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Cat Coming Home
￥55.31
Cats can't come home again . . . or can they?Escaping Los Angeles and the ugly memories of her son's recent murder, Maudie Toola returns to her childhood home of Molena Point, bringing her orphaned grandson, whom she must now raise, with her. Mourning for her son, she's not looking forward to the holidays but feels she must make them positive for the child. But Maudie is unaware that the killer has followed her, nor does she know that the small seaside village is dealing with a series of brutal assaults. A team of criminals is stalking single women, hiding their attacks behind spectacular break-ins to divert the cops. And this time there's not even a phone call from the four-footed snitch to give the cops a lead.Meanwhile, a new tomcat appears on the scene, a wise and elderly wanderer who bears an important message from a state prisoner for the chief of police. But this cat has a personal agenda too—as does Maudie, who harbors her own secret about her son's killer. As the lonely prison cat provides the link between the mysteries, Joe Grey and his pals, in turn, help him find a surprising new home, a safe retreat in time for the holidays.With a story both enchanting and suspenseful, Shirley Rousseau Murphy shows once again why her trio of feline sleuths are so beloved by her fans, and why the Joe Grey mysteries should be at the top of every cat lover's Christmas list.
Grace
￥72.93
It's never too late to go homeIt’s Christmastime at the Brenneman Bed and Breakfast, and everyone isexcited about closing down for the holidays. But when two unexpectedvisitors appear seeking shelter, the family’s commitment to hospitalityis tested. First Levi arrives, sullen and angry . . . but insisting on staying for five days. Next Melody shows up. She’s almost nine months pregnant, but won’t say a word about why she traveled all the way from Kentucky by herself. As the two strangers settle in, the Brennemans try to make the best of an uncomfortable situation, except for Katie, who and knows a thing or two about keeping secrets. She is determined to learn the truth about these two strangers . . . all while keeping her own secret safely hidden away.All is revealed when a snowstorm traps them at the inn.
Vampire Uprising (Skinners)
￥56.07
A legendary Skinner has passed. Among the articles he left behind are runes, potions, and powerful weapons to aid in the ongoing war against the unspeakable creatures that prowl the shadows outside normal human consciousness. But there is something else: the remains of a terrifying beast no other Skinner has ever encountered. And it isn't dead.Skinners, partners, lovers, Cole Warnecki and Paige Strobel are well armed with the tools the late Jonah Lancroft provided. But even his best weapons may not be enough to defeat the monstrosity they now face. A new terror has risen up to infect them both with its virulent malevolence, even as Paige confronts the secrets of her astonishing past. The purest evil walks the world again—the First Deceiver, humankind's darkest nightmare, the self-proclaimed King of the Full Bloods.
Warrior Princess #3: The Emerald Flame
￥94.10
The Emerald Flame of her people.Branwen has finally accepted that the Shining Ones have chosen her to save her country from the Saxon invaders. But the next stage in her journey includes a seemingly impossible mission, and the path before her is filled with darkness and danger. Branwen is pushed to the brink of disaster, and with each step she takes, she is being pulled farther from the life she once knew—the life she still desperately misses.Guided by the spirits, with both her fearless friend Rhodri and the dashing, sometimes maddening Iwan by her side, Branwen must overcome terrifying odds if she is to succeed in her quest. But a true Warrior Princess won't back down . . . even when an old enemy returns.
The Transformation of Things
￥78.32
What if the reality you thought you knew was nothing but a fantasyJennifer Levenworth has a great big pounding headache. It could be because her husband, a judge, is indicted on bribery charges, leaving her unsure about everything in her marriage. Or it could be caused by the media, who are relentlessly covering the story. Or because the friends Jennifer thought she knew and trusted have turned their backs on her in her greatest hour of need.And then the dreams begin. . . . And while Jennifer sleeps, she swears she can see—and hear—her friends' and family's most private moments. Soon Jennifer realizes she is actually learning the truth about their lives, which is also leading her to question everything she thought she knew about herself. But when the dreams start to reveal a startling reality, can Jennifer find the strength to ultimately transform her life?
Unrepentant Renaissance
￥447.34
Who during the Renaissance could have dissented from the values of reason and restraint, patience and humility, rejection of the worldly and the physicalThese widely articulated values were part of the inherited Christian tradition and were reinforced by key elements in the Renaissance, especially the revival of Stoicism and Platonism. This book is devoted to those who did dissent from them.?Richard Strier reveals that many long-recognized major texts did question the most traditional values and uncovers a Renaissance far more bumptious and affirmative than much recent scholarship has allowed.The Unrepentant Renaissance counters the prevalent view of the period as dominated by the regulation of bodies and passions, aiming to reclaim the Renaissance as an era happily churning with surprising, worldly, and self-assertive energies. Reviving the perspective of Jacob Burckhardt and Nietzsche, Strier provides fresh and uninhibited readings of texts by Petrarch, More, Shakespeare, Ignatius Loyola, Montaigne, Descartes, and Milton. Strier's lively argument will stir debate throughout the field of Renaissance studies.
Whale and the Reactor
￥188.35
"e;The questions he poses about the relationship between technical change and political power are pressing ones that can no longer be ignored, and identifying them is perhaps the most a nascent 'philosophy of technology' can expect to achieve at the present time."e;-David Dickson, New York Times Book Review"e;The Whale and the Reactor is the philosopher's equivalent of superb public history. In its pages an analytically trained mind confronts some of the most pressing political issues of our day."e;-Ruth Schwartz Cowan, Isis
How Life Began
￥229.55
The origin of life is a hotly debated topic. The Christian Bible states that God created the heavens and the Earth, all in about seven days roughly six thousand years ago. This episode in Genesis departs markedly from scientific theories developed over the last two centuries which hold that life appeared on Earth about 3.5 billion years ago in the form of bacteria, followed by unicellular organisms half a millennia later. It is this version of genesis that Alexandre Meinesz explores in this engaging tale of life's origins and evolution.?How Life Began elucidates three origins, or geneses, of life-bacteria, nucleated cells, and multicellular organisms-and shows how evolution has sculpted life to its current biodiversity through four main events-mutation, recombination, natural selection, and geologic cataclysm.?As an ecologist who specializes in algae, the first organisms to colonize Earth, Meinesz brings a refreshingly novel voice to the history of biodiversity and emphasizes here the role of unions in organizing life. For example, the ingestion of some bacteria by other bacteria led to mitochondria that characterize animal and plant cells, and the chloroplasts of plant cells.?As Meinesz charmingly recounts, life's grandeur is a result of an evolutionary tendency toward sociality and solidarity. He suggests that it is our cohesion and collaboration that allows us to solve the environmental problems arising in the decades and centuries to come. Rooted in the science of evolution but enlivened with many illustrations from other disciplines and the arts, How Life Began?intertwines the rise of bacteria and multicellular life with Vermeer's portrait of Antoni van Leeuwenhoek, the story of Genesis and Noah, Meinesz's son's early experiences with Legos, and his own encounters with other scientists. All of this brings a very human and humanistic tone to Meinesz's charismatic narrative of the three origins of life.?
Freudian Robot
￥247.21
The identity and role of writing has evolved in the age of digital media. But how did writing itself make digital media possible in the first placeLydia H. Liu offers here the first rigorous study of the political history of digital writing and its fateful entanglement with the Freudian unconscious.Liu's innovative analysis brings the work of theorists and writers back into conversation with one another to document significant meetings of minds and disciplines. She shows how the earlier avant-garde literary experiments with alphabetical writing and the word-association games of psychoanalysis contributed to the mathematical making of digital media. Such intellectual convergence, she argues, completed the transformation of alphabetical writing into the postphonetic, ideographic system of digital media, which not only altered the threshold of sense and nonsense in communication processes but also compelled a new understanding of human-machine interplay at the level of the unconscious.Ranging across information theory, cybernetics, modernism, literary theory, neurotic machines, and psychoanalysis, The Freudian Robot rewrites the history of digital media and the literary theory of the twentieth century.
Mapping the Nation
￥247.21
In the nineteenth century, Americans began to use maps in radically new ways. For the first time, medical men mapped diseases to understand and prevent epidemics, natural scientists mapped climate and rainfall to uncover weather patterns, educators mapped the past to foster national loyalty among students, and Northerners mapped slavery to assess the power of the South. After the Civil War, federal agencies embraced statistical and thematic mapping in order to profile the ethnic, racial, economic, moral, and physical attributes of a reunified nation. By the end of the century, Congress had authorized a national archive of maps, an explicit recognition that old maps were not relics to be discarded but unique records of the nation's past.All of these experiments involved the realization that maps were not just illustrations of data, but visual tools that were uniquely equipped to convey complex ideas and information. In Mapping the Nation, Susan Schulten charts how maps of epidemic disease, slavery, census statistics, the environment, and the past demonstrated the analytical potential of cartography, and in the process transformed the very meaning of a map.Today, statistical and thematic maps are so ubiquitous that we take for granted that data will be arranged cartographically. Whether for urban planning, public health, marketing, or political strategy, maps have become everyday tools of social organization, governance, and economics. The world we inhabit-saturated with maps and graphic information-grew out of this sea change in spatial thought and representation in the nineteenth century, when Americans learned to see themselves and their nation in new dimensions.
Eating the Enlightenment
￥247.21
Eating the Enlightenment offers a new perspective on the history of food, looking at writings about cuisine, diet, and food chemistry as a key to larger debates over the state of the nation in Old Regime France. Embracing a wide range of authors and scientific or medical practitioners-from physicians and poets to philosophes and playwrights-E. C. Spary demonstrates how public discussions of eating and drinking were used to articulate concerns about the state of civilization versus that of nature, about the effects of consumption upon the identities of individuals and nations, and about the proper form and practice of scholarship. En route, Spary devotes extensive attention to the manufacture, trade, and eating of foods, focusing upon coffee and liqueurs in particular, and also considers controversies over specific issues such as the chemistry of digestion and the nature of alcohol. Familiar figures such as Fontenelle, Diderot, and Rousseau appear alongside little-known individuals from the margins of the world of letters: the draughts-playing cafe owner Charles Manoury, the "e;Turkish envoy"e; Soliman Aga, and the natural philosopher Jacques Gautier d'Agoty. Equally entertaining and enlightening, Eating the Enlightenment will be an original contribution to discussions of the dissemination of knowledge and the nature of scientific authority.
Frankenstein of 1790 and Other Lost Chapters from Revolutionary France
￥394.36
The French Revolution brings to mind violent mobs, the guillotine, and Madame Defarge, but it was also a publishing revolution: more than 1,200 novels were published between 1789 and 1804, when Napoleon declared the Revolution at an end. In this book, Julia V. Douthwaite explores how the works within this enormous corpus announced the new shapes of literature to come and reveals that vestiges of these stories can be found in novels by the likes of Mary Shelley, E. T. A. Hoffmann, Honore de Balzac, Charles Dickens, Gustave Flaubert, and L. Frank Baum.?Deploying political history, archival research, and textual analysis with eye-opening results, Douthwaite focuses on five major events between 1789 and 1794-first in newspapers, then in fiction-and shows how the symbolic stories generated by Louis XVI, Robespierre, the market women who stormed Versailles, and others were transformed into new tales with ongoing appeal. She uncovers a 1790 story of an automaton-builder named Franknsten, links Baum to the suffrage campaign going back to 1789, and discovers a royalist anthem's power to undo Balzac's Pre Goriot. Bringing to light the missing links between the ancien rgime and modernity, The Frankenstein of 1790 and Other Lost Chapters from Revolutionary France is an ambitious account of a remarkable politico-literary moment and its aftermath.
Nietzsche's Enlightenment
￥394.36
While much attention has been lavished on Friedrich Nietzsche's earlier and later works, those of his so-called middle period have been generally neglected, perhaps because of their aphoristic style or perhaps because they are perceived to be inconsistent with the rest of his thought. With Nietzsche's Enlightenment, Paul Franco gives this crucial section of Nietzsche's oeuvre its due, offering a thoughtful analysis of the three works that make up the philosopher's middle period: Human, All too Human; Daybreak; and The Gay Science.?It is Nietzsche himself who suggests that these works are connected, saying that their "e;common goal is to erect a new image and ideal of the free spirit."e; Franco argues that in their more favorable attitude toward reason, science, and the Enlightenment, these works mark a sharp departure from Nietzsche's earlier, more romantic writings and differ in important ways from his later, more prophetic writings, beginning with Thus Spoke Zarathustra. The Nietzsche these works reveal is radically different from the popular image of him and even from the Nietzsche depicted in much of the secondary literature; they reveal a rational Nietzsche, one who preaches moderation instead of passionate excess and Dionysian frenzy. Franco concludes with a wide-ranging examination of Nietzsche's later works, tracking not only how his outlook changes from the middle period to the later but also how his commitment to reason and intellectual honesty in his middle works continues to inform his final writings.
Archaeology of Sympathy
￥370.82
In the middle of the eighteenth century, something new made itself felt in European culture-a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people's very structures of feeling, their ways of doing and being.?In what is sure to become a critical classic, An Archaeology of Sympathy challenges Sergei Eisenstein's influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra's It Happened One Night, Mr. Deeds Goes to Town, and It's a Wonderful Life. Chandler then moves forward to romanticism and modernism-two cultural movements often seen as defined by their rejection of the sentimental-examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work.?Reaching from Laurence Sterne to the Coen brothers, An Archaeology of Sympathy casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world.
Tristan's Shadow
￥370.82
Das Rheingold, Die Walkre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operas-and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk-the "e;total work of art"e;-famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner's strange theories on sexuality-like his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner's thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d'Albert, Schreker, and Strauss. For decades after Wagner's death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan's shadow.
Four Last Songs
￥247.21
Aging and creativity can seem a particularly fraught relationship for artists, who often face age-related difficulties as their audience's expectations are at a peak. In?Four Last Songs, Linda and Michael Hutcheon explore this issue via the late works of some of the world's greatest composers.Giuseppe Verdi (1813-1901), Richard Strauss (1864-1949), Olivier Messiaen (1908-92), and Benjamin Britten (1913-76) all wrote operas late in life, pieces that reveal unique responses to the challenges of growing older. Verdi's?Falstaff, his only comedic success, combated Richard Wagner's influence by introducing young Italian composers to a new model of national music. Strauss, on the other hand, struggling with personal and political problems in Nazi Germany, composed the self-reflexive?Capriccio, a "e;life review"e; of opera and his own legacy. Though it exhausted him physically and emotionally, Messiaen at the age of seventy-five finished?his only opera,?Saint Franois d'Assise, which marked the pinnacle of his career. Britten, meanwhile, suffering from heart problems, refused surgery until he had completed his masterpiece,?Death in Venice. For all four composers, age, far from sapping their creative power, provided impetus for some of their best accomplishments.With its deft treatment of these composers' final years and works, Four Last Songs provides a valuable look at the challenges-and opportunities-that present themselves as artists grow older.
Socrates and the Jews
￥247.21
"e;What has Athens to do with Jerusalem?"e; Asked by the early Christian Tertullian, the question was vigorously debated in the nineteenth century. While classics dominated the intellectual life of Europe, Christianity still prevailed and conflicts raged between the religious and the secular. Taking on the question of how the glories of the classical world could be reconciled with the Bible, Socrates and the Jews explains how Judaism played a vital role in defining modern philhellenism.Exploring the tension between Hebraism and Hellenism, Miriam Leonard gracefully probes the philosophical tradition behind the development of classical philology and considers how the conflict became a preoccupation for the leading thinkers of modernity, including Matthew Arnold, Moses Mendelssohn, Kant, Marx, Nietzsche, and Freud. For each, she shows how the contrast between classical and biblical traditions is central to writings about rationalism, political subjectivity, and progress. Illustrating how the encounter between Athens and Jerusalem became a lightning rod for intellectual concerns, this book is a sophisticated addition to the history of ideas.
Fiela's Child
￥241.33
Set in nineteenth-century rural Africa, Fiela's Child tells the gripping story of Fiela Komoetie and a white, three-year old child, Benjamin, whom she finds crying on her doorstep. For nine years Fiela raises Benjamin as one of her own children. But when census takers discover Benjamin, they send him to an illiterate white family of woodcutters who claim him as their son. What follows is Benjamin's search for his identity and the fundamental changes affecting the white and black families who claim him."e;Everything a novel can be: convincing, thought-provoking, upsetting, unforgettable, and timeless."e;-Grace Ingoldby, New Statesman"e;Fiela's Child is a parade that broadens and humanizes our understanding of the conflicts still affecting South Africa today."e;-Francis Levy, New York Times Book Review"e;A powerful creation of time and place with dark threads of destiny and oppression and its roots in the almost Biblical soil of a storyteller's art."e;-Christopher Wordsworth, The Guardian"e;The characters in the novel live and breathe; and the landscape is so brightly painted that the trees, birds, elephants, and rivers of old South Africa are characters themselves. A book not to miss."e;-Kirkus Reviews
Urban Blues
￥211.90
Charles Keil examines the expressive role of blues bands and performers and stresses the intense interaction between performer and audience. Profiling bluesmen Bobby Bland and B. B. King, Keil argues that they are symbols for the black community, embodying important attitudes and roles-success, strong egos, and close ties to the community. While writing Urban Blues in the mid-1960s, Keil optimistically saw this cultural expression as contributing to the rising tide of raised political consciousness in Afro-America. His new Afterword examines black music in the context of capitalism and black culture in the context of worldwide trends toward diversification."e;Enlightening. . . . [Keil] has given a provocative indication of the role of the blues singer as a focal point of ghetto community expression."e;-John S. Wilson, New York Times Book Review"e;A terribly valuable book and a powerful one. . . . Keil is an original thinker and . . . has offered us a major breakthrough."e;-Studs Terkel, Chicago Tribune"e;[Urban Blues] expresses authentic concern for people who are coming to realize that their past was . . . the source of meaningful cultural values."e;-Atlantic"e;An achievement of the first magnitude. . . . He opens our eyes and introduces a world of amazingly complex musical happening."e;-Robert Farris Thompson, Ethnomusicology?"e;[Keil's] vigorous, aggressive scholarship, lucid style and sparkling analysis stimulate the challenge. Valuable insights come from treating urban blues as artistic communication."e;-James A. Bonar, Boston Herald?
Commentary on The Complete Greek Tragedies. Aeschylus
￥211.90
This commentary offers a rich introduction and useful guide to the seven surviving plays attributed to Aeschylus. Though it may profitably be used with any translation of Aeschylus, the commentary is based on the acclaimed Chicago translations, The Complete Greek Tragedies, edited by David Grene and Richmond Lattimore.James C. Hogan provides a general introduction to Aeschylean theater and drama, followed by a line-by-line commentary on each of the seven plays. He places Aeschylus in the historical, cultural, and religious context of fifth-century Athens, showing how the action and metaphor of Aeschylean theater can be illuminated by information on Athenian law athletic contests, relations with neighboring states, beliefs about the underworld, and countless other details of Hellenic life. Hogan clarifies terms that might puzzle modern readers, such as place names and mythological references, and gives special attention to textual and linguistic issues: controversial questions of interpretation; difficult or significant Greek words; use of style, rhetoric, and commonplaces in Greek poetry; and Aeschylus's place in the poetic tradition of Homer, Hesiod, and the elegiac poets. Practical information on staging and production is also included, as are maps and illustrations, a bibliography, indexes, and extensive cross-references between the seven plays. Forthcoming volumes will cover the works of Sophocles and Euripides.
"e;Do You Know...?"e;
￥211.90
Every night, somewhere in the world, three or four musicians will climb on stage together. Whether the gig is at a jazz club, a bar, or a bar mitzvah, the performance never begins with a note, but with a question. The trumpet player might turn to the bassist and ask, "e;Do you know 'Body and Soul'?"e;-and from there the subtle craft of playing the jazz repertoire is tested in front of a live audience. These ordinary musicians may never have played together-they may never have met-so how do they smoothly put on a show without getting booed offstage.In "e;Do You Know . . . ?"e; Robert R. Faulkner and Howard S. Becker-both jazz musicians with decades of experience performing-present the view from the bandstand, revealing the array of skills necessary for working musicians to do their jobs. While learning songs from sheet music or by ear helps, the jobbing musician's lexicon is dauntingly massive: hundreds of thousands of tunes from jazz classics and pop standards to more exotic fare. Since it is impossible for anyone to memorize all of these songs, Faulkner and Becker show that musicians collectively negotiate and improvise their way to a successful performance. Players must explore each others' areas of expertise, develop an ability to fake their way through unfamiliar territory, and respond to the unpredictable demands of their audience-whether an unexpected gang of polka fanatics or a tipsy father of the bride with an obscure favorite song."e;Do You Know . . . ?"e; dishes out entertaining stories and sharp insights drawn from the authors' own experiences and observations as well as interviews with a range of musicians. Faulkner and Becker's vivid, detailed portrait of the musician at work holds valuable lessons for anyone who has to think on the spot or under a spotlight.
