While Gertrude Stein hosted the literati of the Left Bank, Mrs. Bates-Batcheller, an American socialite and concert singer in Paris, held sumptuous receptions for the Daughters of the American Revolution in her suburban villa. History may remember the American artists, writers, and musicians of the Left Bank best, but the reality is that there were many more American businessmen, socialites, manufacturers' representatives, and lawyers living on the other side of the River Seine.Be they newly minted American countesses married to foreigners with impressive titles or American soldiers who had settled in France after World War I with their French wives, they provide a new view of the notion of expatriates.Nancy L. Green thus introduces us for the first time to a long-forgotten part of the American overseas population-predecessors to today's expats-while exploring the politics of citizenship and the business relationships, love lives, and wealth (and poverty for some) of Americans who staked their claim to the City of Light. The Other Americans in Paris shows that elite migration is a part of migration tout court and that debates over "e;Americanization"e; have deep roots in the twentieth century.

The eighteenth century saw the creation of a number of remarkable mechanical androids: at least ten prominent automata were built between 1735 and 1810 by clockmakers, court mechanics, and other artisans from France, Switzerland, Austria, and the German lands. Designed to perform sophisticated activities such as writing, drawing, or music making, these "e;Enlightenment automata"e; have attracted continuous critical attention from the time they were made to the present, often as harbingers of the modern industrial age, an era during which human bodies and souls supposedly became mechanized.?In Androids in the Enlightenment, Adelheid Voskuhl investigates two such automata-both depicting piano-playing women. These automata not only play music, but also move their heads, eyes, and torsos to mimic a sentimental body technique of the eighteenth century: musicians were expected to generate sentiments in themselves while playing, then communicate them to the audience through bodily motions. Voskuhl argues, contrary to much of the subsequent scholarly conversation, that these automata were unique masterpieces that illustrated the sentimental culture of a civil society rather than expressions of anxiety about the mechanization of humans by industrial technology. She demonstrates that only in a later age of industrial factory production did mechanical androids instill the fear that modern selves and societies had become indistinguishable from machines.?

From August 29 to September 21, 1909, Sigmund Freud visited the United States, where he gave five lectures at Clark University in Worcester, Massachusetts. This volume brings together a stunning gallery of leading historians of psychoanalysis and of American culture to consider the broad history of psychoanalysis in America and to reflect on what has happened to Freud's legacy in the United States in the century since his visit.There has been a flood of recent scholarship on Freud's life and on the European and world history of psychoanalysis, but historians have produced relatively little on the proliferation of psychoanalytic thinking in the United States, where Freud's work had monumental intellectual and social impact. The essays in After Freud Left provide readers with insights and perspectives to help them understand the uniqueness of Americans' psychoanalytic thinking, as well as the forms in which the legacy of Freud remains active in the United States in the twenty-first century. After Freud Left will be essential reading for anyone interested in twentieth-century American history, general intellectual and cultural history, and psychology and psychiatry.?

Despite its foundational role in the history of philosophy, Plato's famous argument that art does not have access to truth or knowledge is now rarely examined, in part because recent philosophers have assumed that Plato's challenge was resolved long ago. In Art and Truth after Plato, Tom Rockmore argues that Plato has in fact never been satisfactorily answered-and to demonstrate that, he offers a comprehensive account of Plato's influence through nearly the whole history of Western aesthetics.?Rockmore offers a cogent reading of the post-Platonic aesthetic tradition as a series of responses to Plato's position, examining a stunning diversity of thinkers and ideas. He visits Aristotle's Poetics, the medieval Christians, Kant's Critique of Judgment, Hegel's phenomenology, Marxism, social realism, Heidegger, and many other works and thinkers, ending with a powerful synthesis that lands on four central aesthetic arguments that philosophers have debated. More than a mere history of aesthetics, Art and Truth after Plato presents a fresh look at an ancient question, bringing it into contemporary relief.

The Rules of Employmentfor The Distinguished Academy of Governesses: Always remember your station. Be sure to maintain a disciplined schoolroom. And never, ever become too familiar with the master of the house...Lady Charlotte Dalrumple is known as England's most proper governess, a woman who has never taken a misstep socially or romantically. On the surface, she seems perfectly suited to accept the challenge of reforming Lord Wynter Ruskin, sadly uncivilized by his travels abroad.But Wynter has no desire to be taught manners. He glimpsed an uninhibited beauty hiding beneath Charlotte's prim exterior, and he'd much rather spend his days and nights instructing her in the pleasures of the body and the passions of the heart. But before they can love, both must also master the Rules of Surrender.

Proper decorum has never come easily to Carlotta Anne Fairleigh not even tonight, when the lovely, impetuous miss is finally making her debut. As she waits to make her entrance, she can't help wondering about the darkened house next door, the supposedly abandoned home of Hayden St. Clair, the man society has dubbed the "Murderous Marquess." Certainly one small peek through his window before the festivities would be harmless . . .And, naturally, this latest "adventure" ends in disaster, thoroughly compromising the budding debutante's reputation and leaving her suddenly, unthinkably . . . betrothed! Soon she's en route to the wilds of Cornwall in the company of the handsome, mysterious marquess whose name the ton whisper with fear and loathing.Yet there is something thrilling and surprisingly tender about her dark, unreachable groom, and the desire in his eyes is undeniable. But before Lottie will surrender to the yearnings in her heart, she must unlock the secrets of Hayden's past, no matter how scandalous or perilous they may be.

When you're the oldest daughter, you don't get to have any fun! Witty, orphaned Tess Essex faces her duty: marry well and marry quickly, so she can arrange matches for her three sisters -- beautiful Annabel, romantic Imogen and practical Josie. After all, right now they're under the rather awkward guardianship of the perpetually tipsy Duke of Holbrook. But just when she begins to think that all might end well, one of her sisters bolts with a horse-mad young lord, and her own fiance just plain runs away.Which leaves Tess contemplating marriage to the sort of man she wishes to avoid -- one of London's most infamous rakes. Lucius Felton is a rogue whose own mother considers him irredeemable! He's delicious, Annabel points out. And he's rich, Josie notes. But although Tess finally consents to marry him, it may be for the worst reason of all. Absurd as she knows it to be, she may have fallen utterly in love . . .

Prim, plain, desperately virtuous Lady Mary Fairchild stared at the seductive gentleman and wondered -- did he remember the elements of the night they metSurely not. In the ten years since, she had abandoned her youthful impetuousness and transformed herself into a housekeeper -- disguising her beauty beneath a servant's dour clothing determined to conquer the passions of the past.But Sebastian Durant, Viscount Whitfield, did recognize her as a Fairchild, one of his family's bitter enemies. When he demanded her help recovering a stolen diary, she dared not refuse him. When he proposed they masquerade as a betrothed couple, loyalty forced her to agree. And when the restraint between them shattered and pleasure became an obsession, Mary had to trust a powerful man who could send her to the gallows ... or love her through eternity.

A city is more than a massing of citizens, a layout of buildings and streets, or an arrangement of political, economic, and social institutions. It is also an infrastructure of ideas that are a support for the beliefs, values, and aspirations of the people who created the city. In City Water, City Life, celebrated historian Carl Smith explores this concept through an insightful examination of the development of the first successful waterworks systems in Philadelphia, Boston, and Chicago between the 1790s and the 1860s. By examining the place of water in the nineteenth-century consciousness, Smith illuminates how city dwellers perceived themselves during the great age of American urbanization.?But City Water, City Life is more than a history of urbanization.?It is also a refreshing meditation on water as a necessity, as a resource for commerce and industry, and as an essential-and central-part of how we define our civilization.

Achievement tests play an important role in modern societies. They are used to evaluate schools, to assign students to tracks within schools, and to identify weaknesses in student knowledge. The GED is an achievement test used to grant the status of high school graduate to anyone who passes it. GED recipients currently account for 12 percent of all high school credentials issued each year in the United States. But do achievement tests predict success in life?The Myth of Achievement Tests shows that achievement tests like the GED fail to measure important life skills. James J. Heckman, John Eric Humphries, Tim Kautz, and a group of scholars offer an in-depth exploration of how the GED came to be used throughout the United States and why our reliance on it is dangerous. Drawing on decades of research, the authors show that, while GED recipients score as well on achievement tests as high school graduates who do not enroll in college, high school graduates vastly outperform GED recipients in terms of their earnings, employment opportunities, educational attainment, and health. The authors show that the differences in success between GED recipients and high school graduates are driven by character skills. Achievement tests like the GED do not adequately capture character skills like conscientiousness, perseverance, sociability, and curiosity. These skills are important in predicting a variety of life outcomes. They can be measured, and they can be taught.?Using the GED as a case study, the authors explore what achievement tests miss and show the dangers of an educational system based on them. They call for a return to an emphasis on character in our schools, our systems of accountability, and our national dialogue.ContributorsEric Grodsky, University of Wisconsin-MadisonAndrew Halpern-Manners, Indiana University BloomingtonPaul A. LaFontaine, Federal Communications CommissionJanice H. Laurence, Temple UniversityLois M. Quinn, University of Wisconsin-MilwaukeePedro L. Rodrguez, Institute of Advanced Studies in AdministrationJohn Robert Warren, University of Minnesota, Twin Cities

The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music.Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retraces these efforts to export culture as an instrument of nongovernmental diplomacy, paying particular attention to the role of conductors, and uncovers the remarkable history of the musician as a cultural symbol of German cosmopolitanism. Considered sexually attractive and emotionally expressive, German players and conductors acted as an army of informal ambassadors for their home country, and Gienow-Hecht argues that their popularity in the United States paved the way for an emotional elective affinity that survived broken treaties and several wars and continues to the present.

From John Muir to David Brower, from the creation of Yellowstone National Park to the Endangered Species Act, environmentalism in America has always had close to its core a preservationist ideal. Generations have been inspired by its ethos-to encircle nature with our protection, to keep it apart, pristine, walled against the march of human development. But we have to face the facts. Accelerating climate change, rapid urbanization, agricultural and industrial devastation, metastasizing fire regimes, and other quickening anthropogenic forces all attest to the same truth: the earth is now spinning through the age of humans. After Preservation takes stock of the ways we have tried to both preserve and exploit nature to ask a direct but profound question: what is the role of preservationism in an era of seemingly unstoppable human development, in what some have called the AnthropoceneBen A. Minteer and Stephen J. Pyne bring together a stunning consortium of voices comprised of renowned scientists, historians, philosophers, environmental writers, activists, policy makers, and land managers to negotiate the incredible challenges that environmentalism faces. Some call for a new, post-preservationist model, one that is far more pragmatic, interventionist, and human-centered. Others push forcefully back, arguing for a more chastened and restrained vision of human action on the earth. Some try to establish a middle ground, while others ruminate more deeply on the meaning and value of wilderness. Some write on species lost, others on species saved, and yet others discuss the enduring practical challenges of managing our land, water, and air.From spirited optimism to careful prudence to critical skepticism, the resulting range of approaches offers an inspiring contribution to the landscape of modern environmentalism, one driven by serious, sustained engagements with the critical problems we must solve if we-and the wild garden we may now keep-are going to survive the era we have ushered in. ?Contributors include: Chelsea K. Batavia, F. Stuart (Terry) Chapin III, Norman L. Christensen, Jamie Rappaport Clark, William Wallace Covington, Erle C. Ellis, Mark Fiege, Dave Foreman, Harry W. Greene, Emma Marris, Michelle Marvier, Bill McKibben, J. R. McNeill, Curt Meine, Ben A. Minteer, Michael Paul Nelson, Bryan Norton, Stephen J. Pyne, Andrew C. Revkin, Holmes Rolston III, Amy Seidl, Jack Ward Thomas, Diane J. Vosick, John A. Vucetich, Hazel , and Donald Worster.?

Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers.Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett's personal experiences of triumphant-and even failed-performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's?leading authority on the performance of Italian opera, brings colorfully to life the problems, and occasionally the scandals, that attend the production of some of our most favorite operas.?Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations opera scholars and opera conductors and performers: What does it mean to talk about performing from a critical editionHow does one determine what music to perform when multiple versions of an opera existWhat are the implications of omitting passages from an opera in a performanceIn addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design.?Throughout this extensive and passionate work, Gossett enlivens his history with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro. The result is a book that will enthrall both aficionados of Italian opera and newcomers seeking a reliable introduction to it-in all its incomparable grandeur and timeless allure.?

Don't think about why you're applying. Select a topic for entirely strategic reasons. Choose the coolest supervisor. Write only to deadlines. Expect people to hold your hand. Become "e;that"e; student.When it comes to a masters or PhD program, most graduate students don't deliberately set out tofail. Yet, of the nearly 500,000 people who start a graduate program each year, up to half will never complete their degree. Books abound on acing the admissions process, but there is little on what to do once the acceptance letter arrives. Veteran graduate directors Kevin D. Haggerty and Aaron Doyle have set out to demystify the world of advanced education. Taking a wry, frank approach, they explain the common mistakes that can trip up a new graduate student and lay out practical advice about how to avoid the pitfalls. Along the way they relate stories from their decades of mentorship and even share some slip-ups from their own grad experiences.The litany of foul-ups is organized by theme and covers the grad school experience from beginning to end: selecting the university and program, interacting with advisors and fellow students, balancing personal and scholarly lives, navigating a thesis, and creating a life after academia. Although the tone is engagingly tongue-in-cheek, the lessons are crucial to anyone attending or contemplating grad school. 57 Ways to Screw Up in Grad School allows you to learn from others' mistakes rather than making them yourself.

Research publications have always been key to building a successful career in science, yet little if any formal guidance is offered to young scientists on how to get research papers peer reviewed, accepted, and published by leading scientific journals. With What Editors Want, Philippa J. Benson and Susan C. Silver, two well-respected editors from the science publishing community, remedy that situation with a clear, straightforward guide that will be of use to all scientists.Benson and Silver instruct readers on how to identify the journals that are most likely to publish a given paper, how to write an effective cover letter, how to avoid common pitfalls of the submission process, and how to effectively navigate the all-important peer review process, including dealing with revisions and rejection. With supplemental advice from more than a dozen experts, this book will equip scientists with the knowledge they need to usher their papers through publication.

The Stone Soup Experiment is a remarkable story of cultural difference, of in-groups, out-groups, and how quickly and strongly the lines between them are drawn. It is also a story about simulation and reality, and how quickly the lines between them can be dismantled.?In a compulsively readable account, Deborah Downing Wilson details a ten-week project in which forty university students were split into two different simulated cultures: the carefree Stoners, and the market-driven Traders. Through their eyes we are granted intimate access to the very foundations of human society: how group identities are formed and what happens when opposing ones come into contact.?The experience of the Stoners and Traders is a profound testament to human sociality. Even in the form of simulation, even as a game, the participants found themselves quickly-and with real conviction-bound to the ideologies and practices of their in-group. The Stoners enjoyed their days lounging, chatting, and making crafts, while the Traders-through a complex market of playing cards-competed for the highest bankrolls. When they came into contact, misunderstanding, competition, and even manipulation prevailed, to the point that each group became so convinced of its own superiority that even after the simulation's end the students could not reconcile. Throughout her riveting narrative, Downing Wilson interweaves fascinating discussions on the importance of play, emotions, and intergroup interaction in the formation and maintenance of group identities, as well as on the dynamic social processes at work when different cultural groups interact. A fascinating account of social experimentation, the book paints a vivid portrait of our deepest social tendencies and the powers they have over how we make friends and enemies alike.?

The daughter of an over-protective father, Millicent Anderson has never been permitted an ounce of freedomher father has kept her completely sheltered from boys, and even quashed her dream of being a teacher. But when a family trip leads her to tiny Moose Falls, Montana, and she catches sight of bad boy Johnny Pickett, her heart flips -- and before she knows it, she's breaking all the rules to be near him. In Johnny's arms, Millie discovers passion, and Millie is just what Johnny needs to heal after war. When her father tries to separate them by dangling her old dreams before her, however, Millie's forced to make a choice: Will she choose the love of her family and the opportunity to build a career -- or will she leave everything behind for the hot guy she's fallen for?

Branded a traitor and imprisoned for refusing to fight for the Confederacy, Clayton Holland returns home to Cedar Grove, only to be spurned by the townspeople, except for vengeful Meg Warner, who finds her hatred and grief transformed by love.

Akosua Annan is a confident and fiercely intelligent student at a posh girls' school in Cape Coast, Ghana. There she comes under the influence of a charismatic feminist teacher. Osman Said's background is very different. Upon the death of his parents, a police sergeant and an unschooled market trader, immigrants to the capital, Accra, from the impoverished north of the country, he is adopted by a retired school teacher, Hajia Zainab. After a spell as an apprentice in an auto workshop, he returns to school. There, finding the teaching inadequate, he becomes an avid reader and educates himself. Akosua and Osman are thrown together by chance in the course of a school visit to the slave dungeon at Cape Coast Castle. Their paths cross again as finalists in the national school debating competition where the subject is "The problem of poverty in Ghana is insoluble." They meet for the third time as students at the University of Ghana and as we leave them, it looks as if their relationship might develop into something permanent. This story won a Burt Award for African Literature in 2011. The judges commented: "This fascinating novel tells the story of how these two young people from disparate backgrounds are brought together as if by an unseen hand, in a process that teaches us about our history, our common humanity despite ethnic differences, the need to pursue our ambitions, the strength of human sexuality and the need for self-discipline, and, above all, the power of love."

An enchanted bookstore in a town full of magic.A story of childhood and best friends revisited.A town forced to face the music.A modern myth from a land before time.A charming collision of numbers and magic.Unwelcome change in a land of dragons. In this second fantasy short story collection from Kari Kilgore, she visits lands familiar and strange, mythological and fantastic. From Allsentia to Appalachia to Atlanta, from modern mythology to dragons to joys of distant childhood. Join this talented storyteller on a journey through magical bookstores and haunted towns, lands lost in time and friendships forged across new dimensions. Includes Odds and Endings, Dawn Visitor,?The Earworms, The Spider Who Ate the Elephant,?Little Five, and The Last Dragonkeeper. Odds and EndingsVisit an enchanted bookstore in a town full of magic.Chris Ramsey grew up visiting the Odds and Endings Bookstore in Lightning Gap, Virginia.Wandering the shelves. Finding endless adventures in the pages.Wishing he helped create the magic.Years later, Chris gets his chance.What would you do for the opportunity of a lifetime? Dawn VisitorA beloved dog brings a special gift, especially to a young girl’s life.One that lasts and endures no matter how many years pass.Toby welcomes Ellie home as only a first best friend can.A touching story of childhood and best friends revisited. The EarwormsWhat if your whole town had to face the music?Estonoa, Virginia. A lovely little town tucked deep in the Blue Ridge Mountains.Hiking and ATV trails. Kayaking along the scenic Clinch River.A thriving community focused on the future.Erin Evans loves her hometown, except for one thing.The Earworms.Will Erin find the answer before the music drives her and everyone else crazy? The Spider Who Ate the ElephantA Modern Myth.?An eerie natural phenomenon.In the distant past, in a distant land…Grandmother Spider faces a sad problem far too big and difficult for her to solve.The end of her family and all the creatures in her land.Find out how her triumph echoes from then to now, and into forever.A tale of compassion, survival, and love. Little FiveBarry Evans: An oddball in the oddest land of all.A gray-suited accountant navigating colorful hair, crazy clothing, and questionable businesses.After three months in Little Five, nothing surprises Barry anymore.Until the day he meets a true stranger in town.What happens when numbers meet magic? The Last DragonkeeperWyja, Senior Dragonkeeper of the Upper Abramshire Academy, tends to young dragons and keepers alike.Each group challenging, and exhausting, in their own way.Unwelcome change sets in when dragon birthrates drop to dangerous levels.No one knows why.Can Wyja solve the problem before it’s too late?

In his quest, Sabienn Feel and his brothers venture to the country of Turrland, a land that his homeland of Hayddland has been at constant war with. His mission is to seek the occult stone, the Symbol of Military Success and make sure it never falls into the hands of his Father who wants only to push the planet into the abyss of war. In this journey, he needs to seek a book that was once owned by a mysterious monk. ? But what of Turrland? Is it to be invaded or not invaded? And how will he react when in his attempt to get answers, there is conflict within his group and a much loved brother dies? Why The Sister Moons Swallowed Rage is the third of twelve books in the Sabienn Feel Adventures.??? Interview with the Author Q – That’s three books down. How’s the journey unfolding? A - The characters are evolving. The more adversity they face the more they grow. There’s significant skin taken off Sabienn Feel in this book. His character is gaining wisdom. It was a pleasure to write this third book in the series. Q – Any news on the next book? The fourth in the series? A – I’m working with the tentative title, “The Two Men Who Kill to Be Carbon”. This is actually explained on the final page of “Why The Sister Moons Swallowed Rage” and also explains why the first book “When The Stone Shepherds Awaken” had to be so long. It is to be a study into the hunter and the hunted. Twins, two men, have been assigned to kill Sabienn and his brothers. One man is Sabienn’s best friend. The other has killed the woman he loved. It’s a mission of kill or be killed. Q - What inspired you to write?The Sabienn Feel Adventures? A – I’ve always loved the idea of the epic journey. I’m acquainted with the book?Journey to the West?but was more familiar with the TV series in the 80’s based on the book called?Monkey. The idea of four souls travelling across a wide expanse of geography to complete a quest appealed to me. So I planned a series of twelve books to go from one place in the south of this space colony that they live on twice removed from Earth, to end up in the north, meeting danger at every turn. Q – Why does your main character Sabienn Feel grow wings? A - Good question. I wanted something very drastic to occur to these people physically. Something that would be difficult to hide and offer an immediate prejudice. The idea of growing wings constantly came up for me. There’s a Pearl Jam song I found inspiring that says, “And?sometimes is seen a strange spot in the sky.?A?human being?that was?given to fly”. And in my mind’s eye, I could see this figure. Almost like the Led Zeppelin Icarus logo but with bat wings.?But they couldn’t fly otherwise they’d hit the sky and the journey would be over in no time. I made them only able to swim because being submerged in water has elements of dealing with the subconscious. To me it satisfies all elements of those prophecy, fantasy, epic adventure type of stories that involve friendship and brotherhood. Q - So, why should readers give these books a try? A – Well I would say they were humour-filled, page-turning, epic, fantasy adventure novels which involve a quest. But then that’s what you would expect me to say. Why not try and read one of the books and let me know what you think? Some of the books are free so you’ve got nothing to lose.