In the run-up to the 2012 presidential election, Democrats and Republicans were locked in a fierce battle for the female vote. Democrats charged Republicans with waging a "e;war on women,"e; while Republicans countered that Democratic policies actually undermined women's rights. The women of the Senate wielded particular power, planning press conferences, appearing on political programs, and taking to the Senate floor over gender-related issues such as workplace equality and reproductive rights.The first book to examine the impact of gender differences in the Senate, Women in the Club is an eye-opening exploration of how women are influencing policy and politics in this erstwhile male bastion of power. Gender, Michele L. Swers shows, is a fundamental factor for women in the Senate, interacting with both party affiliation and individual ideology to shape priorities on policy. Women, for example, are more active proponents of social welfare and women's rights. But the effects of gender extend beyond mere policy preferences. Senators also develop their priorities with an eye to managing voter expectations about their expertise and advancing their party's position on a given issue. The election of women in increasing numbers has also coincided with the evolution of the Senate as a highly partisan institution. The stark differences between the parties on issues pertaining to gender have meant that Democratic and Republican senators often assume very different roles as they reconcile their policy views on gender issues with the desire to act as members of partisan teams championing or defending their party's record in an effort to reach various groups of voters.

Alexis de Tocqueville was among the first to draw attention to Americans' propensity to form voluntary associations-and to join them with a fervor and frequency unmatched anywhere in the world. For nearly two centuries, we have sought to understand how and why early nineteenth-century Americans were, in Tocqueville's words, "e;forever forming associations."e; In The Making of Tocqueville's America, Kevin Butterfield argues that to understand this, we need to first ask: what did membership really mean to the growing number of affiliated Americans?Butterfield explains that the first generations of American citizens found in the concept of membership-in churches, fraternities, reform societies, labor unions, and private business corporations-a mechanism to balance the tension between collective action and personal autonomy, something they accomplished by emphasizing law and procedural fairness. As this post-Revolutionary procedural culture developed, so too did the legal substructure of American civil society. Tocqueville, then, was wrong to see associations as the training ground for democracy, where people learned to honor one another's voices and perspectives. Rather, they were the training ground for something no less valuable to the success of the American democratic experiment: increasingly formal and legalistic relations among people.

In Cte d'Ivoire, appearing modern is so important for success that many young men deplete their already meager resources to project an illusion of wealth in a fantastic display of Western imitation, spending far more than they can afford on brand name clothing, accessories, technology, and a robust nightlife. Such imitation, however, is not primarily meant to deceive-rather, as Sasha Newell argues in?The Modernity Bluff, it is an explicit performance so valued in Cte d'Ivoire it has become a matter of national pride.Called bluffeurs, these young urban men operate in a system of cultural economy where reputation is essential for financial success. That reputation is measured by familiarity with and access to the fashionable and expensive, which leads to a paradoxical state of affairs in which the wasting of wealth is essential to its accumulation. Using the consumption of Western goods to express their cultural mastery over Western taste, Newell argues, bluffeurs engage a global hierarchy that is profoundly modern, one that values performance over authenticityhighlighting the counterfeit nature of modernity itself.

Almost fifty years after?Brown v. Board of Education, a wealth of research shows that minority students continue to receive an unequal education. At the heart of this inequality is a complex and often conflicted relationship between teachers and civil rights activists, examined fully for the first time in Jonna Perrillo's?Uncivil Rights, which traces the tensions between the two groups in New York City from the Great Depression to the present.While movements for teachers' rights and civil rights were not always in conflict, Perrillo uncovers the ways?they have become so, brought about both by teachers who have come to see civil rights efforts as detracting from or competing with their own goals and by civil rights activists whose aims have de-professionalized the role of the educator. Focusing in particular on unionized teachers, Perrillo finds a new vantage point from which to examine the relationship between school and community, showing how in this struggle, educators, activists, and especially our students have lost out.?

Friedrich A. Hayek is regarded as one of the preeminent economic theorists of the twentieth century, as much for his work outside of economics as for his work within it. During a career spanning several decades, he made contributions in fields as diverse as psychology, political philosophy, the history of ideas, and the methodology of the social sciences. Bruce Caldwell-editor of The Collected Works of F. A. Hayek-understands Hayek's thought like few others, and with this book he offers us the first full intellectual biography of this pivotal social theorist.Caldwell begins by providing the necessary background for understanding Hayek's thought, tracing the emergence, in fin-de-sicle Vienna, of the Austrian school of economics-a distinctive analysis forged in the midst of contending schools of thought. In the second part of the book, Caldwell follows the path by which Hayek, beginning from the standard Austrian assumptions, gradually developed his unique perspective on not only economics but a broad range of social phenomena. In the third part, Caldwell offers both an assessment of Hayek's arguments and, in an epilogue, an insightful estimation of how Hayek's insights can help us to clarify and reexamine changes in the field of economics during the twentieth century.As Hayek's ideas matured, he became increasingly critical of developments within mainstream economics: his works grew increasingly contrarian and evolved in striking-and sometimes seemingly contradictory-ways. Caldwell is ideally suited to explain the complex evolution of Hayek's thought, and his analysis here is nothing short of brilliant, impressively situating Hayek in a broader intellectual context, unpacking the often difficult turns in his thinking, and showing how his economic ideas came to inform his ideas on the other social sciences.Hayek's Challenge will be received as one of the most important works published on this thinker in recent decades.

Using path-breaking discoveries of cognitive science, Mark Johnson argues that humans are fundamentally imaginative moral animals, challenging the view that morality is simply a system of universal laws dictated by reason. According to the Western moral tradition, we make ethical decisions by applying universal laws to concrete situations. But Johnson shows how research in cognitive science undermines this view and reveals that imagination has an essential role in ethical deliberation.Expanding his innovative studies of human reason in Metaphors We Live By and The Body in the Mind, Johnson provides the tools for more practical, realistic, and constructive moral reflection.

The posthumous publication of The Argument and the Action of Plato's "e;Laws"e; was compiled shortly before the death of Leo Strauss in 1973. Strauss offers an insightful and instructive reading through careful probing of Plato's classic text."e;Strauss's The Argument and the Action of Plato's 'Laws' reflects his interest in political thought, his dogged method of following the argument of the Laws step by step, and his vigorous defense of this dialogue's integrity in respect to the ideals of the Republic."e;-Cross Currents"e;The unique characteristics of this commentary on the Laws reflect the care and precision which were the marks of Professor Strauss's efforts to understand the complex thoughts of other men."e;-Allan D. Nelson, Canadian Journal of Political Science"e;Thorough and provocative, an important addition to Plato scholarship."e;-Library Journal"e;The major purpose of the commentary is to provide a reading of the dialogue which displays its structural arrangement and the continuity of the argument."e;-J. W. Dy, Bibliographical Bulletin of Philosophy"e;The reader of Strauss's book is indeed guided closely through the whole text."e;- M. J. Silverthorne, The Humanities Association ReviewLeo Strauss (1899-1973) was the Robert Maynard Hutchins Distinguished Service Professor Emeritus of political science at the University of Chicago.

Cycling has experienced a renaissance in the United States, as cities around the country promote the bicycle as an alternative means of transportation. In the process, debates about the nature of bicycles-where they belong, how they should be ridden, how cities should or should not accommodate them-have played out in the media, on city streets, and in city halls. Very few people recognize, however, that these questions are more than a century old.The Cycling City?is a sharp history of the bicycle's rise and fall in the late nineteenth century. In the 1890s, American cities were home to more cyclists, more cycling infrastructure, more bicycle friendly legislation, and a richer cycling culture than anywhere else in the world.Evan Friss unearths the hidden history of the cycling city, demonstrating that diverse groups of cyclists managed to remap cities with new roads, paths, and laws, challenge social conventions, and even dream up a new urban ideal inspired by the bicycle. When cities were chaotic and filthy, bicycle advocates imagined an improved landscape in which pollution was negligible, transportation was silent and rapid, leisure spaces were democratic, and the divisions between city and country were blurred. Friss argues that when the utopian vision of a cycling city faded by the turn of the century, its death paved the way for today's car-centric cities-and ended the prospect of a true American cycling city ever being built.

Hegel's Theory of Intelligibility?picks up on recent revisionist readings of Hegel to offer a productive new interpretation of his notoriously difficult work, the Science of Logic. Rocio Zambrana transforms the revisionist tradition by distilling the theory of normativity that Hegel elaborates in the?Science of Logic?within the context of his signature treatment of negativity, unveiling how both features of his system of thought operate on his theory of intelligibility. ?Zambrana clarifies crucial features of Hegel's theory of normativity previously thought to be absent from the argument of the?Science of Logic-what she calls normative precariousness and normative ambivalence. She shows that Hegel's theory of determinacy views intelligibility as both precarious, the result of practices and institutions that gain and lose authority throughout history, and ambivalent, accommodating opposite meanings and valences even when enjoying normative authority. In this way, Zambrana shows that the Science of Logic provides the philosophical justification for the necessary historicity of intelligibility. Intervening in several recent developments in the study of Kant, Hegel, and German Idealism more broadly, this book provides a productive new understanding of the value of Hegel's systematic ambitions.

Not Without Honor threads together the stories of three American POWs-Carano; his buddy Bill Blackmon, who was also at Stalag 17 b; and John C. Bitzer, who survived the brutal "e;Death March"e; from northern Germany to liberation in April 1945. At times the journal reads like a thriller as he records air battles and escape attempts. Yet in their most gripping accounts, these POWs ruminate on psychological survival. The sense of community they formed was instrumental to their endurance. This compelling book allows the reader to journey with these young men as they bore firsthand witness to the best and worst of human nature.

This collection contains the first two novels in Sara Shepard's New York Times bestselling Pretty Little Liars and Lying Games series, plus a sneak peek at The Perfectionists, the first book in a brand-new Sara Shepard series!Pretty Little Liars: This page-turning start to the Pretty Little Liars series introduces readers to Rosewood and the pretty little liars who call it home. High school juniors Spencer, Hanna, Aria, and Emily thought their darkest secrets vanished when their best friend, Alison, went missing three years ago. But now someone named "A" is sending them notes and threatening to reveal their ugliest secrets—things only Alison knew.Pretty Little Liars #2: Flawless: Four pretty little liars have been very bad girls. But their most horrible secret yet is so scandalous that the truth would ruin them forever.The Lying Game: Separated at birth, twin sisters Emma Paxton and Sutton Mercer never had a chance to meet. And now they never will. Someone murdered Sutton and forced Emma into taking her place.The Lying Game #2: Never Have I Ever: The deeper Emma digs, the more suspects she uncovers. It turns out Sutton and her friends played a lot of games—games that ruined people's lives. Anyone could want revenge . . . anyone could want Sutton—and now Emma—dead.Plus, a sneak peek at The Perfectionists, another series full of Sara Shepard's trademark juicy secrets, nail-biting suspense, and beautiful girls who will do anything to hide the ugly truth.

One of the most memorable and irresistible characters in all of literature—the Wizard Howl—is introduced in Diana Wynne Jones's classic fantasy novel Howl's Moving Castle and makes guest appearances in two stand-alone sequel novels, Castle in the Air and House of Many Ways. Howl's Moving Castle was adapted into an acclaimed and Academy Award-nominated film of the same name, produced by Studio Ghibli and directed by Hayao Miyazaki.Sophie Hatter never intended to set out and seek her fortune. The eldest of three sisters, Sophie thought she was destined to fail. That all changed the day the Witch of the Waste turned her into an old woman. In order to lift the spell, Sophie barges into Wizard Howl's moving castle and strikes a bargain with Calcifer, his fire demon. But Howl is outrunning a curse of his own, and soon Sophie realizes that nothing is as it appears. . . . Howl, Sophie, and Calcifer return in both Castle in the Air and The House of Many Ways, two stand-alone sequels full of mayhem, secrets, and magic.

Megan Shepherd's gothic suspense trilogy, inspired by the stories of H.G. Wells, Robert Louis Stevenson, and Mary Shelley, is perfect for fans of Libba Bray, Leigh Bardugo, and classic horror and science fiction. This collection also contains a sneak peek of The Cage, the first book in Megan Shepherd's gripping new series about teens held captive in a human zoo by an otherworldly race.The Madman's Daughter, inspired by The Island of Dr. Moreau, is the story of Dr. Moreau's daughter Juliet, who travels to her estranged father's island only to encounter murder, madness, and a scintillating love triangle.Her Dark Curiosity: Inspired by The Strange Case of Dr. Jekyll and Mr. Hyde, this tantalizing sequel explores the hidden natures of those we love and how far we'll go to save them from themselves.A Cold Legacy: With inspiration from Mary Shelley's Frankenstein, this breathless conclusion to the Madman's Daughter trilogy explores the things we'll sacrifice to save those we love . . . even our own humanity.

Follow the story of Jack McKinley in the mysterious, action-packed adventure series that takes place throughout the Seven Wonders of the Ancient World. Jack discovers a secret organization on a hidden island and becomes the leader of a mission to retrieve seven lost magical orbs. As Jack and his three friends realize their lives are at stake, they have no choice but to accept the quest and embark on the challenge of their lives. Four friends. Six months. Seven Wonders. One goal.This collection includes books 1 through 3 in this bestselling series (The Colossus Rises, Lost in Babylon, and The Tomb of Shadows). It also includes the thrilling prequel novella to book 1, Seven Wonders Journals: The Select, plus Seven Wonders Journals: The Orphan, a short novella that chronicles a key character's valiant battle to rescue her best friend.

Henry Huggins feels like nothing very exciting ever happens on Klickitat Street . . . until one day when a friendly dog sits down and looks pleadingly at Henry's ice-cream cone. From that moment on, Henry and his new dog, Ribsy, are inseparable—and together, they cause more excitement than Klickitat Street can handle! This collection includes four beloved classics: Henry Huggins, Ribsy, Henry and Beezus, and Henry and Ribsy. Boys and girls alike will be charmed by these funny stories about an average boy whose life is turned upside down when he meets a lovable puppy with a nose for mischief.

告别碎片式阅读，从阅读经典开始。“最经典英语文库”系列丛书(15辑)共15册：《虹》《无意识幻想曲》《邦斯舅舅》《米德尔马契》《十年以后》《贝尔武夫(英国史诗)》《人性论》《褐衣男子》《九三年》《莎士比亚传》《夜与日》《雅各的房间》《铁面人》《契诃夫短篇小说精选集》《首相绑架案》。

Iat?, ?n cuvintele Aurei Christi, curg?nd abundent, din surse ascunse, fluidul vivifiant al poeziei, s? nu ne temem de retorica majusculelor, al marei Poezii. (Nicolae Balota).Aici totul e grav. Nici ludicul, nici parodicul, nici oboseala contextului postindustrial ?i nici tendin?ele destructurante ale postmodernilor nu au trecere. Modernitatea Aurei Christi e una esen?ial?, organic?, refractar? modelor, n?zuind spre reinterpretarea semnelor ?i universaliilor; ?ntreb?rile pe care ?i le pune ea au fost ?i ale inainta?ilor, iar r?spunsurile transcend achizi?iile, relev?nd evolu?ia con?tiin?ei ?n mers, relev?nd evolu?ia unei creatoare de m?na ?nt?i, cu totul personal?. Scrieri mai noi, Labirintul exilului (2000), Elegii nordice (2002) ?i altele confirma consecven?a cu sine a unei con?tiin?e exemplare. (Constantin Ciopraga)M? auzi tu, oare, ?nstr?inato? Am citit poeziile tale la ceas de sear?, pe o teras?, av?nd ?n fa?? colinele Ierusalimului. Eu nu sunt un bun comentator de poezie, cei care au scris despre poezia ta te-au “prins“ foarte bine, ai for??, un sim? rar al tragicului ?i antene pentru transcenden??, f?r? s? cazi (din fericire) ?n ceea ce se cheam? “poezie religioas?“. E un instinct p?g?n care te fere?te de o excesiva “cre?tinare“ a poeziei chiar ?i ?n Psalmi. (Leon Volovici). (fragment dintr-o scrisoare)E simplu: ?l vad pe Dumnezeu ca pe un partener de dialog, cu care ma cert nu rareori. Citesc adesea serile din Noul Testament mai ales; ei, ?i atunci ?ncepe fierberea... Nu prea merg la biseric? dec?t atunci c?nd simt imperios nevoia – adev?r pentru care Mama de pilda m? ceart? c?teodat?. Duc biserica mea cu mine; a?a pot s? m? rog oriunde, oric?nd. Spre deosebire de Cioran, eu cred ca nu Diavolul a f?cut lumea, ci Dumnezeu; doar c? spre sf?r?itul Facerii a obosit un pic; se ?nt?mpl? ?ntruc?tva c? ?ntr-o proza a lui Rilke, ?n care cele doua m?ini ale Domnului se iau la ?ntrecere ?i se pare ca st?nga profit? de oboseala dreptei... M? ?i ?ntreb uneori, pe urmele lui Unamuno: cine sunt eu s?-i cer socoteala lui Dumnezeu pentru ca lumea ?n care tr?im e a?a cum e? (Are dreptul, oare, o g?nganie s?-?i aroge obr?znicia de a se ciond?ni cu El, cu nimeni altcineva dec?t cu El?!!) ?i tot ca Unamuno, invoc?ndu-l pe Oberman, ?mi r?spund: da, c?ci pentru lume, pentru univers eu sunt nimeni, nu ?nsemn nimic, pentru mine ?ns? sunt totul.Gr?dini austere a stat – da, incredibil – ?n sertarele c?torva edituri circa ?apte ani; ani de izolare atroce, de singur?tate dorit?, iubit?, hulit? ?i, iar ?i iar, iubit?... E un volum publicat dup? o perioada de secet?, c?nd mi se p?rea – p?n? la o neagr? m?nie! – ca nu voi mai scrie niciodat? poezie... Nici cartea de debut n-am a?teptat-o at?tea... secole. E un volum care a circulat pe internet, prietenii trimi??ndu-mi mesaje, scrisori, cronici ad-hoc despre cartea mea de psalmi ?n r?sp?r. (Aura Christi)Faptul c? Gr?dinile austere au trecut prin PC-ul meu mi-a prilejuit o bucurie, o tulburare de zile aurorale. Nu m-am putut ab?ine ?i am citit c?teva poeme. N-am mai putut apoi s-o las din mana. M-a ?nv?luit ?i m-a luat pe sus cutremurata spiritualitate vital? care str?bate versurile. Asta nu mi se ?nt?mpl? prea des, citind poezie contemporan?. (Zoltan Terner)Mignona ?i b?t?ioas?, cheltuind pasionalitate, r?zboinic? ?n pofida fragilit??ii, ?mpr??tiind texte curajoase pe care amicii internau?i nu ezit? a le califica “dinamit? curat?“, sup?r?nd pe mul?i, scriind febril, asum?ndu-?i riscurile Balcaniei (“lin?at?“, pedepsit?, izolat? etc.), Aura Christi, cit?nd “vorbele atroce“ ale iubitului Nietzsche, vrea s? devin? ceea ce este: poet?. (...) Metamorfoza e izbitoare; discursul a devenit sincopat, auster, de o incanta?ie adumbrit?, celebr?nd “via?a de vis“, test?nd – prin “poemele de iubire“ – temele grave (rela?ia cu maestrul, divinitatea, moartea, poezia) pentru a conchide c?, doar povestit?, via?a e tr?it?. Mul?i dintre exege?ii Aurei Christi au subliniat “fulminant? ascensiune“ a poetei. Penetrant?, Aura Christi a avut ?ansa de a fi fost v?zut? ?n mediile bucure?tene. Dar meritele poetei, dincolo de suportul valoric, stau ?i ?n tenacitatea autoconstruc?iei, promov?nd – programatic – “ruptura“. (Adrian Dinu Rachieru)

Imbued with character and independence, strength and articulateness, humor and conviction, abundant biblical knowledge and intense compassion, Katharina Schutz Zell (1498-1562) was an outspoken religious reformer in sixteenth-century Germany who campaigned for the right of clergy to marry and the responsibility of lay people-women as well as men-to proclaim the Gospel. As one of the first and most daring models of the pastor's wife in the Protestant Reformation, Schutz Zell demonstrated that she could be an equal partner in marriage; she was for many years a respected, if unofficial, mother of the established church of Strasbourg in an age when ecclesiastical leadership was dominated by men.Though a commoner, Schtz Zell participated actively in public life and wrote prolifically, including letters of consolation, devotional writings, biblical meditations, catechetical instructions, a sermon, and lengthy polemical exchanges with male theologians. The complete translations of her extant publications, except for her longest, are collected here in Church Mother, offering modern readers a rare opportunity to understand the important work of women in the formation of the early Protestant church.

As our world becomes increasingly urbanized, an understanding of the context, mechanisms, and consequences of city and suburban environments becomes more critical. Without a sense of what open spaces such as parks and gardens contribute, it's difficult to argue for their creation and maintenance: in the face of schools needing resources, roads and sewers needing maintenance, and people suffering at the hands of others, why should cities and counties spend scarce dollars planting trees and preserving parksIn Constructed Climates, ecologist William G. Wilson demonstrates the value of urban green. Focusing specifically on the role of vegetation and trees, Wilson shows the costs and benefits reaped from urban open spaces, from cooler temperatures to better quality ground water-and why it all matters. While Constructed Climates is a work of science, it does not ignore the social component. Wilson looks at low-income areas that have poor vegetation, and shows how enhancing these areas through the planting of community gardens and trees can alleviate social ills. This book will be essential reading for environmentalists and anyone making decisions for the nature and well-being of our cities and citizens.

When eight-year-old Lucrezia Orsina Vizzana (1590-1662) entered one of the preeminent convents in Bologna in 1598, she had no idea what cloistered life had in store for her. Thanks to clandestine instruction from a local maestro di cappella-and despite the church hierarchy's vehement opposition to all convent music-Vizzana became the star of the convent, composing works so thoroughly modern and expressive that a recent critic described them as "e;historical treasures."e; But at the very moment when Vizzana's works appeared in 1623-she would be the only Bolognese nun ever to publish her music-extraordinary troubles beset her and her fellow nuns, as episcopal authorities arrived to investigate anonymous allegations of sisterly improprieties with male members of their order.?Craig A. Monson retells the story of Vizzana and the nuns of Santa Cristina to elucidate the role that music played in the lives of these cloistered women. Gifted singers, instrumentalists, and composers, these nuns used music not only to forge links with the community beyond convent walls, but also to challenge and circumvent ecclesiastical authority. Monson explains how the sisters of Santa Cristina-refusing to accept what the church hierarchy called God's will and what the nuns perceived as a besmirching of their honor-fought back with words and music, and when these proved futile, with bricks, roof tiles, and stones. These women defied one Bolognese archbishop after another, cardinals in Rome, and even the pope himself, until threats of excommunication and abandonment by their families brought them to their knees twenty-five years later. By then, Santa Cristina's imaginative but frail composer literally had been driven mad by the conflict.?Monson's fascinating narrative relies heavily on the words of its various protagonists, on both sides of the cloister wall, who emerge vividly as imaginative, independent-minded, and not always sympathetic figures. In restoring the musically gifted Lucrezia Orsina Vizzana to history, Monson introduces readers to the full range of captivating characters who played their parts in seventeenth-century convent life.?

In the years following the Civil War, a veritable army of homeless men swept across America's "e;wageworkers' frontier"e; and forged a beguiling and bedeviling counterculture known as "e;hobohemia."e; Celebrating unfettered masculinity and jealously guarding the American road as the preserve of white manhood, hoboes took command of downtown districts and swaggered onto center stage of the new urban culture. Less obviously, perhaps, they also staked their own claims on the American polity, claims that would in fact transform the very entitlements of American citizenship.In this eye-opening work of American history, Todd DePastino tells the epic story of hobohemia's rise and fall, and crafts a stunning new interpretation of the "e;American century"e; in the process. Drawing on sources ranging from diaries, letters, and police reports to movies and memoirs, Citizen Hobo breathes life into the largely forgotten world of the road, but it also, crucially, shows how the hobo army so haunted the American body politic that it prompted the creation of an entirely new social order and political economy. DePastino shows how hoboes-with their reputation as dangers to civilization, sexual savages, and professional idlers-became a cultural and political force, influencing the creation of welfare state measures, the promotion of mass consumption, and the suburbanization of America. Citizen Hobo's sweeping retelling of American nationhood in light of enduring struggles over "e;home"e; does more than chart the change from "e;homelessness"e; to "e;houselessness."e; In its breadth and scope, the book offers nothing less than an essential new context for thinking about Americans' struggles against inequality and alienation.