This file includes "Leaves of Grass" by Walt Whitman and all three series of poems by Emily Dickinson. According to Wikipedia: Leaves of Grass is: "...a poetry collection by the American poet Walt Whitman. Among the poems in the collection are "Song of Myself," "I Sing the Body Electric," "Out of the Cradle Endlessly Rocking," and Whitman's elegy to the assassinated President Abraham Lincoln, "When Lilacs Last in the Dooryard Bloom'd." Whitman spent his entire life writing Leaves of Grass, revising it in several editions until his death." This edition of Dickinson's poems is based on on the first published collection, edited by Mabel Loomis Todd and T.W. Higginson, which was released in three "series", the first of which appeared in 1890. Hence includes the edits made by Todd and Higginson and is missing some poems that were first published much later.

This story belongs to the year 1837, and was regarded by the generations of that and a succeeding time as the most miraculous of all the recorded deliverances from death at sea. It may be told thus: Mr. Montagu Vanderholt sat at breakfast with his daughter Violet one morning in September. Vanderholt's house was one of a fine terrace close to Hyde Park. He was a rich man, a retired Cape merchant, and his life had been as chequered as Trelawney's, with nothing of romance and nothing of imagination in it. He was the son of honest parents, of Dutch extraction, and had run away to sea when about twelve years old. Nothing under the serious heavens was harsher, more charged with misery, suffering, dirt, and wretchedness, than seafaring in the days when young Vanderholt, with an idiot's cunning, fled to it from his father's comfortable little home. He got a ship, was three years absent, and on his return found both his father and mother dead. He went again to sea, and, fortunately for him, was shipwrecked in the neighbourhood of Simon's Bay. The survivors made their way to Cape Town, and presently young Vanderholt got a job, and afterwards a position. He then became a master, until, after some eight or ten years of heroic perseverance, attended by much good luck, behold Mr. Vanderholt full-blown into a colonial merchant prince. How much he was worth when he made up his mind to settle in England, after the death of his wife, and when he had disposed of his affairs so as to leave himself as free a man as ever he had been when he was a common Jack Swab, really signifies nothing. It is certain he had plenty, and plenty is enough, even for a merchant prince of Dutch extraction. Besides Violet, he had two sons, who will not make an appearance on this little brief stage. They are dismissed, therefore, with this brief reference—that both were in the army, and both, at the time of this tale, in India. Violet was Vanderholt's only daughter, and he loved her exceedingly. She was not beautiful, but she was fair to see, with a pretty figure, and an arch, gay smile. You saw the Dutch blood in her eyes, as you saw it in her father's, whose orbs of vision, indeed, were ridiculously small—scarcely visible in their bed of socket and lash. An English mother had come to Violet's help in this matter. Taking her from top to toe, with her surprising quantity of brown hair, soft complexion, good mouth, teeth, and figure, Violet Vanderholt was undoubtedly a fine girl. THE LAST ENTRY "OPINIONS OF THE PRESS ON THE LAST ENTRY": '"The Last Entry" is a rattling good salt-water yarn, told in the author's usual breezy, exhilarating style.'-”Daily Mail. 'In this new novel Mr. Russell has cleverly thrown its events into the year 1837, and there are one or two ingenious passages which add to the Diamond Jubilee interest which that date suggests.... "The Last Entry" is as certain of general popularity as any of Mr. Russell's former tales of the marvels of the sea.'-”Glasgow Herald. 'We do not think it possible for anyone to dip into this novel without desiring to finish it, and it adds another to the long list of successes of our best sea author.'-”Librarian. 'In addition to mutiny and murder, "The Last Entry" contains many of those good things which have made Mr. Russell's pages a joy to so many lovers of the sea during the last twenty years.... "The Last Entry" is a welcome addition to Mr. Clark Russell's library.'-”Speaker. 'The writer is as realistic and picturesque as usual in his vivid descriptions of the stagnant life on board the homeward-bound Indiaman.'-”Times. 'It is full of pleasant vigour.... As is always the case in Mr. Clark Russell's books, the elements are treated with the pen of an artist.'-”Standard. 'We expected plenty of go, of fresh and vigorous description of sea-faring life, coupled with a story which would not be wanting in interest. All this we have here.'”-Tablet.

Cartea pe care o ?ine?i ?n m?n? este periculoas?. Incomod?, scor?oas?, incendiar? fiind, ?n mod cert, va deranja unele personaje, nelipsite de importan??, din arena politicii rom?ne?ti, care confund? adeseori politica cu diletantismul, tr?d?nd interesele sus?inute cu at?ta patos ?n campaniile electorale. ?n mod sigur, Nu tr?da?i, v? rog! va alarma edilii capitalei ce se ?ntrec ?n a distruge ?micul Paris“ de pe vremuri. Aceast? carte, a?adar, va deranja nu pu?in? lume prin scenele din via?a social-politic? post-decembrist?, cu at?t mai mult, cu c?t umorul ?fichiuitor nu-i este str?in nici pe departe autorului. Nici deta?area…

Vreau s? cred c? drumul lui Eugenio Barba este cel ?n care ?nt?lne?te copacul de care at?rn? pe creanga cea mai de sus un m?r de aur ?i f?r? s? ?i pese de cei din jurul lui, de privirile lor arogante sau sc?nteind a dispre?, se ca??r? ?n copac, ?n plin? lumin? de zi, ?i culege m?rul. M?rul norocos al destinului. Curaj, perseveren??, credin?? de nezdruncinat ?n vocea l?untrului care mereu ?i ?opte?te drumul pe care s?-l urmeze, c?ci este drumul lui.Eugenio Barba, vizionar, reformator, artist, dramaturg-regizor, maestru, scriitor, ?n dramaturgia sa, ?n cuvintele sale imortalizate ?n reflec?ii asupra sensului ?i condi?iei artei teatrului ?i a artistului, ?n cercet?rile de natur? artistic? ?i ?tiin?ific?, ?n laboratorul de teatru, sesiunile ?colii Interna?ionale de Antropologie Teatral? forjeaz? un act artistic unificator prin coprezen?e ale contrariilor, ?ntrup?ri ale simultaneit??ilor, combin?ri temporale ?i spa?iale, dintre trecut ?i viitor, dintre Est ?i Vest, declan??nd ?o revolu?ie copernician? f?r? de care ?tiin?a teatrului de la sf?r?itul secolului XX ar fi incomprehensibil?“. (Diana Cozma)

中島敦 ザベスト：光と風と夢、名人伝、文字禍、李陵、山月記

According to Wikipedia: "John Addington Symonds (5 October 1840 - 19 April 1893) was an English poet and literary critic… Meanwhile he was occupied with his major work, Renaissance in Italy, which appeared in seven volumes at intervals between 1875 and 1886. The Renaissance had been the subject of Symonds' prize essay at Oxford, and this had aroused a desire to produce a more complete picture of the reawakening of art and literature in Europe... He practically made his home at Davos. A charming picture of his life there is drawn in Our Life in the Swiss Highlands (1891). Symonds became a citizen of the town; he took part in its municipal business, made friends with the peasants and shared their interests. There he wrote most of his books: biographies of Shelley (1878), Philip Sidney (1886), Ben Jonson (1886) and Michelangelo (1893), several volumes of poetry and essays, and a translation of the Autobiography of Benvenuto Cellini (1887). There, too, he completed his study of the Renaissance, the work for which he is mainly remembered."

According to Wikipedia: "John Addington Symonds (5 October 1840 - 19 April 1893) was an English poet and literary critic… Meanwhile he was occupied with his major work, Renaissance in Italy, which appeared in seven volumes at intervals between 1875 and 1886. The Renaissance had been the subject of Symonds' prize essay at Oxford, and this had aroused a desire to produce a more complete picture of the reawakening of art and literature in Europe... He practically made his home at Davos. A charming picture of his life there is drawn in Our Life in the Swiss Highlands (1891). Symonds became a citizen of the town; he took part in its municipal business, made friends with the peasants and shared their interests. There he wrote most of his books: biographies of Shelley (1878), Philip Sidney (1886), Ben Jonson (1886) and Michelangelo (1893), several volumes of poetry and essays, and a translation of the Autobiography of Benvenuto Cellini (1887). There, too, he completed his study of the Renaissance, the work for which he is mainly remembered."

Die Shakespeare-Trag?die, übersetzt von Christoph Martin Wieland. Laut Wikipedia: "Die Trag?die von Othello, der Mohr von Venedig ist eine Trag?die von William Shakespeare, vermutlich um 1603 geschrieben, und basiert auf der italienischen Kurzgeschichte Un Capitano Moro (" Ein maurischer Kapit?n ") von Cinthio, ein Schüler von Boccaccio, der erstmals 1565 ver?ffentlicht wurde. Das Werk dreht sich um vier Hauptfiguren: Othello, ein maurischer General in der venezianischen Armee, seine Frau Desdemona, sein Leutnant Cassio und seine vertraute F?hnrich Jago.

Elizabethan play, sometimes attributed in part to Shakespeare. According to Wikipedia: "William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright."

Die Shakespeare Trag?die, in Englisch, mit Zeilennummern, und übersetzt von Christoph Martin Wieland ins Deutsche. Laut Wikipedia: "Die Trag?die von Macbeth (allgemein Macbeth genannt) ist eine Trag?die von William Shakespeare über einen Mann, der K?nigsmord begeht und dann weitere Morde begeht, um seine Macht zu behalten. Das Spiel zeigt deutlich die korrumpierende Wirkung des Ehrgeizes Es geht aber auch um die Beziehung zwischen Grausamkeit und M?nnlichkeit, Tyrannei und K?nigtum, Verrat, Gewalt, Schuld, Prophetie und St?rung der natürlichen Ordnung.

Classic Shakespeare comedy, with line numbers. According to Wikipedia: "William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright."

Classic Shakespearean comedy, with line numbers. According to Wikipedia: "Twelfth Night, Or What You Will is a comedy by William Shakespeare, based on the short story "Of Apollonius and Silla" by Barnabe Rich, which in turn was based on a story by Matteo Bandello. It is named after the Twelfth Night holiday of the Christmas season. It was written around 1601 and first published in the First Folio in 1623. The main title is believed to be an afterthought, created after John Marston premiered a play titled What You Will during the course of the writing."

Classic Shakespearean romance, with line numbers. According to Wikipedia: "The Winter's Tale is a play by William Shakespeare, first published in the First Folio in 1623. Although it was listed as a comedy when it first appeared, some modern editors have relabeled the play a romance. Some critics, among them W. W. Lawrence ... consider it to be one of Shakespeare's "problem plays", because the first three acts are filled with intense psychological drama, while the last two acts are comedic and supply a happy ending."

Classic Shakespearean comedy. According to Wikipedia: "The Two Gentlemen of Verona is a comedy by William Shakespeare from early in his career. It has the smallest cast of any of Shakespeare's plays, and is the first of his plays in which a heroine dresses as a boy. It deals with the themes of friendship and infidelity. The highlight of the play is considered by some to be Launce, the clownish servant of Proteus, and his dog Crab, to whom "the most scene-stealing non-speaking role in the canon" has been attributed."

Classic Shakespearean history play. According to Wikipedia: "Richard III is a history play by William Shakespeare, believed to have been written in approximately 1591, depicting the Machiavellian rise to power and subsequent short reign of Richard III of England.[1]The play is grouped among the histories in the First Folio and is most often classified as such. Occasionally, however, as in the quarto edition, it is termed a tragedy. Richard III concludes Shakespeare's first tetralogy (also containing Henry VI parts 1-3). After Hamlet, it is the longest play in the canon and is the longest of the First Folio, whose version of Hamlet is shorter than its Quarto counterpart. The play is rarely performed unabridged; often certain peripheral characters are removed entirely, most commonly Margaret. In such instances extra lines are often invented or added from elsewhere in the sequence in order to establish the nature of characters' relationships."

Shakespeare-Kom?die in deutscher ?bersetzung. Laut Wikipedia: "The Merchant of Venice" ist eine tragische Kom?die von William Shakespeare, die vermutlich zwischen 1596 und 1598 entstanden ist. Obwohl sie im First Folio als Kom?die klassifiziert wurde und gewisse Aspekte mit Shakespeares anderen romantischen Kom?dien teilt, ist das Stück vielleicht Die meisten werden für ihre dramatischen Szenen in Erinnerung bleiben und sind am besten für Shylock und die berühmte Rede "Hath not a jude eyes" bekannt. Bemerkenswert ist auch Portis Rede über die "Qualit?t der Barmherzigkeit". "

Die Shakespeare-Trag?die, übersetzt von Christoph Martin Wieland. Laut Wikipedia: "King Lear ist eine Trag?die von William Shakespeare. Der Titelheld kommt in den Wahnsinn, nachdem er t?richterweise zwischen zwei seiner drei T?chter aufgrund seiner Schmeichelei seinen Nachlass verworfen hat, was tragische Folgen für alle hat. Das Stück basiert auf der Legende von Leir of Britain, einem mythologischen vorr?mischen keltischen K?nig, der für Bühnen- und Spielfilme weitgehend adaptiert wurde, und die Rolle von Lear wurde von vielen der besten Schauspieler der Welt begehrt und gespielt. "

Shakespeare-Geschichte spielt Heinrich den Vierten Teil, in deutscher ?bersetzung. Laut Wikipedia: "Henry IV, Part 1 ist ein historisches Stück von William Shakespeare, vermutlich sp?testens 1597 geschrieben. Es ist das zweite Stück in Shakespeares Tetralogie, das sich mit den aufeinanderfolgenden Regentschaften von Richard II, Henry IV (zwei Stücke ), und Heinrich V. Heinrich IV., Teil 1, zeigt eine Spannweite der Geschichte, die mit Hotspurs Schlacht bei Homildon gegen Douglas Ende 1402 beginnt und mit der Niederlage der Rebellen in Shrewsbury in der Mitte des Jahres 1403 endet. Von Anfang an war ein ?u?erst popul?res Spiel sowohl bei der ?ffentlichkeit als auch bei den Kritikern. "

Die Shakespeare-Geschichte spielt Richard II in deutscher ?bersetzung. Laut Wikipedia: "K?nig Richard der Zweite ist ein Geschichtsstück von William Shakespeare, vermutlich um 1595 geschrieben. Es basiert auf dem Leben von K?nig Richard II. Von England (regiert 1377-1399) und ist der erste Teil einer Tetralogie , von einigen Gelehrten als Henriad bezeichnet, gefolgt von drei Stücken über Richards Nachfolger: Henry IV, Teil 1, Henry IV, Teil 2 und Henry V. Es wurde vielleicht nicht als eigenst?ndige Arbeit geschrieben. "

Shakespeare-Kom?die, in deutscher ?bersetzung. Laut Wikipedia: "As You Like It" handelt es sich um eine Pastoralkom?die von William Shakespeare, die vermutlich im Jahr 1599 oder Anfang 1600 geschrieben und erstmals im First Folio 1623 ver?ffentlicht wurde. Die erste Aufführung des Stücks ist ungewiss, obwohl eine Aufführung im Wilton House in 1603 wurde als eine M?glichkeit vorgeschlagen, wie Sie es m?gen, folgt seine Heldin Rosalind, wie sie Verfolgung in Hof ihres Onkels flieht, begleitet von ihrer Cousine Celia und Touchstone der Hofnarr, um Sicherheit und schlie?lich Liebe im Wald von Arden zu finden.

Four classic Russian plays. According to the introduction, "ALEXANDER NIKOLAYEVICH Ostrovsky (1823-86) is the great Russian dramatist of the central decades of the nineteenth century, of the years when the realistic school was all-powerful in Russian literature, of the period when Turgenev, Dostoyevsky, and Tolstoy created a literature of prose fiction that has had no superior in the world's history. His work in the drama takes its place beside theirs in the novel. Obviously inferior as it is in certain ways, it yet sheds light on an important side of Russian life that they left practically untouched."