Cu privire la G. Toprceanu se constat dou atitudini n sfera unei consideraii generale. Unii l preuiesc ca pe un poet mare alii ca pe un poet minor. Cea dinti opinie este greu de susinut. ns n starea poeziei de azi cnd adesea lipsete scriitorului ndreptirea nsi de a scrie expresia minor“ poate s fie ru interpretat. S spunem dar c Toprceanu e socotit ca un poet al universului mic. Dar unde se afl adevrata poezie Orict ncntare ne-ar produce Parodiile originale spiritul nostru critic ntmpin greutate s gseasc alt merit dect acela de observaie i virtuozitate n nite compuneri al cror punct de plecare este n poezia altora. O parodie este n definitiv o pasti exagerat ca spre a-i gsi iertarea n recunoaterea imitrii. Toprceanu nsui le numea pagini modeste de critic literar n pilde“. Totui se poate observa la el acel fenomen de uitare n model care e chiar semnul clasicei inspiraii...“ – G. Calinescu Istoria literaturii romne de la origini pn n prezent

Cel ce a scris aceast?? c??rticic?? ?i al c??rui nume s-a tot pitit p?n?? acuma sub modestul titlul de Culeg??torul tipograf p?n?? c?nd ?n sf?r?it meritele sale literare de to?i recunoscute ne-au f??cut s??-l silim acum pentru ?nt?ia?i dat?? a se da ?n vileagul publicit???ii cel ce a scris aceast?? c??rticic?? zic mi-a f??cut onoarea ?i pl??cerea de a m?? consulta adesea asupra alegerii faptelor pe care voia s?? le povesteasc?? ?ntr-?nsa. I-a dat ?n minte d-lui P. Ispirescu bunul g?nd de a l??muri pe cei din cititori rom?ni care nu sunt tocmai c??rtutari ad?nci asupra unei mul?imi de nume de cuvinte ?i de zic??tori str??ine pe cari ?n timpul de acum le ?ntrebuin?eaz?? mereu scriitorii no?tri prin gazete ?i prin felurite c??r?i. [...] Apoi pentru un a?a bun serviciu nu se cade oare s?? mul?umim domnului P. Ispirescu culeg??torul ?i scriitorul at?tor Basme Snoave ?i Zic??tori rom?ne?ti con?tiinciosul ?i merituosul lor editor? Ba z??u foarte mult ?i eu unul m?? simt acum fericit c?? mi-a dat ?nsu?i prilejul de a-i aduce prin aceste r?nduri cel dint?i prinos de mul?umire. Sunt ?ncredin?at c?? ?n urm??-mi are s?? se adune gloat?? mare. A. I. ODOBESCU

A brand new sixpence fresh from the Mint! How it sparkled and glittered in the dancing sunlight! Such a treasure for a small girl to possess! But then, on the other hand, what a heavy responsibility!??All day long it had been burning a hole in her pocket, and as for learning lessons, not an idea would enter her head. Everything went in at one ear and out of the other, as Miss Primmer sternly remarked when Nellie could not say her poetry. But, indeed, Nellie did try hard to learn her lessons; she squeezed her eyes together as tightly as possible, though how shutting her eyes was to prevent the lessons from coming out of her ears was not very clear. ??"But I must learn them now," she sighed, "or Miss Primmer will keep me in tomorrow, and I shan't be able to go out with Nursie and Reggie to spend my sixpence. Oh dear! I wish I could learn my poetry and keep it in, I guess I'd better get a bit of cotton wool to put in my ears and then it can't come out. There, now!

All the other children who knew her thought Maggie a wonderfully fortunate little girl. She was sometimes spoken about as the "Little Princess of Tower Hill," for Tower Hill was the name of her father's place, and Maggie was his only child. ??The children in the village close by spoke of her with great respect, and looked at her with a good deal of longing and also no slight degree of envy, for while they had to run about in darned and shabby frocks, Maggie could wear the gayest and daintiest little dresses, and while they had to trudge sometimes even on little bare feet, Maggie could sit by her mother's side and be carried rapidly over the ground in a most delicious and luxurious carriage, or, better still, she might ride on her white pony Snowball, followed by a groom. The poor children envied Maggie, and admired her vastly, and the children of those people who, compared to Sir John Ascot, Maggie's father, might be considered neither rich nor poor, also thought her one of the most fortunate little girls in existence. Mag-gie was nearly eight years old, and from her very earliest days there had been a great fuss made about her. At the time of her birth bonfires had been lit, and oxen killed and roasted whole to be given away to the poor people, and Sir John and Lady Ascot did not seem at all disappointed at their baby being a girl instead of a son and heir to the old title and the fine old place. ??There was a most extraordinary fuss made over Maggie while she was a baby; her mother was never tired of visiting her grand nurseries and watching her as she lay asleep, or smiling at her and kissing her when she opened her big, bright blue eyes.

Am mplinit, la 3 martie anul acesta, 81 de ani. O via de om, cu bune i mai puin bune. Am fost martor i actor al multor evenimente, dintre care unele au schimbat cursul istoriei. n cteva dintre aceste schimbri se poate gsi i contribuia mea.[…] Trecerea n revist a istoriei celor 21 de ani de la Revoluia din Decembrie 1989, cu reuite i nereuite, cu experiene pozitive i negative, cu bune i cu rele, trebuie s fie prilej de nvminte pentru toi, s ne inspire pentru a gsi cile cele mai potrivite de redresare i de cuplare a Romniei la procesul n curs de construcie european, n condiiile adncirii procesului amplu de globalizare a economiei i a vieii sociale, n beneficiul tuturor cetenilor rii.“Sunt un om de stnga, nu neg i nu-mi reneg trecutul. Mi-l asum, cu toate ale lui. Dar nimeni nu-mi poate reproa lipsa bunei-credine n ceea ce am fcut. i nici faptul c nu a fi evoluat, c nu a fi nvat din leciile pe care viaa i oamenii mi le-au dat.[…] Nu m-a interesat puterea n sine i nu am folosit puterea pe care am avut-o pentru a face ru sau n interes personal. Puterea devine interesant doar n momentul n care ai un proiect, i ea devine un instrument pentru materializarea lui.Nimic nu corupe mai mult dect puterea. i trebuie s fii, moral vorbind, extrem de puternic pentru a nu te lsa corupt de putere. mi place s cred c pe mine puterea nu m-a corupt. Muli au fost uimii de modul firesc n care s-a fcut transferul de putere n 1996, dup ce domnul Emil Constantinescu a ctigat alegerile prezideniale. Cei care se ateptau la altceva nu m cunosc. Nu mi-am dorit puterea, n 1989, ci mi-am asumat o responsabilitate. Era normal s fiu primul care s respecte regulile la structurarea crora lucrase.[…] Formal, suntem o ar cu toate instituiile i mecanismele unei ri europene, membr a Uniunii Europene. n realitate, lucrurile sunt departe de a fi normale. Am fost i sunt contient de faptul c acestea sunt marile noastre slbiciuni, cele care ne mpiedic s progresm. Nu tiu s existe o soluie miraculoas care s ne vindece de aceste pcate. Cred doar c libertatea de circulaie i dreptul romnilor de a munci n Europa vor permite, n timp, schimbarea profund a Romniei.“

Dinu are 25 de ani, o carier? ?n presa de scandal ?i nemul?umiri pe toate planurile: e convins c? iubita ?l ?n?al?, a scris o carte pe care nu reu?e?te s-o publice, iar jobul s?u, de a scoate senza?ionalul din necazurile altora, nu-i aduce nici o satisfac?ie. ?n loc s?-?i accepte cu demnitate condi?ia de t?n?r intelectual rom?n, e decis s?-?i rezolve toate problemele, ?n doar o s?pt?m?n?. ?ntr-o astfel de situa?ie, de o gravitate medie, c?teva sfaturi ra?ionale ar putea fi exact ce are nevoie. Din p?cate, persoanele din jurul s?u nu se obosesc cu a?a ceva. Luca, prietenul s?u cel mai bun ?i fost coleg de facultate, ?l ?mpinge, de fiecare dat?, spre cea mai simpl? sau imoral? solu?ie. De cealalt? parte, fratele s?u Andrei ?ncearc? s?-l transforme ?ntr-un bun cre?tin, precum ceilal?i membrii ai sectei. Obsesia fa?? de starul hip-hop Ty Julius, impus? de cerin?ele publicului de tabloid, e singurul lucru care reu?e?te s?-i mai st?rneasc? sentimente puternice. Asta p?n? c?nd o ?nt?lne?te pe Simona, care i-ar putea schimba via?a complet, ?n bine, sau ?n r?u, sau poate chiar deloc.

-THE DOUBLE- centers on a government clerk who goes mad. It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist. ??The motif of the novella is a doppelganger (Russian "dvoynik"), known throughout the world in various guises such as the fetch. * * *? It was a little before eight o’clock in the morning when Yakov Petrovitch Golyadkin, a titular councillor, woke up from a long sleep. He yawned, stretched, and at last opened his eyes completely.?For two minutes, however, he lay in his bed without moving, as though he were not yet quite certain whether he were awake or still asleep, whether all that was going on around him were real and actual, or the continuation of his confused dreams. ??Very soon, however, Mr. Golyadkin’s senses began more clearly and more distinctly to receive their habitual and everyday impressions. The dirty green, smoke-begrimed, dusty walls of his little room, with the mahogany chest of drawers and chairs, the table painted red, the sofa covered with American leather of a reddish colour with little green flowers on it, and the clothes taken off in haste overnight and flung in a crumpled heap on the sofa, looked at him familiarly. At last the damp autumn day, muggy and dirty, peeped into the room through the dingy window pane with such a hostile, sour grimace that Mr. Golyadkin could not possibly doubt that he was not in the land of Nod, but in the city of Petersburg, in his own flat on the fourth storey of a huge block of buildings in Shestilavotchny Street.

"THERE was once upon a time a king who had a garden; in that garden was an apple tree, and on that apple tree grew a golden apple every year."?These stories are the golden apples that grew on the tree in the king's garden; grew and grew and grew as the golden years went by; and being apples of gold they could never wither nor shrink nor change, so that they are as beautiful and precious for you to pluck today as when first they ripened long, long ago.??Perhaps you do not care for the sort of golden apples that grew in the king's garden; perhaps you prefer plain russets or green pippins? Well, these are not to be despised, for they also are wholesome food for growing boys and girls; but unless you can taste the flavor and feel the magic that lies in the golden apples of the king's garden you will lose one of the joys of youth.??No one can help respecting apples (or stories) that gleam as brightly today as they did hundreds and thousands of years ago, when first the tiny blossoms ripened into precious fruit.??"Should you ask me whence these stories,?Whence these legends and traditions?With the odors of the forest,?With the dew and damp of meadows?"—??I can say only that the people were telling fairy tales in Egypt, in Joseph's time, more than three thousand years ago; and that grand old Homer told them in the famous "Odyssey," with its witches and giants, its cap of darkness, and shoes of swiftness. Old nurses and village crones have repeated them by the fireside and in the chimney corner; shep-herds and cowherds have recounted them by the brookside, until the children of the world have all learned them by heart, bequeathing them, generation after generation, as a priceless legacy to their own children. Nor must you fancy that they have been told in your own tongue only. Long, long before the art of printing was known, men and women of all nations recited these and similar tales to one another, never thinking that the day would come when they would be regarded as the peculiar property of youth and childhood. ?

Un nou gen de proz? literar?? A?a s-ar p?rea, dac? pornim de la separarea ?n con?tient ?i incon?tient a sinelui uman, aprofundat? magistral de marele psihiatru elve?ian C.G. Jung ?n celebra ?i monumentala sa Carte Ro?ie. Dumitru Popescu are o bogat? oper? literar?-fic?ional? ?i nonfic?ional? – inspirat? din yona con?tientului. Baletul fantasmelor ne propune sondarea cu mijloace literare a celeilalte zone a spiritului, cu origini ?i mecanisme ?nc? greu decelabile ?i care deschide o alt? fabuloas? perspectiv? a l?untricului omenesc.

There are, roughly speaking, two distinct types of Scottish Fairy Tales. There are what may be called "Celtic Stories," which were handed down for centuries by word of mouth by professional story-tellers, who went about from clachan to clachan in the "High-lands and Islands," earning a night's shelter by giving a night's entertainment, and which have now been collected and classified for us by Campbell of Isla and others.??These stories, which are also common to the North of Ireland, are wild and fantastic, and very often somewhat monotonous, and their themes are strangely alike. They almost always tell of some hero or heroine who sets out on some dangerous quest, and who is met by giants, generally three in number, who appear one after the other; with whom they hold quaint dialogues, and whom eventually they slay. Most of them are fairly long, and although they have a peculiar fascination of their own, they are quite distinct from the ordinary Fairy Tale.

Tr?ind de azi pe m?ine ?ntr-un Bucure?ti plin de tenta?ii, dar consumator de resurse, studentul la Drept Mihnea B?iatu nu ?i-a dat examenele, iar ob?inerea licen?ei ?ncepe s? semene cu un vis imposibil. A ?nv??at ?ns? cum s? c??tige ?ncrederea cet??enilor s?raci cu duhul – ?i nu e pu?in lucru. Plasat ?ntr-un decor suburban, cu personaje caragialiene, Mihnea B?iatu se ?nscrie ?ns?, f?r? doar ?i poate, ?n tipologia eroilor lui Gib I. Mih?escu, urm?ri?i de idealul femeii absolute. Expert ?n practicile ?amorului democrat“ ?i ?n escrocarea cu sistem – erotic? ?i financiar? – a propriet?reselor de mahala, eternul student d? nas ?n nas pe culoarele universit??ii cu femeia perfect?, care-l scruteaz? ?i ea, cu acela?i interes, prin lentila unui lornion de aur…

It was the third week in September when the Fairfields left the seashore and returned to their Vernondale home.??“Now, my child,” said Mr. Fairfield, as they sat on the veranda after dinner, “I will unfold to you my plans for the coming winter, and you may accept, or reject, or amend them as you please.”??“Proceed,” said Patty, settling herself comfortably in her wicker chair; “I feel in an amiable mood this evening, and will probably agree to anything you may suggest.”??“I’ve been thinking for some time,” went on her father, “that I don’t want to spend the coming winter in Vernondale. I would much rather be in New York.”??“Reason number one—Nan,” said Patty, checking it off on her forefinger and smiling at her father.?“Yes,” he responded, with an answering smile, “she is reason number one, but there are others.”?To readers who are unfamiliar with Patty’s earlier history we may say right here that her mother had died when Patty was but three years old. ??At present she lived with her father in their little home in Vernondale, an establishment of which Patty greatly prided herself on her management.?Recently Mr. Fairfield had become engaged to Miss Nan Allen, a young lady who lived in Philadelphia, and who was a dear friend of Patty’s.

n finalul romanului Donna Alba mtile personajelor cad. Mihai Aspru a vrut doar s-o stpneasc“ pe trufaa aristocrat, mbrcndu-i dorina n podoabe strlucitoare luate din cri. n schimb, Georges Radu erban, soul nelat, boier rigid taxat maliios de ctre narator, se dovedete un veritabil erou tragic, sinucigndu-se din dragoste, ca personajul lui Dostoievski.Ct o privete pe Alba, obiectul obsesiei ndelung elaborate, ea e un personaj de film din anii ‘30: femeia fatal, provocatoare de nenorociri pentru brbaii care o iubesc. Intriga dinamic, colorat de suspans, ajunge la o rezolvare cu happy end, care ar fi putut prea facil dac naratorul n-ar fi introdus un accent original de autoironie i umor negru, chiar n legtur cu ultima apariie a Albei. Foarte frumoas n valurile negre de mare doliu, dar deloc ndurerat, ea i apare brbatului ca un nger al morii, promindu-i o primejdioas fericire.

PREFACE?All the stories about Princes and Princesses in this book are true stories, and were written by Mrs. Lang, out of old books of history. There are some children who make life difficult by saying, first that stories about fairies are true, and that they like fairies; and next that they do not like true stories about real people, who lived long ago. I am quite ready to grant that there really are such things as fairies, because, though I never saw a fairy, any more than I have seen the little animals which lecturers call molecules and ions, still I have seen people who have seen fairies—truthful people. ??This book about Princes and Princesses is not one which a child is obliged to read. Indeed the stories are not put in order, beginning with the princes who lived longest ago and coming down gradually to people who lived nearest our own time. The book opens with the great Napoleon Bonaparte, who died when some very old people still living were alive. Napoleon was not born a prince, far from it; his father was only a poor gentleman on a wild rough little island. But he made himself not merely a king, but the greatest of all emperors and generals in war. He is not held up as a person whom every boy should try to imitate, but it is a truth that Napoleon always remained a boy in his heart. He liked to make up stories of himself, doing wonderful things which even he was unable to do. When he was a boy he played at being a general, making snow fortresses and besieging them, just as many boys do. And when he was a man he dreamed of conquering all the East, Asia, and India, and Australia; and he tried to do all that, but it was too much even for him.

The tales in the Grey Fairy Book are derived from many countries: ”Lithuania, various parts of Africa, Germany, France, Greece, and other regions of the world. They have been translated and adapted by Mrs. Dent, Mrs. Lang, Miss Eleanor Sellar, Miss Blackley, and Miss Lang. 'The Three Sons of Hali' is from the last century 'Cabinet des Faces,' a very large collection. The French author may have had some Oriental original before him in parts; at all events he copied the Eastern method of putting tale within tale, like the Eastern balls of carved ivory. ??The stories, as usual, illustrate the method of popular fiction. A certain number of incidents are shaken into many varying combinations, like the fragments of coloured glass in the kaleidoscope. Probably the possible combinations, like possible musical combinations, are not unlimited in number, but children may be less sensitive in the matter of fairies than Mr. John Stuart Mill was as regards music.

Cel mai vechi dintre cltorii romantici, Grigore Alexandrescu, n paginile consacrate vizitei sale la mnstirile olteneti (1842), ne ofer… destul de puin. Impresiile sale privesc mai degrab tradiiile istorice ale locurilor pe care le viziteaz sau unele particulariti ale ornduirii lor actuale. Cadrul natural este abia indicat. Cnd ajunge la Cozia, o simpl nsemnare topografic i este de ajuns… n faa Mnstirii Dintr-un Lemn descrierea este ceva mai bogat, dar fr elemente sensibile propriu-zise. Autorul descrie o configuraie, nu un peisagiu… Petera de la Polovraci l impresioneaz mai mult, dar spiritul de observaie rmne, chiar n faa acestui spectacol, inferior fanteziei constructive, creia i se pare a vedea, n grupul stalactitelor, siluete de copii sau de fantasmagorice fiine combinate din oameni i fiare, dac nu simple chipuri slbatice "c doi tlhari, care, cu armele gata, ateapt s atace un trector". Abia, ultima pagin a Memorialului jertfete esteticii timpului, zugrvind un motiv tipic-rasarirea lunii deasupra unei pduri… Pagina merit a fi reinut. Este acea prin care natura, ca obiect al descrierii literare, intr n operele prozatorilor romni, sub forma magiei lunare. Scriitorul nelege ce poate fi dulceag sau convenional n zugrvirea strlucirii nentinate a lunii i de aceea ntregete tabloul sau din contraste punnd alturi de lumin selenar, rspndit pe ziduri, pe stnci i poteci, masa ntunecat a pdurii rmase n umbr. Rsrirea lunii la Tismana rmne oricum o excepie n paginile de proz ale lui Grigore Alexandrescu.“Tudor Vianu, Arta prozatorilor romni, Chiinu, Casa de editura Litera, 1997, p. 69-70.

Mare poet clasic, Co?buc ?i-a asigurat locul printre marii creatori: Eminescu, Creang?, Caragiale, Slavici, prin con?inutul na?ional al operei sale, prin cultivarea ?i frecventarea clasicilor, prin puritatea expresiei ?i claritatea stilului, prin promovarea idealului de frumuse?e echilibrat?, ?n general prin ?nnoirea limbii poetice. Co?buc este – unanim recunoscut – un mare clasic al versului rom?nesc. Poet al naturii ?i al omului de la ?ar?, al exuberan?ei juvenile, al iubirii, al revoltei ?i luptei, al b?rb??iei, Co?buc ?nscrie una din cele mai pre?ioase experien?e ale literelor rom?ne?ti, ?ntr-un moment de r?scruce, c?nd, prin scrierile unei pletore de pseudoeminescieni, se crease ?n poezia noastr? o stare deprimant?, maladiv?, din care se p?rea c? nu exist? perspective de ie?ire spre un liman s?n?tos. ?n acest climat de mal de siecle, de Wetschmerz r?sare nea?teptat de viguros ?i nou George Co?buc, redres?nd poezia rom?neasc?, aduc?nd noi orizonturi, noi sensuri, noi valori artistice.

Pove?tile lui Creang? sunt delectabile deopotriv? pentru copii ?i pentru adul?i. ?ns? numai cei din urm? le pot gusta pe deplin savoarea. Creanga pare a nu-?i fi b?tut capul s? inventeze pove?ti: avea de?tul material la ?ndem?n? ca s? mai fie nevoie de a?a ceva. C?t datoreaz? el crea?iei folclorice anonime ?i c?t ?i este aceasta tributar? dup? publicarea pove?tilor ?i absorb?ia – sau re?ntoarcerea – acestora ?n circuitul oralit??ii e o chestiune ce poate interesa mig?loase cercet?ri erudite. Farmecul pove?tilor lui Creang? nu st? ?n inven?ie – cel mult, aici ?i-a spus cuv?ntul selec?ia f?cut? de scriitor dintr-un inventar disponibil at?t de bogat. Ceea ce atrage ?i cucere?te, ?n primul r?nd, e ?punerea ?n scen?“ – nemaivorbind de darul rostirii plastice, suculen?e, at?t de mult comentat ?i analizat.LIVIU PAPADIMA

Her ?ey ?evresiyle etkile?imsel bütünlükte anlaml? olmaktad?r. Soral?m yine de; Bütünü par?alar?ndan fazlas? yapan nedenler nelerdir? Evrende neyin ifadesiyiz? Canl?l?k, bilin?, ruh, duygular art?k anla??labilir midir? Canl?l?k h?z farklar?ndan m? olu?maktad?r? H?zl? bile?enimiz olan elektri?in; canl?l???n ve bilincimizin olu?umunda nas?l bir etken olmaktad?r? Bizleri olu?turanlardan beden, duygular, bilin?, ruh diye tan?mlad?klar?m?z aras?nda ba?lant?lar nas?l kurulmaktad?r? Sorular?, günümüzde enerjiler aras? ba?lant?, etkile?im nas?l kurulmaktad?r? Sorusu gibi oldu?u, yani her?ey gibi onlar?nda enerji oldu?u anla??lm??t?r. Ruh olarak tan?mlad?k, zihin-beden aras?nda ba?lant?y? kurmaya, duygular? anlamaya ?al??t?k. Bilincin, alg?n?n tüm bunlarla nas?l bir ili?kisi olabilece?ini sorgulad?k. Genelde ?yle oluyor ya, bütünün ?nce par?alar?n? anlamaya, par?alara ay?r?p anlamaya ?al??man?n sorunlar?n?n izlerini sürüp bütünle olan etkile?imini g?rmeye y?neliyoruz. Zaman?n i?inde zaman ge?irmemize ra?men bilincimizle, canl?l???m?zla nas?l ba?lant?l? oldu?unu g?rmezden geldik. Günümüz dünyas?n?n ula?t??? bilgi, ya?amsal deneyimlerin kaydedilip aktar?lmas?, izledi?imiz filmlerden tutun da, deneyimlerimizin h?zl? etkile?imiyle zaman aral?klar?n? orduk. S?n?r sistemimize benzeyen internet a?lar? olu?turduk. ?nsanl?k olarak yapay zekalar geli?tirdik. Hücre ile beden benzeri; canl?yla tüm canl?l???n, ekosistemin, varl???n etkile?im ?rüntüsü oldu?unu, etkile?imsel ?rüntüde anlam? oldu?unu ??rendik. Belki de olu?turdu?umuz yeni anlamlar gelecekte olu?acaklar?n par?alar?d?r. De?i?im devam ediyor. G?rünen o ki, canl?lar bu evrenin en ileri evrensel enerji alanlar?d?r. Soral?m kendimize; Evrende canl?l?ktan daha anlaml? bir ?ey var m?d?r? Dünya bilinci ?a?lard?r. Biriktirdi?i bilgi ve deneyimlerini, olu?umun ba?lang?c?ndan itibaren nesiller boyu aktarm??, ekosistemiyle bir bütün olarak evrilmi?tir. Ula?t??? bilin? halini ?evresiyle etkile?imsel d?ngü i?inde hep yeniden ?ekillendirmi?tir. D?nü?ümsel etkile?imin hi?bir zaman?n?n ayn? olmay??? temel evrensel durumun etkisiyle de zamanda evrilmi? ve günümüz dünyas?n?n paradigmas?na ula?m??t?r. Evrimsel ?rüntüye paralel geli?en teknolojik entegrasyonla bilgi, zamanda ?ok yo?un etkile?ebilmi?tir. Dünya üzerinde artan s?n?r hücresi say?s? yani artan canl? say?s?n?n olumlu bir yan? ise, bilginin etkile?imini art?rm?? olmas?d?r. Platon’un idealar dünyas?nda var olan?n kendi ba??na var olamayaca??n?, var olan?n ?ncül bir mükemmeli olmal? dü?üncesiyle hareket etti?i g?rülüyor. Bu dü?ünceye bi ele?tiriyle ba?lay?p daha sonra ele?tiriyide ele?tirelim. Diyelim ki bu dü?ünceye evrimin, zaman?n itiraz? var. Buna b?yle devam edersek ba?lang?? i?inde, uzaylar i?inde ba?layan evrenler olsa bile bugünki mant?k yine en ba?a d?nmemizi s?ylüyor. Yani ilk nas?l olu?tu? Bu olu?um ?ncesi uzay diyeyim en mükemmel saf hali olan B?R nas?l olu?tu. 1’de ise hi?bir ?zellik olmamal? yani nas?l olurda idea’lar oradan kaynaklan?r. Demek ki varl?k olu?umu bi süre?, evrim olur gibi. Sondan ba?a d?nsekte bi süre?, ba?tan ba?lam?? olsakta bi süre?. Bu ifadeler B?R d?ngüsü i?inde do?ru olabilir. ?dealar nereden geldi ?ünki sonu? olarak idealar B?R de olmamal? ?ünkü B?R farkl?l?k bar?nd?rm?yor. Asl?nda her ?eyi B?R kapsar, o kaynak potansiyeller alan?d?r. Haliyle her ?eyle ayn? alandad?r. Bi nevi potansiyeller alan?yla varl?k ayn? ?eydir, benzerdir. O halde Platon’un idealar kuram?n?n kayna?? ve kendisi bu evrendedir, bu evrendir. Günümüz bilim dünyas?nda ?oklu evrenler dü?üncesi olduk?a yayg?nd?r. O halde evrenlerin oldu?u daha dev uzaysal kaynaklar, alanlar olmal?d?r. ??te B?R belkide bizimde i?inde evrildi?imiz vede k?smen farkl?la?t???m?z her ?eyin kayna??, alan?d?r. Evren büyük tabii ancak büyüklük hep yan?lt?c? olmaya devam etmi?tir. Belkide hiper bir uzay hatta uzaylar alan?nda olabiliriz. Belki ama e?er do?ru b? dü?ünce ?ekliyse bu ilk soruyu yinede de?i?tirmiyor. ?lk ba?lang?? diye bir ?ey var m??

n vrst de 11 ani, Ivy Manx locuiete n inutul Caux, al crui conductor este teribilul Rege Mtrgun i unde legea trmului este otrvete sau fii otrvit“. Fr un degusttor de ncredere acreditat de Breasl care s-i stea mereu aproape, urmtoarea ta mas ar putea fi i ultima.Chiar mai ru, unchiul mult iubit al fetiei – ultimul farmacopat vindector din Caux – a disprut fr urm, lsnd-o pe Ivy cu trusa lui cu leacuri secrete, cu o cioar zgomotoas pe nume H i cu un degusttor nepriceput i mrav, cu nclinaie pentru picoteal.Nu mai e timp de pierdut! Ivy trebuie s-i pun n aplicare teribilul plan! mpreun cu un tnr degusttor pe nume Rowan – aflat pe fug dup otrvirea accidental a douzeci dintre grzile regelui –, fata pornete n cutarea unchiului ei. n aceste vremuri dominate de corupie i de uneltiri – n acest, pn nu demult, minunat loc strvechi –, cei doi copii, devenii acum dumanii ntregului regat, au un sprijin de ndejde.Dar ce vor oare urmritorii lor S fie nestemata de-o inegalabil frumusee ce pare – dei asta este practic imposibil – a fi scobit Sau o fi elixirul pe care ea nsi l-a creat i care are misterioase puteri vindectoare Sau oare poate fi vorba despre Ivy nsiSpus pe un ton uor ironic i de o prospeime irezistibil, primul volum al trilogiei Otrvurile din Caux“, Nestemata Scobit este o uimitoare poveste despre ierburi i magie, degusttori i otrvuri.

B?R DAMLA SEVG?YLE MERHABA ?Dokunan hafif bir esinti, bir damla ya?, bir kü?ük ka?amak bak??tan ve bir tatl? s?zden sonra yüre?in ?eperlerine yap???p kalan a?k?n izleriyle dolu ya?amakt?r belki de istenilen… ??zlemek sevgiyle yüre?e dokunmaksa; bir tatl? s?z, bir gidenin ard?ndan kalan iz, bir hüzün i?indeki umutsuzluklarda bile, umut arayan kalple var olmakt?r kimbilir belki de i?imizde kalan… ??zlemek; a?k?n g?zya?lar?nda, yar?n? olmayan a?klarda ve bir garip a?k?n i?inde bile mutlulu?u, sevginin kanatlar?nda ?zlemle arayarak yazmakt?r belki de sayfalarda saklanan… ?Kim bilir belki de sevgiyi i?inde bularak kanatlanmakt?r, kanats?z hallerinde bile ?zlemle a?ka u?makt?r… ?Her okunan ?iirin i?inde hissedebilmektir belki de; tarifi olmayan, tarifsiz o duyguyu, yüre?indeki bir k?v?lc?m ate?iyle canland?r?p ya?atabilmektir belki de arzulanan... ?Sevgiyle dolu sayfalarda, hissettiklerinizi bulup dolu dolu ya?aman?z dile?iyle… Cengiz ?ET?K 1964 y?l?nda Konya/Karap?nar do?du. ?lkokulu Emirgazi il?esinde okudu. Ortaokulu ve liseyi Karap?nar’da okudu. Endüstri Meslek Lisesi Torna tesviye’den mezun oldu. 1989 y?l?nda Burdur E?itim Yüksek Okulu’ndan S?n?f ??retmeni olarak mezun olduktan sonra 1990 y?l?ndan bu yana zaman zaman idarecilik yapsa da ?u an Uzman S?n?f ??retmeni olarak ?al??makta olup iki k?z babas?d?r. 1986 y?l?nda ilk ?yküsü “sonun Ba?lang?c?” bir sinema dergisinin a?t??? yar??mada birinci gelmi?tir. Finike yerel gazetelerinde 2005 y?l?ndan sonra bir?ok k??e yaz?lar? yay?nland?. 2006 y?l?nda ilk ?iir kitab? “Son S?züm Sana Gülüm” yay?nlad?. ?kinci kitab? “Siyahlarday?m Alev Bak??l?m” 2008 y?l?nda yay?nland?. Ayr?ca güfte halinde “ Siyahlarday?m” 2010 y?l?nda ve “Vazge? G?nlüm” 2016 y?l?nda iki ?iiri bestelenip ?ark? olarak hayat bulmu?tur. 2017 y?l? son ay?nda ilk bilimkurgu roman? “Pokentranl? G?kmen” okurlar?yla tan??t?.