Orchid Growing for Beginners:A Beginners Starters Guide to Growing Orchids
¥38.62
WANT TO LEARN THE INS AND OUTS OF ORCHID GROWING FOR BEGINNERS? Here Is A Preview Of What You'll Learn... Why Should I Grow Orchids? What My Orchid Needs Important Growing Requirements for Your Orchids Re-potting Your Orchids Propagation to Help Grow More Orchids Much, Much, More!
Gardening for Beginners
¥38.62
WANT TO LEARN THE INS AND OUTS OF GARDENING FOR BEGINNERS? Here Is A Preview Of What You'll Learn About Container Gardening... Getting the Containers for Your Garden Creating a Good Environment for the Container Plants Choosing the Right Time to Plant The Best Plants to Grow in Your Container Garden Tips for Helping Your Plants to Thrive Much, Much, More! Here Is A Preview Of What You'll Learn About Greenhouse Gardening... Setting Up a Greenhouse Garden Growing Plants in Your Greenhouse Ways to Control the Climate in the Greenhouse Some of the Best Planting Methods in the Greenhouse How to Get Rid of the Pests Much, Much, More! Here Is A Preview Of What You'll Learn About Vertical Gardening... Setting Up the Base You Need in Your Garden Working on the Maintenance of Your Vertical Garden Making Room for the Plants Picking Out the Right Plants Some Tips for Your Vertical Garden Much, Much, More!
February:A Screenplay
¥8.09
In FEBRUARY, together, Sergeant Femi Kolawole and investigative journalist Chioma Okafor solves Emeka's Valentine-day murder, and on doing so, Chioma is exposed to Femi's heroic personality, which makes her eventually fall in love with him.The Plot:Chioma Okafor, a young investigative journalist, is pressured by her over-ambitious mother into an unwanted romantic relationship with Uche, a young sophisticated university lecturer. Chioma yields to her mother’s pressure, hoping she would eventually fall in love with Uche as her mother assured, but she never did. On a Valentine date with Uche, Chioma gets a glimpse of what her relationship has been missing, as she feels love for the first time with Emeka, a handsome stranger who’s unfortunately expecting a baby with Amara, a girl who Uche used to date in university. Uche turns a relationship that he intended to blow up into an engagement on Valentine's day, into a blood bath before midnight. Chioma who survives the near-death experience, narrates her Valentine dilemma to Femi, a clever Police Sergeant. The Twist:Everybody thinks Uche died that night, but a strange text message sent from Chioma’s phone to Emeka, triggers a series of twisted events, which proves that the jealous and malicious Uche is still alive and in the wind, and that the life of Chioma is hanging down by a thin thread. The ultimate question is: 'Since Uche is alive, then who is the man laying lifeless in the mortuary?' Chioma is certainly not pleased with the answer. Femi forcefully becomes Chioma’s personal bodyguard, while he hunts down Uche, an innocent-looking man who Femi had met a day ago and poorly judged. Follow Femi as he uncovers this intriguing murder mystery that nobody even knew happened.The Play:The screenplay starts with a scene of a couple whose faces aren’t revealed to the screen, laying MOTIONLESS in a wrecked car, covered in their own blood, and ends in a conference room, as Chioma calls Femi to tell him how she feels about him.FEBRUARY is a unique blend of romance, comedy, suspense, and adventure. A beautifully crafted story of love, jealousy, betrayal, conspiracy, and ambition.
Floufla the Rebellious Pig
¥52.65
Once upon a time, pig had friends in a pig farm. She was liked to talk about politics with other animals about their future. The day came in which a butcher and his son took her to a slaughterhouse. She was taken to the garden while the family went to the supermarket, thinking of how to prepare our little pig as a dish. In the meanwhile, the pig seeks for the help of various insects, such as a ladybug, a grasshopper, and the ants nearby, but all refuse to help her. The butterfly wanted to help, but she was in a hurry, as she was afraid of being captured by the kids. It seemed the rebellious pig was done for. A very caring bee, however, came near the garden. Floufla told the bee she would turn into roasted pork for dinner. Fearing for Floufla’s future, the bee ran to her beehive to inform the Queen about the incident. The queen decided to stop the operations of the beehive and organize an Extraordinary Council, and the board decided to help Floufla under the directions of the Queen. The working bees, disciplined and obedient, stung the family and sacrificed themselves for Floufla’s freedom. While the family was busy trying to relieve themselves with ointments, Floufla escapes to the meadow, and before Floufla departs, the Queen gives her a final piece of advice that Floufla should observe those around her and respect their diversity.
The Voyage Out
¥40.79
Rachel Vinrace embarks for South America on her father's ship and is launched on a course of self-discovery in a kind of modern mythical voyage. The mismatched jumble of passengers provide Woolf with an opportunity to satirise Edwardian life. The novel introduces Clarissa Dalloway, the central character of Woolf's later novel, Mrs. Dalloway. The work is distinguished by its innovative narrative style and the focus on feminine consciousness and sexuality.
Utilitarianism
¥40.79
The book explains what utilitarianism is, why it is the best theory of ethics, defends it against a wide range of criticisms and misunderstandings. Though heavily criticized both in Mill's lifetime and in the years since, Utilitarianism did a great deal to popularize utilitarian ethics and was 'the most influential philosophical articulation of a liberal humanistic morality that was produced in the nineteenth century.'
My Lady Ludlow
¥40.79
I am an old woman now, and things are very different to what they were in my youth. Then we, who travelled, travelled in coaches, carrying six inside, and making a two days’ journey out of what people now go over in a couple of hours with a whizz and a flash, and a screaming whistle, enough to deafen one. Then letters came in but three times a week: indeed, in some places in Scotland where I have stayed when I was a girl, the post came in but once a month;—but letters were letters then; and we made great prizes of them, and read them and studied them like books. Now the post comes rattling in twice a day, bringing short jerky notes, some without beginning or end, but just a little sharp sentence, which well-bred folks would think too abrupt to be spoken. Well, well! They may all be improvements,—I dare say they are; but you will never meet with a Lady Ludlow in these days.
The Torrents of Spring
¥40.79
The story follows a young Russian landowner named Dimitry Sanin who falls deliriously in love for the first time while visiting the German city of Frankfurt. It is widely held as one Turgenev's greatest novels as well as being highly autobiographical in nature.
The Tale of Mr. Jeremy Fisher by Beatrix Potter - Delphi Classics (Illustrated)
¥8.09
This eBook features the unabridged text of ‘The Tale of Mr. Jeremy Fisher by Beatrix Potter - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Beatrix Potter’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Potter includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Tale of Mr. Jeremy Fisher by Beatrix Potter - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Potter’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Liberty Bazaar
¥40.79
Liverpool, 1863: Newly arrived in England, wealthy liberals enlist Trinity, an escaped slave girl, in their campaign to abolish slavery and support Abraham Lincoln's Union. Jubal, a high-ranking Confederate officer, has just arrived in Liverpool to find supporters and raise funds for the opposing side. When Trinity discovers a high-stakes conspiracy there to help win the war for the Southern States, she must risk everything to stop it – including her new-found freedom. But who will believe a runaway slave? And who can she really trust?
Harry and Me
¥31.07
A collection of stories featuring 7 year old Andy and his adventures with his best friend 'Harry the Spider'. This is an illustrated book educating children about the insect world in a way that entertains and removes phobias. ?
The Western Front 1917–1918: From Vimy Ridge to Amiens and the Armistice
¥81.67
The History of World War I series recounts the battles and campaigns that took place during the 'Great War'. From the Falkland Islands to the lakes of Africa, across the Eastern and Western Fronts, to the former German colonies in the Pacific, the World War I series provides a six-volume history of the battles and campaigns that raged on land, at sea and in the air. Following the climactic battles of Verdun and the Somme the previous year, the Allies sought to finish the war on the Western Front in 1917 through a major French offensive designed to rupture the German front and roll up their position. This attack was to be supported by a diversionary British offensive at Arras in the north, which would draw off both German attention and their reserves. In the event, the French offensive in Champagne failed to deliver the promised breakthrough, leaving the French Army in a state of open mutiny. While French discipline recovered, the British Expeditionary Force took on the burden of the bulk of the fighting for the rest of the year. The need for an Allied offensive to take the pressure off the French resulted in the Third Battle of Ypres, more commonly known as Passchendaele. The battle degenerated into a slaughter in the Flanders mud thanks to heavy rain, and the only rays of light for the Allies at the end of 1917 were the arrival of fresh American troops on the Western Front, and the potential for a decisive victory shown by the use of armour at the Battle of Cambrai. However the Russian Revolution brought the fighting on the Eastern Front to an end, releasing numerous battle-hardened divisions to reinforce the Germans in the west. The year 1918 saw Germany launch her Spring Offensives, desperate attempts to defeat the Allies before the Americans could arrive in force. Although these assaults came close to breaking the Allied line, they eventually petered out in the face of determined resistance and over-extended supply lines. Following the Battle of Amiens in August, the Allies pressed onwards: the British in Flanders, the French and the Americans in the Meuse-Argonne region. By September it was obvious that Germany was losing the war, and the decision was made to sue for peace before Allied troops reached German soil. The Armistice came into force at 11am on the morning of 11 November 1918, although the war did not officially end until the signing of the Treaty of Versailles in June 1919. With the aid of over 300 black and white and colour photographs, complemented by full-colour maps, The Western Front 1917–1918 provides a detailed guide to the background and conduct of the conflict on the Western Front in the final years of World War I.
Byron's Complete Poetry
¥8.09
Byron's Complete Poetry
The Song of the Stone Wall
¥8.09
The Song of the Stone Wall
A Study of Shakespeare
¥8.09
A Study of Shakespeare
The Opera
¥8.09
The Opera
Az akasztott király: kortárs dráma
¥24.44
Az akasztott király: kortárs dráma
A Story of the Golden Age of Greek Heroes: Pictured & Illustrated
¥28.29
YOU have heard of Homer, and of the two wonderful poems, the Iliad and the Odyssey, which bear his name. No one knows whether these poems were composed by Homer, or whether they are the work of many different poets. And, in fact, it matters very little about their authorship. Everybody agrees that they are the grandest poems ever sung or written or read in this world; and yet, how few persons, comparatively, have read them, or know any thing about them except at second-hand! ? Homer commences his story, not at the beginning, but "in the midst of things;" hence, when one starts out to read the Iliad without having made some special preparation beforehand, he finds it hard to understand, and is tempted, in despair, to stop at the end of the first book. Many people are, therefore, content to admire the great masterpiece of poetry and story-telling simply because others admire it, and not because they have any personal acquaintance with it.? Now, it is not my purpose to give you a "simplified version" of the Iliad or the Odyssey. There are already many such versions; but the best way for you, or any one else, to read Homer, is to read Homer. If you do not understand Greek, you can read him in one of the many English translations. You will find much of the spirit of the original in the translations by Bryant, by Lord Derby, and by old George Chapman, as well as in the admirable prose rendering by Butcher and Lang; but you can get none of it in any so-called simplified version.??My object in writing this "Story of the Golden Age" has been to pave the way, if I dare say it, to an enjoyable reading of Homer, either in translations or in the original. I have ta-ken the various legends relating to the causes of the Trojan war, and, by assuming certain privileges never yet denied to story-tellers, have woven all into one continuous narrative, ending where Homer's story begins. The hero of the Odyssey—a character not always to be admired or commended—is my hero. And, in telling the story of his boyhood and youth, I have taken the opportunity to repeat, for your enjoyment, some of the most beautiful of the old Greek myths. If I have, now and then, given them a coloring slightly different from the original, you will remember that such is the right of the story-teller, the poet, and the artist. The essential features of the stories remain unchanged. I have, all along, drawn freely from the old tragedians, and now and then from Homer himself; nor have I thought it necessary in every instance to mention authorities, or to apologize for an occasional close imitation of some of the best translations. The pictures of old Greek life have, in the main, been derived from the Iliad and the Odyssey, and will, I hope, help you to a better understanding of those poems when you come to make acquaintance directly with them.??Should you become interested in the "Story of the Golden Age," as it is here related, do not be disappointed by its somewhat abrupt ending; for you will find it continued by the master-poet of all ages, in a manner both inimitable and unapproachable. If you are pleased with the discourse of the porter at the gate, how much greater shall be your delight when you stand in the palace of the king, and hearken to the song of the royal minstrel! ?
Nero
¥27.88
IN ancient times, when the city of Rome was at the height of its power and splendor, it was the custom, as it is in fact now with the inhabitants of wealthy capitals, for the principal families to possess, in addition to their city residences, rural villas for summer retreats, which they built in picturesque situations, at a little distance from the city, sometimes in the interior of the country, and sometimes upon the seashore. There were many attractive places of resort of this nature in the neighborhood of Rome. Among them was Antium.??The beauty and the salubrity of Antium made it a very attractive place of summer resort for the people of Rome; and in process of time, when the city attained to an advanced stage of opulence and luxury, the Roman noblemen built villas there, choosing situations, in some instances, upon the natural terraces and esplanades of the promontory, which looked off over the sea, and in others cool and secluded retreats in the valleys, on the land. It was in one of these villas that NERO was born.??NERO's father belonged to a family which had enjoyed for several generations a considerable degree of distinction among the Roman nobility, though known by a somewhat whimsical name. The family name was Brazenbeard, or, to speak more exactly, it was Aheno-barbus, which is the Latin equivalent for that word. ?
America First: —100 Stories from Our History—
¥23.54
WHEN children advance beyond the nursery age, no story is so wonderful as a true story. Fiction to them is never as appealing as fact. I have often been faced with the inquiry: whether or not a story is a true one. The look of gratification, when told that "it actually happened," was most satisfying to me as a story-teller.??The nearer a story is to the life and traditions of the child, the more eagerly it is attended. True stories about our own people, about our neighbors and friends, and about our own country at large, are more interesting than true stories of remote places and people. We naturally are interested in our own affairs, and the nearer they are to us the greater the interest we feel.??That history is just a long, thrilling story of the trials and triumphs of pioneers and patriots is well known to those who have had to do with the teaching of history to youthful minds. That the dry recital of political and governmental history does not interest children is also well known. History should be made vital, vibrant, and personal if we expect children to be stirred by its study.?To gratify the love of children for the dramatic and picturesque, to satisfy them with stories that are true, and to make them familiar with the great characters in the history of their own country, is the purpose of this volume.??It is hoped that through appeal to youthful love of adventure, this collection of stories, covering the entire range of American history, will stimulate the ambition and strengthen the patriotism of those young citizens whose education has been the constant concern of the author for many years.
Trusts a Practical Guide
¥24.44
Within the genre of financial selfhelp, ‘Trusts A Practical Guide’ is an invaluable and rare resource for financial experts and members of the public alike who need a reference work on a subject that is, on the face of it, complex but which undeniably affects many people’s lives at one point or another. Whatever your occupation or background, you are almost certain at some time to need some understanding of this subject, whether in your own financial planning or in advising those around you – and this guide is particularly helpful when dealing with a relative’s probate or the complex issues arising from an inheritance.After thirtyfive years at the top of his profession, FSA member Terry O'Halloran writes passionately and informatively, not only about his subject but also about the importance of spreading the word to others. He has seen many times first hand the benefits of wellorganized and implemented financial planning on people’s lives. More poignantly, he has seen what can happen when such matters are left to chance.Using famous historical characters, placing them in recognizable situations and using real life case histories, he explains the organization and procedure of Trusts simply and easily bringing his subject alive by putting it in a perspective that is easily assimilated by the layman. Terry O'Halloran clearly explains the intricacies of Trusts and confronts their realities with reallife examples such as a family case involving a number of exwives, a business partnership that goes very expensively wrong and even the attempted murder of a director and removal of the wouldbe assassin (as a Trustee). Building the full picture from simple steps, the author explains the merits or otherwise of trusts and their uses with life assurance and pension products. “Trusts are the most important adjunct to life assurance, business protection, estate planning and pension provision. A basic understanding is essential,” he insists. After searching in vain for a book for his own use, the need for a reference book on this subject was clear. “I needed a reference book that I could refer to during the working day but which would also be simple enough for any of my clients to understand. So I wrote one – in fact I had to write it because there was simply nothing suitable in existence. Moreover, I use it all the time. My own copies are dogeared from use.” “I believe,’ Trusts’ is a practical tool for the professional’s everyday use and a good guide for the layman.

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