The first comprehensive book to be published about the wildlife of the Brecon Beacons is a much-anticipated addition to the New Naturalist series, and reveals the natural wonders of this seemingly wild and inhospitable mountain landscape. The Brecon Beacons range across upland Wales and create a varied landscape of extensive cave systems, limestone crags and rich meadows. This variety supports thousands of species, some of which are found nowhere else on Earth. The natural history of the Brecon Beacons is like most parts of the British Isles – inextricably linked to the activities of man across many thousand years. Jonathan Mullard explores the evolving landscape and observes its effects on its native species and habitats. He provides a detailed examination of the geology of the region and the integration of the archaeological and historic landscape with the natural landscape and its fauna. Covering the vast diversity of its mountains and moorlands, rivers and waterfalls, caves, woodlands, wetlands and farmland, he provides an overview of man’s influence on the natural environment over the centuries and the ongoing conservation of the area. A landscape rich in legends, the Brecon Beacons play host to a number of myths involving, among others, King Arthur. Mullard explores these rich tales alongside other cultural landmarks of historical interest, such as the churches and chapels of the area. The culmination of years of research, New Naturalist Brecon Beacons is an inspiring exploration of this diverse and fascinating area.

Another volume in the popular New Naturalist series, this book gives a comprehensive account of the natural history of Britain and Ireland’s inland waters, many of which are popular holiday destinations. The study of life in British lakes and rivers has been traditionally neglected in natural history publications, and yet the intricacies of plant and animal ecology as a whole can be readily studied in a pond or lake. Not since Macan and Worthington’s landmark publication in 1951, Life in Lakes and Rivers – volume 15 in the New Naturalist series – has there been a comprehensive overview of British freshwater life. In Brian Moss’s much-anticipated new volume, he gives a passionate account of the natural history of our lakes, loughs and lochs. Our understanding of lakes has changed enormously since the days of Macan and Worthington. From new techniques using stable isotopes and molecular biology to ambitious approaches using whole lakes for experiments; from advances in chemical methods that detect tiny traces of organic substances to the development of new electronic instruments, it is becoming increasingly urgent to make use of these advances to help maintain and conserve some of the most damaged of the Earth’s ecosystems. Freshwaters form the fascinating threads that stitch together the landscapes of our planet with a myriad of exchanges involving an array of organisms, from algae and insects to hippopotami and otters. Healthy lakes and their shores influence our quality of life and they strengthen the economy. They are important ecosystems that can sustain a healthy balance of aquatic life, provide us with much enjoyment, and help support our socio-economic needs. At the same time they suffer the consequences of human abuses of the land – increasing urbanisation, intensive farming, drainage and an increasing invasion of non-native species, to name but a few. Moss explores the richness of their fundamental ecology, emphasizing the need to view these freshwater systems as a whole, and not to manage or assess them in isolation, as well as the importance of ongoing conservation efforts.

Told for the first time in English, Paul Preston’s new book tells the story of a preventable tragedy that cost many thousands of lives and ruined tens of thousands more at the end of the Spanish Civil War. This is the story of an avoidable humanitarian tragedy that cost many thousands of lives and ruined tens of thousands more. It has many protagonists but centres on three individuals. One, Dr Juan Negrín, the victim of what might be termed a conspiracy of fools, tried to prevent it. Two bore responsibility for what transpired. One of those, Julián Besteiro, was guilty of culpable na?vety. The other, Segismundo Casado behaved with a remarkable combination of cynicism, arrogance and selfishness. On 5 March 1939, the eternally malcontent Colonel Casado launched a military coup against the government of Juan Negrín. Ironically, he ensured that the end of the Spanish Civil War was almost identical to its beginning. As Mola, Franco and the other conspirators of 1936 had done, Casado led a part of the Republican Army in revolt against the Republican government. He claimed, as they had done, and equally without foundation, that Negrín’s government was the puppet of the Communist Party and that a coup was imminent to establish a Communist dictatorship. Casado’s ambition was to go down in history as the man who ended the Spanish Civil War. Instead he ensured the Republic ended in catastrophe and shame as Negrin’s attempts to achieve an honourable and negotiated peace with guarantees for the civilian population were thwarted and Franco and his forces wreaked havoc and revenge. Madrid collapsed into civil war and two thousand people died. Refugees fled reprisals in their thousands and those who couldn’t escape met a terrible fate. Paul Preston, the leading historian of 20th century Spain, tells this shocking story for the first time in English. It is a harrowing tale of how the flawed decisions of politicans can lead to tragedy.

Nick Ashton has been a curator at the British Museum for over 30 years, specialising in Lower and Middle Palaeolithic archaeology. He helps curate the extensive stone tool collections from these periods and has directed and published major excavation projects at the Lower Palaeolithic sites of High Lodge, Barnham, Elveden and Hoxne (all in Suffolk). He is currently Co-Director of the Pathways to Ancient Britain Project funded by the Calleva Foundation. His work focuses on the earliest occupation of northern Europe, currently being investigated through fieldwork at Happisburgh (Norfolk), the early human adaptation to northern environments and the investigation of when Britain first became an island.

Owls have always featured prominently in the mythology and folklore of a variety of cultures. These mysterious nocturnal creatures are thought to be symbols of wisdom, omens of death, and bringers of prophecy. In fact, owls are one of the oldest species of vertebrate animal, with fossils dating back 60 million years. Owls have been a source of inspiration to writers, artists, historians and naturalists alike. In a much-anticipated volume on one of Britain’s most fascinating group of birds, Mike Toms draws on a wealth of experience and research, providing a comprehensive natural history of British owls. The first part of the book covers various aspects of owl taxonomy, origins, anatomy, behaviour and ecology and looks across the British owl species, drawing comparisons and highlighting differences. The second part takes each species in turn to provide a more detailed perspective, fleshing out relevant conservation issues, behaviour and status. Toms explores Britain’s beloved Barn Owl, Tawny Owl and Snowy Owl amongst several others. He uses the vast database and latest research from his work with the British Trust for Ornithology (BTO) to focus particularly on the specifics of owls’ breeding ecology, their dispersal patterns, diet, vocalisations, de*ion, population changes and mortality. He addresses conservation issues, changes in legislation and potential changes in the status of one of Britain’s most iconic birds, providing a fascinating overview of the biology and history of British owls.

为了一步发挥中国工业节能与清洁生产协会在工业绿色发展领域的资源平台优势和桥梁纽带作用，加快节能环保、清洁生产和绿色发展等各项工作的顺利展，推动国家各项政策文件的落地实施，引导工业企业采用先适用的新技术、新设备、新材料，推动绿色工业领域的咨询、设计、承包、装备、运营等，帮助企业把握"一带一路”能源合作所提供的市场机遇"走出去”，中国工业节能与清洁生产协会组织编写了《中国绿色工业年鉴（2019）》。年鉴涵盖绿色工业发展的各个领域，全面详实地反应"十三五”期间我国绿色工业发展情况，集中展示绿色工业发展领域具有典型性、示范性的优秀企事业单位，重推荐市场应用广、节能减排潜力大、需求拉动效应明显的重领域先技术与装备，将成为实际工作中具有较强推广性和实用性的工具书，也可供工业发展相关领域研究人员和行业主管部门人员参考。

包含《正义的成本》《优雅的理性》《解释的工具》《法的经济解释》《生活的经济解释》《不完美的世界》《完美的正义》《效益的源泉》《正义的效益》“法在法之外”“人世间的法”“脑海里的法”“探索法之法”，书稿整体的涵盖面很广，分别从理论和现实、思维方式和法律实践等角度，对法律及法学的相关问题进行思考与分析；将经济学分析方法引入对法律问题的分析中，以实际的案例展示了法律经济学的应用范围之广，以及在分析实际问题时极高的可操作性。作者以经济学的视角对诸多法律问题展开观察与讨论，一方面，希望在智识上社会科学、特别是经济分析为法学增添新的智慧，另一方面，也力求在实务上能为法律学者及从业人士，提供更有力的工具，使其能学好法律、用好法律。

民国新旧交替、命运之争， 在旧传统和新思潮的影响下，涌现了一大批杰出的思想者与文人墨客， 他们博学多才、冠绝当时，创造了中国思想史上ZUI传奇的一页。 这些耳熟能详的人物背后，都藏有哪些不为人知的有趣故事； 这些众所周知的故事背后， 又有着怎样曲折离奇的隐情？ 著名作家、《南渡北归》作者岳南老师，为您还原ZUI真实、ZUIQUANMIAN、ZUI有趣的的民国大师故事！

本书收录了罗伯特?卡帕、亨利?卡蒂埃-布列松、马克?吕布、尤金?史密斯、史蒂夫?麦柯里等摄影大师的110幅代表作。这些作品在时间上跨越了一个世纪，地域上跨越了欧洲、美洲、非洲、亚洲以及远东地区。这些图片展示了世界百年重大事件中的微观景象，并通过每个照片主人公的面庞以及他们的人生故事体现坎坷人生以及动荡时代里的人性之美。一张照片，一个故事，一个事件，一段世界史。 这是一本通过历史中小人物的照片和故事从侧面反映中国变迁的摄影故事集，一个世纪以来，中国历史沧桑巨变，很多人都会觉得历史是大人物的局，但是真实的历史是每一个普通人的爱恨情仇、是每一个人的收获与坎坷。这个时代是中国的大时代，也是每一个普普通通中国人的大时代。摄影大师给你带来100余张历史中的面孔，以及中国人的情感与生活。

《石油化工设备维护检修规程》第五册《碳一化工设备》是根据中国石化煤化工发展及尿素产业关停退出的实际情况，由2004 版《石油化工设备维护检修规程》《化肥设备》演变而来。本次修订删除了尿素装置的全部设备和合成氨、甲醇装置通用性比较强的一般设备，保留了部分特色明显的氨合成、甲醇合成装置的设备，增补了煤气化及净化装置的部分特色设备。新增了中国石化目前已经投运行的、以煤为基本原料的7 类化工装置的维护检修规程。由2004 版的36 个设备维护检修规程调整到2019 版的7 类装置、18 台关键设备的维护检修规程，提升了维护检修规程对维护检修工作指导作用的针对性与有效性。

《从哆啦A梦看日本》:通过《哆啦A梦》了解日本文化！原来《哆啦A梦》中竟然藏了这么多日本文化梗！ 《从经典动漫看日本》：以十部经典日本动漫为切入点，通过动漫了解日本历史和日本社会的通俗历史！ 《日本民主史入门》：从明治时期民主萌芽，到二战后的日本民间斗争，从5个历史阶段，生动有趣的讲述了日本民主发展与改革的曲折故事。任何现代民主的实现，都绝非一蹴而就！ 《日本战国史入门》：以一休、北条早云、斋藤道等数十人的口吻讲述日本战国史！一口气读到凌晨的日本历史小说！ 《中日恩怨两千年》（全4册）：豆瓣评分7.3！樱雪丸力作！翻开本书，为你彻底理清中日之间外交往来、文化交流、战争冲突的历史渊源与来龙去脉！

中国绘画艺术的长河，汇聚了中华民族几千年的文化精髓，是中华民族宝贵的精神财富。泛舟其上，你会发现，这里有太平盛世中的淡泊宁静，有忧患的感伤，更有亡国失地的伤痛！欣赏这些艺术珍品，可以激荡心灵，陶冶性情，启你多彩的人生。

本书从海洋的视角出发，重新讲述世界历史，揭示人们如何通过海洋、河流与湖泊行交流与互动，以及交换和传播商品、物产与文化。旨在揭示，各个人群、民族、国家与文明通过全球范围内的水路通道，在塑造自身文明的同时也在塑造着历史。作者展现了文明的兴衰与海洋之间的联系，引人胜地叙述了人类航海事业的发展历程，谱写出一部关于航海者的史诗。  

集220余年平乐正骨骨伤临床实践与发展成果，由50余位知名专家编著而成。共3篇15章，内容包括：总论、骨折、关节脱位与错缝及附方等，重对骨伤诊疗行详细的说明。*篇为总论，共8章，重阐述平乐正骨发展概况、学术思想、诊疗原则、基础理论、诊疗方法与特色及骨伤并发症与创伤急救等内容。第二篇为骨折篇，共4章，重介绍了骨折的病因与分类、诊断与治疗、愈合过程与机理以及骨折常见并发症与处理等，并对各部位骨折的诊断、治疗及注意事项等行了详尽的介绍。第三篇为关节脱位与错缝篇，分3章，对常见关节脱位、筋骨错缝的诊治行了详细阐述。全书图文并茂，深浅出，重突出，有利于广大临床医生掌握与运用。

Iat?, ?n cuvintele Aurei Christi, curg?nd abundent, din surse ascunse, fluidul vivifiant al poeziei, s? nu ne temem de retorica majusculelor, al marei Poezii. (Nicolae Balota).Aici totul e grav. Nici ludicul, nici parodicul, nici oboseala contextului postindustrial ?i nici tendin?ele destructurante ale postmodernilor nu au trecere. Modernitatea Aurei Christi e una esen?ial?, organic?, refractar? modelor, n?zuind spre reinterpretarea semnelor ?i universaliilor; ?ntreb?rile pe care ?i le pune ea au fost ?i ale inainta?ilor, iar r?spunsurile transcend achizi?iile, relev?nd evolu?ia con?tiin?ei ?n mers, relev?nd evolu?ia unei creatoare de m?na ?nt?i, cu totul personal?. Scrieri mai noi, Labirintul exilului (2000), Elegii nordice (2002) ?i altele confirma consecven?a cu sine a unei con?tiin?e exemplare. (Constantin Ciopraga)M? auzi tu, oare, ?nstr?inato? Am citit poeziile tale la ceas de sear?, pe o teras?, av?nd ?n fa?? colinele Ierusalimului. Eu nu sunt un bun comentator de poezie, cei care au scris despre poezia ta te-au “prins“ foarte bine, ai for??, un sim? rar al tragicului ?i antene pentru transcenden??, f?r? s? cazi (din fericire) ?n ceea ce se cheam? “poezie religioas?“. E un instinct p?g?n care te fere?te de o excesiva “cre?tinare“ a poeziei chiar ?i ?n Psalmi. (Leon Volovici). (fragment dintr-o scrisoare)E simplu: ?l vad pe Dumnezeu ca pe un partener de dialog, cu care ma cert nu rareori. Citesc adesea serile din Noul Testament mai ales; ei, ?i atunci ?ncepe fierberea... Nu prea merg la biseric? dec?t atunci c?nd simt imperios nevoia – adev?r pentru care Mama de pilda m? ceart? c?teodat?. Duc biserica mea cu mine; a?a pot s? m? rog oriunde, oric?nd. Spre deosebire de Cioran, eu cred ca nu Diavolul a f?cut lumea, ci Dumnezeu; doar c? spre sf?r?itul Facerii a obosit un pic; se ?nt?mpl? ?ntruc?tva c? ?ntr-o proza a lui Rilke, ?n care cele doua m?ini ale Domnului se iau la ?ntrecere ?i se pare ca st?nga profit? de oboseala dreptei... M? ?i ?ntreb uneori, pe urmele lui Unamuno: cine sunt eu s?-i cer socoteala lui Dumnezeu pentru ca lumea ?n care tr?im e a?a cum e? (Are dreptul, oare, o g?nganie s?-?i aroge obr?znicia de a se ciond?ni cu El, cu nimeni altcineva dec?t cu El?!!) ?i tot ca Unamuno, invoc?ndu-l pe Oberman, ?mi r?spund: da, c?ci pentru lume, pentru univers eu sunt nimeni, nu ?nsemn nimic, pentru mine ?ns? sunt totul.Gr?dini austere a stat – da, incredibil – ?n sertarele c?torva edituri circa ?apte ani; ani de izolare atroce, de singur?tate dorit?, iubit?, hulit? ?i, iar ?i iar, iubit?... E un volum publicat dup? o perioada de secet?, c?nd mi se p?rea – p?n? la o neagr? m?nie! – ca nu voi mai scrie niciodat? poezie... Nici cartea de debut n-am a?teptat-o at?tea... secole. E un volum care a circulat pe internet, prietenii trimi??ndu-mi mesaje, scrisori, cronici ad-hoc despre cartea mea de psalmi ?n r?sp?r. (Aura Christi)Faptul c? Gr?dinile austere au trecut prin PC-ul meu mi-a prilejuit o bucurie, o tulburare de zile aurorale. Nu m-am putut ab?ine ?i am citit c?teva poeme. N-am mai putut apoi s-o las din mana. M-a ?nv?luit ?i m-a luat pe sus cutremurata spiritualitate vital? care str?bate versurile. Asta nu mi se ?nt?mpl? prea des, citind poezie contemporan?. (Zoltan Terner)Mignona ?i b?t?ioas?, cheltuind pasionalitate, r?zboinic? ?n pofida fragilit??ii, ?mpr??tiind texte curajoase pe care amicii internau?i nu ezit? a le califica “dinamit? curat?“, sup?r?nd pe mul?i, scriind febril, asum?ndu-?i riscurile Balcaniei (“lin?at?“, pedepsit?, izolat? etc.), Aura Christi, cit?nd “vorbele atroce“ ale iubitului Nietzsche, vrea s? devin? ceea ce este: poet?. (...) Metamorfoza e izbitoare; discursul a devenit sincopat, auster, de o incanta?ie adumbrit?, celebr?nd “via?a de vis“, test?nd – prin “poemele de iubire“ – temele grave (rela?ia cu maestrul, divinitatea, moartea, poezia) pentru a conchide c?, doar povestit?, via?a e tr?it?. Mul?i dintre exege?ii Aurei Christi au subliniat “fulminant? ascensiune“ a poetei. Penetrant?, Aura Christi a avut ?ansa de a fi fost v?zut? ?n mediile bucure?tene. Dar meritele poetei, dincolo de suportul valoric, stau ?i ?n tenacitatea autoconstruc?iei, promov?nd – programatic – “ruptura“. (Adrian Dinu Rachieru)

本卷收录了两个村庄的调查报告：一是河北省邯郸市永年县（区）临洺关镇河北铺村，二是河南省新乡市封丘县冯村乡夏侯村。前者属于农商结合型村庄，后者为黄泛区移民型村庄。两份报告均从村庄由来、自然、经济、社会、文化、治理六方面，对村庄的传统形态行深描，兼涉其历史变迁与现状，为深了解黄河区域村户社会的底色与特质提供了翔实的一手资料。

中国戏曲史，就是一部中华民族民俗文化流变史。但随着现代经济社会的快速发展和人们生活方式的不断改变，传统戏曲出现了发展失衡和保护不力等现象。“古调多自爱，今人不多弹。”因此，发掘和加强戏曲这一文化遗产的自觉保护意识已经成为当务之急。 不同于一般的戏剧本位研究，本丛书把戏曲与地方文化有机结合起来，把研究重点聚焦在“历史”与“文化”上，通过对各剧种所处地域的历史分析，突出阐述了各剧种鲜明的地域特色，特别是其反映出的风土人情、审美意趣，并进一步揭示了这些剧种独具的历史价值、文化价值和艺术价值，以及它们在所流传地区业已成为地方名片的积极作用。同时还兼顾学术与通俗、研究与普及、历史与现状，形式上图文并茂、生动活泼，对保护和发扬中国传统优秀文化、提高中国文化软实力，都有十分重要的意义。

本卷收录了两个村庄的调查报告：一是山西省运城市新绛县三泉镇席村，二是山西省运城市万荣县皇甫乡乌苏村。前者属于晋南平原麦作村，后者属于台塬干旱麦作村。两份报告均从村庄由来、自然、经济、社会、文化、治理六方面，对村庄的传统形态行深描，兼涉其历史变迁与现状，为深了解黄河区域村户社会的底色与特质提供了翔实的一手资料。

本书分为损伤部位、致伤机制、并发症和创伤救治新技术等9篇，共有115个多发伤病例，着重介绍各类多发伤患者在不同等级医院、不同救治模式下的临床经过，从多个角度呈现多发伤救治过程，如初次评估、二次评估中生命支持、外科处置、影像评估等的决策和技术，系统阐述各类创伤并发症的发现、分析、处理和结局，并提供救治现场及手术、术后康复等图片，以直观、清晰地呈现病例。本书由34位专家针对救治过程的关键行评价，以启发各级医院创伤中心人员正确救治多发伤患者和构建创伤中心运行模式。为方便读者的阅读习惯，所有病例采用统一的格式，按导读、病例简介、诊断（采用中华医学会创伤学分会推荐的多发伤病例诊断标准，均予ISS评分）、预后随访、经验与体会、专家评等依次展。

1000万人正在看的“超萌赛雷”，前后创作三年，精心绘制全彩漫画三国演义！ 电影式全场景，爆笑还原三国演义！立体，生动，涨知识！ 《三国演义》可以说是古代中国重要的长篇章回体历史小说。“三国演义”有多个版本，但一直缺少一套立体生动的漫画版本。 而作为以立体生动为擅长的赛雷，正是要创作这样一套立体生动全场景呈现三国历史的作品。 一本主要集中在桃园三结义，曹操出场，讨伐董卓，三英战吕布等经典场景； 第二本主要集中在连环计，杀父之仇，曹操战吕布等经典场景； 第三本主要集中在李郭内斗，曹操救驾，张飞失徐州等经典场景； 第四本主要集中在孙郎大破严白虎，平定江东，辕门射戟，袁术称帝，小沛危机等经典场景； 第五本主要集中在吕布之死，青梅煮酒，袁术之死，降汉不降曹等经典场景； 第六本主要集中在斩颜良诛文丑，过五关斩六将，孙策之死，官渡之战等经典场景； 第七本主要集中在袁绍之死、皇叔失意、三顾茅庐等经典场景，生动地再现三国场景； 第八本主要集中在赵云单骑救主、张飞大闹长坂桥、诸葛亮舌战群儒等经典场景； 第九本主要集中在赵云单骑救主、张飞大闹长坂桥、诸葛亮舌战群儒等经典场景； 它突出的地方就在于用赛雷漫画的幽默风格按时间线索将三国的历史讲述出来，让读者在哈哈大笑中知晓三国历史的发展脉络。

《淮南子》，又名《淮南鸿烈》，是西汉淮南王刘安及其门客收集资料集体编写而成的一部哲学著作，在继承先秦道家思想的基础上，糅合了阴阳、墨、法和一部分儒家思想。《淮南子》内容牢笼天地，博极古今，是研究中国古代哲学、政治、军事、思想的重要典籍，也是探寻古代天文、历法、地理、物候、养生乃至文学、神话、民俗的宝藏，同时还是考察汉初语言的极珍贵的资料。     《淮南子校释》以正统《道藏》本为底本，以景宋本、王溥本等十二种有代表性的版本为校本加以校勘，并辑录庄逵吉、王念孙、孙诒让、杨树达、于省吾等众家注释。校释本最早出版于1997年，本次为第三次增补修订本。