Evini kiraya veren ev sahipleri!!Art?k ayl?k sabit kira bedeline mahkum de?ilsiniz!Hem eviniz sürekli kontrolünüz alt?nda olacak, Hem de yeterli hizmeti vererek daha fazla para kazanabileceksiniz.Bu s?rada dünyan?n her yerinden bir?ok dostunuz tan?d???n?z insanlar olacak.Bu kitapta evinizi nas?l, nerde, ne ?ekilde, pazarlayarak daha fazla kazan? elde edebilece?inizin ipu?lar? verilmi?tir.Hem e?lenin Hem kazan?n!!! ?NS?Z / G?R??Uzun y?llar i? hayat?nda ini?li ??k??l?, yorucu ve stres dolu zamanlardan sonra. Ebru art?k kendi i?ini yapmal?s?n bu kadar ko?tur ko?tur nereye kadar seslerine 2 y?l sonra kulak verdim. ?e?itli i?ler yapt?m ?ok ?e?itli desem yeri var J s?ralayacak olursam siz bile ?a??racaks?n?z.?ngiltere’de telefon uygulamalar? haz?rlay?p Türkiye’ye pazarlayan bir firman?n home ofise online dan??manl???,Italyan Panorama Vitrin Dizayn firmas?n?n ?stanbul’daki markalar?n Vitrin Tasar?m projelerinin haz?rlanmas?,Ing?ltere’den Erkek Giyim üzerine Türkiye’den ithalat yapan firman?n mü?teri temsilcili?i,?ngiltere Assosia firmas?n?n Türkiye’de Marka denetimiTabii bunlar hep otelcili?in yan?nda ekstra gelir i?in yapt???m i?lerdi. Malum ?stanbul gibi bir yerde tek ba??na ayakta kalabilmek emek ister.As?l mesle?im otelcilik, 15 y?l boyunca Laleli ve Taksim b?lgesinde baz? otellerde muhasebe de daha sonra da y?netici olarak g?rev ald?m. Gelin siz dü?ünün nas?l deli gibi ?al??t???m?.Tatiller falan benim i?in lüks ?tesi bir ?eydi. Tatile ??kacak olsam vicdan azab? ?ekerdim J kald? ki hala tatil konseptine al??amad?m ama al???yorum art?k yava? yava?.Ger?? yapt???m en büyük tatil;yurt d???nda yasayan ablam Türkiye’ye geldiginde, a?lemle gec?rd?g?m 3 gunluk tat?l olmu?tu o da bilgisayar ve telefon ba??nda JNeyse uzun laf?n k?sas? art?k etraf?ma kulak verd?m ve ucundan ba?layal?m bakal?m ded?m. Otelc?l?k d?neminde zaten otel mü?terileri haricinde acentalar olsun, eski misafirlerimiz olsun sürekli konaklama ihtiya?lar? olurdu ve biz de bildi?imiz ?al??t???m?z yerlere y?nlendirirdik.Her ?ey bir tarafa, ?ncelikle sunu s?ylemek isterim ki ?ok merakli ve ara?t?rmac? bir ki?ili?im vard?r malum Basak burcuyum J Taksim’de bir otelde y?neticilik yaparken gitmedi?im online pazarlama e?itimi, okumad???m kitap, ara?t?rmad???m konu kalmad? desem abartm?? olmam. ?imdi meyvelerini topluyorum zaten. BU KITAP KIMLER ICIN HAZIRLANDI.Bu kitap 2 grup i?in haz?rland?1. Hali haz?rda dairesi olup bu sekt?rün i?inde olanlar ve geli?tirmek isteyenler.2. Bu sekt?rü duymu? ve dairesini de?erlendirmek isteyen ama nas?l yapaca??n? bilemeyenler i?in.Hali haz?rda ev sahibi olanlar bir ?ok konuya vak?f olabilirsiz ama bunun yan? sira nas?l daha da ilerleye bilir ve en iyi evsahibi olabilirsiniz. Bu geli?im size arama sonu?lar?nda bulundu?unuz b?lgedeki evler aras?nda daha ust s?ralarda ??kman?za yard?mc? olacakt?r.Ev sahipleri evlerini de?erlendirmek isteyenler ama bir turlu cesaret edemeyenler. Sizler i?in de her bir detay anlat?larak ad?m ad?m bu i?i nas?l yapabilece?inizi nas?l yard?mlar alabilece?iniz.

Y?rede ya?am??, Halk A???? Emin Demirayak ve Kadir Türen gibi Teke kültürünün en yetkin, en üretken saz ve s?z ustalar?n?n dolu dolu ge?en s?ra d??? ya?am ?ykülerini, folklor zenginli?ini ve s?cak insan ?ykülerini masals? bir dil ile anlatan bir an? romand?r Dirmil ?mürcüsü. ?????????????? ? ? Orman?n bakanl?k eliyle kesili?ine silah?yla kar?? gelip hapis yatan, orman?n dingin gücünün i?inizde b?rakt??? inan?lmaz ya?ama iste?iyle sizi en yak?n ormana ko?turtacak bir ?a?r? ?yküsüdür. Emin Demirayak duyarl? sanat?? ki?ili?iyle haks?zl?klara kar?? duran, türküleri ta? plaklara kaz?nan dostlar? kadar dü?manlar? da olan ve sesiyle var olan Emin Demirayak, ?kavgalar?n birinde a?z? kulaklar?na kadar kesilir, kavgalar?n birinde de g?zü ??kar?l?r. Ve 1980 y?l?nda 12 Eylül’ün ilk saatlerinde 17 kur?unla sinsice ?ldürülür. Dirmil, da?larla ?evrili bir ovan?n ba??nda Oyuk da??na yaslanm??, ayaklar?n?n ucunda duran k?ylere yukardan bak?yordu. Bat?dan toplad??? tepeleri, do?uya da? s?ralar? ve platolar ?eklinde da??tm??t?. Bin y?ll?k sedirler, ard??lar tüm g?rkemiyle K?zlarsivrisi’nden ?ehre do?ru iniyordu. K?z?lc?klar, p?ynarlar, al??lar, ?am a?a?lar?, sedirler; ?i?e?ini a?m?? kekikler, papatyalar, da? menek?eleri, sessizlikte patlayan bin bir tomurcuk ar?lara, ku?lara, kelebeklere ve insanlara kollar?n? a?m?? beklemekteydi. Doruklar?n karlar? nisan ya?murlar?yla eridi. Yapraklardan dü?en damlalar, yama?lardan patlayan kara sular, p?narlar, dereler, kocaman Dirmil ?ay?’ndan k?püre k?püre ?a?layarak akt? ve Yaprakl?’da koca bir deniz olu?turdu. Oluktan akan sular, kal?n ?am a?ac? g?vdelerine oyulmu? yalaklar? doldurup da?lar?n vefal? dostu ke?ileri sulad??? gibi doruk ?ocuklar? i?in de bir plaj i?levini yap?yordu. Gulaz zaman?yd?; bütün ke?iler, koyunlar kuzulay?p sürüler ?o?ald?. Kuzular?n, o?laklar?n a??z sütlerine ?ocuklar, ?obanlar ortak oldu. Duman? tüten topraklar sürüldü. Ta?a, ku?a, topra?a deyip ü? kere at?ld? tohum. Ve bire bin verdi. HAL?L ERDEM ? 1961 Dirmil-Burdur do?umlu. Gazi ?niversitesi E?itim Fakültesi S?n?f ??retmenli?ini bitirdi. Türk?e B?lümünde lisans tamamlad?. Kar Ayd?nl??????? (Roman)?????? Fam Yay?nlar? 2014 Dirmil ?mürcüsü???? (Roman)?????? Fam Yay?nlar?2006- 2014 Goca Meryem? (Roman)?????? Fam Yay?nlar? 2014 Tokat??????????????? (?ocuk Roman?) Kendi Yay?n? 2013 Teke Y?resi Halk ?nan?lar? (Ara?t?rma - inceleme) Kendi Yay?n? 2008 Karacao?lan Gelene?inde Dirmil Güzellemeleri ve ?yküler (Ara?t?rma inceleme) 2011 Alter Yay. Gece Mavisinde A?k?????????????? (?iir)?????? Kendi Yay?n? 1998 Ve Al???ld? ?lüme???? (?iir )????? Temmuz Yay?nlar? 1990 Kardan Adam?? (?ocuk ?iirleri) Kendi Yay?n? 1998 I??k Avc?lar??????? (?ocuk ?iirleri) Kendi Yay?n?) 2013 ??pten ??rendi?im Hayat?? ?ocuk Kitab?????????????? 2015 G?l Hikayeleri?????????? (?ykü)?????????????? ??????????????????????2015 ??iir ve yaz?lar?n? Bah?e, Mavi Umut, Bahar, ?al?, ??retmen Dünyas?, Dirmil, Noktam, Bezuvar, süje, Kar dergilerinde yay?nlad?. Beykonak E?itim ve Kültür Vakf? Yirce ?iir Yar??mas?nda. Ne-Var Yok ?iiriyle Birincilik ald?.(2004) Resim ?al??malar?n? da yürüten Halil ERDEM 3 ki?isel, 25 karma resim sergi etkinli?inde bulundu.

"O carte care te b?ntuie." -?The Sun Nimeni n-a aflat secretul lui Emily. O vei face tu?? O c?snicie fericit?. Un fiu superb. Un c?min perfect. Atunci ce anume o face pe Emily Coleman s? se trezeasc? ?ntr-o diminea?? ?i s?-?i schimbe radical destinul, plec?nd de acas? ?i l?s?nd ?n urm? tot ce a construit? ?ntr-o Londr? mai mult ostil? dec?t prietenoas?, cu un nume nou, cu o profesie nou?, dar cu acelea?i vinov??ii ?i co?maruri, Emily ?ncearc? s? se reinventeze ?i s-o ia de la cap?t. ?ns? nu poate sc?pa de fantomele trecutului, care continu? s? o b?ntuie.? ?i cur?nd, va trebui s? se confrunte cu urm?rile faptelor sale - o descoperire ?ocant? care s-ar putea s? o ?mping? cu un pas prea departe...? "Un roman zguduitor despre ce pre? trebuie s? pl?tim c?nd evad?m din propria via??."?- Kirkus Reviews "Thrillerul psihologic al Tinei Seskis ?ine cititorul ?n suspans p?n? ?n ultima clip?." -?US Weekly "N-ai cum s? nu te sim?i cople?it."?- New York Times

Este un autoportret al cunoa?terii personale, un autoportret schi?at ?n timp real, sub ochii cititorului, pe m?sura ce Lara ia cuno?tin?? de st?rile emo?ionale prin care trece, ??i analizeaz? sentimentele, rezultatul posibilelor ac?iuni, analizeaz? deciziile pe care le ia, consecin?ele posibile. Dilema declarat? a Larei este: cum ?mpaci nevoia inimii pentru noutate, pentru tr?iri spontane, cu monotonia mariajului, chiar dac? acesta e fericit? Con?tiin?a sa este prins? ?ntre dragostea pentru so?ul cu care ?tie c? se potrive?te ca structur? ?i pe care ?l iube?te, ?i efervescen?a aventurii cu un alt b?rbat, care ?i furnizeaz? spontanul dup? care t?nje?te. Romanul se concentreaz? pe amant ?n mod deliberat. Lara este perfect con?tient? de r?ul pe care ?l produce celor trei personaje ?mplic?te: so?, amant, ?i ei ?ns??i. Perioada ?n care este creat ?i definitivat autoportretul sunt ultimii ai comunismului, anii ?n care priva?iunile impuse popula?iei sem?nau mai degrab? cu priva?iunile unui r?zboi. Cu toate acestea, eroina se concentreaz? cu ?nc?p???nare pe iubirea ei, pe mi?c?rile sufletului ei, refugiindu-se ?n tr?irile proprii ?i reu?ind astfel s? se salveze de autocomp?timire ?i s? supravie?uiasc? ?ntr-o aparent? normalitate.

Robin ?tia c? Paul nu era perfect. Dar fiindc? el i-a spus c? sunt foarte noroco?i c? s-au ?nt?lnit, ea l-a crezut. ?n atmosfera stranie a Marocului, Paul e a?a cum a visat Robin: pasional, talentat, competent. E convins? c? aici va r?m?ne ?n sf?r?it ?ns?rcinat?. C?nd ?ns? Paul dispare brusc, iar Robin se treze?te principala suspect? ?n ancheta poli?iei, totul se schimb?. Pe m?sur? ce ?ncepe s? afle adev?rul, Robin r?t?ce?te din atmosfera decadent? ce ?nv?luie Casablanca ?n ar?i?a nemiloas? a de?ertului Sahara, prins? ?ntr-un v?rtej tot mai terifiant din care nu ?tie dac? va reu?i s? scape. Cu talentul s?u de a scrie romane care te ?in cu sufletul la gur?, dar te ?i ?ndeamn? la medita?ie, Douglas Kennedy te invit? ?ntr-o c?l?torie palpitant? ?n inima ?ntunericului, adres?ndu-?i totodat? o provocare: ce ai face dac? via?a ta ar depinde tocmai de aceast? c?l?torie? "Kennedy are o ?n?elegere profund? a personajelor feminine sofisticate, dar nefericite."?Daily Mirror "O poveste de dragoste?noir, superb scris?."?The Times "O aventur? psihologic? sub soarele arz?tor al de?ertului."?New Statesman

Cel ce a scris aceast?? c??rticic?? ?i al c??rui nume s-a tot pitit p?n?? acuma sub modestul titlul de Culeg??torul tipograf p?n?? c?nd ?n sf?r?it meritele sale literare de to?i recunoscute ne-au f??cut s??-l silim acum pentru ?nt?ia?i dat?? a se da ?n vileagul publicit???ii cel ce a scris aceast?? c??rticic?? zic mi-a f??cut onoarea ?i pl??cerea de a m?? consulta adesea asupra alegerii faptelor pe care voia s?? le povesteasc?? ?ntr-?nsa. I-a dat ?n minte d-lui P. Ispirescu bunul g?nd de a l??muri pe cei din cititori rom?ni care nu sunt tocmai c??rtutari ad?nci asupra unei mul?imi de nume de cuvinte ?i de zic??tori str??ine pe cari ?n timpul de acum le ?ntrebuin?eaz?? mereu scriitorii no?tri prin gazete ?i prin felurite c??r?i. [...] Apoi pentru un a?a bun serviciu nu se cade oare s?? mul?umim domnului P. Ispirescu culeg??torul ?i scriitorul at?tor Basme Snoave ?i Zic??tori rom?ne?ti con?tiinciosul ?i merituosul lor editor? Ba z??u foarte mult ?i eu unul m?? simt acum fericit c?? mi-a dat ?nsu?i prilejul de a-i aduce prin aceste r?nduri cel dint?i prinos de mul?umire. Sunt ?ncredin?at c?? ?n urm??-mi are s?? se adune gloat?? mare. A. I. ODOBESCU

Psihologia Sinelui, ?ntemeiat? de Heinz Kohut, este una dintre cele mai importante orient?ri din psihologia, psihoterapia ?i psihanaliza contemporan?. Pornind de la tulbur?rile narcisice de personalitate, frecvente ?n clinica sa din America anilor ‘50, Kohut se distan?eaz? de teoria pulsiunilor elaborat? de Freud pe baza trat?rii nevrozelor, foarte r?sp?ndite ?n Europa ?nceputului de secol. ?n centrul psihologiei sinelui se va afla linia narcisic? a dezvolt?rii psihice, pe care Kohut o consider? prioritar?. Sinele, obiectele sinelui, oglindirea, transferul narcisic iau locul principalelor concepte freudiene. Importantele modific?ri teoretice se concretizeaz? ?n ?nnoiri ale tehnicii, ?ntre care privilegierea empatiei ?n raport cu interpretarea se situeaz? pe primul plan.Sintetiz?nd ?ntreaga concep?ie a lui Kohut, prelegerile interactive sus?inute de el la Chicago la mijlocul anilor ‘70 se adreseaz? psihoterapeu?ilor, psihiatrilor, psihologilor, precum ?i tuturor celor interesa?i de cunoa?terea de profunzime a omului.

All the other children who knew her thought Maggie a wonderfully fortunate little girl. She was sometimes spoken about as the "Little Princess of Tower Hill," for Tower Hill was the name of her father's place, and Maggie was his only child. ??The children in the village close by spoke of her with great respect, and looked at her with a good deal of longing and also no slight degree of envy, for while they had to run about in darned and shabby frocks, Maggie could wear the gayest and daintiest little dresses, and while they had to trudge sometimes even on little bare feet, Maggie could sit by her mother's side and be carried rapidly over the ground in a most delicious and luxurious carriage, or, better still, she might ride on her white pony Snowball, followed by a groom. The poor children envied Maggie, and admired her vastly, and the children of those people who, compared to Sir John Ascot, Maggie's father, might be considered neither rich nor poor, also thought her one of the most fortunate little girls in existence. Mag-gie was nearly eight years old, and from her very earliest days there had been a great fuss made about her. At the time of her birth bonfires had been lit, and oxen killed and roasted whole to be given away to the poor people, and Sir John and Lady Ascot did not seem at all disappointed at their baby being a girl instead of a son and heir to the old title and the fine old place. ??There was a most extraordinary fuss made over Maggie while she was a baby; her mother was never tired of visiting her grand nurseries and watching her as she lay asleep, or smiling at her and kissing her when she opened her big, bright blue eyes.

"Hast thou seen that lordly castle,?That castle by the sea??Golden and red above it?The clouds float gorgeously." ??Do you remember Gratian—Gratian Conyfer, the godson of the four winds, the boy who lived at the old farmhouse up among the moors, where these strange beautiful sisters used to meet? Do you remember how full of fancies and stories Gratian's little head was, and how sometimes he put them into words to please Fergus, the lame child he loved so much? ??The story I am now going to tell you is one of these. I think it was their favourite one. I can not say that it is in the very words in which Gratian used to tell it, for it was not till long, long after those boyish days that it came to be written down. But all the same it is his story. About Author: Mary Louisa Molesworth, née Stewart (1839 – 1921) was an English writer of children's stories who wrote for children under the name of Mrs Molesworth. Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham. She was born in Rotterdam, a daughter of Charles Augustus Stewart (1809–1873) who later became a rich merchant in Manchester and his wife Agnes Janet Wilson (1810–1883). Mary had three brothers and two sisters. She was educated in Great Britain and Switzerland: much of her girlhood was spent in Manchester. In 1861 she married Major R. Molesworth, nephew of Viscount Molesworth; they legally separated in 1879. Mrs Molesworth is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879), and A Christmas Child (1880). She has been called "the Jane Austen of the nursery," while The Carved Lions (1895) "is probably her masterpiece." In the judgement of Roger Lancelyn Green: Mary Louisa Molesworth typified late Victorian writing for girls. Aimed at girls too old for fairies and princesses but too young for Austen and the Brontes, books by Molesworth had their share of amusement, but they also had a good deal of moral instruction. The girls reading Molesworth would grow up to be mothers; thus, the books emphasized Victorian notions of duty and self-sacrifice. Typical of the time, her young child characters often use a lisping style, and words may be misspelt to represent children's speech—"jography" for geography, for instance.She took an interest in supernatural fiction. In 1888, she published a collection of supernatural tales under the title Four Ghost Stories, and in 1896 a similar collection of six tales under the title Uncanny Stories. In addition to those, her volume Studies and Stories includes a ghost story entitled "Old Gervais" and her Summer Stories for Boys and Girls includes "Not exactly a ghost story." A new edition of The Cuckoo Clock was published in 1914.

Paris, iulie 1942: Sarah, o feti?? evreic? ?n v?rst? de zece ani, este arestat? ?n toiul nop?ii, ?mpreun? cu p?rin?ii ei, de poli?ia francez?, dar nu ?nainte de a-?i ?ncuia fratele ?n ascunz?toarea lor secret?, convins? fiind c? se va ?ntoarce dup? numai c?teva ore pentru a-l elibera.Paris, mai 2002: Julia, o jurnalist? american?, stabilit? de mul?i ani la Paris ?i m?ritat? cu un francez, trebuie s? scrie un articol despre razia de la Vel’ d’Hiv, cu ocazia comemor?rii a ?aizeci de ani de la acest eveniment de trist? amintire ?n istoria Fran?ei. ?n timpul investiga?iei sale, Julia descoper? ?nt?mpl?tor o serie de secrete de familie ad?nc ?ngropate, care o leag? de Sarah, ?i simte nevoia de a reconstitui destinul tragic al fetei. Pe m?sur? ce se ad?nce?te ?n trecutul ei, lucrurile pe care le afl? o tulbur? ?i o fac s?-?i pun? ?ntreb?ri cu privire la propria existen??.Se numea Sarah este povestea ?nduio??toare a dou? familii unite de un secret teribil, dar ?i o tulbur?toare pagin? de istorie: Tatiana de Rosnay descrie un episod real din Fran?a aflat? sub ocupa?ie ?i rupe t?cerea care ?nconjoar? un subiect dureros, uneori chiar tabu, din istoria francezilor.

The Financier, a novel by Theodore Dreiser Published in 1912, is the first volume of the Trilogy of Desire, which includes The Titan (1914) and The Stoic (1947).? ?? SUMMARY:?? In Philadelphia, Frank Cowperwood, whose father is a banker, makes his first money passing by an auction sale, he successfully bids for seven cases of Castile soap, which he sells to a grocer the same day with a profit of over 70 percent. Later, he gets a job in Henry Waterman & Company, and leaves it for Tighe & Company. He also marries an affluent widow, in spite of his young age. Over the years, he starts misusing municipal funds with the aid of the City Treasurer. ??? In 1871, the Great Chicago Fire redounds to a stock market crash, prompting him to be bankrupt and exposed. Although he attempts to browbeat his way out of being sentenced to jail by intimidating Mr Stener, politicians from the Republican Party use their influence to use him as a scapegoat for their own corrupt practices. Meanwhile, he has an affair with Aileen Butler, a young girl, subsequent to losing faith in his wife. She vows to wait for him after his jail sentence. Her father, Mr Butler dies; she grows apart from her family.

Gndul c a fi putut-o sugruma pe sora mea mai mic, adormit n patul de sub mine i pe care o iubeam mai mult dect orice altceva pe lume. Nu o nebunie slbatic, ci una aproape n joac. O sugestie lene, somnoroas, maliioas, care prea s atepte acolo de mult vreme.“ Acolo, adic n pivnia ntunecoas a fiinei. Gnduri ceoase, impulsuri obscure, vinovii fr vin, acuzaii difuze. Inexplicabilul sau inavuabilul resimite ca reacie fireasc. Benign demonism infantil, dincolo de logic i de orice explicaie. i totul n caruselul Relaiei, cadrul obsedant al acestor istorii de via amar, pestri, derizorie. Relaii ntre prini i copii, surori i frai, bunici i nepoi, unchi, mtui, vecini. Cu avorturi, adultere, accidente, sinucideri, apendicite, bovarism, sex aiurea, decizii pripite de nunt i desprire. Gelozie ntre surori, ura fetiei fa de predicile mamei, Parkinson i Alzheimer, Toronto i Vancouver, baluri provinciale, paralizii, primele fantazri erotice ale vrstei nubile, rochia mamei, azilul, recuperri sentimentale dup jumtate de veac, apologia vieii neinhibate“, dar i rigorile inflexibile ale unui mediu intens irizat religios. Pe scurt, via. Mai precis: draga noastr via. Cea pe care adesea uitm s-o trim, necum s-o mai i gndim.

The friends of Mr. Sherlock Holmes will be glad to learn that he is still alive and well, though somewhat crippled by occasional attacks of rheumatism. He has, for many years, lived in a small farm upon the downs five miles from Eastbourne, where his time is divided between philosophy and agriculture.

Borbély Szilárd új prózak?tete tematikusan is kapcsolódik a Halotti pompa lírai requiemjéhez. Itt is a k?nyv centrumában a 2000. év karácsony t?rtént brutális kett?s gyilkosság és a szül?k elvesztésének fájdalma áll. De immár a próza nyelvén és eszk?zeivel: a dokumentumok, rend?rségi jegyz?k?nyvek és a személyes emlékek megidézésével azért t?rténik az írói nyomozás, hogy valamiképpen megérthesse az anya meggyilkolásának tragédiáját, illetve a b?ntény lezáratlanságát, azaz a b?n?s?k szabadon engedését (Egy b?ntény mellékszálai).

Amúgy is knnyen ragadtatom magam e knyv kapcsán a mindig gyanús szuperlatívuszokra: mesterm. A regény nyelve és tárgya hibátlanul találkozott, csndes ragyogása van a szvegnek. Pontos és drámai korrajz, lélekrajz, emberrajz. Mit jelent a nincsben lenni, mit jelent a nincs agresszivitásában élni Mit jelent, amikor minden totális, kint is, bent is, a kiszolgáltatottság, a szorongás, az állam, az apa, minden totális. Mit jelent éhezni Mit jelent, amikor semminek sem lehet lenni, jónak se Amikor szeretni sem szabad. De azért mégis szeretünk. Elegáns és nyomasztó knyv. Bátor knyv, amely ismeri a félelmet. Mint a jó irodalom mindig, rólunk szól, éljünk bárhol is a világon.“ (Esterházy Péter)

Cunoa?te-te pe tine ?nsu?i Aceast? inscrip?ie reliefat? pe frontonul templului lui Apolo din Delfi a devenit principiul fundamental al filosofiei lui Socrate. Remarc?m de altfel c? majoritatea religiilor ?i ?nv???turilor antice ne ?ndeamn? c?tre aceea?i cunoa?tere fundamental?. ?Cunoa?te-te pe tine ?nsu?i!” s-a transformat ?ntr-o maxim? ?i un ?ndemn de urmat pentru majoritatea oamenilor, fiecare urm?ndu-?i propria cale. Ce ?nseamn? s? ne cunoa?tem? Ce suntem noi ?n realitate ?i ce este de (re)cunoscut referitor la fiin?a noastr?? Care este numitorul comun al tuturor ac?iunilor noastre? Care este aspira?ia l?untric? a fiec?ruia dintre noi, pentru ce facem tot ce facem ?i care este natura adev?ratei fericiri? Toat? c?utarea noastr? se rezum? la un lucru foarte simplu: g?sirea propriei identit??i. Poate fi adev?rata noastr? identitate o stare, o manifestare sau o experien??? Toate acestea sunt trec?toare, astfel c? dac? am fi fost una din ele, am fi disp?rut odat? cu ea. Nimic din ceea ce este supus schimb?rii, nimic din ceea ce apare ?i dispare nu poate constitui esen?a noastr?. Ceea ce suntem ?n realitate este permanent aici, percep?nd schimb?rile, apari?iile ?i dispari?iile experien?elor ?i a obiectelor din ele.

Recuerdo que en cierta ocasión tuve en mis manos un ejemplar de la Gaceta Imperial de Pekín, y al revolver sus finas hojas de papel de arroz, entre las apretadas columnas de misteriosos caracteres, sólo encontré dos anuncios comprensibles por sus grabados: el que llaman vulgarmente tío del bacalao, ó sea el marinero que lleva á sus espaldas un enorme pez, pregonando las excelencias de la Emulsión Scott, y una botella de largo cuello con la etiqueta ?Vichy-?tat?. Pocas empresas en el mundo habrán hecho la propaganda que la Compa?ía Arrendataria de las aguas de Vichy. Circulan por las calles de la peque?a y elegante ciudad francesa los pesados carromatos cargados de cajones, camino de la estación del ferrocarril. Marchan las botellas alineadas en apretadas filas al salir de Vichy, para luego esparcirse como una esperanza de salud. ?Adonde van?... ? ?AUTOR: Vicente Blasco Ibanez nacio el 29 de enero de 1867 en Valencia (Espana). Era hijo de Ramona Ibanez y del comerciante Gaspar Blanco. Estudio Derecho en la Universidad de Valencia. Participo en la politica uniendose al Partido Republicano". En 1894 fundo el periodico El pueblo. En el ano 1896, fue detenido y condenado a varios meses de prision. En 1889 contrajo matrimonio con Maria Blasco del Cacho, hija del magistrado Rafael Blasco y Moreno. Cuando subio al poder Canovas del Castillo, el escritor se exilio brevemente en la ciudad de Paris. Fue un autor vinculado en muchos aspectos al naturalismo frances. Por otra parte, la explicita intencion politicosocial de algunas de las novelas de Blasco Ibanez, aunada al escaso bagaje intelectual del autor, lo mantuvo alejado de los representantes de la Generacion del 98. Murio el 28 de enero de 1928 en Menton (Francia)a los 60 anos. Entre sus titulos destacan: "Arroz y Tartana" (1894), "La Barraca" (1898), "Entre Naranjos (1900), "Canas y Barro" (1902), "La Horda" (1905), "Sangre y Arena" (1908) o "Los Cuatro Jinetes Del Apocalipsis" (1916).

Cu doar c?teva zile ?naintea Cr?ciunului, fostul agent secret Cotton Malone se vede nevoit s?-?i ?ntrerup? traiul ?n anticariatul s?u lini?tit, pentru a s?ri ?n ajutorul bunului s?u prieten, miliardarul Henrik Thorvaldsen. B?tr?nul danez este hot?r?t s?-?i r?zbune fiul ucis ?ntr-un schimb de focuri ?n capitala Mexicului, dar ambi?ia lui nu numai c? ?i pune via?a ?n pericol, ci ajunge s? scoat? la iveal? o adev?rat? conspira?ie interna?ional?. O aventur? ame?itoare, cu numeroase r?sturn?ri de situa?ie, ?l poart? pe Cotton Malone ?ntre Copenhaga, Londra ?i Paris, pun?ndu-i la ?ncercare intui?ia, priceperea, dar ?i loialitatea. Aflat ?ntr-o permanent? lupt? cu timpul, americanul va face tot posibilul s? ?mpiedice o serie de atacuri teroriste ce au ca ?int? mai multe monumente din capitala francez?, ?ncerc?nd totodat? s? nu-?i dezam?geasc? cel mai bun prieten. ?G?sim aici toate tr?s?turile distinctive ale lui Berry: anvergur?, grada?ie, r?sturn?ri de situa?ie, istorie – ?i suspans de la un cap?t la altul. ?mi place la nebunie tipul ?sta.“ – Lee Child ?Steve Berry ?mbin? abil suspansul contemporan ?i misterul istoric ?n cel mai recent roman cu fostul agent secret Malone… acest thriller urzit cu iscusin?? ofera o mul?ime de surprize.“ – Publishers Weekly

Un b?iat de ?ase ani care a impresionat-o pe ?mp?r?teasa Austriei cu geniul s?u muzical Un compozitor care a scris peste 600 de concerte, sonate, simfonii ?i opere ?n cei treizeci ?i cinci de ani c?t a tr?it Un muzician serios c?ruia ?i pl?cea s? spun? glume stupide Toate cele de mai sus! ? Afl? mai multe despre adev?ratul Wolfgang Amadeus Mozart ?n aceast? biografie amuzant? ?i minunat ilustrat?!

The "Times."?"For its rapid action, in fact, we have seldom read a better story, or one which is more full of incidents, sanguinary, trenchant, and robust."??The "Daily Telegraph."?"A true and a wonderfully well-sustained piece of Oriental life and striking history."??The "Spectator."?"This is a very remarkable book. It is a determined attempt to bring the interior Hindoo and Mussulman life of a great Mahratta province during the most exciting times home to the hearts and understandings of Englishmen, to interest them in people with whom they have nothing except human nature in common."??"Morning Post."?"'Tara' is a unique work. There is nothing like it in the English literature of fiction. No other writer has ever attempted the portrayal of Indian life, society, and interests, entirely free from any European admixture of character or incident. The author himself now does so for the first time. 'The Confessions of a Thug' related to British jurisdiction in India. 'Tippoo Sultan' dealt with the gallant struggles of that monarch against the encroaching British power, but 'Tara' is all Indian."??"Saturday Review."?"It is seldom that we meet with a work of fiction executed with anything like the conscientious care and minute elaboration of Captain Meadows Taylor's Indian Tale. His characters have mostly the clearness and individuality of portraits, and his scenery exhibits all the marked and decisive features of photographs taken on the spot. The work throughout is evidently that of a master of Oriental life and character in love with his subject, to whom nothing appears trivial or beneath notice that can illustrate the peculiar traits of Asiatic nature, or kindle an enthusiasm for knowing more of the history, manners, and usages of our fellow-subjects in the east."??The "Standard."?"In no one part of the work has Captain Taylor shown more thorough art than in those pages in which he details the features of the Hindoo and Ma-homedan family life. He never overloads; his characters are not lay figures attired in triple folds of gorgeous robes to hide their nakedness. With a few subtle touches he shows us the interior life of each household, and the morning springs of every character, and he leaves us to fill in the obvious details for ourselves."???My Lord,?The scenes and characters which i have endeavoured to depict in these volumes will be necessarily new and strange to you; but if they excite interest in the native annals of a country of which i find but little real knowledge existing, the object of the work will have been attained; while, by the kind courtesy which permits me to dedicate it to you, your excellency confers upon me a very sincere gratification.??I have the honour to be,?Your Lordship's very faithful servant,??MEADOWS TAYLOR.

Júlia el?tt két út áll: szerelem nélküli, elrendezett házasság vagy lázadás. Az éles esz? lány, aki nemcsak rajongója Dante romantikus k?ltészetének, de maga is verseket ír, nem hajlandó fejet hajtani a hagyományok el?tt, és belet?r?dni a szül?k akaratába, mint imádott barátn?je, Lucrezia. Júlia sorsa ?r?kre megpecsétel?dik, amikor egy álarcosbálon megismeri a családjával viszálykodó Monticecco család fiát, Rómeót. Robin Maxwell, az angol t?rténelmi regények népszer? szerz?je nem kevesebbre vállalkozott, mint hogy újraírja Shakespeare egyik legnépszer?bb drámáját, a Rómeó és Júliá-t. Az írón? ezúttal is t?rténelmileg hiteles regényt írt: a halhatatlan szerelmesek t?rténete Verona helyett a reneszánsz Firenzében játszódik. Mik?zben megismerhetjük a nyüzsg? város hétk?znapjait, kibontakozik el?ttünk egy ifjú pár szerelmi t?rténete, amely nem kevésbé drámai és szívszorító, mint a nagy k?lt?é, ám ezúttal azt is láthatjuk, mi zajlik a kulisszák m?g?tt.