"The Strange High House in the Mist" is a short story by H. P. Lovecraft. Written on November 9, 1926, it was first published in the October 1931 issue of Weird Tales. It concerns a character traveling to the titular house which is perched on the top of cliff which seems inaccessible both by land and sea, yet is apparently inhabited. Thomas Olney, a "philosopher" visiting the town of Kingsport, Massachusetts with his family, is intrigued by a strange house on a cliff overlooking the ocean. It is unaccountably high and old and the locals have a generations-long dread of the place which no one is known to have visited.

"The Statement of Randolph Carter" is a short story by H. P. Lovecraft. Written December 1919, it was first published in The Vagrant, May 1920. It tells of a traumatic event in the life of Randolph Carter, a student of the occult loosely representing Lovecraft himself. It is the first story in which Carter appears and is part of Lovecraft's Dream Cycle.

Many ages ago in North America there was no spring or summer or autumn, but only winter all the time; there were no forests or fields or flowers, but only ice and snow, which stretched from the Arctic Ocean to Maryland. Sometimes the climate would grow a little warmer, and then the great glaciers would shrink toward the north, and then again it would grow cold, while the ice crept southward; but finally it became warmer and warmer until all the southern part of the country was quite free from the ice and snow, which could then only be seen, as it is now, in the Polar regions.??Ages and ages after this, grass and trees began to ap-pear, and at last great forests covered the land, and over the fields and through the woods gigantic animals roved—strange and terrible-looking beasts, larger than any animal now living, and very fierce and strong. Among these were the mammoth and mastodon, which were so strong and ferocious that it would take hundreds of men to hunt and kill them. These great animals would go trampling through the forests, breaking down the trees and crushing the grass and flowers under their feet, or rush over the fields in pursuit of their prey, making such dreadful, threatening noises that all the other animals would flee before them, just as now the more timid animals flee from the lion or rhinoceros. ??Sometimes they would rush or be driven by men into swamps and marshes, where their great weight would sink them down so deep into the mud that they could not lift themselves out again, and then, they would die of starvation or be killed by the arrows of the men who were hunting them.??Besides these mammoths and mastodons there were other animals living in North America at that time, very different from those that are found here now. ?

"The Shunned House" is a horror fiction novelette by American author H. P. Lovecraft, written on October 16–19, 1924. It was first published in the October 1937 issue of Weird Tales. The Shunned House of the title is based on an actual house in Providence, Rhode Island, built around 1763 and still standing at 135 Benefit Street. Lovecraft was familiar with the house because his aunt Lillian Clark lived there in 1919-20 as a companion to Mrs. H. C. Babbit. However, it was another house in Elizabeth, New Jersey that actually compelled Lovecraft to write the story.

So long a time had passed that Dorothy C. had grown to be what father John called "a baker's dozen of years old"; and upon another spring morning, as fair as that when she first came to them, the girl was out upon the marble steps, scrubbing away most vigorously. The task was known locally as "doing her front," and if one wishes to be considerable respectable, in Baltimore, one's "front" must be done every day. On Saturdays the entire marble facing of the basement must also be polished; but "pernickity" Mrs. Chester was known to her neighbors as such a forehanded housekeeper that she had her Saturday's work done on Friday, if this were possible.??Now this was Friday and chanced to be a school holiday; so Dorothy had been set to the week-end task, which she hated; and therefore she put all the more energy into it, the sooner to have done with it, meanwhile singing at the top of her voice. Then, when the postman came round the corner of the block, she paused in her singing to stare at him for one brief instant. The next she had pitched her voice a few notes higher still, and it was her song that greeted her father's ears and set him smiling in his old familiar fashion. ??Unfortunately, he had not been smiling when she first perceived him and there had been a little catch in her tones as she resumed her song. Each was trying to deceive the other and each pretending that nothing of the sort was happening.??"Heigho, my child! At it again, giving the steps a more tombstone effect? Well, since it's the fashion—go ahead!"??"I wish the man, or men, who first thought of putting scrubby-steps before people's houses had them all to clean himself! Hateful old thing!"

A lone traveler seeks shelter from an approaching storm in an apparently abandoned house, only to find that it is occupied by a "loathsome old, white-bearded, and ragged man."

Gerek aklara gerek insanlara yazmtm iirlerimi... Bana pis bir ucubeymiim gibi davranan ucubeye... nsan hi ucubeye iir yazar m demeyin! Benimki gerek bir ak hikayesiydi... yle sandm...Küüktüm.... Aldandm... Hani bize hep anlatlan kurbaa prens hikayesi var ya; Ben hep kurbaann prens olacan düünmütüm, ama nereden bilebilirdim prensimin kurbaa kacan... Kurbaamn da yok olacan... Bu kitabm benim gibi kurbaay prens zanneden gen kzlara, incinmi aldatlm tüm kadnlara, terk edilmi aklara ve ak ararken insann nasl ac ektiini, her eyini kaybetmiliini anlamak isteyen ak hrszlarna gelsin... ve tüm iir dostlarna.... Ben küük bir kzdm, ok incindim... Lütfen siz incinmeyin ve sizi kimsenin incitmesine izin vermeyin... UCUBEYE... Bugün tam on iki sene oldu gidiinin ardndan.. Uzun uzun yolunu gzleyiimle, hala bana bunu nasl yapt deyiimle geen on iki sene... On iki senedir hi grmedim seni... Belki yüzünü bile unuttum; zaten sesini hi hatrlamyorum. Karma ksan tanmam bile. Sadece benden aldn ak, güven, huzur, mutluluk duygularn bulmaya alyorum. Yalnzlm iimde gibi büyürken braktn korkularla adm atmaya ekindim her ak araymda... Ve yllarca yazdm sen bilmesen de sana...

Poetry and the Gods is a short story by horror writer and poet H.P. Lovecraft in collaboration with writer Anna Helen Crofts. The story is very different from the vast majority of Lovecraft's other work and collaborations. It does, however, bear similar themes regarding dreams as a doorway to magic realms, and slumbering gods. The narrative follows the dream-voyage of Marcia, a young woman filled with weariness of the mundane world and all its woes. She resolves to ease her troubled soul by reading a magazine of poetry. As she does, a dream-state unfolds in which the Greek god Hermes appears and bears Marcia to the court of Zeus and the Olympians.

—Estas??—Si, corriendo.? Y corriendo, corriendo, azotando las puertas con sus vuelos de seda, desde el tocador al gabinete y desde el armario al espejo, siempre en el retoque de ultima hora; buscando el alfiler o el abanico que perdian su cabecilla de loca, volviendose desde la calle para cenir a su garganta el collar, haciendome entrar todavia por el panolito de encaje olvidado sobre la silla, saliamos al fin todas las noches con hora y media de retraso, aunque con luz del sol empezara ella la archidificil obra de poner a nivel de la belleza de su cara la delicadeza de su adorno.?Gracias habia que dar si cuando al primer farol, ella, parandose, me preguntaba: "Que tal voy?", no le contestaba yo: "Bien, muy guapa", con absoluto convencimiento; porque capaz era la nina de volverse en ultima instancia al tribunal supremo del espejo, y entonces, ?adios, teatro!..., llegabamos a la salida. Como ocurria muchas veces.? Ella muy de prisa, yo a su lado, un poco detras, no muy cerca, con mezcla del respeto galante del caballero a la dama y del respeto grave del groom a la duquesita. Cuando en la vuelta de una esquina rozaban mi brazo sus cintas, yo le pedia perdon. Mirabala sin querer a la luz de los escaparates, y cuando alguna mujer del pueblo quedabase parada floreandola, yo la decia: "Mira, oyes?", y sonreia ella triunfante como una reina... ? ?AUTOR: Felipe Trigo Sanchez (1864 – 1916) fue medico rural y militar, y posteriormente escritor espanol. Nacido en Villanueva de la Serena, en el seno de una familia de clase media con dificultades economicas por la temprana muerte del padre, Felipe Trigo curso el bachillerato en Badajoz y la carrera de medicina en el Hospital de San Carlos de Madrid. Su experiencia como estudiante forastero en la capital la plasmaria en la novela En la carrera. Tras licenciarse, casado ya con su companera de facultad, Consuelo Seco de Herrera, ejercio como medico titular en los pueblos pacenses de Trujillanos y Valverde de Merida, circunstancia biografica que tambien novelizaria en El medico rural. Hastiado de la vida rural, entro por oposicion en el Cuerpo de Sanidad Militar. Su primer destino fue Sevilla, donde comenzo su actividad periodistica que ya habia intentado en Madrid. De Sevilla paso a Trubia, como medico de la fabrica de armas. Anos despues marcho voluntario a unas Filipinas en plena rebelion. Destinado como medico en Fuerte Victoria, en realidad un destacamento de prisioneros tagalos, estuvo a punto de perder la vida durante una escaramuza. Los sublevados le asestaron no menos de siete machetazos, dejandolo por muerto. Trigo, sin embargo, consiguio huir a campo traves, en espantosas condiciones. Con una mano inutilizada, fue repatriado como mutilado de guerra, con el grado de teniente coronel. La prensa le recibio como ?el heroe de Fuerte Victoria? y llego a ser propuesto para la Cruz Laureada de San Fernando. Rechazando la posibilidad de capitalizar politicamente su celebridad, en 1900 se retiro del Ejercito y fijo su residencia en Merida para dedicarse en exclusiva a la literatura...

"The Moon-Bog" is a short story by American horror fiction writer H. P. Lovecraft, written in or before March 1921. The story was first published in the June 1926 issue of the pulp magazine Weird Tales. In the story, the unnamed narrator describes the final fate of his good friend, Denys Barry, an Irish-American who reclaims an ancestral estate in Kilderry, a fictional village in Ireland. Barry ignores pleas from the superstitious local peasantry not to drain the nearby bog, with unfortunate supernatural consequences.

Al sentir un roce en el cuello, Fernando de Ojeda soltó la pluma y levantó la cabeza. Una palmera enana movía detrás de él con balanceo repentino sus anchas manos de múltiples y puntiagudos dedos. Para evitarse este contacto avanzó el sillón de junco, pero no pudo seguir escribiendo. Algo nuevo había ocurrido en torno de él mientras con el pecho en el filo de la mesa y los ojos sobre los papeles huía lejos, muy lejos, acompa?ado en esta fuga ideal por el leve crujido de la pluma. Vio con el mismo aspecto exterior cosas y personas al salir de su abstracción; pero una vida interna, ruidosa y móvil parecía haber nacido en las cosas hasta entonces inanimadas, mientras la vida ordinaria callaba y se encogía en las personas, como poseída de súbita timidez.??Sus ojos, fatigados por la escritura, huían de las ampollas eléctri-cas del techo, inflamadas en plena tarde, para reposarse en los rectángulos de las ventanas que encuadraban el azul grisáceo de un día de invierno. La blancura de la madera laqueada temblaba con cierto reflejo húmedo que parecía venir del exterior. Dos salones agrandados por la escasez de su altura eran el campo visual de Ojeda. En el primero, donde estaba él, mezclábase a la blancura uniforme de la decoración el verde charolado de las palmeras de inver-náculo, el verde pictórico de los enrejados de madera tendidos de pilastra a pilastra y el verde amarillento y velludo de unas parras artificiales, cuyas hojas parecían retazos de terciopelo. Sillones de floreada cretona en torno de las mesas de bambú formaban islas, a las que se acogían grupos de personas para embadurnar con manteca y mermeladas el pan tostado, husmear el perfume del té o seguir el burbujeo de las aguas minerales te?idas de jarabes y licores. ? AUTOR: Vicente Blasco Ibanez nacio el 29 de enero de 1867 en Valencia (Espana). Era hijo de Ramona Ibanez y del comerciante Gaspar Blanco. Estudio Derecho en la Universidad de Valencia. Participo en la politica uniendose al Partido Republicano". En 1894 fundo el periodico El pueblo. En el ano 1896, fue detenido y condenado a varios meses de prision. En 1889 contrajo matrimonio con Maria Blasco del Cacho, hija del magistrado Rafael Blasco y Moreno. Cuando subio al poder Canovas del Castillo, el escritor se exilio brevemente en la ciudad de Paris. Fue un autor vinculado en muchos aspectos al naturalismo frances. Por otra parte, la explicita intencion politicosocial de algunas de las novelas de Blasco Ibanez, aunada al escaso bagaje intelectual del autor, lo mantuvo alejado de los representantes de la Generacion del 98. Murio el 28 de enero de 1928 en Menton (Francia)a los 60 anos. Entre sus titulos destacan: "Arroz y Tartana" (1894), "La Barraca" (1898), "Entre Naranjos (1900), "Canas y Barro" (1902), "La Horda" (1905), "Sangre y Arena" (1908) o "Los Cuatro Jinetes Del Apocalipsis" (1916).

Capitala a c?zut. ?ntunecatul conduce Ravka din tronul s?u de umbre. Acum, soarta ??rii depinde de fragila Invocatoare a Soarelui, de o iscoad? c?zut? ?n dizgra?ie ?i de r?m??i?ele unei armate magice, c?ndva m?rea??. Pornit? ?n c?utarea ultimului amplificator al lui Morozova, Alina ?ncheie noi alian?e ?i las? deoparte vechile rivalit??i. Pe m?sur? ce afl? secretele ?ntunecatului, descoper? un trecut ce va schimba pentru totdeauna felul ?n care vede leg?tura lor, precum ?i puterea cu care e ?nzestrat?. Numai pas?rea de foc mai poate ?mpiedica distrugerea Ravk?i, ?ns? prinderea ei ar putea s? o coste pe Alina viitorul pentru care lupt?. Alina este o marginal? ?i a?a m? sim?eam ?i eu c?nd eram mic?. ??i dore?te foarte mult s? apar?in? unui loc din lumea asta ?i din aceast? cauz? face ni?te alegeri gre?ite. Am fost crescut? de bunicii mei ?ntr-un loc straniu, unde nu prea ?nt?lneai copii. Casa lor se afla pe un deal ?i mai tot timpul eram l?sat? de capul meu. Cred c? ceva din senza?ia aceea de izolare s-a strecurat ?i ?n descrierea Keramzinului (orfelinatul ?n care cresc Alina ?i Mal). – Leigh Bardugo, pentru Entertainment Weekly Elegan?a ?i fluiditatea stilului, ?mpreun? cu acea lume imaginar? des?v?r?it? fac din Trilogia Grisha o pies? de rezisten?? a genului fantasy. – RT Book Reviews Am reu?it s? m? ridic ?n picioare. Capul mi se ?nv?rtea. Mi-am str?ns bra?ul r?nit cu m?na teaf?r? ?i am pornit cl?tin?ndu-m? prin ?ntuneric. Nu vedeam nimic, eram complet dezorientat?. Dar am continuat s? merg prin bezn?, ?ncerc?nd s?-mi deblochez mintea, s? ?ncropesc un plan. ?tiam c? volcrele m? puteau ataca ?n orice clip?, dar era prea riscant s? folosesc lumina. G?nde?te!, m? mustram ?n sinea mea. Nu mai aveam nicio idee. R?m?sesem f?r? explozibili ?i nu puteam folosi T?ietura. M?neca ?mi era plin? de s?nge ?i pa?ii ?mi ?ncetineau. Trebuia s? g?sesc pe cineva s?-mi vindece bra?ul. Trebuia s? m? refac ?i s? atac din nou. Nu puteam fugi iar??i de ?ntunecatul, la fel ca prima oar? c?nd luptaser?m ?n Falie. De atunci, fugisem ?ntruna.

C?t?lin Ghi?? este unul dintre cei mai serio?i, mai informa?i ?i mai inspira?i cercet?tori care se afirm? ?n comparatistica literar? ?i cultural? de la noi. Neotematismul s?u este unul atent la diferen?e – ?i ?n primul r?nd la diferen?a estetic? –, reticent fa?? de exploatarea ideologizant? a literaturii. Cartea de fa?? ??i acoper? tema cu mare grij?, cu acribie filologic? ?i teoretic?, dar o ?i dep??e?te uneori prin implica?ii nea?teptate ?i prin considera?ii de ansamblu. ?mi place ?n mod deosebit luciditatea autocritic? a autorului, ?n care v?d reflexul moral al modestiei ?i, ?n acela?i timp, orgoliul justificat al competen?ei profesionale“. – Mircea Martin

The electrical problems of the present day lie largely in the economical transmission of power and in the radical improvement of the means and methods of illumination. To many workers and thinkers in the domain of electrical invention, the apparatus and devices that are familiar, appear cumbrous and wasteful, and subject to severe limitations. They believe that the principles of current generation must be changed, the area of current supply be enlarged, and the appliances used by the consumer be at once cheapened and simplified. The brilliant successes of the past justify them in every expectancy of still more generous fruition.??The present volume is a simple record of the pioneer work done in such departments up to date, by Mr. Nikola Tesla, in whom the world has already recognized one of the foremost of modern electrical in-vestigators and inventors. No attempt whatever has been made here to emphasize the importance of his researches and discoveries. ??Great ideas and real inventions win their own way, determining their own place by intrinsic merit. But with the conviction that Mr. Tesla is blazing a path that electrical development must follow for many years to come, the compiler has endeavored to bring together all that bears the impress of Mr. Tesla's genius, and is worthy of preservation. Aside from its value as showing the scope of his inventions, this volume may be of service as indicating the range of his thought. There is intellectual profit in studying the push and play of a vigorous and original mind.?

gata! Mito? Micleu?anu (n. 1972), pictor, scriitor, muzician. Cofondator al proiectului ?Planeta Moldova“.

Cand orasul era inca un oras, oamenii se trezeau in fiecare dimineata in Berlinul de Vest si in Berlinul de Est, separate prin Zidul necrutator. Cand orasul era inca un oras, Timo, Jakob si Christa nu aveau cum sa stie ca, intr-o buna zi, vor fi nevoiti sa deschida ochii intr-o lume fara adulti, in cartierele unui Berlin de nerecunoscut, plin de primejdii. Un oras in care, pentru a supravietui, este nevoie sa faci parte dintr-un grup: Gropiusstadt, Havel, Reichstag, Tegel, Zoo. In ciuda luptelor inversunate insa, toti au ceva in comun: virusul care, la sfarsitul adolescentei, le va curma viata, ca si cum maturizarea ar fi fost o condamnare la moarte. Iar virusul nu este singura primejdie. O fiara misterioasa umbla libera pe strazi, ataca si ucide animale si copii, apoi dispare fara urme. Iar pentru a se apara de inamicul invizibil, tinerilor nu le mai ramane decat sa se alieze si sa lupte impreuna.

n 1943, soia lui Boris Vian, Michelle, s-a mbolnvit i a trebuit s sufere o intervenie chirurgical. Ca s-o amuze pe Michelle n timpul convalescenei, Boris Vian scrie Conte de fées à l’usage de moyennes personnes (Poveste de adormit oamenii obinuii) i o ilustreaz cu desene fcute de el nsui. mpreun cu trei nuvele – Pompierii, Pensionarul i Amintirea – textul acestei poveti“ constituie un volum pe care fanii lui Boris Vian vor fi ncntai s-l citeasc.

Descoperi?i al cincilea volum dintr-o serie de c?r?i pentru copii a c?ror popularitate a dep??it orice a?tept?ri! ?Pisicile r?zboinice” s-au v?ndut ?n mai mult de 14 milioane de volume ?n peste 20 de ??ri ?i au ap?rut pe lista New York Times a celor mai v?ndute titluri. De genera?ii ?ntregi, patru clanuri de pisici s?lbatice convie?uiesc ?n p?dure, departe de oameni. Au un cod al onoarei ?i pre?uiesc loialitatea. Se antreneaz? ca r?zboinici pentru a-?i proteja Clanurile. Folosesc remedii naturiste pentru a se vindeca. Respect? legile statornicite de ?nainta?i. Sunt ghidate ?n ac?iunile lor de spiritele str?mo?ilor r?zboinici, reuni?i ?n Clanul Stelelor. Ro?covanul este un fost pisoi de cas? care s-a dovedit a fi puternic ?i descurc?re? ?n s?lb?ticie. Dup? ce a fost acceptat ca ucenic ?n Clanul Tunetului sub numele de Lab? de Foc, a primit titulatura de r?zboinic ?i numele Inim? de Foc. ?n cele din urm?, vitejia l-a adus p?n? la pozi?ia de secund ?n clan. Dar nu are o clip? de lini?te c?t? vreme Ghear? de Tigru, fostul secund, poate ataca oric?nd. ?i conduc?toarea Stea Albastr? ?i-a pierdut ?ncrederea ?n r?zboinicii clanului, dup? ce Ghear? de Tigru s-a dovedit a fi un tr?d?tor. Pe m?sur? ce ea este din ce ?n ce mai bolnav? ?i mai absent?, Inim? de Foc va fi nevoit s? preia fr?iele Clanului Tunetului. ?n aceast? perioad?, ?n p?dure ??i face sim?it? prezen?a un du?man misterios. Mai mult dec?t at?t, Ghear? de Tigru, devenit acum conduc?torul Clanului Umbrelor sub numele de Stea de Tigru, comploteaz? ?n continuare, la fel de ?nsetat de putere. Luptele pentru onoare ?i teritoriu sunt tot mai ?ncr?ncenate, iar ?ndoielile ?i tr?darea afecteaz? toate clanurile. Oare pisicile r?zboinice au fost p?r?site de spiritele din Clanul Stelelor pentru totdeauna? Volumul cuprinde h?r?i ?i simboluri din via?a pisicilor r?zboinice. ?O poveste plin? de aventur?, care v? va ?ine cu sufletul la gur?.” - Publishers Weekly ?Un episod palpitant din aventurile pisicilor r?zoinice, care va fi cu siguran?? pe placul cititorilor.“ - ALA Booklist ?Povestea este mereu surprinz?toare; personajele sunt ?nzestrate cu tabieturi ?i comportamente feline autentice.” - VOYA Din aceea?i serie: PISICILE R?ZBOINICE. CARTEA I - ?N INIMA P?DURII PISICILE R?ZBOINICE. CARTEA A II-A - FOC ?I GHEA?? PISICILE R?ZBOINICE. CARTEA A III-A - P?DUREA SECRETELOR PISICILE R?ZBOINICE. CARTEA A IV-A - FURTUNA

Amit az olvasó a kezében tart, a F?ld kül?nb?z? pontjain feltárt lel?helyekr?l és a bennük található leletekr?l szól. Kül?nleges ablakot nyit elfeledett világokba, amiket a legt?bb ember nehezen tud elképzelni. Ezek a helyek olyan k?rülmények k?z?tt j?ttek létre, amik k?vetkeztében halált hoztak a figyelmetlenekre, legyenek azok kicsik vagy hatalmasak. Ebben a k?nyvben végigmegyünk kül?nb?z? f?ldt?rténeti korokon, mik?zben megtudjuk, hogy ezek a csapdák hogyan keletkeztek, hogyan m?k?dtek, és a bennük elpusztultak maradványaiból rekonstruáljuk a rég elfeledett él?lényeket.

Iat?o pe fiica regelui troian Priam, vestita profet? Casandra, sosind ?n fa?a por?ilor cet??ii Micene ?n carul cu prizonieri al eroului grec Agamemnon. ?tie c? va fi ucis? ?nainte de asfin?itul soarelui ?i ??i rememoreaz? via?a, o existen?? excep?ional? pentru o femeie a acelor vremuri, ce culmineaz? ?n momente de o intensitate ?i un dramatism emo?ionant. Christa Wolf imagineaz? biografia fascinant? a unei figuri feminine at?t de controversate din mitologia antic?, reu?ind s? ne fac? s? o sim?im ca pe o contemporan? a noastr?.?

„Iat? o carte pe care s? o cite?ti încet ?i cu inima strâns?, o carte pe care s? o sim?i a?a cum sim?i ploaia b?tând darabana pe geamurile unui azil situat chiar aici ?i, în acela?i timp, la hotarele visului: acest t?râm atât de îndep?rtat ?i, în acela?i timp, atât de al nostru.  O zei?? stranie pare s? domine universul acestei opere singulare: boala, în multiplele ei variante, fizice ?i mentale, f?r? a uita c? fiecare boal? are o ie?ire, uneori spre lumina cea mai nea?teptat?, alteori spre cea mai nea?teptat? umbr?. Ne afl?m în fa?a unei c?r?i pline de delicate?e ?i de modera?ie, care??i trage vitalitatea din realism, din umanitate ?i, în acela?i timp, din delir, ?i care s?ar putea citi ca un roman polifonic, în?esat de voci care vorbesc în noapte.“ Jesús Ferrero (în Prefa??)