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Basme
￥34.25
Existen?a diafana, care continu? volumele de autor Cercul de gra?ie (2003) ?i O carte pe s?pt?m?n? (2007), reprezint? o foarte echilibrat? ?i competent? radiografiere a simptomatologiei editoriale rom?ne?ti din anii 2000-2010, ?tefan Borbely unind ?ntre coper?ile aceluia?i volum at?t texte dedicate unor nume consacrate ale literaturii rom?ne (Marin Sorescu, Mircea Zaciu, Nicolae Breban, Marin Mincu, Livius Cioc?rlie, Adrian Marino, Horia-Roman Patapievici, Mircea C?rt?rescu, Paul Cornea, Dan C. Mih?ilescu), c?t ?i analize ale unor autori tineri, care s-au f?cut cunoscu?i ?n ultimii ani (Adrian Dohotaru, C?t?lin ?i Roxana Ghi??, Adriana Teodorescu, Florina Codreanu, Ioana Macrea-Toma, Constantina Raveca Buleu), cu c?r?i preponderent din domeniul istoriei ?i sintaxei mentalit??ilor ?i cel al studiilor culturale. Fire analitic?, scrut?toare, dotat? cu o bun? deschidere teoretic? ?i cu o impecabil? precizie a conceptelor, ?tefan Borbely este interesat cu prec?dere de idei ?i de simptomatologii culturale, textele dedicate jurnalului lui Adrian Marino (Via?a unui om singur), experimentalismului lui Marin Mincu sau modernit??ii ?n lectura lui Paul Cornea (toate prezente ?n carte) fiind dintre cele mai bune care s-au scris ?n domeniu. Pornind de la cazuri particulare ?i de la volume care au, f?r? excep?ie, o deschidere ideatic? vast?, incitant?, cartea profesorului Borbely reprezint? un foarte suplu efort de sintez? critic?, realizat? cu har, competen?a ?i profesionalism.
Amintiri din copil?rie
￥33.03
n ce msur literele romne, viaa cultural din ar, au fost nfluenate de ara lui Goethe i Hegel n atenia cercettorului se afl, n special, cultura romneasc a secolului al XIX-lea. Nu sunt, nici pe departe, trecute cu vederea timpurile noastre. Cartea – scris ntr-un stil alert, viu, cu o fraz exact i melodioas, avnd luciul sabiei de Damasc – e destinat studenilor, elevilor, profesorilor, precum i publicului larg de cititori.
Cartea junglei
￥33.03
Celebrul, iubitul ?i controversatul profesor de filozofie Ion Petrovici a avut o via?? fracturat?. ?ntr-o vreme, a urcat p?n? pe Everestul performan?ei ?i al recunoa?terii publice, de unde, atunci c?nd istoria s-a virusat de o ideologie apocaliptic?, s-a pr?bu?it direct ?n groapa Marianelor – b?ntuit? de tot felul de silnicii ?i nes?buin?e. Mult? vreme s-a am?git cu ?n?elesul m?ng?ietor al filosofiei (De consolation philosophie), a?a cum i-l h?r?zise cei vechi, dar s-a ?i ?nfiorat de mizeriile ei, atunci c?nd a v?zut-o dec?zut? ?n condi?ia de surogat ideologic. Oare trebuia, dup? ce-a privit lumea prin sp?rtura pe?terii lui Platon, s-o p?ndeasc? ?i din spatele gratiilor ?i-a z?voarelor trase? Vremurile noi, r?scolnice, l-au g?sit total nepreg?tit. Glasul s?u, obi?nuit s? peroreze ?n aule universitare, ?n Camer?, ?n Academie, ?n cadrul unor fastuase reuniuni interna?ionale a fost, pentru multe decenii, obligat la t?cere. […] Paginile memorialistice reproduse de noi ?n aceast? carte reprezint? doar o diviziune (cap. VIII) dintr-o lucrare mai elaborat? ?i necunoscut?. Nu ?tim unde se g?sesc restul paginilor, dar n?d?jduim c? de?in?torul lor s? g?seasc? o formula de punere ?n circula?ie public? a ?ntregului material pentru a putea reconstitui o perioad? important? din via?a sa ?i, implicit, din istoria acestei ??ri. Dup? c?te putem estima, perioada circumscris? de aceste amintiri sub?ntinde anii cei mai grei din istoria mai recent? a ??rii noastre.
Ora?ul alb
￥69.57
Opera lui N. Steinhardt are ?capacitatea“ de a descuraja tentativele de sistematizare ?i analiz? critic?. Apar?in?nd unui intelectual evreu erudit, spirit febril, avid de limpezire ?i afirmare, aceasta se ramifica at?t ?n planul literaturii, c?t ?i ?n cel al teologiei, al ideologiilor politice sau al dreptului constitu?ional. ?n perioada interbelic?, cea a formarii intelectual-spirituale, N. Steinhardt publica, ?n doar ca?iva ani, o lucrare de drept constitu?ional, dou? studii despre iudaism, un volum de parodii ?i peste o suta de studii literare ?i articole de ideologie liberal-conservatoare. ?n perioada postbelic?, ?ncepand cu finalul anilor '60, el scrie memorialistic? ?i microromane, traduce, re?ncepe o activitate publicistic? sus?inut?, care va dura p?n? ?n 1989, ?i scrie predici ?i eseuri teologice erudite. Volumele de eseuri critice din anii '70 ?i '80 ale lui N. Steinhardt, singurele apari?ii editoriale din perioada comunist?, s-au bucurat de o receptare pozitiv?, ?ns? pozi?ia contestatara a scriitorului fa?? de regim a condus la marginalizarea sa. Abia odat? cu apari?ia postum? a Jurnalului fericirii (1991), a Cuvintelor de credin?? (1992) ?i a Primejdiei m?rturisirii (1993) au fost recunoscute de c?tre publicul larg valoarea intelectual? ?i morala a scriitorului N. Steinhardt ?i particularitatea locului ocupat de acesta ?n deceniile totalitare.Irina Ciobotaru (Suceava, 2 mai 1978), absolvent? a Facult??ii de Litere din cadrul Universit??ii ??tefan cel Mare“ din Suceava, doctor ?n filologie al aceleia?i universit??i, cu o tez? despre opera lui N. Steinhardt, coordonata de Prof. univ. dr. Mircea A. Diaconu. Colaboreaz? la reviste precum ?Contemporanul. Ideea European?“, ?Verso“, ?Tabor“, ?Dacia literar?“, ?Hyperion“, ?Transilvania“, ?Bucovina literar?“. Este profesor de limba ?i literatura rom?n?.
Pata tata. ?ah
￥38.62
Demersul interpretativ al Constantinei Buleu pare stimulat (ca sa nu spunem: ??ndr?gostit“...) tocmai de caracterul la limita non-definibil, misterios, ireductibil mitopetic al ?puterii“ ?i al reprezent?rilor sale din secolul al XIX-lea. Fie c? ne prezint? metodologii de obedien?? structuralist?, neomarxist?, jungian?, lacanian?, func?ionalist-simbolic? sau fenomenologic?, autoarea e constant fascinat? de un fenomen care, la un cap?t al s?u, presupune ordine, alegere ra?ional?, logic? instrumental?, iar, la celalalt, revela?ie, intensitate, magnetism, charism?, ?ntr-un cuv?nt: magie. Cartea are darul de a ?nf??isa, mai degraba dec?t o ?paradigma“, o panoram? a spiritului secolului al XIX-lea, ?n rela?ie cu tema puterii. Deschiderea curajoas? c?tre un fenomen de o asemenea amploare aminte?te de aura eroic? a unor faimoase ?ntreprinderi intelectuale (Peter Gay, de pild?), deseori invocate, cu implicita admira?ie ?i pricepere, ?n lucrarea Constantinei Buleu. Curiozitatea intelectual? mereu vie, claritatea g?ndirii, larga deschidere bibliografic? ?i, nu ?n ultimul r?nd, expresivitatea foarte personal? a stilului plaseaz? acest demers ?n categoria lucr?rilor de referin??.
Agatha nyomoz: A legendás skót királyi kard
￥38.18
Alian?ele, studiul filosofiei ?i psihologiei, cunoa?terea intim? a literaturii, muzicii ?i artelor plastice de la noi ?i de altundeva au completat p?n? la rafinare forma?ia Hortensiei Papadat-Bengescu. ?n alt mod dec?t compatrioatele Dora D’Istria, Elena V?c?rescu, Martha Bibescu, Anna de Noailles. Sensibil? la inova?ii, ?n ton cu timpul ?i cu noile cerin?e, elec?iunea spiritului european, acestea i-au ?ntre?inut voca?ia originar?. Cum se spune cu formularea devenit? loc comun: un scriitor f?r? frontiere. Un alt mod de a fi european.
The Road Home. Filip-Lucian Iorga In dialogue with Prince Nicholas of Romania
￥81.67
“Prima edi?ie din Jurnalul lui Lev Tolstoi a ap?rut la Editura Univers, ?n dou? volume (?n anii 1975 ?i 1976 – vol. I: 1847-1895, vol. II: 1896-1910), incluse ?n colec?ia ?Coresponden??, memorii, jurnale“. Traducerea a realizat-o Janina Iano?i; prefa??, tabelul cronologic, notele ?i comentariile – Ion Iano?i. Respectiva edi?ie a reprezentat o selec?ie din textul integral al edi?iei academice ruse?ti Polnoe sobranie socinenii (iubileinoe izdanie), Opere complete (edi?ie jubiliar?). Din volumele 1-90 (Moscova-Leningrad, 1928-1958), am folosit cele treisprezece volume de jurnal, 46-58 (ap?rute ?ntre 1934 ?i 1958). Orientativ, am consultat ?i o edi?ie de Opere ?n dou?zeci de volume (din 1965) – volumele 19 ?i 20. ?n alegerea textelor am urm?rit devenirea ?i dominantele cople?itoarei personalit??i a marelui scriitor, ?in?nd seama ?i de interesele publicului cititor rom?nesc. Edi?ia a II-a i s-a datorat Editurii Elit (tip?rit?, f?r? specificarea datei, ?n 2000). Ea a urmat, cu unele renun??ri ?i c?teva complet?ri, varianta ini?ial?, dar ?i pe baza confrunt?rii textelor cu cele re?inute ?ntr-o selec?ie ruseasc? ulterioar?, ?n dou?zeci ?i dou? de volume, Sobranie socinenii v dvadtati dvux tomah (Moscova, 1985), Opere ?n dou?zeci ?i dou? de volume, volumele 21 ?i 22. Am constatat cu acel prilej coinciden?a ?ntre majoritatea textelor re?inute ini?ial de noi ?i de alc?tuitorul respectivei edi?ii ruse?ti, dar ?i unele deosebiri: sunt acolo prezente fie pasaje ?teoretice“ mai ample, fie altele cu adres? recognoscibil? doar de c?tre cititorii autohtoni familiariza?i cu mediul specific vremii – ?n schimb, sunt omise at?t detalii biografice considerate a fi prea intime (mai ales erotice, ?n genere legate de starea corporal?, de s?n?tate ori boal?), c?t ?i multe accente sociale considerate de editorul rus de atunci ca indezirabile prin ascutisul lor critic (cu deosebire, cele la adresa revolu?iei, marxismului, socialismului). ?n ceea ce ne prive?te, le-am p?strat ?i pe unele, ?i pe celelalte, ?n schimb nu am dorit – cu rare excep?ii – s? ?nc?rcam selec?ia noastr? cu expozeuri lungite, care oricum variaza idei cunoscute. Amintita edi?ie rus? ne-a servit, mai degrab?, pentru suplimentarea acribiei de care am ?ncercat s? d?m dovada ?nc? din anii ?aptezeci ai secolului trecut. Am urmat aceea?i cale ?i la revederea ?i ?mbun?ta?irea textului pentru prezenta edi?ie, a III-a, finalizat?, dup? al?i cinci ani, prin bun?voin?a Editurii Ideea European?.“ (Ion Iano?i)
Asediu
￥38.62
Un fascinant atelier de crea?ie unde sunt convocate c?r?ile cele mai importante ap?rute ?n perioada postdecembrist?, meritul acestei monografii fiind acela de a aborda un domeniu marginalizat ?n ultimii ani ?i tratat pe nedrept ca o cenu??reas?. Rostul acestui studiu monografic este acela de a informa lectorul asupra poeziei majore scrise ?n Rom?nia, redeschiz?ndu-i apetitul pentru Poezie. Cartea se adreseaz? elevilor, studen?ilor, precum ?i publicului larg de cititori.
Cosmos
￥18.56
Cosmos I Go search the ?ons an you willWhere withered leaves of Doubt are whirled,And who hath solved this riddle, Life,Or Death - that moves with sails unfurled,Beyond the straining eyes of manMarooned upon an unknown world. II Nor tongue hath told, nor vision caughtThat paradox. Primeval Cause;Each age has had some parableEach age succeeding marked the flaws;While shifted, with the calendar,What men have termed generic laws. III Creed after creed behold them nowLike Etna on Vesuvius piled;Till, scaled to earth by drifting sandsThey lie in later days reviled,And pushed aside by Time's rough handAs toys are, by a peevish child.
Being Wagner: The Triumph of the Will
￥73.58
The perfect introduction to the Master. One hundred and thirty-five years after his death, Richard Wagner’s music dramas stand at the centre of the culture of classical music. They have never been more popular, nor so violently controversial and divisive. As a man, he was a walking contradiction: aggressive, flirtatious, disciplined, capricious, heroic, visionary and poisonously anti-Semitic. His ten great mature masterpieces constitute an unmatched body of work, created against a backdrop of poverty, revolution, violent controversy, critical contempt and hysterical hero-worship. His work often dealt with myth, but his own life had the character of a fable. At one point, in his early fifties, desperately poor after a life of heroic productivity, he had four lengthy operas written with no hope of seeing them done, when, as if in a fairy-tale, he was rescued by a beautiful young king with limitless wealth. When one of those works, Tristan and Isolde, was at last performed, it revolutionised classical music at a stroke. Wagner went on to create The Ring of the Nibelung: a vast epic in four massive segments, ushering gods and dwarves, heroes and thugs, dragons and rainbows onto the stage. This was the apotheosis of German art as he saw it, so extreme in its demands that he had to train a generation of singers and players to perform it, and erect a custom-built theatre to house it. Wagner died, exhausted, after creating one final piece – Parsifal – that seems to point to an even more radical new future for music. Simon Callow plunges the reader headlong into Wagner’s world, examining the intellectual and artistic climate in which Wagner, a composer like no other who ever lived, extreme in everything, creator of perhaps the most sublime and most troubling body of work in the history of music.
Prince Harry: The Inside Story
￥66.22
Prince Henry of Wales has emerged as the unexpected jewel in the crown of the modern British monarchy. Despite his unruly antics, for which he’s made headlines all over the world, Harry’s popularity rivals that of the Queen herself. Heartthrob and loveable rogue, he has won the public’s heart Duncan Larcombe’s insightful and highly entertaining biography of the rebellious royal recalls Harry’s Eton days, his military career and his tempestuous love life. Despite a string of exploits (not forgetting the notorious Nazi fancy dress incident), Harry has a mysterious gift. With a twinkle in his eye and natural charm in abundance, he can seemingly withstand even the most scandalous of media storms. Since his military career has ended, all eyes are on Harry wondering what life, career and love have in store for the maverick prince. This is the inside story of how the cheeky teenager has grown and matured into a respected soldier, charitable fundraiser and national figurehead who still retains his reputation as the most entertaining resident of Buckingham Palace.
The Girl From Aleppo: Nujeen’s Escape From War to Freedom
￥66.22
Previously published as ‘Nujeen’ The story that is inspiring the world. Read about Nujeen who escaped the hell of war in Aleppo and travelled to Europe in a wheelchair. ‘She is our hero. Everyone must read her story. She will inspire you’ MALALA YOUSAFZAI Nujeen Mustafa has cerebral palsy and cannot walk. This did not stop her braving inconceivable odds to travel in her wheelchair from Syria in search of a new life. Sharing her full story for the first time, Nujeen recounts the details of her childhood and disability, as well as the specifics of her harrowing journey across the Mediterranean to Greece and finally to Germany to seek an education and the medical treatment she needs. Nujeen's story has already touched millions and in this book written with Christina Lamb, bestselling co-author of ‘I Am Malala’, she helps to put a human face on a global emergency. Trapped in a fifth floor apartment in Aleppo and unable to go to school, she taught herself to speak English by watching US television. As civil war between Assad's forces and ISIS militants broke out around them, Nujeen and her family fled first to her native Kobane, then Turkey before they joined thousands of displaced persons in a journey to Europe and asylum. She wanted to come to Europe, she said, to become an astronaut, to meet the Queen and to learn how to walk. In her strong, positive voice, Nujeen tells the story of what it is really like to be a refugee, to have grown up in a dictatorship only for your life to be blighted by war; to have left a beloved homeland to become dependent on others. It is the story of our times told through the incredible bravery of one remarkable girl determined to keep smiling.
Molly’s Game: The Riveting Book that Inspired the Aaron Sorkin Film
￥66.22
A SUNDAY TIMES BESTSELLER NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY AARON SORKIN, AND STARRING JESSICA CHASTAIN, IDRIS ELBA, KEVIN COSTNER AND MICHAEL CERA The true story of the 26-year-old woman behind the most exclusive, high-stakes underground poker game in the world When Molly Bloom was a little girl in a small Colorado town, she dreamed of a life without rules and limits, a life where she didn’t have to measure up to anyone or anything – where she could become whatever she wanted. She ultimately got more than she ever could have bargained for. In Molly’s Game, she takes you through her adventures running an exclusive private poker game catering to Hollywood royalty like Leonardo DiCaprio and Ben Affleck, athletes, billionaires, politicians and financial titans. With rich detail, Molly describes a world of glamour, privilege and secrecy in which she made millions, lived the high life and fearlessly took on the Russian and Italian mobs – until she met the one adversary she could not outsmart: the United States government.
Green Races Red
￥46.11
Originally published in 1997 and now available as an ebook. This edition does not include illustrations. Eddie Irvine is a breath of fresh air in the serious world of Formula 1. Selected to drive for Ferrari alongside double world champion Michael Schumacher, the 1996 season proved to be a frustrating period for the Irishman as he struggled to get to grips with a temperamental car and live up to the high expectations of the media and the tifosi. But as he demonstrates in his fascinating insight into the world of Ferrari, Irvine's flamboyant personality and aggressive driving style meant he was never far from the action, both on and off the track. Irvine lifts the lid on his attempts to prove his worth at Ferrari and recalls all the crashes and crises, thrills and spills of the 1997 season.
Shadow in Tiger Country
￥46.11
The extraordinary diary and memoir of just under one year in a woman’s life. Louise Arthur was diagnosed in February 1999 as terminally ill with a malignant brain tumour. It was inoperable. She was then 28, had been married to Tim for 5 years: and they have a 4 year old daughter. After reading Ruth Picardie’s book, Louise decided to write her diary – named Shadow Diary – on the web. She started in April – it was frank, poignant, funny, brilliantly observed. Tim also contributed – occasionally – and showed what life was like for him, for their love together. By June 1999, the ‘hits’ to the web site were running at 1,000 a day: she started a column in the Daily Mail: and Channel 4 decided to do a documentary on her. On January 11, 2000, Louise Arthur died. Shadow in Tiger Country contains selections from both Louise’s and Tim’s contributions to the Shadow Diary, but has also been written by Tim since her death, and includes samples of both Louise’s earlier writing and her photographs.
Mansell: My Autobiography (Text Only Edition)
￥46.11
The ebook edition of Nigel Mansell’s bestselling autobiography is an absorbing account of one man's rollercoaster ride to the top. Nigel Mansell is one of motor racing's all-time greats. An ordinary bloke who took on the best and most ruthless drivers in the world's most glamorous sport and won; the epitome of speed, daring and sheer bloody determination. His refusal to be beaten endeared him to millions, but few inside the sport or outside it have fully understood what motivates him in his quest to be number one. Here, for the first time Nigel reveals the secrets of his driving technique, his hunger for racing and the psychological approach that helped him outwit legends like Niki Lauda, Nelson Piquet, Alain Prost and Ayrton Senna.
Titter Ye Not!
￥46.11
A master of the innuendo and the raised eyebrow, Frankie Howerd – inimitable star of the classic ‘Carry On’ films – became a cult hero. As much at home in the Oxford Union as in high-camp pantomime, he was adored by millions, old and young alike. From his first memory of falling downstairs as a toddler and landing on his head (and thus uttering the original ‘Oooo … ahhaah!’) to his countless radio, stage, TV and fillm appearances, Frankie Howerd was nevertheless a shy man, a perfectionist haunted by self-doubt and a battle with depression. Rich in anecdotes and revelations, with many of his friends contributing their own stories, Titter Ye Not! is an affectionate portrait of a comic genius whose like will never be seen again.
Groomed: Danger lies closer than you think
￥61.51
It’s late on Friday night when Casey’s mobile starts to ring. She is expecting it to be her daughter Riley. But it isn’t Riley. It’s a woman from the Emergency Duty Team. So begins Casey and Mike’s latest fostering challenge – a fifteen-year-old girl called Keeley who’s run away from her long-term foster home 25 miles away. The Jonathan Ross Show has just started when Casey gets the call. She thinks it will be Riley – telling her that her favourite actor is going to be on TV. But it’s something far more urgent: a fifteen-year-old girl who has run away from her foster family and accused her foster father of sexual abuse. The family deny in vehemently, but such an allegation can never be taken lightly, so a new home must be found for Keeley. Keeley is polite, but she’s sharp, and she has all the hallmarks of a child who has been in the system a long time, and knows how to play it. Whether the allegation is true or not, Casey knows there will be no winners here. If it is true, then a young girl’s life has been torn asunder. If not, then the heartache for the family will only be surpassed by the bleak outlook for Keeley. In the short term, it’s a case of providing a safe, supportive home for a vulnerable child. But with the dangerous world of the internet at her disposal, it seems this strong-minded youngster has her own ideas of where that safe place should be…
I Miss Mummy: The true story of a frightened young girl who is desperate to go h
￥58.86
Alice, aged four, is snatched by her mother the day she is due to arrive at Cathy's house. Drug-dependent and mentally ill, but desperate to keep hold of her daughter, Alice's mother takes her from her parents' house and disappears. Cathy spends three anxious days worrying about her whereabouts before Alice is found safe, but traumatized. Alice is like a little doll, so young and vulnerable, and she immediately finds her place in the heart of Cathy's family. She talks openly about her mummy, who she dearly loves, and how happy she was living with her maternal grandparents before she was put into care. Alice has clearly been very well looked after and Cathy can't understand why she couldn't stay with her grandparents. It emerges that Alice's grandparents are considered too old (they are in their early sixties) and that the plan is that Alice will stay with Cathy for a month before moving to live with her father and his new wife. The grandparents are distraught—Alice has never known her father, and her grandparents claim he is a violent drug dealer. Desperate to help Alice find the happy home she deserves, Cathy's parenting skills are tested in many new ways. Finally questions are asked about Alice's father suitability, and his true colors begin to emerge.
A Good Time to be a Girl: Don’t Lean In, Change the System
￥110.46
Five years have passed since women were exhorted to ‘Lean In’. Over that time, the world has transformed beyond all expectations. But why should anyone ‘lean in’ to a patriarchal system that is out of date? Why not change it entirely for the good of us all? In A Good Time to be a Girl, Helena Morrissey sets out how we might achieve the next big breakthrough towards a truly inclusive modern society. Drawing on her experience as a City CEO, mother of nine, and founder of the influential 30% Club which campaigns for gender-balanced UK company boards, her manifesto for new ways of working, living, loving and raising families is for everyone, not just women. Making a powerful case for diversity and difference in any workplace, she shows how, together, we can develop smarter thinking and broader definitions of success. Gender balance, in her view, is an essential driver of economic prosperity and part of the solution to the many problems we face today. Her approach is not aimed merely at training a few more women in working practices that have outlived their usefulness. Instead, this book sets out a way to reinvent the game – not at the expense of men but in ways that are right and relevant for a digital age. It is a powerful guide to success for us all.
Anything You Can Imagine: Peter Jackson and the Making of Middle-earth
￥147.35
The definitive history of Peter Jackson’s Middle-earth saga, Anything You Can Imagine takes us on a cinematic journey across all six films, featuring brand-new interviews with Peter, his cast & crew. From the early days of daring to dream it could be done, through the highs and lows of making the films, to fan adoration and, finally, Oscar glory. Lights A nine-year-old boy in New Zealand’s Pukerua Bay stays up late and is spellbound by a sixty-year-old vision of a giant ape on an island full of dinosaurs. This is true magic. And the boy knows that he wants to be a magician. Camera Fast-forward twenty years and the boy has begun to cast a spell over the film-going audience, conjuring gore-splattered romps with bravura skill that will lead to Academy recognition with an Oscar nomination for Heavenly Creatures. The boy from Pukerua Bay with monsters reflected in his eyes has arrived, and Hollywood comes calling. What would he like to do next? ‘How about a fantasy film, something like The Lord of the Rings…?’ Action The greatest work of fantasy in modern literature, and the biggest, with rights ownership so complex it will baffle a wizard. Vast. Complex. Unfilmable. One does not simply walk into Mordor – unless you are Peter Jackson. Anything You Can Imagine tells the full, dramatic story of how Jackson and his trusty fellowship of Kiwi filmmakers dared take on a quest every bit as daunting as Frodo’s, and transformed JRR Tolkien’s epic tale of adventure into cinematic magic, and then did it again with The Hobbit. Enriched with brand-new interviews with Jackson, his fellow filmmakers and many of the films’ stars, Ian Nathan’s mesmerising narrative whisks us to Middle-earth, to gaze over the shoulder of the director as he creates the impossible, the unforgettable, and proves that film-making really is ‘anything you can imagine’.
