Spionaj de anvergur? interna?ional? ?i o urm?rire spectaculoas? de la un cap?t la altul al Europei. La c?teva luni dup? ce a z?d?rnicit un atac terorist interna?ional, Jonathan Ransom, chirurg ?n cadrul organiza?iei Medici F?r? Frontiere, lucreaz? sub acoperire ?ntr-un col? ?ndep?rtat al Africii. So?ia sa, Emma, urm?rit? de serviciul secret american Divizia, din care f?cuse parte, se ascunde ?i ea. Cei doi sperau s? se ?nt?lneasc? ?n secret ?n Londra, dar un nou atac terorist le strica weekendul romantic. Emma dispare din nou, Jonathan devine suspectul principal ?i totul se transform? ?ntr-un adev?rat haos. Obligat s? fie mereu cu un pas ?naintea poli?iei ?i s? anticipeze totodat? mi?c?rile Emmei, ?n al c?rei trecut se vede nevoit s? sape tot mai ad?nc, Jonathan ?ncepe o curs? de-a lungul Europei, ?n care va descoperi c? nu este dec?t un pion ?ntr-un joc al spionajului interna?ional a c?rui miz? ?i complexitate dep??esc cu mult orice imagina?ie.

Gaston Leroux est un romancier fran?ais, né le 6 mai 1868 à Paris (10e arr.) et mort le 15 avril 1927 à Nice (Alpes-Maritimes). Il est surtout connu pour ses romans policiers empreints de fantastique.

Le terrible Chéri-Bibi réussit, avec ses compagnons d'infortune, à se rendre ma?tre du navire qui le conduit au bagne de Cayenne. Il raconte qu'il a été accusé à tort du meurtre du marquis du Touchais dont le fils a épousé Cécily, la fille de son patron, dont il était lui-même fort amoureux. Or, le jeune marquis, qui trompe sa femme, passe avec son yacht à proximité du navire...

„Romanele ?i povestirile lui Golding nu sunt numai parabole morale sobre ?i mituri întunecate despre for?ele distrug?toare ?i perfide ale r?ului, ci ?i istorii aventuroase, pline de farmec, ce pot fi citite ca atare, debordând de pl?cerea de a povesti, de inventivitate ?i suspans.“ – Comitetul Nobel „Compact ?i plin de vigoare… O poveste captivant?.“ – The New York Times Book Review „Golding a fost un scriitor […] cu o minunat? voca?ie epopeic?. [S-a priceput s? spun?] pove?ti originare, despre cum a înv??at omul s? vorbeasc?, despre izvoarele r?ului, despre straniile surse ale artei.“ – Malcom Bradbury Clasici moderni Litera pune laolalt? scriitori moderni ale c?ror opere au devenit deja repere clasice. Cele mai importante, mai provocatoare, mai emo?ionante, mai revolu?ionare opere din ultimii 125 de ani – c?r?i care vor continua s? fie citite de la o genera?ie la alta.

Kafka se pricepe s dezvluie pretutindeni lumina tinuit. Ai impresia c descoperi o mare nsorit, cu valuri ce sunt niri de lumin i n faa creia trebuie s nchizi, orbit, ochii, pentru a te adposti la umbr.“ (Max Brod) Kafka este cel mai mare scriitor de limb german al timpului nostru. Poei precum Rilke, romancieri precum Mann par fies pleasc n comparaie cu el, fie s radieze o lumin puternic, dar artificial.“ (Vladimir Nabokov) Poate cel mai interesant scriitor al generaiei sale... Un geniu straniu i deconcertant.“ (Edwin Muir) Cu ct opera e mai desvrit, cu att mai puin ne trimite ea spre autorul ei. [...] Franz Kafka este scriitorul care i-a consumat experiena de via n asemenea msur, nct referirea la biografie devine superflu.“ (Martin Walser)

Winner of the Virginia Prize for Fiction A young American on a vacation trip around India with her boyfriend, steps down off the train for a bottle of water at Shambala Junction, only to find herself stranded at the town with no phone or money, she has to rely on the kindness of strangers... A journey into the heart of India, Iris is forced to question her beliefs and values and to learn what really counts.? "... a refreshingly original viewpoint on the traditional ‘coming of age’ story, brimming with powerful women, a complex society and fundamental human truths laid out in all its gritty beauty.”? -SkyLightRain “An enlightening and enjoyable read. As much a cultural exploration as it is a love story, the book is a remarkable webbing of different viewpoints. Mukherjee is able to translate captivating realities to a wide audience through pulsing characters, with a natural story-telling ability that is inviting and enlightening.”? -Windy City Review “My hat is off to you for making Shambala Junction a compelling, suspenseful novel that illuminates the personal and social consequences of corrupt adoptions.” - Umberto Tosi author of Ophelia Rising and contributing editor of Chicago Quarterly Review “… fluid prose that takes firm hold of the plot to produce an invigorating, engaging, and dynamic story.”? -World Literature Today “A truly engaging and lovely read, Shambala Junction is a book that tugs at the reader’s morality while at the same time telling a truly inspiring coming-of-age story.”? -9/10 – Star2.com ?“Shambala Junction takes hold of you and leads you with absolute confidence into one of the most extraordinary journeys any of us ever embark on: the discovery of India.”? -- Barney Norris, author of Five Rivers Met On A Wooded Plain ? About the author Dipika Mukherjee made her debut as a novelist with Thunder Demons (Gyaana Books, 2011), long-listed for the Man Asian Literary Prize. She won the Platform Flash Fiction competition in April 2009. She has edited two anthologies of Southeast Asian short stories: Silverfish New Writing 6 (Silverfish, 2006) and The Merlion and Hibiscus (Penguin, 2002). Her first poetry collection, The Palimpsest of Exile, was published by Rubicon Press in 2009. Her short stories and poems have appeared in publications around the world, including World Literature Today, Asia Literary Review, The South Asia Review, Del Sol Review and Postcolonial Text among others, and have been widely anthologised. She curates an Asian/American Reading Series for the Guild Literary Complex, Chicago. Dipika holds a doctorate in English (Sociolinguistics) from Texas A&M University. She has taught language and linguistic courses in China, India, the Netherlands, United States, Malaysia, and Singapore and now teaches Sociolinguistics at Northwestern University and is Faculty Affiliate at the Equality Development and Globalisation Studies (EDGS), Roberta Buffett Centre for International and Comparative Studies. She lives in Chicago with her husband and they have two sons. ? Reviews “This vividly written, courageous book… a refreshingly original viewpoint on the traditional ‘coming of age’ story, brimming with powerful women, a complex society and fundamental human truths laid out in all its gritty beauty.” --SkyLightRain “An enlightening and enjoyable read. As much a cultural exploration as it is a love story, the book is a remarkable webbing of different viewpoints. Mukherjee is able to translate captivating realities to a wide audience through pulsing characters, with a natural story-telling ability that is inviting and enlightening.” --Windy City Review “My hat is off to you for making Shambala Junction a compelling, suspenseful novel that illuminates the personal and social consequences of corrupt adoptions.” --Umberto Tosi author of Ophelia Rising and contributing editor of Chicago Quarterly Review “… fluid prose that takes firm hold of the plot to produce an invigorating, engaging, and dynamic story.”? --World Literature Today “A truly engaging and lovely read, Shambala Junction is a book that tugs at the reader’s morality while at the same time telling a truly inspiring coming-of-age story.”? --9/10 – Star2.com About previous books: “Dipika Mukherjee uses vibrant imagery and brutally honest observation to create a humanistic portrait of a modern nation still coming to grips with its past.” --City Weekend (Shanghai) “Longlisted for the Man Asian Prize in 2009, Mukherjee’s novel is not unlike Miguel Syjuco’s IIustrado, which won the prize in 2008. Both are grim state-of-the-nation novels based in East Asia, written by peripatetic authors. Both have lead characters who leave relatively comfortable lives in the United States of America to travel back to the troubled East and tragic pasts.” Paperback Pickings, The Telegraph

SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE Next Lesson is a new play by Chris Woodley, about the challenges of growing up gay.? In 1988, 14-year-old Michael comes out as gay. Later he returns to the same school as a teacher. In the background: the notorious Section 28 of Thatcher’s Local Government Act, which prohibited schools from “promoting homosexuality” and divided teachers and parents. The narrative of the play spans from 1988 to 2003. Ideal for drama students, colleges, amateur theatre groups, local theatres. Publishing to coincide with LGBTQ History Month, February 2019. Reviews 'How has being queer in the classroom changed over the pastthirty years? This informative play is your revision guide.Next Lesson is one school play that you won’t want to miss.'***** ‘A Masterpiece’ – Gay Times 'Section 28 was one of the most hateful pieces of legislationbrought in by Margaret Thatcher in the 1980s. Next Lesson byChris Woodley looks at the knock-on effects of this legislationin the same school between 1988 and 2006. It’s funny, movingand heartwarming stuff. This excellent play is a great reminderof how fear and oppression can cause untold damage amongstvulnerable teenagers and that with love, honesty and unity wecan overcome the curveballs life throws at us.'***** ‘Incredible’ – attitude 'Definitely worth going back to school for.'**** – DIVA 'The first thing to say about Chris Woodley’s play NextLesson is that it is very good. An A+, 10 out of 10, top marks,gold star and any other educational phrase that can beapplied to 75 minutes of how relationships work: motherto son, teacher to pupil, friend to friend and lover to lover.'**** ‘A+’ –Boyz 'What Woodley has achieved in his debut play is remarkable…Next Lesson is informative without being didactic, telling avery personal story as well as having clarity of the world atlarge, all the while wearing its heart on its sleeve.'**** ‘Remarkable’ –Female Arts 'Brought in by the Thatcher regime, Section 28 of the 1988 Local Government Act forbade local authorities from promoting homosexual relationships as equal to heterosexual ones. This hated piece of legislation created confusion and caution in schools, undoubtedly prevented teachers from addressing homophobic bullying, denying lesbian and gay pupils appropriate sex and social education. Chris Woodley’s excellent play charts the education system through those years, creating lesbian, gay and bi characters from both sides of the classroom and staff room.'**** ‘Highly entertaining’ –British Theatre 'This short production touches on a number of key issues that affected countless people within the LGBT+ community (and their loved ones), not just in the wake of Section 28 but throughout history. ‘Next Lesson’ is an educational piece devoted to the examination of this vital part in legal discrimination’s history, and will be eye- opening to many who perhaps did not know about this law and its damaging legacy.'**** ‘Impressive’ –West End Wilma About the author Chris Woodley is an actor, writer, teacher and co-founder of Hyphen Theatre Company. Chris trained as an actor at Mountview Academy of Theatre Arts.As a writer, his credits include: The Soft Subject (A Love Story) (Assembly Hall), Bedtime Story (Theatre Royal Stratford East), Next Lesson (The Pleasance) and co-writer for My Boyfriend Jesus Christ (Karamel Klub) and When The Lights Went Out At Christmas (The BRIT School).His recent theatre credits include: KATE (Greenwich Theatre), You Should Be So Lucky (Above The Stag), Walking: Holding (The Yard), From Russia, For Love (Theatre Deli), An Enemy of the People (New Diorama), The Gay Naked Play (Above The Stag), This Child (The Bridewell Theatre) and Rainman (Karamel Klub).Television credits include: Extras.

Cartea care a schimbat vie?ile a milioane de oameni Jocul A?adar, vedem c?, pentru a juca cu succes jocul vie?ii, trebuie s? ne antren?m facultatea de a ne imagina. Un om cu aceast? abilitate, antrenat s? ??i imagineze doar binele, va atrage ?n via?a sa ?toate dreptele dorin?e ale inimii“ – s?n?tate, bog??ie, iubire, prieteni, expresia perfect? a sinelui, idealurile cele mai ?nalte. Imagina?ia a fost supranumit? ?foarfeca min?ii“, care taie ?i taie, zi dup? zi, imaginile v?zute, iar omul ??i ?nt?lne?te propriile crea?ii, mai devreme sau mai t?rziu, ?n lumea exterioar?. Pentru a ?i antrena cu succes imagina?ia, omul trebuie s? ?n?eleag? cum ?i func?ioneaz? mintea. Grecii au spus ?Cunoa?te te pe tine ?nsu?i!“ Exist? trei planuri ale min?ii: subcon?tientul, con?tientul ?i supracon?tientul. Subcon?tientul este, pur ?i simplu, putere f?r? direc?ie. El este ca aburul sau electricitatea ?i face ceea ce este direc?ionat s? fac?; el nu are putere s? influen?eze. Tot ceea ce omul simte profund sau imagineaz? cu claritate este imprimat ?n subcon?tient ?i este executat ?n cele mai mici detalii. Iubirea Adev?rata iubire este dezinteresat? ?i eliberat? de team?. Ea se revars? asupra obiectului afec?iunii ei f?r? a cere nimic ?n schimb. Bucuria ei se g?se?te ?n bucuria de a d?rui. Iubirea este Dumnezeu manifestat ?i cea mai puternic? for?? magnetic? din univers. Iubirea pur?, lipsit? de egoism, atrage ceea ce ?i apar?ine; nu trebuie s? caute sau s? cear?. Foarte pu?ini au o vag? idee despre adev?rata iubire. Omul este egoist, tiranic ?i tem?tor ?n afec?iunile lui, pierz?nd astfel obiectul iubirii lui. Gelozia este cel mai r?u du?man al iubirii, c?ci imagina?ia se dezl?n?uie?te, v?z?nd fiin?a iubit? atras? de altcineva, ?i, inevitabil, aceste temeri devin realitate dac? nu sunt neutralizate.

Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. It is the second of Shakespeare's tetralogy that deals with the successive reigns of Richard II, Henry IV (2 plays), and Henry V. Henry IV, Part 1 depicts a span of history that begins with Hotspur's battle at Homildon against the Douglas late in 1402 and ends with the defeat of the rebels at Shrewsbury in the middle of 1403. From the start it has been an extremely popular play both with the public and the critics.

The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602, though believed to have been written prior to 1597. It features the fat knight Sir John Falstaff, and is Shakespeare's only play to deal exclusively with contemporary Elizabethan era English middle class life. It has been adapted for the opera on occasions.

O ?nt?lnire ?nt?mpl?toare ?ntre dou? femei singure, de condi?ii diferite, duce la o poveste de dragoste pasional? ?n acest roman-cult scris de Patricia Highsmith. Therese, o t?n?r? v?nz?toare ?ntr-un mare magazin, care viseaz? la o via?? mai bun?, ?i Carol, o femeie ?nst?rit? aflat? ?n mijlocul unui divor? amar, abandoneaz? rutina ap?s?toare de zi cu zi, aleg?nd libertatea de a c?l?tori ?i dragostea neconven?ional?. Dar fericirea nou descoperit? este spulberat? atunci c?nd Carol este obligat? s? aleag? ?ntre feti?a ei ?i noua sa iubit?... ?Un roman despre c?utarea dragostei ?i a adev?ratei fericiri, scris ?ntr-un stil vibrant ?i plin de tensiune.” The Sunday Times ?O carte care pune ?n discu?ie un subiect exploziv, cu sinceritate ?i bun-gust.” New York Times ?Are tensiunea unui thriller ?i farmecul unei pove?ti de dragoste.” Val McDermid Romanul Carol a fost ecranizat de regizorul Todd Haynes ?ntr-un film de excep?ie, cu Cate Blanchett ?i Rooney Mara ?n rolurile principale.

O analiz? metodic? ?i patima?? a cumplitei dictaturi ro?ii de care a avut parte Rom?nia. Atitudinea elitelor fa?? de tiran ?i fa?? de clica sa. ?n ce masur? suntem vinova?i? La?itatea este oare una dintre caracteristicile definitorii ale c?rturarului rom?n? La aceste ?i multe alte ?ntreb?ri r?spunde profesorul de filosofie, Ion Iano?i – un veritabil model european. Cartea e destinat? studen?ilor, elevilor, profesorilor, precum ?i publicului larg de cititori.

The story describes the recent uprising along the border, and ends with the finding of the gold which two prospectors had willed to the girl who is the story's heroine.

G?nde?ti exagerat de mult ?nainte de a ac?iona? E?ti ?nclinat s? faci previziuni negative? ??i faci griji c? e posibil s? se ?nt?mple ce poate fi mai r?u? Te afecteaz? prea tare feedbackul negativ? E?ti foarte autocritic? Dac? r?spunsul este afirmativ, suferi de anxietate. Vestea bun? este c? po?i ?nv??a s? ??i gestionezi capcanele anxiet??ii – ezitarea excesiv? ?nainte de a ac?iona, reflectarea ?ndelungat? ?i ?ngrijorarea, perfec?ionismul paralizant, teama de feedback ?i critic? ?i evitarea (inclusiv procrastinarea). R?spunde mai ?nt?i la chestionarele care te vor ajuta s? apreciezi ?n ce stadiu te afli ?n raport cu un blocaj specific anxiet??ii, apoi afl? ce schimb?ri de g?ndire ?i modific?ri comportamentale ??i recomand? autoarea. Bazate pe principiile terapiei cognitiv?comportamentale, acestea pot fi folosite ?n via?a de zi cu zi pentru a dep??i blocajele ?i a avea succes ?n rela?ii, at?t ?n via?a personal?, c?t ?i ?n cea profesional?.

The Lost World is a novel released in 1912 by Arthur Conan Doyle concerning an expedition to a plateau in South America where prehistoric animals (dinosaurs and other extinct creatures) still survive. The character of Professor Challenger was introduced in this book. Interestingly, for a seminal work of dinosaur-related fiction, the animals only occupy a small portion of the narrative. Much more time is devoted to a war between early human hominids and a vicious tribe of ape-like creatures.

Anne Shirley has left Redmond College behind to begin a new job and a new chapter of her life away from Green Gables. Now she faces a new challenge: the Pringles. They're known as the royal family of Summerside - and they quickly let Anne know she is not the person they had wanted as principal of Summerside High School. But as she settles into the cozy tower room at Windy Poplars, Anne finds she has great allies in the widows Aunt Kate and Aunt Chatty – and in their irrepressible housekeeper, Rebecca Dew. As Anne learns Summerside's strangest secrets, winning the support of the prickly Pringles becomes only the first of her delicious triumphs.

O culegere edific?toare de aforisme ?i pamflete, din care nu lipsesc umorul, inteligen?a vie, ascu?it?.

Aceasta nu este o arc? a salv?rii, a speran?ei, a regener?rii suflete?ti, nici locul ?n care personaje-kamikaze arunc? ?n jur ?n timpul sacrificiului lor, bun?tate, generozitate, bl?nde?e, ?n?elepciune, cump?tare. E o arc? simbolic?. Fictiv?, sau e chiar lumea noastr? condamnat? s? pluteasc? ?n deriv? pe un ocean sub care p?nde?te un tzunami apocaliptic? Da, ?ntr-adev?r, Breban nu neglijeaz? nici o specie, sunt toate conservate aici, e destul s? ?nl?turi dificila, fragila ?i totu?i rezistenta perdea ?esut? din mii de pagini de carte, ca s? descoperi o umanitate crud?, pe care mul?i dintre noi, dintre cititori sau autori avem tendin?a de a o evita, tendin?a de a o machia, de a-i face opera?ii estetice… Arca are capaciatatea de a re?nvia din cenu?a ?i de a ne propune o c?l?torie imaginar? spre o alt? dimensiune, ?ncerc?nd s?-i salveze deopotriv? pe credincio?i ?i pe atei, pe puternici ?i pe cei slabi, pe victime ?i pe c?l?i, pe mae?tri ?i pe discipoli, pe slugi ?i pe st?p?ni. Tu alegi de care parte vrei s? te afli, ?n afara arcei, pe arc? sau ?n structura ei intim? fragil? ?i totu?i rezistent?, capabil? s? te duc? spre cele mai insolite teritorii care ?nc? nu au fost inventate ?i pe care doar acul busolei lui Breban le indic? ?i le plaseaz? pe o hart? altfel inaccesibil?.

Through the Magic Door (1907) is an essay by Arthur Conan Doyle: his subject is the charisma and charm of books. Doyle invites readers to enjoy the greatest minds of all times through what they have left behind and argues that, when we read, the selfishness and hopelessness of the world can be left behind.

Andrew Lang's Fairy Books — also known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many Colors — are a series of twelve collections of fairy tales, published between 1889 and 1910.

Anna Benz aminte?te de Karenina, combin?nd ?n plus senzualitatea periculoas? din 50 de umbre ale lui Grey ?i disperarea Doamnei Bovary.Anna Benz, o americanc? ?n v?rst? de aproape 40 de ani, locuie?te cu so?ul s?u elve?ian, Bruno – care este bancher – ?i cei trei copii mici ai lor ?ntr-un or??el lini?tit de l?ng? Zürich. De?i duce o via?? prosper? ?i a?ezat?, Anna simte c? e ?n pragul unui colaps mental. ?n deriv? ?i incapabil? s? comunice cu so?ul ei ?i s?-?i ?n?eleag? propriile g?nduri ?i sentimente, Anna ?ncearc? s?-?i reg?seasc? entuziasmul cu ajutorul unor experien?e noi: cursuri de german?, analiz? jungian? ?i o serie de aventuri sexuale ?n care intr? cu o non?alan?? ce o uime?te p?n? ?i pe ea.Dar situa?ia devine tot mai ap?s?toare ?i v?rtejul de minciuni ?i scap? de sub control.Pentru c? a trecut dincolo de limitele moralei, Anna va descoperi c? nu mai exist? ?ntoarcere.“Un roman de debut despre Anna, o casnic? plictisit? care, asemenea eroinei cu acela?i nume din romanul lui Tolstoi, se arunc? ?ntr-o aventur? psihologic? ?i sexual? a autocunoa?terii.“ - The Oprah MaMagazine“Senzual ?i profund, acest roman extraordinar de bine scris dezv?luie sufletul sf??iat al unei femei.“ - People“Cartea lui Essbaum e construit? impecabil, meticulos, iar alternan?a trecut-prezent e redat? cu mare virtuozitate.“ - Chicago Tribune“?n copil?rie visam s? ajung o romancier? faimoas?. Scriam pove?ti care erau minunate, a?a cum sunt inven?iile copil?riei, dar sunau ?ngrozitor. Mai t?rziu mi-am dat seama c? m? pricep la jocul poeziei, apoi versurile au devenit paragrafe…“ - Jill Alexanander Essbaum