Using the vivid, poignant and personal stories of the members of a website support group she founded (www.depressionfallout.com), Anne Sheffield, the author of two highly acclaimed books on depression, provides an honest record of what happens to a love relationship once depression enters the picture, and offers solid advice on what the nondepressed partner can do to improve his or her own life and the relationship. Of the millions of people who suffer from a depressive illness, few suffer in solitude. They draw the people they love spouses, parents, children, lovers, friends into their illness. In her first book, How You Can Survive When They're Depressed, Anne Sheffield coined the phrase 'depression fallout' to describe the emotional toll on the depressive's family and close friends who are unaware of their own stressful reactions and needs. She outlined the five stages of depression fallout (confusion, self doubt, demoralisation, anger, and the need to escape) and explained that these reactions are a natural result of living with a depressed person.

Rule #1 Don't lose focus...Barrel racer Alicia Kanani has had a long road to the top and she's not quite there yet. Finances have always been tight, and in the glitz and glam world of professional rodeo, that means that second best is probably the best she can hope for. With the National Finals coming up, she's certainly not looking for a pair of cowboys to distract her.Rule #2 Don't gamble what you can't live without Playboy Chris Thomas is sure Alicia's the perfect woman for his level-headed team roping partner, David Greenly. It seems like a match, until Chris realizes he wants Alicia for himself. The stakes have been raised; David and Chris are supposed to be a team, and this time, they're on opposite sides.Can Alicia rope this playboy's heart, or will they find themselves too tangled up to let true love in?

Courtney Harte is certain her missing father is a alive, lost somewhere deep in Indian territory. But she needs a guide to lead her safely through this dangerous, unfamiliar country, someone as wild and unpredictable as the land itself. And that man is the gunslinger they call Chandos.Courtney fears this enigmatic loner whose dark secrets torture his soul, yet whose eyes, bluer than the frontier sky, enflame the innocent, determined lady with wanton desires. But on the treacherous path they have chosen they have no one to trust but each other--as shared perils to their lives and hearts unleash turbulent, unbridled, passions that only love can tame.

As tall and striking as the Valkyries of legend, Dr. Rain Jordan is proud of her Norse ancestors despite their warlike ways. But she can't believe her eyes when a blow to her head transports her to a nightmarish battlefield of yore and there standing before her is the barbarian of her dreams.A wild-eyed berserker, Selik can slay a dozen Saxons with a single swing of his deadly sword yet he can't control a saucy wench from the future. In his eyes, Rain is a prisoner and he'd dearly love to avail himself of her medical skills not to mention her considerable knowledge of the male anatomy. But the infuriating woman has ideas of her own. If Selik isn't careful, the stunning siren might very well capture his savage heart and make a warrior of love out of . . . The Outlaw Viking

Sophocles' most profound and celebrated play in a vivid and dynamic new translation by award-winning poet Robert BaggOedipus the King remains, after 2,500 years, a shocking, suspenseful, and highly emotional drama in which a royal family is brought to hellish ruin by fate, an inscrutable god, and the kindness of a stranger. Oedipus must find and destroy the murderer of his predecessor, King Laios, to rid Thebes of the plague caused by the killer's undetected and malignant presence. The play's headlong action resembles a tautly woven criminal investigation, but one whose immense stakes pose a host of wrenching and still unresolved questions: What constitutes human guiltWhy do gods punish the innocentWhat are the limits of human intellectWhy do family bonds so often prove destructive?Robert Bagg's spare, idiomatic, and nuanced translation is ideally suited for reading, teaching, or performing. This is Sophocles for a new generation.

Double take A rapid or surprised second look, either literal or figurative, at a person or situation whose significance has not been completely grasped at first.Kevin Michael Connolly is a twenty-three-year-old man who has seen the world in a way most of us never will. Whether swarmed by Japanese tourists at Epcot Center as a child or holding court at the X Games on his mono-ski, Kevin Connolly has been an object of curiosity since the day he was born without legs. Growing up in rural Montana, he was raised like any other kid (except, that is, for his fathers MacGyver-like contraptions such as the butt boot). As a college student, Kevin traveled to seventeen countries on his skateboard, including Bosnia, China, Ukraine, and Japan. In an attempt to capture the stares of others, he took more than 33,000 photographs of people staring at him. In this dazzling memoir, Connolly casts the lens inward to explore how we view ourselves and what it is to truly see another person. We also get to know his quirky and unflappable parents and his girlfriend. From the home of his family in Helena, Montana, to the streets of Tokyo and Kuala Lumpur, Kevin's remarkable journey will change the way you look at others, and the way you see yourself.

In the follow-up to her beloved, bestselling The Man in the White Sharkskin Suit, Lagnado tells the story of her mother, Edith, coming of age in a magical old Cairo of dusty alleyways and grand villas. Then Lagnado revisits her own years in America as a schoolgirl in Brooklyn's immigrant enclaves, where she dreams of becoming the fearless Mrs. Emma Peel of The Avengers, coming of age in the turbulence of New York City's 1970s, and, later, as an "avenging" reporter for some of America's most prestigious newspapers. Not only a searing account of strangers in a strange land, The Arrogant Years is a lasting "meditation on exile and assimilation, feminism and the enduring ties of family." (San Francisco Chronicle)

The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, they met as contemporaries in the building yards of St. Peter's in Rome, became the greatest architects of their era by designing some of the most beautiful buildings in the world, and ended their lives as bitter enemies. Engrossing and impeccably researched, full of dramatic tension and breathtaking insight, The Genius in the Design is the remarkable tale of how two extraordinary visionaries schemed and maneuvered to get the better of each other and, in the process, created the spectacular Roman cityscape of today.

Veering from the ludicrous to the endearing and back again, Notes From a Small Island is a delightfully irreverent jaunt around the unparalleled floating nation that has produced zebra crossings, Shakespeare, Twiggie Winkie's Farm, and places with names like Farleigh Wallop and Titsey.

This anthology -- the first general-reader collection of writing by Italian American authors -- is part manifesto, part Sunday dinner. A gathering of voices old and new, some speak in the accents of another age, some completely contemporary and assured, and all together for the first time. To stand with all the other popular media images we represent, now, at last, one exists in written form, the literature of Italian American life.Inside, there are excerpts from novels, memoirs, short stories, essays, and poems -- by the living and the dead, the famous and the obscure. The excerpts are variously moving, funny, poignant, lusty, biting, reverent, witty, loving, angry, and wise, dealing in the most profound aspects of our lives no matter who we are: home, love, sex, family, food, work, God, death.Characters range from gangsters to grandmas, lovers to fighters, thinkers to doers, sinners to saints, with special appearances by Frank Sinatra and the Virgin Mary.

On the last hot day of summer in 1992, gunfire cracked over a rocky knob in northern Idaho, just south of the Canadian border. By the next day three people were dead, and a small war was joined, pitting the full might of federal law enforcement against one well-armed family. Drawing on extensive interviews with Randy Weaver's family, government insiders, and others, Jess Walter traces the paths that led the Weavers to their confrontation with federal agents and led the government to treat a family like a gang of criminals. This is the story of what happened on Ruby Ridge: the tragic and unlikely series of events that destroyed a family, brought down the number-two man in the FBI, and left in its wake a nation increasingly attuned to the dangers of unchecked federal power.

From the editors of Public Agenda.org, an entertaining, irreverent, and absolutely essential nonpartisan guide to the energy crisis Energy: It's a problem that never goes away (despite our best efforts as a nation to ignore it). Why has there been so much talk and so little actionIn Who Turned Out the LightsScott Bittle and Jean Johnson offer a much-needed reality check: The "Drill, Baby, Drill" versus "Every Day Is Earth Day" battle is not solving our problems, and the finger-pointing is just holding us up.Sorting through the political posturing and confusing techno-speak, they provide a fair-minded, "let's skip the jargon" explanation of the choices we face. And chapters such as "It's All Right Now (In Fact, It's a Gas)" prove that, while the problem is serious, getting a grip on it doesn't have to be. In the end, the authors present options from the right, left, and center but take just one position: The country must change the way it gets and uses energy, and the first step is to understand the choices.

America experienced unprecedented growth and turmoil in the years between 1815 and 1848. It was an age when Andrew Jackson redefined the presidency and James K. Polk expanded the nation's territory. Bancroft Prize–winning historian and literary critic David S. Reynolds captures the turbulence of a democracy caught in the throes of the controversy over slavery, the rise of capitalism, and the birth of urbanization. He brings to life the reformers, abolitionists, and temperance advocates who struggled to correct America's worst social ills, and he reveals the shocking phenomena that marked the age: violent mobs, P. T. Barnum's freaks, all-seeing mesmerists, polygamous prophets, and rabble-rousing feminists. Meticulously researched and masterfully written, Waking Giant is a brilliant chronicle of America's vibrant and tumultuous rise.

Whether he's on Broadway or at the movies, considering a new bestseller or revisiting a literary classic, Daniel Mendelsohn's judgments over the past fifteen years have provoked and dazzled with their deep erudition, disarming emotionality, and tart wit. Now How Beautiful It Is And How Easily It Can Be Broken reveals all at once the enormous stature of Mendelsohn's achievement and demonstrates why he is considered one of our greatest critics. Writing with a lively intelligence and arresting originality, he brings his distinctive combination of scholarly rigor and conversational ease to bear across eras, cultures, and genres, from Roman games to video games.His interpretations of our most talked-about films from the work of Pedro Almodóvar to Brokeback Mountain, from United 93 and World Trade Center to 300, Marie Antoinette, and The Hours have sparked debate and changed the way we watch movies. Just as stunning and influential are his dispatches on theater and literature, from The Producers to Jeffrey Eugenides' Middlesex, from The Lovely Bones to the works of Harold Pinter. Together these thirty brilliant and engaging essays passionately articulate the themes that have made Daniel Mendelsohn a crucial voice in today's cultural conversation: the aesthetic and indeed political dangers of imposing contemporary attitudes on the great classics; the ruinous effect of sentimentality on the national consciousness in the post-9/11 world; the vital importance of the great literature of the past for a meaningful life in the present.How Beautiful It Is And How Easily It Can Be Broken makes it clear that no other contemporary thinker is as engaged with as many aspects of our culture and its influences as Mendelsohn is, and no one practices the vanishing art of popular criticism with more acuity, humor, and feeling.

Baseball Hall of Famer Reggie Jackson earned the nickname "Mr. October" for the crucial clutch hitting that led his teams to the World Series six times and won him two series MVP awards, and this skill at the plate is perhaps what he is best remembered for. But behind the bat was a man many don't know a man struggling to find his place in the world, at home, and in the sport that made him a star. Now, in the first biography of Jackson in more than twenty-five years and the first to cover his entire career as a player FOXSports.com columnist Dayn Perry provides an intimate, honest, and never-before-seen glimpse into the life and times of one of baseball's all-time greats. A cantankerous man full of swagger with a fearsome talent to match, Jackson was an outspoken iconoclast as a player a gift that made him friends and enemies of some of the most colorful characters in the game. As large a presence on the field as he was outside the ballpark, Jackson backed up his talk by establishing himself as one of the best sluggers the sport has ever seen.Yet Jackson's story is about more than sports prowess. His life reflects a time, between Jackie Robinson and Ken Griffey, Jr., when black ballplayers were accepted but still considered inferior to their white teammates. There were unspoken rules to keep the racial waters still; Jackson not only ignored such conventions, he demolished them paving the way for true equality for all black players.From his childhood in a predominantly white neighborhood to heroics at the plate, from relationships with legendary players such as "Catfish" Hunter and Thurman Munson to battles with some of the sport's most powerful figures, including notoriously cheap Oakland A's owner Charlie Finley and the irascible George Steinbrenner, Reggie Jackson tells the full story of the man who was one of the first black baseball superstars and one of the greatest players of all time.

For Tony Hawk, it wasn't enough to skate for two decades, to invent more than eighty tricks, and to win more than twice as many professional contests as any other skater.It wasn't enough to knock himself unconscious more than ten times, fracture several ribs, break his elbow, knock out his teeth twice, compress the vertebrae in his back, pop his bursa sack, get more than fifty stitches laced into his shins, rip apart the cartilage in his knee, bruise his tailbone, sprain his ankles, and tear his ligaments too many times to count.No.He had to land the 900. And after thirteen years of failed attempts, he nailed it. It had never been done before. Growing up in Sierra Mesa, California, Tony was a hyperactive demon child with an I44 IQ. He threw tantrums, terrorized the nanny until she quit, exploded with rage whenever he lost a game; this was a kid who was expelled from preschool. When his brother, Steve, gave him a blue plastic hand-me-down skateboard and his father built a skate ramp in the driveway, Tony finally found his outlet--while skating, he could be as hard on himself as he was on everyone around him. But it wasn't an easy ride to the top of the skating game. Fellow skaters mocked his skating style and dubbed him a circus skater. He was so skinny he had to wear elbow pads on his knees, and so light he had to ollie just to catch air off a ramp. He was so desperate to be accepted by young skating legends like Steve Caballero, Mike McGill, and Christian Hosoi that he ate gum from between Steve's toes. But a few years of determination and hard work paid off in multiple professional wins, and the skaters who once had mocked him were now trying to learn his tricks. Tony had created a new style of skating. In Hawk Tony goes behind the scenes of competitions, demos, and movies and shares the less glamorous demands of being a skateboarder--from skating on Italian TV wearing see-through plastic shorts to doing a demo in Brazil after throwing up for five days straight from food poisoning. He's dealt with teammates who lit themselves and other subjects on fire, driving down a freeway as the dashboard of their van burned. He's gone through the unpredictable ride of the skateboard industry during which, in the span of a few years, his annual income shrank to what he had made in a single month and then rebounded into seven figures. But Tony's greatest difficulty was dealing with the loss of his number one fan and supporter--his dad, Frank Hawk. With brutal honesty, Tony recalls the stories of love, loss, bad hairdos, embarrassing '80s clothes, and his determination that had shaped his life. As he takes a look back at his experiences with the skateboarding legends of the '70s, '80s, and '90s, including Stacy Peralta, Eddie Elguera, Lance Mountain, Mark Gonzalez, Bob Burnquist, and Colin Mckay, he tells the real history of skateboarding--and also what the future has in store for the sport and for him.

As he did in the Edgar-nominated and Agatha, Anthony, and Macavity Awards winning Agatha Christie's Secret Notebooks, Christie expert and archivist John Curran once again examines the unpublished notebooks of the world's bestselling author to explore the techniques she used to surprise and entertain generations of readers.Drawing on Christie's personal papers and letters, he reveals how more than twenty of her novels, as well as stage *s, short stories, and some more personal items, evolved. Here are wonderful gems, including Christie's essay on her famous detective, Hercule Poirot, written for a British national newspaper in the 1930s; a previously unseen version of a "Miss Marple" short story; and a courtroom chapter from her first novel, The Mysterious Affair at Styles, which was edited out of the published version in 1920; plus an insightful, well-reasoned analysis of her final unfinished novel, based on the author's notes and Curran's own deep knowledge of Christie and her work.A must-read for every Christie aficionado, Agatha Christie: Murder in the Making is a fascinating look into the mind and craft of one of the world's most prolific and beloved authors.

An honest, deeply American story of the power of faith, family, and music from one of America's most beloved bluegrass and country artists.Unlike other farm boys growing up in the small town of Cordell, Kentucky, Ricky Skaggs learned to play the mandolin at five years old. Sure, plenty of other mountain boys plucked guitars or fiddles, or learned the old songs their grandparents taught them. But few tried and fewer still mastered the mandolin. By the time he was six years old, Ricky Skaggs's talent was clear enough that his daddy knew he had to get that boy onstage. When bluegrass master and mandolin virtuoso Bill Monroe rolled into a nearby small town, Ricky was there. As the crowd cheered, Let little Ricky sing one! so began a storied life in music.With Bill Monroe as a mentor and with a family who supported him at every turn, Ricky joined the Clinch Mountain Boys band and became a professional musician at age fifteen. By twenty-one he was already considered a star in the bluegrass world. Yet, following the advice of music industry executives, Skaggs moved away from his roots into the world of mainstream country music and in doing so, became a country legend and a household name.Despite the hit singles, gold records, and successful tours, Ricky knew there was more to his mission. With a failed marriage and a sometimes strained relationship with his children, Ricky had to make a choice. He would follow God's plan, and rededicate his life to Christ, to his family, and to the music that made him. He would carry the torch lit by his musical heroes Ralph Stanley, Earl Scruggs, and Bill Monroe and, most important, live the life and play the music that would make his mom and dad proud. Telling the intimate stories of a successful career built on passion, drive, and faith, sharing tales of his influences, and fondly recalling the instruments that have shaped his sound over the years and the friendships that have shaped his life, Skaggs paints a unique insider look at the evolution of bluegrass.

Neil Strauss can uncover the naked truth like nobody else. With his groundbreaking book The Game, Strauss penetrated the secret society of pickup artists. Now, in Everyone Loves You When You're Dead, the Rolling Stone journalist collects the greatest moments from the most insane music interviews of all time. Join Neil Strauss, "The Mike Tyson of interviewers," (Dave Pirner, Soul Asylum), as he Makes Lady Gaga cry, tries to keep Mtley Cre out of jail is asked to smoke Kurt Cobain's ashes by Courtney Love Shoots guns with Ludacris, takes a ride with Neil Young goes to church with Tom Cruise and his mother Spends the night with Trent Reznor, reads the mind of Britney Spears finds religion with Stephen Colbert Gets picked on by Led Zeppelin, threatened by the mafia serenaded by Leonard Cohen Picks up psychic clues with the CIA, diapers with Snoop Dog prison survival tips from Rick James Goes drinking with Bruce Springsteen, dining with Gwen Stefani hot tubbing with Marilyn Manson Talks glam with David Bowie, drugs with Madonna, death with Johnny Cash sex with Chuck Berry Gets molested by the Strokes, in trouble with Prince in bed with . . . you'll find out who inside. Enjoy many, many more awkward moments and accidental adventures with the world's number one stars in Everyone Love You When You're Dead.

In this rich and riveting narrative, a writer's search for the truth behind his family's tragic past in World War II becomes a remarkably original epic part memoir, part reportage, part mystery, and part scholarly detective work that brilliantly explores the nature of time and memory, family and history.

"Integrating the wisdom of ancient mystics and the insights of contemporary thinkers, May examines the spiritual longings that are often hidden and controlled by society's pressures and expectations." Publishers Weekly