“Prima edi?ie din Jurnalul lui Lev Tolstoi a ap?rut la Editura Univers, ?n dou? volume (?n anii 1975 ?i 1976 – vol. I: 1847-1895, vol. II: 1896-1910), incluse ?n colec?ia ?Coresponden??, memorii, jurnale“. Traducerea a realizat-o Janina Iano?i; prefa??, tabelul cronologic, notele ?i comentariile – Ion Iano?i. Respectiva edi?ie a reprezentat o selec?ie din textul integral al edi?iei academice ruse?ti Polnoe sobranie socinenii (iubileinoe izdanie), Opere complete (edi?ie jubiliar?). Din volumele 1-90 (Moscova-Leningrad, 1928-1958), am folosit cele treisprezece volume de jurnal, 46-58 (ap?rute ?ntre 1934 ?i 1958). Orientativ, am consultat ?i o edi?ie de Opere ?n dou?zeci de volume (din 1965) – volumele 19 ?i 20. ?n alegerea textelor am urm?rit devenirea ?i dominantele cople?itoarei personalit??i a marelui scriitor, ?in?nd seama ?i de interesele publicului cititor rom?nesc. Edi?ia a II-a i s-a datorat Editurii Elit (tip?rit?, f?r? specificarea datei, ?n 2000). Ea a urmat, cu unele renun??ri ?i c?teva complet?ri, varianta ini?ial?, dar ?i pe baza confrunt?rii textelor cu cele re?inute ?ntr-o selec?ie ruseasc? ulterioar?, ?n dou?zeci ?i dou? de volume, Sobranie socinenii v dvadtati dvux tomah (Moscova, 1985), Opere ?n dou?zeci ?i dou? de volume, volumele 21 ?i 22. Am constatat cu acel prilej coinciden?a ?ntre majoritatea textelor re?inute ini?ial de noi ?i de alc?tuitorul respectivei edi?ii ruse?ti, dar ?i unele deosebiri: sunt acolo prezente fie pasaje ?teoretice“ mai ample, fie altele cu adres? recognoscibil? doar de c?tre cititorii autohtoni familiariza?i cu mediul specific vremii – ?n schimb, sunt omise at?t detalii biografice considerate a fi prea intime (mai ales erotice, ?n genere legate de starea corporal?, de s?n?tate ori boal?), c?t ?i multe accente sociale considerate de editorul rus de atunci ca indezirabile prin ascutisul lor critic (cu deosebire, cele la adresa revolu?iei, marxismului, socialismului). ?n ceea ce ne prive?te, le-am p?strat ?i pe unele, ?i pe celelalte, ?n schimb nu am dorit – cu rare excep?ii – s? ?nc?rcam selec?ia noastr? cu expozeuri lungite, care oricum variaza idei cunoscute. Amintita edi?ie rus? ne-a servit, mai degrab?, pentru suplimentarea acribiei de care am ?ncercat s? d?m dovada ?nc? din anii ?aptezeci ai secolului trecut. Am urmat aceea?i cale ?i la revederea ?i ?mbun?ta?irea textului pentru prezenta edi?ie, a III-a, finalizat?, dup? al?i cinci ani, prin bun?voin?a Editurii Ideea European?.“ (Ion Iano?i)

The stories of Thor, Odin and Loki are familiar to most of us. Many people know that the Norse gods fought against giants and were ultimately betrayed by Loki the trickster. The end of the world and the death of the gods in a grim battle called Ragnarok has also found its way into popular culture. Ideas taken from Norse mythology are frequently found in modern fantasy and science fiction – such as elves, dwarfs and undead warriors rising from an unquiet grave, for example. Norse mythology is rich in adventure and ideas about creation, death and the afterlife. Norse Myths takes a wide-ranging approach, examining the creation stories of the Norse world, the monsters and the pantheons of the deities, including such figures as Heimdall, Freya and Baldr. It looks at the sagas and the Prose and Poetic Eddas, which tell of real and imagined people, featuring both heroic tales and humorous escapades. The book also examines how Norse myths were interpreted in a Christianized Europe and how their motifs influenced medieval German writers and, in turn, were used in the modern world in very different ways, by the likes of composer Richard Wagner and in the writings of J.R.R. Tolkien. Illustrated with 180 colour and black-&-white artworks and illustrations, Norse Myths is an engaging and highly informative exploration of a rich mythology that still resounds today.

“Before you decide if your company should go for the certification, you have to ask yourself one important question: Do you really need it?” This book is a complete guide that will not only help you decide on this crucial concern, but also lead you from the beginning of the certification project to the end. This book is not focused solely on one ISO standard – the certification process is the same for any standard, so the book is adapted in such a way that it is perfectly acceptable for ISO 9001, ISO 14001, ISO 27001, ISO 20000, ISO 22000, OHSAS 18001, ISO 13485, and IATF 16949. Kosutic wrote Preparing for ISO Certification Audit: A Plain English Guide primarily for beginners in this field, and for people with moderate knowledge about ISO certification. The book is structured in such a way that someone with no prior experience or knowledge about ISO standards can quickly understand how the whole certification process works, and what steps to take for its successful completion. This book is a straightforward guide for ensuring your company passes the certification audit, leading you through the following steps: The final check before going for the certification – this part of the book explains in detail all the necessary steps that need to be done before going for the certification. How to choose a certification body – here you will learn about the most important criteria for choosing the certification body. Among others, you should consider the reputation, specialization, and experience of a certification body. Steps in the company certification and how to prepare – in this part of the book you will learn more about the Stage 1 audit, Stage 2 audit, and surveillance visits – the three main steps in the certification process. Which questions the certification auditor may ask – this section of the book will give you insight into how the certification auditors usually perform the certification audit, explaining what documentation you should prepare, what evidence the auditor will try to find, and what kind of questions you can expect during the certification interview. How to talk to the auditors to benefit from the audit – “Don't forget that auditors are only people, and no matter how professional they are, they will always be glad if you treat them fairly, and will be negative if you treat them badly.” What the auditor can and cannot do – this section is also very important in order to prepare your company for the certification audit. You have to be aware that there are borders that a certification auditor shouldn’t cross. Written in plain English with easy-to-understand language, this is the only book you will ever need on the subject.?

Luke Livingstone szerencsés ember: nagyszer? férj, gondos családapa, sikeres ügyvéd, a társadalom megbecsült tagja. Házassága irigylésre méltóan szép és a Londonhoz k?zeli családi háza maga a nyugalom szigete. Pedig Luke hatalmas titkot rejteget. Az évek múlásával egyre képtelenebb elviselni a terhet, és egy napon úgy d?nt, bevallja a családjának: amióta az eszét tudja, mindig n?nek érezte magát. A hátralev? éveit nem szeretné továbbra is úgy élni, ahogy azt mások elvárják t?le. Lehet-e eltemetni valakit, ha nem halt meg, csak ezután másképp él k?ztünk? Mit szól Luke átváltozásához a feleség, a gyerekek, a kollégák? Ki marad mellette és ki fordul el t?le? Charity Norman új-zélandi írón?t úgy emlegetik, mint Jodi Picoult méltó vetélytársát. Felkavaró és elgondolkodtató regényei mélyen emberi témákat feszegetnek nagyon olvasmányos stílusban. Olyan kérdéseket szegez az olvasóknak, amelyekre nincsenek egyértelm? válaszok.

Дэн, Эбби и Джордан давно мечтали вместе съездить в Новый Орлеан. Ребята жаждали веселых приключений, но полученное в ?Фейсбуке? сообщение-предупреждение от друга, однажды спасшего им жизни, положило конец веселью – ведь тот погиб год назад… Чем ближе они к встающему из руин после урагана городу, тем сильнее становится ощущение опасности. За ними следит странный черный мотоциклист. Дэн понимает, что навлек на себя и друзей смертельную опасность, но именно сейчас он приблизился к разгадке гибели родителей. Djen, Jebbi i Dzhordan davno mechtali vmeste s#ezdit' v Novyj Orlean. Rebjata zhazhdali veselyh prikljuchenij, no poluchennoe v ?Fejsbuke? soobshhenie-preduprezhdenie ot druga, odnazhdy spasshego im zhizni, polozhilo konec vesel'ju – ved' tot pogib god nazad… Chem blizhe oni k vstajushhemu iz ruin posle uragana gorodu, tem sil'nee stanovitsja oshhushhenie opasnosti. Za nimi sledit strannyj chernyj motociklist. Djen ponimaet, chto navlek na sebja i druzej smertel'nuju opasnost', no imenno sejchas on priblizilsja k razgadke gibeli roditelej.

Ever since man first took to the air, combat aircraft have been at the cutting edge of aviation technology, resulting in some of the greatest and most complex designs ever built. The World’s Greatest Military Aircraft features 52 of the most important military aircraft of the last hundred years. The book includes all the main types, from biplane fighters and carrier aircraft to tactical bombers, transport aircraft, multirole fighters, strategic strike aircraft and stealth bombers. Featured aircraft include: the Fokker Dr.1 triplane, the legendary fighter flown by German flying ace Manfred von Richthofen, ‘the Red Baron’, during World War I; the Mitsubishi A6M Zero, Japan’s highly-manoeuvrable fighter that dominated air-to-air combat in the early part of the Pacific War; the tank-busting Il-2 Shturmovik, the most produced aircraft in World War II; the Harrier jump jet, a vertical take-off and landing (VTOL) fighter that has been service for more than 40 years; the B-2 Spirit bomber, an American precision strike aircraft used in recent conflicts in Kosovo, Iraq and Afghanistan; and the F-22 Raptor, an air superiority fighter with state-of-the-art stealth technology that makes it almost invisible to radars. Each entry includes a brief description of the model’s development and history, a profile view, key features and specifications. Packed with more than 200 artworks and photographs, The World’s Greatest Military Aircraft is a colourful guide for the military aviation enthusiast.

"…and they laid all waste with dreadful havoc, trod with unhallowed feet the holy places, dug up the altars, and carried off all the treasures of the holy church. Some of the brethren they killed; some they carried off in chains; many they cast out, naked and loaded with insults; some they drowned in the sea." —Simeon of Durham, A History of the Community of Durham Beginning in 789 CE, the Vikings raided monasteries, sacked settlements and invaded the Atlantic coast of Europe and the British Isles. They looted and enslaved their enemies, terrorizing all whom they encountered. But that is only part of their story. Sailing their famous longboats, they discovered Iceland and North America, colonised Greenland, founded Dublin, and also sailed up the River Seine and besieged Paris. They settled from Newfoundland to Russia, conquered eastern England, and fought battles from Ireland to the Caspian Sea. They traded walruses with Inuits, brought Russian furs to Western Europe and took European slaves to Constantinople. Their graves contain Arab silver, Byzantine silks and Frankish weapons and artefacts. Illustrated with more than 200 maps, photographs and artworks, The Viking Warrior examines these fearsome warriors through their origins, social structure, raiding culture, weapons, trading networks and settlements.

A nulladik nap

Reminiscences of a Stock Operator is a fictionalized story based on the trading career of Jesse Livermore. It follows his journey from the age of 15 when he made his first $1,000 to becoming a Wall Street legend. See how he learned the ins and outs of trading the hard way while losing his fortune and then making it all back. Decades after its original publication, readers are still getting tremendous value from Livermore's experience. Contains timeless investment wisdom.

va három lánya

Unele lucruri nu pot fi iertate niciodat?...Un b?ie?el a fost g?sit mort pe terenul de joac?.Avocatul londonez Daniel Hunter a ajuns un maestru al cauzelor pierdute. ?ns? via?a sa se schimb? atunci c?nd ?l cunoa?te pe Sebastian, un b?iat de unsprezece ani, acuzat c? ?i ar fi ucis prietenul.Pe m?sur? ce afl? tot mai multe despre abuzurile din casa lui Sebastian, Daniel este cople?it de amintirile propriei copil?rii, c?nd Minnie, mama sa adoptiv?, l-a salvat, pentru ca apoi s? l tr?deze.Simpatia fa?? de Sebastian ?i amintirile dureroase ?l fac oare pe Daniel s? nu mai vad? adev?rul?Ce s-a ?nt?mplat pe terenul de joac? ?i cine este vinovat de moartea b?ie?elului?Pun?nd sub semnul ?ntreb?rii toate convingerile sale, Daniel ?n?elege c?t de grave pot fi consecin?ele unei erori.?Un roman emo?ionant ?i tulbur?tor. Cu siguran??, va avea cel pu?in tot at?ta succes ca ?nainte s? adorm al lui S.J. Watson.“ – The Guardian?Vinovatul este o reu?it? absolut?, iar talentul Lisei Ballantyne e o descoperire de excep?ie.“ – The Daily Record?E un roman autentic, cu personaje verosimile, care au defecte la fel de verosimile ?i a c?ror poveste e la fel de imprevizibil? ca ?i via?a. Vinovatul o a?az? pe Lisa Ballantyne pe lista autorilor care merit? urm?ri?i ?n continuare.“ – Irish Independent?Daniel era un avocat experimentat ?n cazuri cu adolescen?i: din postura de avocat ap?rase pu?ti de cincisprezece ani acuza?i de ?mpu?carea membrilor unor bande ?i c??iva adolescen?i care se dedaser? la jafuri pentru a ?i procura droguri. Dar nu avusese nicic?nd de a face cu un copil – niciodat? nu ap?rase un b?ie?el. Propria sa copil?rie reprezenta unica lui referin?? ?n leg?tur? cu acest subiect.“?Lisa Ballantyne a reu?it s? scrie un roman care te ?ine cu sufletul la gur? ?i-?i merge totodat? la inim?. Bogat ?n detalii, are totu?i acea stranie simplitate a parabolei.“ – Joyce Carol Oates

Kregen, that grim and beautiful, marvelous and terrible world four hundred light-years away beneath the red and green fires of Antares is a world too rich in passion and action to allow a fighting man like Dray Prescot to rest for long. Once more, then, he is launched into fresh adventures, but this time there is a hiatus which might easily break a man of lesser fire and spirit... The Tides of Kregen: Of all the honours that Dray Prescot, Earthman, has won during his fabulous adventures on Kregen, none are valued by him more than his membership in the Order of the Krozairs of Zy. The Krozairs are the highest order of chivalry on that turbulent planet, dedicated men, warriors of stern convictions and unflinching hearts. Thus, when the Krozairs in their hour of need called on all their far-flung members for aid, he should have gone. But he could not. His return from Earth was blocked by the anger of the mysterious Star Lords. And before Dray Prescot can achieve redemption, he has two armies opposed to him, two warring kingdoms naming him outlaw, and only the tides of the seven moons as a weapon... Renegade of Kregen: Never before in his adventurous career under the double suns of Antares has Dray Prescot been in as desperate a situation as he finds himself on his second entry into the city of Magdag. Magdag was the scene of one of Prescot's earliest experiences on Kregen and he recalled it with loathing as a city of power-lusting slavers, of decadent worshippers of the Green Sun. As one who had been initiated into the chivalric order of Krozairs, he despises all that the city stood for. But now Prescot is an outcast. Any Krozair, any follower of the Red Sun of his former friends, will slay him on sight. For him there is only one way to recover his home, his children, his self-respect. He would have to perform an act of valor so extreme, so fabulous, that its glory would wash away all that now stains his name. Only by reaching to the very heart of mighty Magdag could he hope to achieve such a suicidal triumph... Krozair of Kregen: Dray Prescot has been condemned by his old enemies whose battle color is the green of the sun Grodno. For while among these slavers and conquerors of the green, searching for a way to turn the tide of war to his own redemption and his friends' advantage, he had personally encountered the deadly animosity of Grodno's king, had betrayed his champion, and had shattered all he so carefully worked for. But he must soldier on. For, now, in addition to the enormous feat that alone would restore his honor, he has a blood vengeance to achieve that overrides everything. This edition contains the short story "Wizard of Scorpio", and a glossary to the Krozair Cycle.

The length of the front in the East was much longer than in the West. The theater of war was roughly delimited by the Baltic Sea in the West and Moscow in the East, a distance of 1,200 kilometers, and Saint Petersburg in the North and the Black Sea in the South, a distance of more than 1,600 kilometers. This had a drastic effect on the nature of the warfare. While World War I on the Western Front developed into trench warfare, the battle lines on the Eastern Front were much more fluid and trenches never truly developed. This was because the greater length of the front ensured that the density of soldiers in the line was lower so the line was easier to break. Once broken, the sparse communication networks made it difficult for the defender to rush reinforcements to the rupture in the line to mount a rapid counteroffensive and seal off a breakthrough. There was also the fact that the terrain in the Eastern European theater was quite solid, often making it near impossible to construct anything resembling the complicated trench systems on the Western Front, which tended to have muddier and much more workable terrain. In short, on the Eastern front the side defending did not have the overwhelming advantages it had on the Western front. Because of this, front lines in the East kept on shifting throughout the conflict, and not just near the beginning and end of the fighting, as was the case in the West. In fact the greatest advance of the whole war was made in the East by the German Army in the summer of 1915. With the aid of numerous black and white and color photographs, many previously unpublished, the World War I series recreates the battles and campaigns that raged across the surface of the globe, on land, at sea and in the air. The text is complemented by full-color maps that guide the reader through specific actions and campaigns.

A ncerca experiena rentoarcerii ctre firescul ce a fost nainte, adic o recuperare n registru postmodernist, o sprtur n cuirasa metatextului, spre o reevaluare a resurselor poetice, o revigorare natural, fr acea automacerare sisific, a te elibera de capcanele pe care i le-ai ntins singur n desiul textului, a evada din ngrdire zidindu-i alt cas a poeziei, iat direcia derulat contient de Rodica Braga, cu o implicare tonifiant […]. Contribuia poetic a Rodici Braga n aceast carte este fundamental, ntruct intrrile ei (s-ar putea scrie un studiu aparte despre organizarea muzical programatic a acestui Commentarius perpetuus..., organizare ce ar pune n eviden mai exact principiul tonal care st la baza ntregii construcii poetice) umplu material un spaiu rarefiat de eul autoscopic al lui Mircea Ivnescu…“. (Marin Mincu)Rodica Braga este o scriitoare deplin, cu acces egal la mai multe modaliti ale expresiei literare. […] Poemele cresc paralel cu proza nvluie concentric acelai miez tare al analizei: trecerea. Proza vibreaz nu de puíne ori poematic, iar poemele au o poveste discret n fundal.[…] Poezia Rodici Braga are un timbru propriu, modulat volum dup volum, cu un elegant echilibru ntre cntecul nalt-reflexiv al modernitii i frngerile de ritm ale postmodernitii dezvrjite“. (Irina Patra)Rodica Braga scrie o literatur oarecum special, cu sonoriti dramatice vtuite, cu vibraii de afectivitate […] ce se practic puin la noi i pe care am numi-o, mprumutnd termenii muzicali, de camer. O poezie de interior, dar un interior al fiinei, al sufletului ce reverbereaz n sine, profund, la zgomotul tumultuos din afar, capabil a nregistra, cu finee, ns cu fineea unui seismograf sentimental, seismele produse n omenescul vital de scurgerea implacabil a timpului...“. (Constantin Cublean)

Cartea aceasta reprezint o confesiune sincer despre tririle, sentimentele, nvmintele i convingerile mele. Am depnat aici amintiri din ntreaga mea via, cu bune i cu mai puin bune, cu frumoase i mai puin frumoase. Dragostea, acest sentiment minunat, este cea care mi-a ghidat destinul, ncepnd cu dragostea pentru prini, apoi cu cea pentru alesul inimii, continund cu dragostea pentru copii, pentru familia toat, pentru oameni n general i, alturi de toate acestea, dragostea pentru cntec.“ Maria Dragomiroiu

Cine ne urm?re?te din umbr?? Din zorii omenirii, dorin?a de a controla g?ndurile, comportamentele ?i ac?iunile altora a fost foarte r?sp?ndit?. De la folosirea persuasiunii coercitive de c?tre egiptenii din Antichitate ?i cavalerii templieri p?n? la afirma?iile actuale privind h?r?uirea electronic? ?i ?bombardamentul“ cu microunde, am fost mereu la mila celor dornici s? ne reprogrameze g?ndirea ?i s? ne remodeleze convingerile. ?n R?zboaiele PSI g?sim relat?ri fascinante despre: ?ncerc?rile str?vechi de control al min?ii folosind vr?ji, po?iuni ?i ritualuri; sectele ?i folosirea reprogram?rii mentale; tehnici de control mental moderne, de la hipnoz?, droguri ?i electro?ocuri la radia?ie ?i control mediumnic; povestea secret? a c?ut?rii adev?ratului Candidat Manciurian – MKUltra ?i conexiunea CIA; ?minunata lume nou?“ a metodelor ingenioase de h?r?uire electronic? ?i de supraveghere agresiv?.

S? ascult?m avertismentul megalitic al trecutului!Baz?ndu-se pe teoria sa revolu?ionar? potrivit c?reia Sfinxul din Egipt dateaz? cu mult mai devreme dec?t 2500 ?.Hr., geologul Robert Schoch apeleaz? la dovezi ?tiin?ifice pentru a confirma existen?a unei civiliza?ii avansate care le preced? pe cele ale Egiptului, Sumerului ?i Greciei Antice. De asemenea, vorbe?te ?i despre catastrofa care a distrus-o acum aproape 12 000 de ani, afirm?nd c? mo?tenirea acesteia ne poate da ?nv???turi pre?ioase privind viitorul omenirii.Combin?nd dovezi adunate din mai multe discipline ?tiin?ifice, Schoch demonstreaz? c? ultima er? glaciar? s-a sf?r?it brusc ?n 9700 ?.Hr., ca urmare a unor explozii solare. Acestea au provocat desc?rc?ri electrice/plasmatice care au declan?at activitate vulcanic?, cutremure, incendii ?i inunda?ii masive provenite din topirea ghe?arilor ?i de la ploile toren?iale.Autorul explic? modul ?n care aceste evenimente au eradicat civiliza?ia vremii ?i au dat omenirea ?napoi cu mii de ani. Civiliza?ia a reap?rut ?n jurul anului 3500 ?.Hr., cu fr?nturi de memorie ?i aptitudini pe cale s? se formeze. ?n acest cadru, el analizeaz? leg?tura dintre monumentele megalitice, ora?ele subterane ?i legendele antice, precum ?i reinterpretarea textelor rongorongo de pe Insula Pa?telui ?i ?ngroparea inten?ionat?, ?n urm? cu 10 000 de ani, a complexului de la G?bekli Tepe din Turcia.Schoch prezint? dovezile ?tiin?ifice care sugereaz? c? istoria s-ar putea repeta ?i un flux de mas? coronal? suficient de puternic ar putea distruge civiliza?ia actual?.?

Adevratul urma al lui Stieg Larsson.“ – Entertainment WeeklyCnd Sophie Brinkmann l cunoate pe Hector Guzman, viaa ei se afl ntr-un impas.Misteriosul brbat o cucerete pe loc. Totui, Sophie afl repede c nfiarea lui e neltoare: Guzman ascunde lucruri sinistre.Hector Guzman este eful unei organizaii criminale internaionale, cu o filier specializat n trafic de arme i droguri, care se ntinde din Europa pn n America de Sud.Brusc, Sophie se trezete prins ntr-un hi de ambiguitate moral, obsesii terifiante i tactici diabolice.Magnific... Prietenul andaluz mbin drame de familie — Guzmanii aduc puin cu clanul Corleone —, rzboaie ntre organizaii rivale, trafic de arme, poliiti corupi i violen extrem... Miza acestui roman este pe ct de ocant, pe att de fascinant.“ – USA TodayGenul poliist scandinav s-a mbogit cu o nou voce: Alexander Sderberg.“ – Los Angeles TimesUn debut care te ine n priz tot timpul... Cu o intrig complex, dar alert, bine scris i adesea sumbru... Ofer ndeajuns material pentru cel puin nc dou cri, cu o nou provocare la fiecare pagin.“ – The Wall Street JournalSderberg scrie convingtor despre tensiunea psihologic imens cu care se confrunt att rufctorii, ct i cei nsrcinai s-i prind.“ – The New York Times Book ReviewUn thriller care te ine cu sufletul la gur!“ – Booklist

Via?a e un vis. Apoi te treze?ti. Eu l-am inventat pe Max. Cel pu?in asta mi-am spus ?ntotdeauna. To?i b?rba?ii pe care i-am adorat ?nc? din copil?rie, combina?i ?ntr-un singur tip perfect. Problema e c? m-am ?n?elat. Pentru c? ?n u?a clasei, uit?ndu-se direct la mine, st? Max. Max al meu. Max cel din visele mele. Max al meu care nu exist? ?n realitate. De c?nd se ?tie, Alice ?l viseaz? pe Max, un b?iat pe care nu l-a ?nt?lnit niciodat?. ?mpreun? au c?l?torit prin toat? lumea, au c?l?rit pe elefan?i roz, s-au b?tut cu biscui?i ?n Muzeul Metropolitan de Art? ?i s-au ?ndr?gostit nebune?te, iremediabil, unul de cel?lalt. Max e b?iatul viselor ei (?i doar al viselor ei) p?n? ?n diminea?a ?n care ?l descoper? st?ndu-i al?turi la or?, c?t se poate de viu. Dar el habar nu are cine e Alice. C?nd te ?ndr?goste?ti ?n vis, mai poate realitatea s?-?i fie de ajuns? ??n mod evident, sunt perfect con?tient? c? par sut? la sut? ??c?nit? c?nd spun c? m-am ?ndr?gostit de un om pe care nu l-am ?nt?lnit niciodat?, care nici m?car nu exist?. Dar din moment ce nu-mi pot aminti o perioad? ?n care s? nu-l fi visat pe Max, mi-e greu s? fac diferen?a. Locurile se schimb?, la fel ?i pove?tile, ?ns? Max r?m?ne acela?i, ?nt?mpin?ndu-m? ?n fiecare vis cu z?mbetul lui pozna? ?i inima lui mare. El e sufletul meu pereche.“

Primul roman din seria Ruby Oliver 15 iubi?i, 11 ?edin?e la psiholog, 4 broscu?e din ceramic? ?i eu, Ruby Oliver Ruby Oliver are 15 ani ?i merge la psiholog. ?tie c? e ciudat, dar are o scuz? – a avut zece zile cr?ncene, ?n care, printre altele: ?i-a pierdut iubitul (b?iatul nr. 13) ?i-a pierdut cea mai bun? prieten? ?i-a pierdut to?i ceilal?i prieteni a f?cut ceva ?ocant de avansat cu b?iatul nr. 15 s-a certat cu b?iatul nr. 14 a picat un test la mate... ?n ciuda a toate astea, Ruby va supravie?ui... pentru a face ?i mai multe liste. ?Dialoguri ?i detalii supersavuroase: stilul lui E. Lockhart inconfundabil de incintant.“ – Publishers Weekly ?Lockhart a creat un personaj foarte simpatic: seam?n? cu Georgia Nicholson a lui Louise Rennison ?i cu Bridget Jones... Iar schimburile de replici sunt memorabile.“ – School Library Journal ??n duminica de dup? ce eu ?i Meghan am fost la festivalul filmelor lui Woody Allen, mi-am scos acuarelele din fundul sertarului de la birou. Cred c? din clasa a ?aptea nu le mai folosisem. Am f?cut rost de o foaie de h?rtie ?i am pliat-o ?n dou?. ?C?t de r?u ?mi pare?? am scris cu mov. ?La fel de r?u?...“ Lista iubi?ilor mei (c??tig?toare, ?n 2006, a ALA Best Books for Young Adults) face parte dintr-o serie ce mai cuprinde: The Boy Book, The Treasure Map of Boys ?i Real Live Boyfriends.

Critic? literar? Editura Allfa inaugureaz? seria de volume ?Eminescu, poem cu poem” care va cuprinde ?ntreaga oper? poetic? antum? a marelui poet analizat? de scriitorul ?i criticul literar Alex. ?tef?nescu. Lucrarea ?Eminescu, poem cu poem. Luceaf?rul” ne dezva?? de toate vechile obiceiuri de interpretare care au prezentat ?n limbaj de lemn poezia eminescian?. Alex. ?tef?nescu ne face din nou cuno?tin??, de data aceasta ?n cuvinte simple ?i idei proaspete, cu cea mai cunoscut? poezie din literatura rom?n?. Analiza sa cuprinde observa?ii fresh ?i referin?e culturale pe gustul elevilor, tinerilor ?i iubitorilor de literatur? care (re)descoper? ast?zi poezia eminescian?. Numai un scriitor de geniu poate crea un personaj care s? ajung? mai cunoscut dec?t el. A?a cum Hamlet egaleaz? celebritatea lui Shakespeare, iar Don Quijote pe cea a lui Cervantes, ?i Eminescu este concurat ca notorietate de unul dintre personajele sale, luceaf?rul. Mai mult dec?t at?t, poetul a fost numit p?n? la sa?ietate ?luceaf?rul poeziei rom?ne?ti”, sintagm? despre care Alex. ?tef?nescu spune c? este considerat? ?n prezent o expresie uzat? din limba de lemn a omagierii lui Eminescu. Renun??nd la limbajul bombastic ?n care a fost prezentat p?n? acum, criticul literar subliniaz? frumuse?ea literar? a straniului love-story dintre luceaf?r ?i C?t?lina. Este o poveste de neuitat, comparabil? cu alte iubiri irealizabile (sau posibile numai prin sacrificiu) ?ntip?rite ?n memoria noastr? cultural?, precum aceea dintre Zeus, st?p?nitorul cerurilor, ?i Europa, prin?esa fenician?, cea a lui Romeo ?i a Julietei, ?i precum povestea dintre riga Crypto ?i lapona Enigel din poemul lui Ion Barbu. Volumul cuprinde poemul ?Luceaf?rul” ?nso?it de textul critic al lui Alex. ?tef?nescu.