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"Volumul Picaj al Ioanei Miron e de fapt un poem amplu scris parc? sub imperiul aceleia?i st?ri, una a dezordinii interioare, a hausului existen?ial. Poezia ?ncearc? s? pun? ordine ?ntr-o lume dezmembrat? ?i schizoid?. Spa?iile psihice sunt ?n acord cu toate acele lucruri dezlocuite de sens. Cea care a decis s? dep??easc? un oarecare prag existen?ial are nevoie de o propulsare spre altceva cu adev?rat autentic ?i plin de con?inut. De aici, un r?zboi interior, o tenta?ie a punctului zero, un picaj. Cartea nu descrie traiectoria descendent? a unui spirit din ce ?n ce mai lucid. Nu e vorba aici de o probu?ire, dup? cum ar putea sugera titlul. Confruntarea cu limita (suportabilit??ii?) stimuleaz? ?nfiriparea unei dimensiuni material-spiritual?. Materialitatea dur?, abraziv?, t?ioas? poate fi ?n?eleas? ?n dou? feluri: ca nevoie de echilibru, de fixitate ?i, mai plauzibil, ca o ?ngreunare a spiritului dornic de libertate. Dincolo de toate acestea, timpul cunoa?te reprezent?ri clar delimitate:? ?ncet ?ncet ne facem loc aici/ o s? ne aciu?m mai bine/ cine ne spune cu adev?rat cine suntem cine o s? ne descopere/ de ce s? taci ?ine-m? bine minte/ ?mpreun? am scotocit prin d?rm?turi/ ?i cu toate astea n-ai dat impresia de nesiguran??/ s?-mi poveste?ti ce ?i c?nd/ cum ?i de ce se ?nt?mpl? s? mai ?i uit?m/ ?n lipsa concentr?rii aerul devine ?ngust/ & str?zile cu tot restul/ bitimul cald ?mp?ienjenit privirile ?ntinse/ un loc sigur ?n care te infiltrezi”." (?erban Axinte) "Poezia Ioanei Miron face chiar lucrurile pe care teoriile literare au ?ncercat mereu f?r? succes s? le explice. Alege diferite scenarii existen?iale ?i decupeaz? secven?ele relevante pentru circula?ia unei energii speciale. Face acest lucru chiar ?i atunci c?nd reformuleaz? mizele t?cerii: "am ?nv??at s? mim?m t?cerea/ despre noi ?i despre al?ii am ?nv??at/ s? fim o singur? gur? din care iese orice imbold orice/ striden??". Arta Ioanei Miron ?ine mai ales de injectarea cu for?? a unor expresii al c?ror sunet pare str?in de ceea ce ?tim deja c? este poezie ?i totul se ?nt?mpl? contur?nd circuite controlate poetic. Dintre variantele de titlu pe care Ioana Miron mi le-a ar?tat, "Blocaje tactile" era sintagma care mie mi se p?rea c? sugereaz? linia investiga?iei poetice din acest volum: "schimb?ri comune gesturi banale/ facem corp comun cu obiectele/ am stat pe iarb? important e s? fim ?n locuri cunoscute ?i/ sigur te-a? convinge/ s? ne ?nt?lnim la ?nt?mplare s? ?nlocuim/ aerul cu sufl?rile tale tactile/". S-ar putea s? m? fi ?n?elat, ?ns? picajul este numai cadrul acestui demers ?n care se ?nc?p???neaz? Ioana Miron, ?n ciuda tuturor celor care ?in s? rezume poezia la fluctua?iile ipocriziei militante." (R?zvan ?upa)

One of the four major plays that Chekhov wrote at the end of his life. The play was specifically written for the Moscow Art Theatre and was first directed by the legendary Constantin Stanisklavski. Since its debut, the play remained a perennial favourite of actors and audiences internationally.

A semi-autobiographical novel, which Jack London wrote at the age of 33 at the height of his literary career. The story follows life of Marin Eden, an intelligent young man who becomes a writer through an intense and passionate pursuit of self-education in order to gain acceptance and the respectability of his society-girl sweetheart. Ruth spurns Eden when his writing is rejected initially and later tries to win his heart when he achieves fame. Was Eden’s quest for bourgeois respectability hollow?

We follow continued adventures of David Blafour. He attempts to gain justice for James Stewart, who has been arrested and charged with complicity in the Appin Murder. David makes a statement to a lawyer and goes on to meet Lord Prestongrange, the Lord Advocate, to press the case for James' innocence.

In this continuing sequel to The Three Musketeers, d'Artagnan resigns as captain of the Musketeers as he perceives the young king Louis XIV as weak-willed. He resolves to aid the exiled Charles II to retake the throne of England, unaware that Athos is attempting the same. With their assistance Charles II is restored to the throne and d'Artagnan is rewarded richly.

Aleksandr Petrovich lives through a spiritual re-awakening that culminates with his release from the prison camp. The narrator has been sentenced to penalty deportation to Siberia and ten years of hard labour for murdering his wife. Dostoyevsky skillfully portrays the inmates of the prison with sympathy for their plight, and admiration for their energy, ingenuity and talent.

The Brothers Karamazov is a passionate philosophical novel that enters deeply into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, and reason, set against a modernizing new Russia. Dostoyevsky composed much of the novel in the old Russia, which is also the main setting of the novel. Since its publication, it has been acclaimed all over the world by intellectuals as diverse as Sigmund Freud, Albert Einstein, Ludwig Wittgenstein, Martin Heidegger, Cormac McCarthy and Kurt Vonnegut as one of the supreme achievements in literature.

Bleak House is one of Dickens's finest novels, containing one of the most vast, complex and engaging arrays of minor characters and sub-plots in his entire canon. The story follows long-running litigation in England's Court of Chancery, Jarndyce v Jarndyce, which has far-reaching consequences for all involved. This case revolves around atestator who apparently made several wills.

Vanity Fair is one of the most distinguished works written by William Makepeace Thackeray. The novel satirises whole swaths of humanity while retaining a light touch. It also features Thackeray's most memorable character, the engagingly roguish Becky Sharp. The novel is considered a classic of English literature, presenting a panoramic portrait of English society of the time.