This eBook features the unabridged text of ‘An Enemy of the People by Henrik Ibsen - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Henrik Ibsen’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Ibsen includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘An Enemy of the People by Henrik Ibsen - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Ibsen’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

This is the fifth volume of a new series of publications by Delphi Classics, the best-selling publisher of classical works. Many poetry collections are often poorly formatted and difficult to read on eReaders. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents the complete poetical works of Walt Whitman, with beautiful illustrations and the usual Delphi bonus material. (Version: 1) * Beautifully illustrated with images relating to Whitman’s life and works * Concise introductions to the poetry and other works * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes two collections of Whitman’s letters – spend hours exploring the poet’s personal correspondence * Also includes Whitman’s scarce novel FRANKLIN EVANS, appearing here for the first time in digital print * Features the complete prose works * Scholarly ordering of texts into chronological order and literary genres CONTENTS: The Poetry Collections LEAVES OF GRASS, 1855 LEAVES OF GRASS, 1892 OLD AGE ECHOES UNCOLLECTED AND REJECTED POEMS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Novel FRANKLIN EVANS Other Prose Works LIST OF PROSE WORKS The Letters THE WOUND DRESSER THE LETTERS OF ANNE GILCHRIST AND WALT WHITMAN

This eBook features the unabridged text of ‘Life of Harriet Beecher Stowe by Charles Edward Stowe by Harriet Beecher Stowe - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Harriet Beecher Stowe’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Stowe includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Life of Harriet Beecher Stowe by Charles Edward Stowe by Harriet Beecher Stowe - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Stowe’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

Tom is a young chimney sweep, who falls into a river after meeting an upper-class girl named Ellie and being chased out of her house. There he drowns and is transformed into a water-baby. Tom embarks on a series of adventures and lessons, and enjoys the community of other water-babies once he proves himself a moral creature.

Dostoyevsky is the only psychologist from whom I had something to learn', remarked Friedrich Nietzsche. 'He ranks among the most beautiful strokes of fortune in my life'. Discover the universal truths and wisdoms of Dostoyevsky in this volume of Dostoyevsky's tales including: An Honest Thief, The Heavenly Christmas Tree, The Peasant Marey.

Alice and Virginia Madden move to London and renew their friendship with Rhoda, an unmarried bluestocking. She is living with the also unmarried Mary Barfoot, and together they run an establishment teaching secretarial skills to young middle-class women remaindered in the marriage equation.

Thyrza Trent, a young hat-trimmer, meets and falls in love with Walter Egremont, an Oxford-trained idealist who gives lectures on literature to workers. Trapped by birth and circumstance, Thyrza is attempting to escape her destiny in this tale of ambition, romance, betrayal and disillusionment.

It was now two years and a half since the castaways from the balloon had been thrown on Lincoln Island, and during that period there had been no communication between them and their fellow-creatures. Once the reporter had attempted to communicate with the inhabited world by confiding to a bird a letter which contained the secret of their situation, but that was a chance on which it was impossible to reckon seriously. Ayrton, alone, under the circumstances which have been related, had come to join the little colony.

Lord Arthur Savile's Crime is the opening story in this volume of Oscar Wilde tales and this collection will delight the reader with slightly darker undertones of Wilde's hugely enjoyable humorous tales. Also included in this collection: The Canterville Ghost, The Sphinx Without a Secret, The Modle Millionaire, The Protrait of Mr. W.H.

Perpetual winter comes to a beautiful garden of the selfish giant who erected a wall around it to stop children playing in the garden. Unexpected consequences follow. The birds stop singing in this garden and both trees and flowers stop blossoming. One day discovers that spring has returned to the garden, as the children have found a way in through a gap in the wall. He sees the error of his ways, and resolves to destroy the wall.

Little Hans spends most of his time gardening and makes a living from sales of his beautiful flowers. Little Hans always treats his neighbours well and even allows neighbouring rich Miller to pick flowers from his garden. But the Miller rarely invites Hans into his house or responds in kind. The Miller instead develops has his own philosophy of friendship: ‘Lots of people act well but very few people talk well, which shows that talking is much the more difficult thing of the two, and much the finer thing also'.

The play opens with a party on a terrace in Lady Hunstanton's estate. The upper class guests exchange social gossip and small talk. Lady Caroline Pontrefact patronizes an American visitor, Hester Worsley, and proceeds to give her own opinion on everyone in the room and her surrounding life. Lady Caroline also denounces Hester's enthusiasm for Gerald Arbuthnot until Gerald himself enters to proclaim that Lord Illingworth, a powerful, flirtatious male political figure intends to take him under his wing as secretary.

Hughie Erskine is in love and wants to marry, but the girl's father will not allow it, since Erskine has no money. Erskine's friend Alan Trevor is a painter, and he visits him at his studio one day to find him with a pitiable beggar — the model for his painting. Erskine only has one coin, on which he depends for transportation, but he decides he can walk for a couple of weeks and gives the beggar the coin.

阴阳家所倡导的阴阳五行观念自西汉时起成为中国传统社会无所不在的文化要素，故欲了解中国古代的宇宙图式、政治运作、制度设计、生活方式、价值取向乃至身心修炼，则不能不对阴阳家和阴阳五行思想有所认识。本书上篇以阴阳五行观念为主轴，辨析其发生演变之源流，及其对儒学、易学、医学、仙学、理学之渗透，明其道而述其学；下篇则选择星占、风水、相人、算命四种术数加以扼要之介绍，窥其术而析其技，裨使阅者能得阴阳家和阴阳五行思想之大略。

Ν?ο-ιστορικ?, ρεαλιστικ?, κοινωνικ?-πολιτικ? μυθιστ?ρημα, ιδια?τερα επ?καιρο, μια δυνατ? αναφορ? στην προσφυγικ? κρ?ση, που χτυπ? κυρ?ω? τα παιδι?, τα ασυν?δευτα προσφυγ?πουλα.Το φθιν?πωρο του 2014, η Λητ?, φιλ?λογο?, τοποθετε?ται ω? αναπληρ?τρια καθηγ?τρια σε Γυμν?σιο του νησιο? τη? Κω. Εκε?, συναντ? πρ?σφυγε? που καταφθ?νουν με σαπιοκ?ραβα απ? τι? τουρκικ?? ακτ??. Αποφασ?ζει συνειδητ? να βοηθ?σει του? πρ?σφυγε?, ω? εθελ?ντρια, στο ?Ιπποκρ?τειο? νοσοκομε?ο τη? Κω. Στο θ?λαμο του νοσοκομε?ου συναντ? τρει? Σ?ριου? πρ?σφυγε?, βαρι? τραυματισμ?νου?, τον Ασλ?ν, παλι? γν?ριμο, απ? τι? κοιν?? του? μεταπτυχιακ?? σπουδ?? στη Σκωτ?α, μαζ? με ?λλου? δυο Σ?ριου? φ?λου? του, τον Τζαμ?λ και τον Οσ?μα, που συνοδε?ουν ενν?α μικρ? παιδι?, προσφυγ?πουλα, ορφαν? πολ?μου. Η Λητ? εμπλ?κεται στη ζω? των τρι?ν ανδρ?ν και των ενν?α παιδι?ν. Το προσφυγικ? ζ?τημα γ?νεται δικ? τη? θ?μα, κομμ?τι του ψυχισμο? τη?, πρ?γμα που εκφρ?ζεται ?ντονα στα τραγο?δια που πα?ζει στην κιθ?ρα τη?, στου? μαθητ?? τη? στο σχολε?ο τη? Κω, στη ζω? τη?, στον τρ?πο που αναζητ? τι? θ?σει? τη? Ευρωπα?κ?? ?νωση?, τη? ?πατη? Αρμοστε?α? του ΟΗΕ, των εμπλεκ?μενων κρατ?ν. Στηρ?ζει με ιδια?τερη ευαισθησ?α τα ασυν?δευτα παιδι? - προσφυγ?πουλα, που π?φτουν θ?ματα επικ?νδυνων εγκληματι?ν και χ?νονται κατ? τη δι?ρκεια τη? πορε?α? του? προ? την κεντρικ? και β?ρεια Ευρ?πη, σε βρ?μικα κυκλ?ματα εκμετ?λλευση?, πορνε?α?, παιδεραστ?ν, εμπορ?ου ανθρωπ?νων οργ?νων, ναρκωτικ?ν, κ.?. Ο δυνατ?? ?ρωτ?? τη? για τον Ασλ?ν και η αγ?πη τη? για τα παιδι? την οδηγε? μαζ? του?, στην κεντρικ? Ευρ?πη και στην ενεργ? συμμετοχ? τη? στο προσφυγικ? ζ?τημα καθ?? και στην τοποθ?τησ? τη? με πρακτικ? τρ?πο, σε ?να θ?μα που αφορ? ?λη την Ευρ?πη, την παγκ?σμια κοιν?τητα, τον ΟΗΕ, καθ?? χτυπ?ει β?ναυσα, εδ? και χρ?νια, του? λαο?? τη? Μεσογε?ου και υποθ?λπει κρυφ?, ?νομα, αλλ? και φανερ? συμφ?ροντα.Ε?ναι ?να βιβλ?ο που χτυπ? τον ρατσισμ?, την ξενοφοβ?α, τι? θρησκευτικ?? προκαταλ?ψει?, στηρ?ζει τον ?νθρωπο και τι? πανανθρ?πινε? αξ?ε?, που κουρελι?ζονται απ? πολ?μου?, εμφυλ?ου?, μ?ση, φανατισμο?? και ζητ? αλληλεγγ?η και πιστ? εφαρμογ? των ν?μων και καν?νων του ΟΗΕ, που ?χουν να κ?νουν με τα ανθρ?πινα δικαι?ματα.

A new-historical, realistic, social-political novel. A current, strong reference to the refugee crisis, which strikes the unescorted innocent refugee children.At the beginning of the autumn of 2014, Leto, a teacher of Greek literature is assigned in a secondary school of Kos, as a contract teacher. There, she meets a lot of refugees from Syria, who arrive on the island, with old and rusty boats, from the Turkish shores. After a big wreck, she consciously decides to help them as a volunteer in “Hippokratio” hospital of Kos. There, she is responsible for three heavily injured men from Syria. One of them is Aslan, a friend from their common post graduate studies in Aberdeen University, Scotland. In the same room, there are two other friends of him, Jamal and Ossama. They all accompany nine refugee children, orphans of the war. Leto is involved in the life of the three injured men and the nine refugee children. The refugee issue becomes her own issue, a part of her, which she wholeheartedly expresses through playing her guitar to her students of Kos throughout her whole life. She challenges the attitudes of European Union and the United Nations High Commissioner for Refugees, as well as all the involved nations. She stands by the unescorted refugee children, sensitively, who become victims of dangerous criminals and they get lost in den of vices of prostitution, pederasty, trafficking in human organs, drugs and so on, on their way to the Central and North Europe. Leto’s strong love for Aslan and her love for children leads her to the Central Europe where she participates energetically to the refugee matter, and she takes position practically, to an item which overconcerns all Europe, the whole world, the United Nations, as it brutally beats all the nations of Mediterranean Sea, pandering hidden and illegal interests, but obvious too.A book which challenges racism, xenophobia and religious prejudice, stands by the human and supports the universal values that are torn up by the war, the civil war, the total hatreds, and fanatics. It is asking for solidarity and faithful implementation of laws and rules of the U.N., which are closely linked to the human rights.

More’s “Utopia” was written in Latin, and is in two parts, of which the second, describing the place ([Greek text]—or Nusquama, as he called it sometimes in his letters—“Nowhere”), was probably written towards the close of 1515; the first part, introductory, early in 1516. The book was first printed at Louvain, late in 1516, under the editorship of Erasmus, Peter Giles, and other of More’s friends in Flanders. It was then revised by More, and printed by Frobenius at Basle in November, 1518. It was reprinted at Paris and Vienna, but was not printed in England during More’s lifetime. Its first publication in this country was in the English translation, made in Edward’s VI.’s reign (1551) by Ralph Robinson. It was translated with more literary skill by Gilbert Burnet, in 1684, soon after he had conducted the defence of his friend Lord William Russell, attended his execution, vindicated his memory, and been spitefully deprived by James II. of his lectureship at St. Clement’s. Burnet was drawn to the translation of “Utopia” by the same sense of unreason in high places that caused More to write the book. Burnet’s is the translation given in this volume. The name of the book has given an adjective to our language—we call an impracticable scheme Utopian. Yet, under the veil of a playful fiction, the talk is intensely earnest, and abounds in practical suggestion. It is the work of a scholarly and witty Englishman, who attacks in his own way the chief political and social evils of his time. Beginning with fact, More tells how he was sent into Flanders with Cuthbert Tunstal, “whom the king’s majesty of late, to the great rejoicing of all men, did prefer to the office of Master of the Rolls;” how the commissioners of Charles met them at Bruges, and presently returned to Brussels for instructions; and how More then went to Antwerp, where he found a pleasure in the society of Peter Giles which soothed his desire to see again his wife and children, from whom he had been four months away. Then fact slides into fiction with the finding of Raphael Hythloday (whose name, made of two Greek words [Greek text] and [Greek text], means “knowing in trifles”), a man who had been with Amerigo Vespucci in the three last of the voyages to the new world lately discovered, of which the account had been first printed in 1507, only nine years before Utopia was written. Designedly fantastic in suggestion of details, “Utopia” is the work of a scholar who had read Plato’s “Republic,” and had his fancy quickened after reading Plutarch’s account of Spartan life under Lycurgus. Beneath the veil of an ideal communism, into which there has been worked some witty extravagance, there lies a noble English argument. Sometimes More puts the case as of France when he means England. Sometimes there is ironical praise of the good faith of Christian kings, saving the book from censure as a political attack on the policy of Henry VIII. Erasmus wrote to a friend in 1517 that he should send for More’s “Utopia,” if he had not read it, and “wished to see the true source of all political evils.” And to More Erasmus wrote of his book, “A burgomaster of Antwerp is so pleased with it that he knows it all by heart.” Sir Thomas More, son of Sir John More, a justice of the King’s Bench, was born in 1478, in Milk Street, in the city of London. After his earlier education at St. Anthony’s School, in Threadneedle Street, he was placed, as a boy, in the household of Cardinal John Morton, Archbishop of Canterbury and Lord Chancellor. It was not unusual for persons of wealth or influence and sons of good families to be so established together in a relation of patron and client. The youth wore his patron’s livery, and added to his state. The patron used, afterwards, his wealth or influence in helping his young client forward in the world.

Numele lui Comenius s-a ?nscris ?n istoria literaturii cehe ?i universale prin cea mai important? lucrare a sa de beletristic?, romanul alegoric Labirintul lumii ?i raiul inimii. Cartea cuprinde dou? p?r?i. ?n prima, Labirintul lumii, este ?nf??i?at? alegoric lumea sub forma unui ora? medieval, amintind de un labirint pe care ?l parcurge c?l?torul-povestitor. ?n cea de-a doua parte, Raiul inimii, c?l?torul se retrage dezam?git ?n l?ca?ul inimii sale, unde ?l ?nt?lne?te pe Dumnezeu, iar credin?a ?i aduce pacea ?i alinarea. C?l?torul este de fapt reprezentarea alegoric? a curiozit??ii omene?ti; el str?bate ora?ul-lume c?ut?ndu-?i o ?ndeletnicire pl?cut? sufletului ?i trupului.Labirintul lumii ?i raiul inimii face parte din a?a-numita serie de scrieri de consolare, prin care Comenius ?ncerca s? arate c? destinul oamenilor este condus prin dreapta decizie a lui Dumnezeu. Romanul este considerat de critica literar? ceh? ca fiind cea mai reu?it? lucrare a literaturii vechi, cel mai frecvent tip?rit? p?n? ?n zilele noastre.

Within our Society (the International Society for Krishna Consciousness), guru has been taken to be synonymous with diksa-guru, but what about those great souls who have introduced us to Krsna consciousness? What relationship do we have with these Vaisnavas, and what are our obligations toward them, as well as toward parents, teachers, sannyasis, and other superiors who help guide us back to Godhead? Not much has been said by the Society on these topics, and hardly any appreciation is shown for those souls who labor to elevate us day by day.The scriptures, however, glorify as guru all Vaisnavas who guide a conditioned soul back to Godhead — be they instructors or initiators — advocating a culture of honor and respect. ISKCON needs to reflect upon these principles further, and the purpose of this book is to act as a catalyst toward such an end.

...a knyvet ne tekintsük úgy, mint amelynek a fejldése már befejezdtt, és amin már nincs is mit tkéletesíteni... azzal mintha nem foglalkozna senki, hogy a knyvet miként lehetne az olvasó számára használhatóbbá tenni... nagyon is el tudnék képzelni ergonomikusabban megtervezett és knnyebben kézben tartható knyvet is (amelyet nem ejtek el, ha a mobilom után kezdek kotorászni a 6-os villamoson. Ha egyszer vehetünk jobban kézbe ill tollat, akkor talán ez sem képtelenség).”

Potere, cortigianeria, dispotismo, libertà, uguaglianza... attuali o inattuali la satira d'Holbach e La Boétie? Cambiano i tempi e i nomi, ma la natura umana nel suo fondo negli ultimi secoli non è mutata. Com'è virtù di tutti i classici, le loro voci continuano a farci sorridere, indignare e riflettere non solo sul passato ma ugualmente sul presente e sul futuro, su quanto in esso ci possa essere di desiderabile o indesiderabile. In Appendice, i testi si possono leggere anche nella loro originaria edizione in francese. SOMMARIO?- Fabrizio Pinna, Una introduzione (in due tempi) e qualche digressione: I. Barone d'Holbach, "Quest'arte sublime dello strisciare"...; II. ?tienne de La Boétie, "Siate determinati di non voler più servire ed eccovi liberi"... . LIBERT? & POTERE: Paul Henri Thiry d'Holbach, Saggio sull'arte di strisciare ad uso dei cortigiani; Paul Henri Thiry d'Holbach, I Cortigiani; Jean le Rond d'Alembert, Cortigiano; ?tienne de La Boétie, La servitù volontaria. APPENDICE I: Libertà Uguaglianza (1799)- Il Cittadino Editore. APPENDICE II: Essai sur l’art de ramper, à l’usage des courtisans (1764) - Paul Henri Thiry d'Holbach; Des Courtisans (1773) - Paul Henri Thiry d'Holbach; Courtisan (1752) / Courtisane (1754) - Jean le Rond d'Alembert; Discours de la servitude volontaire o Contr'un (1549) - ?tienne de La Boétie.?LE COLLANE IN/DEFINIZIONI & CON(TRO)TESTI