Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

John Galsworthy was born at Kingston Upon Thames in Surrey, England, on August 14th 1867 to a wealthy and well established family. His schooling was at Harrow and New College, Oxford before training as a barrister and being called to the bar in 1890. However, Law was not attractive to him and he travelled abroad becoming great friends with the novelist Joseph Conrad, then a first mate on a sailing ship. In 1895 Galsworthy began an affair with Ada Nemesis Pearson Cooper, the wife of his cousin Major Arthur Galsworthy. The affair was kept a secret for 10 years till she at last divorced and they married on 23rd September 1905. Galsworthy first published in 1897 with a collection of short stories entitled "e;The Four Winds"e;. For the next 7 years he published these and all works under his pen name John Sinjohn. It was only upon the death of his father and the publication of "e;The Island Pharisees"e; in 1904 that he published as John Galsworthy. His first play, The Silver Box in 1906 was a success and was followed by "e;The Man of Property"e; later that same year and was the first in the Forsyte trilogy. Whilst today he is far more well know as a Nobel Prize winning novelist then he was considered a playwright dealing with social issues and the class system. Here we publish Villa Rubein, a very fine story that captures Galsworthy's unique narrative and take on life of the time. He is now far better known for his novels, particularly The Forsyte Saga, his trilogy about the eponymous family of the same name. These books, as with many of his other works, deal with social class, upper-middle class lives in particular. Although always sympathetic to his characters, he reveals their insular, snobbish, and somewhat greedy attitudes and suffocating moral codes. He is now viewed as one of the first from the Edwardian era to challenge some of the ideals of society depicted in the literature of Victorian England. In his writings he campaigns for a variety of causes, including prison reform, women's rights, animal welfare, and the opposition of censorship as well as a recurring theme of an unhappy marriage from the women's side. During World War I he worked in a hospital in France as an orderly after being passed over for military service. He was appointed to the Order of Merit in 1929, after earlier turning down a knighthood, and awarded the Nobel Prize in 1932 though he was too ill to attend. John Galsworthy died from a brain tumour at his London home, Grove Lodge, Hampstead on January 31st 1933. In accordance with his will he was cremated at Woking with his ashes then being scattered over the South Downs from an aeroplane.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. He was Norwegian and although set his plays in Norway, he wrote them in Danish and lived most of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors are clearly demonstrated in The Lady from the Sea, the lady being Ellida, the daughter of a lighthouse keeper who therefore grew up by the open sea and has a deep love for it. She married Dr Wangel who had two daughters by his former wife, Bolette and Hilda and they had a son who died as a baby. Her husband recognises the strains put on the marriage by the infant death and is concerned for Ellida's mental health but more important to Ellida is the return of her former love who she had promised to wait for. She does decide between the two men and her reasons make for good reading in this symbolic play.

Nicholas Rowe was born in Little Barford, Bedfordshire, England, on June 20th, 1674. He was educated at Highgate School, and then at Westminster School under the tutelage of Dr. Busby.In 1688, Rowe became a King's Scholar, and then in 1691 gained entrance into Middle Temple. This was his father's decision (he was a barrister) who felt that his son had made sufficient progress to study law. While at Middle Temple, he decided that studying law was easier if seen as a system of rational government and impartial justice and not as a series of precedents, or collection of positive precepts.On his father's death, when he was nineteen, he became the master of a large estate and an independent fortune. His future path now was to ignore law and write poetry with a view to eventually writing plays.The Ambitious Stepmother, Rowe's first play, produced in 1700 at Lincoln's Inn Fields by Thomas Betterton and set in Persepolis, was well received. This was followed in 1701 by Tamerlane. In this play the conqueror Timur represented William III, and Louis XIV is denounced as Bajazet. It was for many years regularly acted on the anniversary of William's landing at Torbay. In 1704, he tried his hand at comedy, with The Biter at Lincoln's Inn Fields. The play is said to have amused no one except the author, and Rowe returned to tragedy in Ulysses (1706). For Johnson, this play was to share the fate of many such plays based on mythological heroes, as, "e;We have been too early acquainted with the poetical heroes to expect any pleasure from their revival"e;The Royal Convert (1707) dealt with the persecutions endured by Aribert, son of Hengist and the Christian maiden Ethelinda. The story was set in England in an obscure and barbarous age. Rodogune was a tragic character, of high spirit and violent passions, yet with a wicked with a soul that would have been heroic if it had been virtuous.Rowe is however well known for his work on Shakespeare's plays. He published the first 18th century edition of Shakespeare in six volumes in 1709. His practical knowledge of the stage helped him divide the plays into scenes and acts, with entrances and exits of the players noted. The spelling of names was normalized and each play prefixed with a dramatis personae. This 1709 edition was also the first to be illustrated, a frontispiece engraving being provided for each play. Unfortunately, Rowe based his text on the discredited Fourth Folio, a failing which many succeeding him also followed.Rowe also wrote a short biography of William Shakespeare, entitled, Some Account of the Life of Mr. William Shakespeare.In Dublin in 1712 a revival of his earlier play, Tamerlane, at a time when political passions were running high, the performance provoked a serious riot.The Tragedy of Jane Shore, played at Drury Lane with Mrs Oldfield in the title role in 1714. It ran for nineteen nights, and kept the stage longer than any other of Rowe's works. In the play, which consists chiefly of domestic scenes and private distress, the wife is forgiven because she repents, and the husband is honoured because he forgives.Whilst his plays met with little success at the time his poems were received extremely well. Although he was not prolific nor his output large the quality was high. With the accession to the throne of George I he was made a surveyor of customs, and then, in 1715, he succeeded Nahum Tate as poet laureate. It was the high point of his artistic life.He was also appointed clerk of the council to the Prince of Wales, and in 1718 was nominated by Lord Chancellor Parker as clerk of the presentations in Chancery. Nicholas Rowe died on December 6th, 1718, and was buried in Westminster Abbey.Rowe married first a daughter of a Mr Parsons and left a son John. By his second wife Anne, nee Devenish, he had a daughter Charlotte.

Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

Northanger Abbey is one of Jane Austen's earliest novels which is believed to be influenced by the Gothic works of Ann Radcliffe. The story centers around Catherine Morland, a country churchman's daughter who is fond of Gothic fiction. The story starts when Catherine is invited by her wealthy family friends to visit the famous town of Bath. She soon falls in love with the young gentleman Henry Tilney whose erudition and interest in fiction and history simply enchant her. She is later invited to visit Northanger Abbey, Henry's ancient family estate and expects the Abbey to be similar to the castles she is familiar with in the Gothic novels that she reads. However, she discovers that the building is far from being Gothic save for the mysterious suite of deserted rooms belonging to Henry's dead mother. Catherine imagines that the rooms hide some secret about the woman's death, suspecting that Henry's father may have killed her. When she finally sneaks into the rooms, she finds absolutely nothing that confirms her Gothic visions. Furthermore, she is caught by Henry who, after hearing about her motivations, informs her that his parents really loved each other. Catherine is finally convinced that despite their entertaining capacity, novels are not necessarily a faithful representation of every-day life. We've also included a concise and informative biography of Jane's works and life at the end of the book. We hope it helps to give a little context and colour about how her life interacted with her art.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. He was Norwegian and although set his plays in Norway, he wrote them in Danish and lived most of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors are clearly demonstrated in Ghosts which exposes painful and hidden past secrets that affect many of the characters. The protagonist, Mrs Alving, is a wealthy middle aged widow who was the victim of an alcoholic unfaithful husband. She searches to make sense of her life and comes to realise that her husband was suffocated by convention and is unwilling to let her life go the same way. The play tackles many taboo topics of its day like assisted suicide, premarital sex, incest, syphilis and criticism of the church and whilst these issues are no longer the hot potatoes they were, Ibsen's strong characterisation and haunting prose make this a powerful relevant drama.

Thomas Hardy (2nd June 1840 - 11th January 1928), celebrated poet and writer, was born in a modest thatched cottage near Dorchester in the West country, to a builder father. His mother came from a line of intelligent, lively and ambitious women so ensured her son had the best formal education available for their modest means although this ended when he was 16. He became a draughtsman specialising in the building of churches was able to give it up to be a full time writer and poet with the publication of Far From the Madding Crown which became a bestseller and like much of his work was serialised. His writing reflects his passionate beliefs for social reform and exposes the hypocrisy of the rules of the Victorian age which constrained many freedoms with convention and restricted the transcending of class boundaries. His novels are almost entirely set in rural Wessex which although fictional is clearly rooted in the SW counties of England where he was born and lived most of his life. Hardy's writing caused controversy in his lifetime but despite this he was highly praised and showered with honorary doctorates from many universities, a knighthood, which he refused and in 1910 the prestigious Order of the Merit. Jude the Obscure is "e;the sort of man who was born to ache a good deal."e; He is desperate to study at Christminster, the fictionalised Oxford University, and whilst self educated to a sufficient standard, his humble rural background prevents admission. Furthermore, he is distracted by the sensual Arabella and falls in love with the educated. emancipated new woman, Sue creating as Hardy states "e;a deadly war waged between flesh and spirit"e;. Whilst doomed love and unfulfilled ambition are the dominant themes, the frank criticism of marriage and fearless exploration of sexuality caused so much protest for its supposed indecency and the ensuing bitter criticism, made this Hardy's final novel and many agree also his finest. The novel continues to inspire the modern mind as the recent film directed by Michael Winterbottom and starring Christopher Eccleston and Kate Winslet as Jude and Sue attests.

Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. He was Norwegian and although set his plays in Norway, he wrote them in Danish and lived most of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors are clearly demonstrated in Little Eyolf a play that explores the complex family dynamics surrounding the Allmer family through their injured son Eyolf. Alfred, Eyolf's father decides to abandon his work to concentrate on looking after Eyolf who has lived a sheltered life due to the paralysis in one of his legs. Whilst Eyolf yearns normal boyish pursuits, Alfred wants to develop his mind so he can satisfy himself and overcome his physical restrictions with intellectual pursuits. Tragedy befalls and the ensuing exploration of grief and guilt make for a revealing and poignant drama.

The New Arrival can either be read as a full-length eBook or in 3 serialised eBook-only parts. This is PART 2 of 3 (Chapters 10-21 of 30). You can read Part 2 one week ahead of release of the full-length eBook and paperback. Sarah completes her preliminary nurse training, and finds her feet with staff and patients alike, under the watchful eye of the stern matron. It’s the end of the swinging sixties, Britain is changing and the everyday life of the nurses and patients plays out against a backdrop of a failing government, strikes, immigration and women’s lib. Nurse Sarah Hill, together with her companions – the serious minded, politicised Maddox, the quick-witted Lynch, who falls in love with an upper-crust young doctor, golden girl Nursery Nurse Appleton, and ex-musical hall star turned midwife Wade – is thrown in straight at the deep end. Funny, warm and deeply moving, Sarah Beeson’s poignant memoir captures both the heartache and happiness of hospital life and 1970s London through the eyes of a gentle but determined young nurse.

It’s 1983 and best friends Vicky and Lucy swear that they will always be there for each other, that they’ll never let anyone come between them. But fast forward 4 years and life on the Canterbury Estate has gotten very messy.

It’s 1983 and best friends Vicky and Lucy swear that they will always be there for each other, that they’ll never let anyone come between them. But fast forward 4 years and life on the Canterbury Estate has gotten very messy.

It’s 1983 and best friends Vicky and Lucy swear that they will always be there for each other, that they’ll never let anyone come between them. But fast forward 4 years and life on the Canterbury Estate has gotten very messy.

The explosive sequel to #1 Sunday Times bestseller Bad Blood. Set 18 years later, Hidden Sin is the story of Joey, his girlfriend Paula and Rasta Mo, the man he is to discover is his dad. Joey Parker is a young man with big dreams. Almost eighteen, he’s desperate to escape the shackles of his window cleaning round, so when’s offered the chance to try out as a drummer in a local Blondie tribute band he jumps at the chance. But it isn’t just the music that moves him. It’s also the fact that Paula Foster is the lead singer. The daughter of his mum’s old mate, Josie, she was once a childhood friend. They’ve not seen each other in years, and their mutual attraction is immediate. Meanwhile, notorious local drug overlord, Rasta Mo, has recently returned to Bradford after a spell inside and years in Marbella. He is instantly enamored with the good-looking drummer he discovers is his son. He decides that his new club is in need of a house band – and so begins his attempts to woo him. This book charts a journey between two men into a future neither visualized. And, in Joey’s case, into a dangerous criminal world he’s never known. And, while his mother and step-father can only look on in horror as Joey potentially becomes the one thing she’s always dreaded – his father’s son. Joey is oblivious to who Mo is. The truth has always been hidden from him. All he cares about is that his and Paula’s dreams are all starting to come true. But will the cost of achieving them be too high to pay?

Cruel To Be Kind is the true story of Max, aged 6. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Cruel To Be Kind is the true story of Max, aged 6. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Fostering Max gets off to a bad start when his mother, Caz, complains and threatens Cathy even before Max has moved in. Cathy and her family are shocked when they first meet Max. But his social worker isn’t the only one in denial; his whole family are too.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.