mai mare va fi ?nc?ntarea sim?it? ?n studierea acestuia; de exemplu, ne?ar face mai mult? placer s? ?tim secretele unui rege dec?t dac? am afla secretele unui ministru. V?z?nd c? Dumnezeu este cel mai ?nalt obiect posibil pentru cunoa?terea noastr?, cunoa?terea Sa trebuie s? ne d?ruiasc? mai mult? desf?tare dec?t oricare alta.

Cartea de fa??, pe care cititorul o ?ine acum ?n m?n?, reprezint? o form? – literar vorbind, foarte complex?, fiindc? ea evolueaz? pe mai multe voci narative, dintre care doar unele ?i apar?in ?n mod direct autoarei – de exorcism. Geniul inimii e r?spunsul unui poet la o experien?? personal? plenitudinar?, ?n care bucuria ?i suferin?a se ?ntrep?trund reciproc pentru a exprima, ?mpreun? ?i tensionat, starea de gra?ie. Exist? o voce a experien?ei biografice ?n aceast? carte scris? febril, o alta de martor sau de participant la istorie, tot a?a cum exist? o voce a puterii ?i una a victimei. Deasupra tuturor st?, ?ns?, nu neap?rat triumf?toare, dar lucid-cerebral?, chemarea celor dou? credin?e pentru care merit? s? tr?ie?ti ?i s?-?i rememorezi via?a atunci c?nd ai ajuns cu ea la r?sp?ntie: credin?a ?n cultura modelelor care te-au precedat ?i credin?a deloc ingenu?, ci ivit? din cunoa?tere, ?n sacralitatea profund? a celor tr?ite ?i ?n transcenden??. (?tefan Borbély) A considera un text drept ?carte a ilumin?rilor mele“ ?i a a?eza ca titlu al primei p?r?i a volumului sintagma Povestea subteranei ne plaseaz? sub semnul aproape imposibil al drumului c?tre Sine, al cuprinderii, al denud?rii ?i al efortului de a ?n?elege un obiect al c?rui adev?r se va afla ?ntotdeauna ?n proximitatea pe?terii lui Platon. E un demers perpetuat, dar niciodat? epuizat ?i aproape exclus din plasma comunic?rii, care – ?n situa?ia ?romanului“ Aurei Christi – nu are coresponden?e, nu se apropie de experien?a budhist?, nici de prerogativele ocultismului de New Age, ci ne aduce ?n vecin?tatea ?ndemnului de pe frontispiciul templului lui Apollo din Delphi, preluat apoi, ca solu?ie ?ntre a fi ?i a p?rea, de c?tre Socrate: ?Cunoa?te-te pe tine ?nsu?i!“. Po?i ?nt?lni, pe acest drum, ?i acel daimonion care a str?juit g?ndirea aceluia?i ?n?elept atenian ca alt? fa?? a ?subteranelor“ fiin?ei, acolo unde lumina se ?ngem?neaz? cu ?ntunericul, stare ?poetizat?“ de Goethe, dar pr?bu?it? ?n tragic de Dostoievski. E o cobor?re spre ?n?elegere prin cuprindere ?i, implicit, prin atingerea nelimitatului. (Mircea Braga) Cartea Aurei Christi Geniul inimii pare o st?nc? masiv?, singuratic?, ?ntr-un peisaj ?mioritic“. Geniul inimii are originalitate ?i for??. Prima parte e liric?, a doua (?ntr-un fel) – o comedie negru-satiric?, a treia – predominant epic-narativ?. Prima parte este excelent?; mi-am ?nsemnat un num?r de poezii memorabile. A doua, ?n centrul ei mai ales, are sec?iuni, pasaje extrem de interesant-pl?cute-amuzante, ?n pofida tonului, uneori, foiletonistic. A treia e impresionant? ?n ansamblu, armonios-coerent?, de o sinceritate sf??ietoare. ?n tot volumul, istoricul, religiosul, subiectivul se leag? foarte frumos ?ntre ele. Nu-mi plac laudele la adresa lui Nietzsche! De fapt, cum se leag? acest autor de Biblie, de Evanghelii?! Aura Christi poate fi m?ndr? de o realizare major?, cu totul original?. Probabil, nu l-a citit pe romanticul britanic Wordsworth; dar el e cel care a scris (sau a ?nceput s? scrie) o memorabil? autobiografie ?n versuri. Pu?ini l-au continuat. Am putea spune c? Aura se num?r? printre cei pu?ini. (Virgil Nemoianu)

Nietzsche despre filologia clasic? – iat? un subiect cu adev?rat pasionant, prilej de satisfac?ii unice pentru amatorul de a urm?ri fascinantul spectacol al form?rii ?i al cunoa?terii de sine. C?ci acest subiect ?nseamn?, de fapt, Nietzsche despre el ?nsu?i ?i ?n acest sens pledeaz? chiar propria sa m?rturie – ?Filologii sunt asemenea oameni care folosesc sentimentul ap?s?tor pe care ?l provoac? infirmitatea proprie omului modern pentru a c??tiga cu el bani ?i p?ine. ?i cunosc, eu ?nsumi sunt unul dintre ei“ (Noi, filologii, fr. 170). Mai precis, este vorba despre o ipostaz? a personalit??ii spirituale nietzscheene considerat? din unghiul evolu?iei sale interioare; dar, nu o ipostaz? oarecare, ci una esen?ial?. ?i aceasta nu pentru simplul motiv c? este cea dint?i, ci pentru c? este cea mai profund?, cea care i-a marcat definitiv orizontul de cultur? ?i de g?ndire ?i a l?sat o amprent? durabil? ?n desf??urarea destinului personal al omului. (Vasile Musc?)

本书作者依据其独创的思想构境理论这样一种新的文本解读方式，破了以往那种用传统哲学解释框架反注列宁思想的研究方法，真正诚实地从列宁当时所处的政治与学术争论语境出发，拟现了列宁的读书思路，探讨了列宁理解和发展唯物辩证法思想程中的重要逻辑转变和飞跃性认识的深层意义，揭示出列宁的“哲学笔记”其实是一部经过编辑加工的学术“混成品”，并对其中各个部分尤其是对列宁在一战爆发之际关于黑格尔的哲学笔记行了卓越的解读。

《光之世界》收集了七篇坎贝尔的演讲和文章，涉及的主题聚焦于他喜欢的话题——亚洲信仰中的神话和隐喻。坎贝尔通过深研究佛教、印度教和其他东方信仰体系的故事和意象，包括中国道教传统中的阴阳宇宙观，探索了东方的核心哲学和神话，通过生动的例子和故事将它们与西方的哲学和神话相互比较。 这本书以平实、易懂的故事传达了东方神话和宗教中蕴含的复杂哲理。坎贝尔以其典型的热情揭示了信仰体系中的神话力量，从而更好地指引读者利用神话的力量处理好当下生活中的种种问题。

本书是坎贝尔本人写作、选编的zui后一本书，收录了他1981—1984年间在旧金山发表的4篇演讲文章，概括了坎贝尔在科技高速发展、人类已经实现航天登月、普遍不相信神话的现代社会，对神话的全新诠释和理解。是zui贴近现今读者所处时代和心理特征的一本书，也是坎贝尔的哲思精华“心学”之作：以神话连内心与外界、过去与未来，对“天人合一”理念的深刻阐释。 坎贝尔通过三章的内容，论证了神话与科技的关系、人类心理与外太空法则的关系；书写了属于我们这个时代的新的神话，为技术与科技提供新的解读视角。读者可以认识到，人的内心与外在时代、境遇密不可分，而艺术作为现代生活中的神话形式，就是一面处在内外交界处的镜子。透过这面镜子，我们可以参透过去，预测未来。

      二十世纪初，梁启超（任公）先后编纂了三种关于传统的修身方面的书。此三书既是梁启超本人用以自修的随身札记读本，也是任公用以推行公民德育的指导书。考虑到梁氏编纂这三种书思路的连贯性和紧密性，取名“梁启超修身三书”。           其中《节本明儒学案》是节录《明儒学案》中的修身言论而成，但此书绝非是原书的简略本。《明儒学案》现在学界和读者一般是把它当做学术史著作，或者是资料的汇编来使用，而黄宗羲原来的目的之一“示读者以道之门”（梁氏语）则湮没不彰，梁氏编这本书的用意正是将原书变成一部修身指导书，可以说，已经是与《明儒学案》面目不同的另一本书。另外，节本只有二十七八万字，与原书的卷帙浩繁相比，也大大增强了可读性。    

马克思恩格斯思想比较研究是随着“马克思恩格斯问题”的提出而兴起和发展的。“马克思恩格斯问题”是指马克思与恩格斯的关系问题，包括马克思与恩格斯之间的思想关系问题、文本关系问题和生平交往关系问题。该书主要研究三个方面的重要问题：，包括马克思恩格斯思想比较研究是随着“马克思-恩格斯问题”的提出而兴起和发展的。新世纪，马克思恩格斯思想的比较研究正在成为国内马克思主义理论研究的热点。本书在详细梳理和解读国内外马克思与恩格斯思想关系研究的有关文献的基础上，依据文本，对马克思与恩格斯的思想关系、文本关系和生平交往关系进行了深入分析，特别是对马克思与恩格斯的自然观、辩证法、历史观、经济学思想、资本主义观、社会主义和共产主义观、革命观等进行了比较，从学术上进一步明确揭示了马克思与恩格斯思想之间的继承与发展、一致与差异、坚持与修正、提出与阐发等多重复合关系。

袁黄（1533-1606），初名表，后改名黄，字庆远，又字坤仪、仪甫，初号学海，后改了凡，后人常以其号了凡称之。袁了凡是明朝重要思想家，是迄今所知中国位具名的善书作者。他的《了凡四训》融会禅学与理学，劝人积善改过，强调从治心入手的自我修养，提倡记功过格，在社会上流行一时。

佛教对中国文化影响深远，苏轼是中国传统文化的集大成者，不仅在书画史上享有崇高的地位，而且也是文人士大夫中与佛教关系密切的代表人物之一。本书从苏轼与佛教的因缘、苏轼书画观与佛教、苏轼书画创作理论与佛教、苏轼书画作品受佛教的影响这四个方面展论述，通过苏轼的书画与佛教这个个案，对佛教如何影响中国文化展实证性与科学性的讨论。

《近思录》是南宋朱熹、吕祖谦二人精选北宋理学大家周敦颐、程颢、程颐、张载的语录而成的一部理学门书，又是学习《四书》的阶梯。在儒学思想传播和宋明理学研究中具有独特的经典地位。本书原为大学经典丛书中的一种，现收国学典藏丛书，按照丛书统一格式，删去页边批注，形成较为简明易读的传习录普及版本。根据“国学典藏”的体例，删去集评；附录中选取一二种保留，其余删去；改写导读；改正错误，请整理者重新校订。

  人是否有理性？人是否可以用理性认识世界？ 德国哲学家们在回答这两个问题的过程中，搭建了各自的哲学思想体系。 康德说：人就是目的本身，任何时候都不能被当作工具。 黑格尔说：凡是合乎理性的东西都是现实的，凡是现实的东西都是合乎理性的。 叔本华说：这个世界的本质是不合理且盲目的意志。 尼采说：上帝已死。 海德格尔说：世界并不是世上诸多可见的存在者的总和，人也并不是世界的一个组成部分；世界与人之间并不是客体与主体的二元对立关系。 翻本书，3小时门德国哲学。         

《心理学哲学笔记》是从维特根斯坦有关心理学哲学的*后几个笔记选编而成。其主要内容是根据其后期的新的哲学理解对哲学家们有关心灵、身体、世界之间的关系的理解行分析和批评，并对心理学家们有关心理概念的诸多理论行哲学分析，指出其问题所在。

作为“西方马克思主义”思潮的创始人，卢卡奇深刻参与到中国马克思主义理论形态和学术形态的当代重塑过程。《卢卡奇研究指南》（三卷本）精选近半个世纪以来英语、德语、俄语、法语等学界有关卢卡奇的经典研究论述，系统展现卢卡奇各个思想发展阶段、各个思想发展维度的国际学术共识，努力为国内卢卡奇研究提供坚实的学术支撑。《卢卡奇研究指南》三卷本分别对应卢卡奇早、中、晚期的思想，卷聚焦卢卡奇的早期思想，第二卷主要讨论卢卡奇影响的著作《历史与阶级意识》，第三卷主要探究卢卡奇中、晚期理论著作。

作为“西方马克思主义”思潮的创始人，卢卡奇深刻参与到中国马克思主义理论形态和学术形态的当代重塑过程。《卢卡奇研究指南》（三卷本）精选近半个世纪以来英语、德语、俄语、法语等学界有关卢卡奇的经典研究论述，系统展现卢卡奇各个思想发展阶段、各个思想发展维度的国际学术共识，努力为国内卢卡奇研究提供坚实的学术支撑。《卢卡奇研究指南》三卷本分别对应卢卡奇早、中、晚期的思想，卷聚焦卢卡奇的早期思想，第二卷主要讨论卢卡奇影响的著作《历史与阶级意识》，第三卷主要探究卢卡奇中、晚期理论著作。