In Movie Title Typos, artist Austin Light removes just one letter from a well-known movie title to inspire a surprising and hilarious visual scenario. There's Obocop (a robotic police officer works through his PTSD by playing smooth jazz), T. (a boy meets a jewelry-clad alien who pities fools), Harry Otter, The Princess and the Fro, Finding Emo, Pup Fiction, and many more. A massive viral hit when he first posted sketches of the work online (1.2 million hits in the first 6 hours), Light has created new full-color illustrations for all, with the majority of the book's content never before seen on the Web. Here is a parallel universe glimpse at could-have-been films possibly betterdefinitely funnierthan the originals.

True Blood, HBO's blockbuster paranormal drama, enthralls a diverse audience of 13 million viewers (and counting). Menus at the now famous Fangtasia and Merlotte's Bar and Grill play a key role in the series, providing sustenance for its human characters, evoking memories of a bygone life for its vampires, and serving as a powerful symbol for the desires and carnal needs the characters harbor. It's no wonder so many fans revel in at home parties inspired by the food on the series! With recipes from unforgettable scenes, each entertainingly introduced by True Blood's most compelling characters, these 85 authentic bayou country recipes and 150 plus photos from the series give fans a big taste of Bon Temps.

Graphic design guru Tim Leong presents Star Wars trivia in an all-new waythrough playful pie charts, bar graphs, and other data-driven infographics. From a Venn diagram of Yoda's idiosyncrasies to an organizational chart of the Empire to a line graph of Grand Moff Tarkin's management decisions, Star Wars Super Graphic shines a new light on the much-adored universe. Equal parts playful and informative, this visual love letter to the vast Star Wars universe will enchant fans of all ages. and TM Lucasfilm Ltd. Used Under Authorization

Jedi apprentices and little princesses will delight in this (heart)felt retelling of the Star Wars saga. And so will Star Wars fans of any age! The series launches with the original trilogy, and every word counts in these small but perfectly formed yarns. That's because each volume features 12 iconic scenes, handcrafted in felt and pithily summarized in just a single word. The attention to detail is eye-opening; the proportions are just-right for small hands; the fun is guaranteed. In The Empire Strikes Back, Luke meets his teacher Yoda, Han Solo makes a friend, and there is a lightsaber duel with a Sith Lord in the dark. and TM Lucasfilm Ltd. Used Under Authorization

From Pixar Animation Studios, the Academy Awardwinning studio that brought us such blockbusters as Toy Story, Monsters, Inc., and Finding Nemo, comes The Incredibles, a hilarious, action-packed story of a family of superheroes living an underground suburban existence. The sleekly designed settings and characters were conceptualized and developed by writer/director Brad Bird and Pixar's creative team of artists, illustrators, and designers, resulting in a celluloid sensation rich with detail. The Art of The Incredibles celebrates their talent, featuring concept and character sketches, storyboards, and lighting studies, and invites readers into the elaborate creative process of animation through interviews with all the key players at Pixar.

In Walt Disney Animation Studios upcoming film, Frozen, the fearless optimist Anna sets off on an epic journeyteaming up with rugged mountain man Kristoffto find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, Anna and Kristoff battle the elements in a race to save the kingdom. The Art of Frozen features concept art from the making of the filmincluding character studies and sculpts, color scripts, storyboards, and morealongside interviews with the film's artists about the making of this comedy-adventure. Disney

John Marston was born to John and Maria Marston nee Guarsi, and baptised on October 7th, 1576 at Wardington, Oxfordshire.Marston entered Brasenose College, Oxford in 1592 and earned his BA in 1594. By 1595, he was in London, living in the Middle Temple. His interests were in poetry and play writing, although his father's will of 1599 hopes that he would not further pursue such vanities.His brief career in literature began with the fashionable genres of erotic epyllion and satire; erotic plays for boy actors to be performed before educated young men and members of the inns of court.In 1598, he published 'The Metamorphosis of Pigmalion's Image and Certaine Satyres', a book of poetry. He also published 'The Scourge of Villanie', in 1598. 'Histriomastix' regarded as his first play was produced 1599. It's performance kicked off an episode in literary history known as the War of the Theatres; a literary feud between Marston, Jonson and Dekker that lasted until 1602.However, the playwrights were later reconciled; Marston wrote a prefatory poem for Jonson's 'Sejanus' in 1605 and dedicated 'The Malcontent' to him. Beyond this episode Marston's career continued to gather both strength, assets and followers. In 1603, he became a shareholder in the Children of Blackfriars company. He wrote and produced two plays with the company. The first was 'The Malcontent' in 1603, his most famous play. His second was 'The Dutch Courtesan', a satire on lust and hypocrisy, in 1604-5.In 1605, he worked with George Chapman and Ben Jonson on 'Eastward Ho', a satire of popular taste and the vain imaginings of wealth to be found in the colony of Virginia.Marston took the theatre world by surprise when he gave up writing plays in 1609 at the age of thirty-three. He sold his shares in the company of Blackfriars. His departure from the literary scene may have been because of further offence he gave to the king. The king suspended performances at Blackfriars and had Marston imprisoned.On 24th September 1609 he was made a deacon and them a priest on 24th December 1609. In October 1616, Marston was assigned the living of Christchurch, Hampshire.He died (accounts vary) on either the 24th or 25th June 1634 in London and was buried in the Middle Temple Church.

For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of Women In Love or Lady Chatterley's Lover? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels and of course his poetry - he wrote in excess of 800 of them he was also a very talented playwright. These works have not been given quite the attention they deserve. Here we publish 'The Widowing of Mrs Holroyd.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

Publius Terentius Afer is better known to us as the Roman playwright, Terence.Much of his life, especially the early part, is either unknown or has conflicting sources and accounts.His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years.One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him.These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived.Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama.When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey.Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome.His most famous quotation reads: "e;Homo sum, humani nihil a me alienum puto"e;, or "e;I am human, and I think nothing human is alien to me."e;

The reality is that little is known of Aristophanes actual life but eleven of his forty plays survive intact and upon those rest his deserved reputation as the Father of Comedy or, The Prince of Ancient Comedy. Accounts agree that he was born sometime between 456BC and 446 BC. Many cities claim the honor of his birthplace and the most probable story makes him the son of Philippus of gina, and therefore only an adopted citizen of Athens, a distinction which, at times could be cruel, though he was raised and educated in Athens. His plays are said to recreate the life of ancient Athens more realistically than any other author could. Intellectually his powers of ridicule were feared by his influential contemporaries; Plato himself singled out Aristophanes' play The Clouds as a slander that contributed to the trial and condemning to death of Socrates and although other satirical playwrights had also caricatured the philosopher his carried the most weight. His now lost play, The Babylonians, was denounced by the demagogue Cleon as a slander against the Athenian polis. Aristophanes seems to have taken this criticism to heart and thereafter caricatured Cleon mercilessly in his subsequent plays, especially The Knights. His life and playwriting years were undoubtedly long though again accounts as to the year of his death vary quite widely. What can be certain is that his legacy of surviving plays is in effect both a treasured legacy but also in itself the only surviving texts of Ancient Greek comedy.

Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

Susan Keating Glaspell was born on July 1st, 1876 in Davenport.Glaspell, a precocious child was an active student at Davenport High School where she took an advanced course of study. By age eighteen she was earning a regular salary at the local newspaper as a journalist, and by twenty she was the author of a weekly 'Society' column.At twenty-one Glaspell enrolled at Drake University. A philosophy major, she also excelled in debate competitions, and represented Drake at the state tournament in her senior year.The day after her graduation, Glaspell again worked as a reporter, still a rare position for a woman. She was assigned to cover the state legislature and murder cases.At twenty-four, after covering the conviction of a woman accused of murdering her abusive husband, Glaspell abruptly resigned and moved back to Davenport, and with it, a hoped for career writing fiction.Her stories were published by many periodicals, including Harper's and Munsey's.Moving to Chicago she wrote her first novel, The Glory of the Conquered, in 1909. It was a best-seller.As was Glaspell's second novel, The Visioning, published in 1911 and her third, Fidelity in 1915. Each novel also received glowing reviews.With her husband Glaspell founded the Provincetown Playhouse devoted to plays that were more able to reflect contemporary American issues. Her first play, Trifles (1916), was based on the murder trial she covered as a young reporter in Des Moines. She wrote twelve groundbreaking plays over seven years for the company. By 1918 Glaspell was considered one of America's most significant new playwrights.However, the impact and critical success of Glaspell's theatre work did not unfortunately make financial sense. Therefore she continued to submit short stories in order to support her and her husband during their years with the theater.In 1931 she wrote the excellent play, Alison's House, for which she received the Pulitzer Prize.In 1936 Glaspell moved to Chicago as the Midwest Bureau Director of the Federal Theater Project. When that finished she returned to Cape Cod using the Mid-West experience in her last three novels which were increasingly focused on the region, on family life, and on theistic questions; The Morning is Near Us (1939), Norma Ashe (1942), and Judd Rankin's Daughter (1945).Susan Keating Glaspell died of viral pneumonia in Provincetown on July 28, 1948.

Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish 'The Girl From Hollywood' a gentle title that in the hands of an ordinary writer might be just so but in the hands of Edgar Rice Burroughs the title is just the beginning.....

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

Upton Sinclair (1878-1968) was a prolific American novelist and a political activist. Apart from his bestselling novels, which told in black and white, illuminated the realities of the United States at the turn of the twentieth century, he is remembered today for championing socialist causes that were naturally unpopular in conservative America. In classics like 'The Jungle' his work had considerable effects on American politics and legislation. Sinclair's socialist ideals and dreams found their way to his fiction as he believed that no art can be practiced for art's sake as long as humanity still suffers from persistent dangers and evils. Such orientations have often subjected Sinclair to harsh criticism and even to demonization from numerous critics and politicians of his time, the most distinguished among which was probably President Theodore Roosevelt. However his legacy is that of a successful and established novelist and activist who if not always righting the balance was able to bring an incisive mind and mass exposure to many areas and industries.

William Shakespeare was born in Stratford-upon-Avon in late April 1565 and baptised there on 26th April. He was one of eight children. Little is known about his life but what is evident is the enormous contribution he has made to world literature. His writing was progressive, magnificent in scope and breathtaking in execution. His plays and sonnets helped enable the English language to speak with a voice unmatched by any other. William Shakespeare died on April 23rd 1616, survived by his wife and two daughters. He was buried two days after his death in the chancel of the Holy Trinity Church. The epitaph on the slab which covers his grave includes the following passage, Good friend, for Jesus's sake forbear, To dig the dust enclosed here. Blessed me the man that spares these stones, And cursed be he that moves my bones. Here we publish his comedy from 1611 'The Tempest'.

For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of Women In Love or Lady Chatterley's Lover? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels and of course his poetry - he wrote in excess of 800 of them he was also a very talented playwright. These works have not been given quite the attention they deserve. Here we publish 'The Fight For Barbara'.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.