The eleventh memoir and latest title from the internationally bestselling author and foster carer Cathy Glass. This book tells the true story of Cathy’s adopted daughter Lucy. Lucy was born to a single mother who had been abused and neglected for most of her own childhood. Right from the beginning Lucy’s mother couldn’t cope, but it wasn’t until Lucy reached eight years old that she was finally taken into permanent foster care. By the time Lucy is brought to live with Cathy she is eleven years old and severely distressed after being moved from one foster home to another. Withdrawn, refusing to eat and three years behind in her schooling, it is thought that the damage Lucy has suffered is irreversible. But Cathy and her two children bond with Lucy quickly, and break through to Lucy in a way no-one else has been able to, finally showing her the loving home she never believed existed. Cathy and Lucy believe they were always destined to be mother and daughter – it just took them a little while to find each other.

Beutifully repackaged as part of the C.S. Lewis Signature Classic Range, Lewis addresses the question which tortures every generation – Why must we suffer? For centuries people have been tormented by one question above all – ‘If God is good and all-powerful, why does he allow his creatures to suffer pain?’ And what of the suffering of animals, who neither deserve pain nor can be improved by it? The greatest Christian thinker of our time sets out to disentangle this knotty issue. With his signature wealth of compassion and insight, C.S. Lewis offers answers to these crucial questions and shares his hope and wisdom to help heal a world hungering for a true understanding of human nature.

First published in 1974 as A Circle of Children this is the first of four books from learning disabilities specialist Mary MacCracken. This is a book about children so emotionally disturbed they cannot fit into society; it is also the story of a woman whose involvement with these children changed the shape of their lives forever. When Mary MacCracken joined a school for emotionally disturbed children as a volunteer, she quickly found herself rocked to the core by the strong, loving people who taught there, the hard-pressed and bewildered parents, and the damaged children. On the outside most of the children looked healthy. But the reality was far sadder. Locked away from love and any human contact, these children struggled with life every day. It soon became evident that Mary MacCracken was a natural, gifted teacher. Using her instincts, observations and common sense, Mary was able to establish a rapport with even the most difficult children. Over time, Mary taught her class to eat and to drink; she decoded their mutterings, and taught them to talk and to read. But most important of all she helped them to take the first steps towards feeling love and trust. There are no miracle-workers in this story, only a remarkable woman who refused to give up. Heartfelt, moving and incredibly inspiring, this is an amazing story about the astonishing human capacity for growth and change, even in those whom society regards as beyond help.

Thieving ninjas, racist fast-food patrons, road traffic accidents, mischievous shoplifters, sudden deaths, car chases, and domestic violence – it’s all in a day’s work for London-based PC Matt Delito. Working at the front-line on the streets of London can be thrilling, frightening, rewarding, infuriating, and sometimes plain hilarious. In this eye-opening account of on-the-beat policing, Delito narrates some of his most interesting cases – from working undercover in a city club to being ambushed in the London riots – as well as taking us through the gadgets, procedures, and lingo that go with life at the other end of a 999 call. From the team that brought you the bestselling CONFESSIONS OF A GP and CONFESSIONS OF A MALE NURSE comes CONFESSIONS OF A POLICE CONSTABLE: a book that will shine a light on the gripping, touching and shocking realities of life as a city police constable. What did you do at work today?

Packed with anecdotes, sparkling insights into the changing nature of show business and the turbulent world of the BBC, and boasting a glittering cast-list, Double Bill is a fascinating read, unashamedly nostalgic and often hilarious. Double Bill is the revealing story of the legendary band leader, Billy Cotton and his namesake son, Bill Cotton Jnr who became Managing Director of BBC Television. One, a star performer who for decades was a national institution, the other, a talent spotter, TV producer and impresario who introduced to television many of Britain’s biggest stars and best loved shows. In his hugely entertaining autobiography, Bill Cotton not only looks back on these golden years, but on the loving relationship with another Bill – his father, the enormously popular and much loved band leader Billy Cotton. For it was during his childhood that Bill Jnr first experienced the thrill of showbiz, and encountered, in the heyday of variety, such stars as Will Hay, Max Miller, Tommy Trinder and Laurel and Hardy. And it was the charismatic Bill Sr who introduced his son to Tin Pan Alley and the music business, starting him out on a career that would later see him producing hit TV shows Six Five Special and Juke Box Jury and creating Top of the Pops. A high point of his producing career was being responsible for the Billy Cotton Band Show, he even took over the band for theatrical appearances when his father fell ill – despite not being able to read a note of music.

Iat?, ?n cuvintele Aurei Christi, curg?nd abundent, din surse ascunse, fluidul vivifiant al poeziei, s? nu ne temem de retorica majusculelor, al marii Poezii. (Nicolae Balot?) Aura Christi a uimit critica de specialitate prin ample volute metaforice, calde, ?ndr?zne?e, abord?nd, ?n c?teva volume, printr-o splendid? frond?, clasicul sonet poetic ?i dovedind o excelent? st?p?nire a limbii, a mijloacelor specifice, ?ntr-o liric? a medita?iei grave, ad?nci, exprimat? ?n metafore, ?n care modernitatea ?i sensibilitatea secolului se confund?, cu vigoare clar?, de o marcat? originalitate, tumultuos ?i muzical aproape, ?ntr-o subtil? rezonan?? eufonic?, cu trimiteri, accente ?i imagini simbolice, cu marele torent al liricii europene de ?nalt nivel, de la Rimbaud ?i Baudelaire, la Rilke ?i Blaga. ?i, ?nc? odat?, la ?vetaieva ?i Nichita St?nescu. (Nicolae Breban) M? auzi tu, oare, ?nstr?inato? Am citit poeziile tale la ceas de sear?, pe o teras?, av?nd ?n fa?? colinele Ierusalimului. Eu nu sunt un bun comentator de poezie, cei care au scris despre poezia ta te-au ?prins“ foarte bine, ai for??, un sim? rar al tragicului ?i antene pentru transcenden??… (Leon Volovici) Ignor?nd retorica unei poezii postmoderniste intolerante, metonimice – baliz?ndu-se ?n criteriul retoricului, un trop ajunge, iat?, s? impun? un model poetic – Aura Christi continu? s? ofere un osp?? metaforic. Psalmul coexist? cu viziunea aspr?, expresionist?. Universul ?i limbajul au torsiuni tragice, ?n nara?iuni poematice deopotriv? fruste ?i fabuloase, cvasimitice. Moartea e o prezen?? familiar?, ca privirea ?i olfac?ia ?ns??i. Mitul e prezent ca joc automodelator. Calea spre mit ajunge o traversare a suferin?ei. (Marian Victor Buciu) A scrie c?derea apocaliptic? nu e u?or. E un merit al Aurei Christi faptul de a g?si singura solu?ie la aceast? c?dere fatal?, dat? din pornire: cel care o scrie o ?i ?opre?te“, ?incit?nd rigoarea/ celui din urm? frig“. Doar un fel de zeu al poeziei, o divinitate descoperit? cu greu, con?tient? de destr?marea mitului, poate s? impun? din nou mitul: instituirea ?mai viului“ este cu putin?? doar datorit? mor?ii. ?nvierea nu e posibil? dec?t datorit? ei. Sensul celei mai mari dintre taine se dezleag?, astfel, paradoxal, prin r?sturnarea negativit??ii generale a sensului. (...) Descoperirea f?cut? de poet? este c? realul ?nsu?i are origine poetic? (nu real?!), prin c?derea ?n ?emisfera cealalt?“, de parc? Dante ?nsu?i ar fi acum reeditat ?n alt? semantic?: ?Ah, calul e fiu al pega?ilor dintotdeauna“. Fiin?ele existente ??i au ob?r?ia ?n himere, iar realitatea ia fiin?? din metafor?. (...) Alt? ?descoperire“ poetic?: ?ntreg mitul temporal al omenirii poate fi ranversat. (…) Iat?, deci, cum se poate recupera mitul ?ntr-o epoc? ?n care toat? lumea postmodern? a visat la demitizare ?i dez-iluzionare pentru a se apropia de realul ca atare. (?tefania Mincu)

Védtelenül

Mesterl?vész

From modern tales involving myths re-told, to trips to the far future where the end of the world is imminent, to an alternate reality where a jetpack-wearing hero fights for truth and justice. Other tales include a vampire and an elf vanquishing evil thus saving the worlds they inhabit. ?A remarkable collection of exciting stories guaranteed to thrill you. ?Stories included: War Eagle Captain Virtue and the League of Evil The Beast of Cadboro Bay Dark Night A Simple Assignment Scavengers

Computer programmer and network security specialist, Tecumseh ‘Tek’ Carrier has been delving into matters he has been told do not concern him. Following abandonment by his family, Tek isolates himself in his son’s bedroom to spend long nights breaching his bank’s computer network, compiling money laundering information gathered from their database; enough information, he hopes, to make a difference before it is too late. ? From his estate in Lyons, France, Ahmed Al-Malmasi enjoys the finest vintages of the region and immersing himself in the history and culture of people he detests. Utilizing his great wealth, Al-Malmasi has launched a plot extending from Southeast Asia and the Spanish Riviera to the golden shores of the United States. While Al-Malmasi’s agents hasten to complete their mission, Tek battles bank corruption while struggling to reconnect with his family. ? Instigated by Tek’s revelation, American law enforcement race to identify the threat and prevent a disaster that will materialize directly in the path of Tek and his family.

A titok

Angus:My mixed-breed cat, half domestic tabby, half Scottish wildcat. The size of a small Labrador, only mad.Thongs:Stupid underwear. What's the point of them, anywayThey just go up your bum, as far as I can tell.Full-Frontal Snogging:Kissing with all the trimmings, lip to lip, open mouth, tongues ... everything.Her dad's got the mentality of a Teletubby (only not so developed). Her cat, Angus, is trying to eat the poodle next door. And her best friend thinks she looks like an alien -- just because she accidentally shaved off her eyebrows. Ergghhhlack. Still, add a little boy-stalking, teacher-baiting, and full-frontal snogging with a Sex God, and Georgia's year just might turn out to be the most fabbitty fab fab ever!

Homeland?meets Marie Lu’s?Legend?in the explosive sequel to?Blackout, which #1?New York Times?bestselling author Ally Condie called “a thrilling combination of Wells’s trademark twists and terror. Fantastic!”It began with a virus. Then a series of attacks erupted across the nation. Now America is at war—and a handful of teens with impossible powers are its only defense.In?Dead Zone, Robison Wells delivers his most nail-bitingly tense read yet—and an electrifying conclusion to a two-book series that’s perfect for fans of?The Maze Runner?and?I Am Number Four.

When Gia Montgomery's boyfriend, Bradley, dumps her in the parking lot of her high school prom, she decides to do the unthinkable…convince the cute guy waiting to pick up his sister to pretend to be her boyfriend for the night. The task is simple: two hours, zero commitment, a few white lies.The problem is that days after prom, she can't stop thinking about her fill-in boyfriend. But can Gia turn her fake boyfriend into a real one without exposing her lie and possibly destroying her friendships and her newfound relationship?Smartly observed and wonderfully romantic, Kasie West's talent shines in this tale of one girl's unexpected quest to find love…and possibly herself.

In the next 72 hours, Kenna may lose everything—her friends, her freedom, and maybe even herself. One kiss of the blade was all it took to get her sent to the psych ward for 72 hours. There she will face her addiction to cutting, though the outcome is far from certain.When fifteen-year-old Kenna is found cutting herself in the school bathroom, she is sent to a facility for a mandatory psychiatric watch. There Kenna meets other kids like her—her roommate, Donya, who's there for her fifth time; the birdlike Skylar; and Jag, a boy cute enough to make her forget her problems . . . for a moment.Madeleine Kuderick's gripping debut is a darkly beautiful and lyrical novel in verse, perfect for fans of Sonya Sones and Laurie Halse Anderson. Kiss of Broken Glass pulses with emotion and lingers long after the last page.Supports the Common Core State Standards

Evermore Shall Be So

Casey’s Unit is, as ever, full of troubled, disaffected pupils, and new arrival Leo is something of a conundrum. Thirteen year old Leo isn’t a bad lad – in fact, he’s generally polite and helpful, but he’s in danger of permanent exclusion for repeatedly absconding and unauthorised absences. Despite letters being sent home regularly, his mother never turns up for any appointments, and when the school calls home she always seems to have an excuse. Though Casey has her hands full, she offers to intervene for a while, to try get Leo engaged in learning again and remaining in school. The head’s sceptical though and warns her that this is Leo’s very last chance. But Casey’s determined, because there’s something about Leo that makes her want to fight his corner, and get to the bottom of whatever it is that compels this enigmatic boy to keep running away. With Leo so resolutely tight-lipped and secretive, Casey knows that if she’s going to keep this child in education, she’s going to have to get to the bottom of it herself…

Berlin, 1945 – Az ?sszeomlás

Un volum fundamental, pagini memorabile despre literatura francez? nu numai pentru elevi, studen?i, profesori, constituind un manual indirect de literatur? francez?; este editat pentru prima dat? ?n Colec?ia Edi?ii Definitive, ?n condi?ii grafice cu totul excep?ionale. ??...Vor crede poate c? a fost un bufon, un farsor?. Medicul Pierre Boulenger nu se ?n?el? scriind astfel despre faima viitoare a marelui s?u prieten, Rabelais. Nimic mai ridicol dec?t p?rerile felurite care s-au risipit ?n decursul veacurilor pe socoteala maestrului Alcofibras. Mirarea acestuia ar fi mare dac? le-ar putea afla ?i desigur nu o dat? ar azv?rli printre hohote c?te-o vorba pe care urechile noastre mult prea fine de fii ai veacului al dou?zecilea nu ar putea-o cuprinde dec?t ?nro?indu-se. Ronsard vede ?n autorul lui Gargantua un animal jovial ?i ve?nic ?nsetat, t?v?lindu-se ?n b?l?i de vin ?ca o broasc? ?n noroi?. Tabloul acesta bestial cred c? n-a mai fost reluat de altul. ?n schimb judec??ile au fost tot at?t de neverosimile.” O carte esen?ial?. Un manual indirect de literatur? francez?.

Aura Christi posed numeroase virtui. Fora compoziiei pe multe planuri. Impactul personal ntre lecturi bogate i o viguroas inventivitate. Mijloace suple de caracterizare. O stilistic adaptat nevoilor expresive.” (Ion Ianoi) Corpul romanesc conine originalitate i – cel mai mare ctig – un timbru numai al su. E inclasificabil, n termenii triadei manolesciene doric-ionic-corintic. Dar, spre deosebire de alte scrieri tinere, i face s zvcneasc pe toi trei.” (Nicoleta Slcudeanu)

Se poate comunica i e necesar sǎ se comunice cu valorile literaturii universale, pǎstrandu-se o perspectivǎ istoricǎ, citindu-l pe Sofocle ca pe contemporanul lui Pericle. Dar, am nceput sǎ nelegem, spre deosebire de secolul trecut, istoricist, cǎ tot att de necesarǎ, ba poate chiar mai fecundǎ, e o comunicare cu trecutul, adoptndu-se o perspectivǎ actualizatoare, citindu-l pe Sofocle ca pe contemporanul nostru. Dincolo de aceastǎ perspectivǎ care, n cele din urmǎ, e i ea oarecum istoricistǎ, doar cǎ istoria e localizatǎ n actualitate, se deschide o perspectivǎ a sincroniei literare care dispune sǎ-l citim pe Sofocle ca pe contemporanul nimǎnui ori al tuturor, ca pe un martor al esenialitǎii umane i nu numai al unei existene istoric cantonate. ncercare ambiioasǎ, ce nǎzuiete sǎ derelativizeze valorile literar-artistice, pǎstrnd totodatǎ contiina unei relativitǎi a formelor i figurilor pe care o hermeneuticǎ a textelor se cuvine sǎ o punǎ n luminǎ. Relativitate impusǎ chiar de prezena autorului, a cititorului interpret, a scriitorului i hermeneutului n comentariile sale. n cartea aceasta a attor cǎri, scribul interpret apare n textele sale ca i pictorul ce se zugrǎvete pictnd n propriile sale tablouri. Sǎ-i fie iertatǎ aceastǎ ultimǎ deertǎciune.” (Nicolae Balot)