Grahame’s reminiscences are notable for their conception “of a world where children are locked in perpetual warfare with the adult ‘Olympians’ who have wholly forgotten how it feels to be young”--a theme later explored by J. M. Barrie and other authors.

Nice, Hyacinthe Supia, le directeur du grand magasin La Bella Nissa est victime des forfaits du mystérieux cambrioleur Hardigras. Il demande de l'aide à Titin le Bastardon, lequel est amoureux de son amie d'enfance Antoinette, la filleule de Supia, promise au prince Hippothadée. Mais, rapidement, nombreux sont ceux qui souponnent Titin et Hardigras d'être une seule et même personne... Par ailleurs, Titin apprend que sa mère a été violée par trois hommes et qu'il est le fruit de cet acte. Il décide de retrouver ses trois pères... Cette comédie provenale, injustement méconnue, se lit avec un grand plaisir. Mais, noublions pas qu'en pays niois, le drame, parfois terrible, n'est jamais loin sous la comédie...

Herbert de Renich, citoyen luxembourgeois, toujours amoureux d'Amalia, pourtant devenue la femme du terrible amiral allemand Von Treischke, se retrouve à bord du Vengeur, un sous marin extraordinaire, con?u pour le plaisir mais surtout pour la guerre, par un américain masqué - les ?tats-Unis n'étant pas encore en guerre - qui, pour venger sa femme, souhaite ch?tier les crimes allemands et fait ainsi subir les pires tortures à ses prisonniers. Herbert se retrouve mêlé à la bataille invisible - puisqu'elle est électrique - que se livre les troupes de l'américain et des allemands autour d'un fabuleux trésor enfoui dans la baie de Vigo... Vaste fresque rendant hommage à Jules Verne, ce roman de guerre fait appel à la science-fiction pour dénoncer une fois encore les atrocités allemandes. Le thème du combat subaquatique et du trésor est repris d'un projet d'aventure de Rouletabille que Leroux a abandonné pour ?entrer en guerre?.

Never had he felt such weariness of body and of spirit. He had passed the whole evening in the company of charming ladies and cultivated men; some of the ladies were beautiful, almost all the men were distinguished by intellect or talent; he himself had talked with great success, even with brilliance… and, for all that, never yet had the taedium vitae of which the Romans talked of old, the 'disgust for life,' taken hold of him with such irresistible, such suffocating force.

Chéri-Bibi réussit à s'évader du bagne de Cayenne en compagnie d'un autre condamné, Palas. Ce dernier prend l'identité de Raoul de Saint Dalmas pour regagner l'Europe. Là, il épouse Fran?oise de la Boulays. Un certain Casimir veille sur le couple qui n'est autre que Chéri-Bibi...

" Plus profondément je rentre en moi-même, plus attentivement j'examine toute ma vie passée, et plus je me convaincs de la rigoureuse vérité de cette expression. De trop : c'est bien cela... de moi, il n'y a pas moyen de dire autre chose : homme de trop, c'est tout." Tourguéniev écrivit Le journal d'un homme de trop en 1850. Publié en France en 1863, le succès fut immédiat. Cette nouvelle contient tout le génie du plus russe des romanciers russes : d'une part l'amour passionné de la nature, des grands espaces, des forêts de bouleaux, des oiseaux sauvages; de l'autre, des personnages fragiles, inquiets, velléitaires, incapables d'exprimer les passions qui les habitent.

L'académicien Ozout et son neveu Raymond arrivent au Pérou. Ils sont à la recherche de Marie-Thérèse, la fiancée de Raymond, que les Indiens veulent sacrifier selon leurs coutumes ancestrales, car ils l'ont désignée comme épouse du Soleil...

The burlesque adventures of Tartarin, a local hero of Tarascon, a small town in southern France, whose invented adventures and reputation as a swashbuckler finally force him to travel to a very prosaic Algiers in search of lions. Instead of finding a romantic, mysterious Oriental fantasy land, he finds a sordid world suspended between Europe and the Middle East. And worst of all, there are no lions left.

Pericles, Prince of Tyre is a play written (at least in part) by William Shakespeare and included in modern editions of his collected works despite some questions over its authorship, as it was not included in the First Folio. Many modern editors believe that Shakespeare is responsible for the main portion of the play after scene 9 that follows the story of Pericles and Marina, and that the first two acts, detailing the many voyages of Pericles, were written by a relatively untalented reviser or collaborator, possibly George Wilkins.

EFSANELERE G?RE ?STANBUL’UN KURULU?U "Bu ?ehr-i Sitambul ki, bi mi?l-u behad?r, Bir sengine, yekpare Acem mülkü fedad?r" ?air Nedim Yeryüzünde, bu kadar ?ok ada ve sana sahip kent ?ok ender bulunur. Her ulus, ?stanbul'u ba?ka bir adla and?. Ayr?ca, fetihten ?nceki adlar? ba?kayd?, fetihten sonrakiler ba?ka... Tarih sahnesine, Byzas, Buzis, Byse, Bysante gibi adlarla ??kt?. Roma d?nemine kadar da en ?ok Byzant?on olarak an?ld?. Romal?lar Antoneia, Anthu?a, Deutera Rome dediler. Sonra, uzun bir d?nem boyunca Konstantinopolis olarak kald?. Kuzeylilerin verdikleri adlar?n bir k?sm? kentin gücünü vurguluyordu: Tsar??rad (Slav kaynaklar?nda imparator kenti) ve M?klegard (Vikinglerde ?mparator Mikhael’?n kenti) gibi. Ruslar Tekfuriye ve Zavegorod, Macarlar Vizenduvar, Polonyal?lar Kanatorya, ?ekler Aylana, ?sve?liler Herakl?yan, Hollandal?lar ?stefanya, Franklar Agrandone, Portekizliler Ko?tiye, Araplar Konstantiniyye-i Kübra, Acemler Kayser-i Zemin, Hintliler Taht-i Rum, Mo?ollar ?akdüryan demi?lerdi bir zamanlar Osmanl?'n?n "Asitane"sine. ?te yandan, ?stanbul'a yak??t?r?lan sanlar da en az kendisi kadar g?rkemliydi: Asitane-i Saadet (Sültan Saray?), Dar-ül Hilafe (Halife'nin evi), Darü's Saltana (Saltanat?n evi), Dergah-? Selat?n (Sultanlar kap?s?)... Ve sonunda bizim kentimiz, ?stanbul. Bilinen tarihi 2600 y?ldan daha eskilere uzanan bu ya?l?, ama muhte?em kent, zaman?n ak??? i?inde büyük uygarl?klar?n y?k?l??lar?m da g?rdü, yenilerinin nas?l kurulduklar?na da... ?mparatorluklar?n bu herkesi k?skand?ran g?rkemli ba?kentinin k??e buca??, birbiriyle ilgisi olmayan kültürlerin miras?yla süslendi. Ve sonu?ta, tüm üslup ve kültürler i? i?e ge?erek, birbirini ?zümseyerek, ?stanbul'un an?tsal tarihini olu?turdu. Kentin kurulu?u üzerine rivayet muhtelif. En ünlüsü ve bilineni Megaral? g??menlerinin yolculu?u. Bir de Evliya ?elebi'nin anlatt??? var ki, tad?na doyum olmuyor... Efsaneye g?re, Koressa'n?n o?lu, Yunanistan'?n Megara kentinden gen? Byzas, yanda?lar?yla birlikte, b?lgedeki bask?lardan kurtulmak, yeni bir kent kurmak ve ?zgürlü?ünü ilan etmek i?in yola ??kt?. Her ?ey iyiydi de, kent nerede kurulacakt?? O ?a?da, bilinmeyenleri bilinir k?lan birisine, Delfoi kentindeki kahine dan??t? gen? adam. Delfoi kahini gidece?i yeri tarif etti; "Kentini kuraca??n yer, k?rler ülkesinin tam kar??s?nda olacak." Byzas yola ??kt?, arad? tarad?, k?rler ülkesi diye bir yer yoktu. Sonunda, mola verdikleri bir deniz k?y?s?nda, kar?? sahile bakt? ve ba??rd?: "Bu insanlar k?r mü, buras? varken orada oturulur mu?". Delfoi kahinini hat?rlad? gen? adam; "K?rler ülkesinin kar??s?nda kuracaks?n kentini." K?rler ülkesi, günümüzün Kad?k?y'üdür! ?stanbul'dan ?ok y?llar ?nce kurulmu?tur "Khalkedonia", yani Kad?k?y. Byzas; ordusuyla gelip soluklanmak i?in durdu?u ?imdiki Sarayburnu'nda, manzaran?n muhte?em g?rüntüsünden adeta büyülenmi?ti. Khalkedonia'n?n neden "K?rler ?lkesi" tan?mlamas?n? hak etti?ini anlam??t? art?k. ?ünkü, b?yle cennet benzeri bir yer dururken, tam kar??da ve korumas?z bir yerde kent kuranlar, ancak k?r olabilirlerdi! Ol hikaye b?yle. Temelleri Sarayburnu s?rtlar?nda at?lan kente, kurucusunun ad? olan Byzas'tan dolay?, "Byzas'?n kenti" anlam?nda "Byzant?on" dendi...

Includes: The Diary of a Superfluous Man, A Tour in the Forest, Yakov Pasinkov, Andrei Kolosov, and A Correspendence. The Diary of a Superfluous Man is an 1850 novella by Russian author Ivan Turgenev. It is written in the first person in the form of a diary by a man who has a few days left to live as he recounts incidents of his life. The story has become the archetype for the Russian literary concept of the superfluous man.

Narrative of the Life of Frederick Douglass is an 1845 memoir and treatise on abolition written by famous orator and former slave Frederick Douglass. It is generally held to be the most famous of a number of narratives written by former slaves during the same period. In factual detail, the text describes the events of his life and is considered to be one of the most influential pieces of literature to fuel the abolitionist movement of the early 19th century in the United States.

Twelve Years a Slave, sub-title: Narrative of Solomon Northup, citizen of New-York, kidnapped in Washington city in 1841, and rescued in 1853, from a cotton plantation near the Red River in Louisiana, is a memoir by Solomon Northup as told to and edited by David Wilson. It is a slave narrative of a black man who was born free in New York state but kidnapped in Washington, D.C., sold into slavery, and kept in bondage for 12 years in Louisiana. He provided details of slave markets in Washington, D.C. and New Orleans, as well as describing at length cotton and sugar cultivation on major plantations in Louisiana.

All's Well That Ends Well is a play by William Shakespeare, originally classified as a comedy, though now often counted as one of his problem plays, so-called because they cannot be easily classified as tragedy or comedy. It was probably written in later middle part of Shakespeare's career, between 1601 and 1608, and was first published in the First Folio in 1623. The name of the play comes from the proverb All's well that ends well, which means that problems do not matter so long as the outcome is good.

Love's Labour's Lost is one of William Shakespeare's early comedies, believed to have been written in the mid-1590s, and first published in 1598. The play opens with the King of Navarre and three noble companions, Berowne, Dumaine, and Longaville, taking an oath to devote themselves to three years of study, promising not to give in to the company of women — Berowne somewhat more hesitantly than the others.

The plot of the novel is based very loosely on the real-life activities of the Molly Maguires and, particularly, of Pinkerton agent James McParland. The novel is divided into two parts: in the first, Holmes investigates an apparent murder and discovers that the body belongs to another man; and in the second, the story of the man originally thought to have been the victim is told.

Sense and Sensibility (Gevoel en verstand) is de eerste, in 1811 anoniem uitgegeven roman van de Engelse schrijfster Jane Austen. Het verhaal is gebaseerd op de briefroman Elinor and Marianne die ze in 1794, op 19-jarige leeftijd, schreef. Het vertelt het verhaal van de zusters Dashwood, Elinor en Marianne. In het boek beschrijft Austen een milieu (Engelse landadel) waarin niet alleen vrouwen, maar ook mannen het slachtoffer kunnen zijn van regels over familiebanden, eigendommen en het huwelijk. De titel verwijst naar de verschillende wijze waarop de hoofdpersonages tegen hun situatie aankijken: Elinor Dashwood baseert zich op gezond verstand (sense) en haar jongere zus Marianne gaat in eerste instantie meer uit van haar gevoel (sensibility).

crit sous forme d'extraits de journaux personnels et de lettre, ce roman nous conte les aventures de Jonathan Harker, jeune clerc de notaire envoyé dans une contrée lointaine et mystérieuse, la Transylvanie, pour rencontrer un client étranger, le comte Dracula, qui vient d'acquérir une maison à Londres. Arrivé au chteau, lieu sinistre et inquiétant, Jonathan se rend vite compte qu'il n'a pas à faire à un client ordinaire... et qu'il est en réalité retenu prisonnier par son hte...Inutile de vous en dire plus, chacun sait qui est le terrible comte Dracula, le célèbre vampire... Le pauvre Jonathan, et ses amis, ne sont pas au bout de leurs peines...

The Man is a 1905 Victorian novel by Bram Stoker, best known for Dracula.[1] A typical Gothic novel, it features horror and romance. The Man has also been published as The Gates of Life.

A Portrait of the Artist as a Young Man is a semi-autobiographical novel by James Joyce, first serialized in The Egoist from 1914 to 1915 and published in book form in 1916. It depicts the formative years in the life of Stephen Dedalus, a fictional alter ego of Joyce and a pointed allusion to the consummate craftsman of Greek mythology, Daedalus. A Portrait is a key example of the Künstlerroman (an artist's bildungsroman) in English literature. Joyce's novel traces the intellectual and religio-philosophical awakening of young Stephen Dedalus as he begins to question and rebel against the Catholic and Irish conventions he has been brought up in. He finally leaves for Paris to pursue his calling as an artist. The work pioneers some of Joyce's modernist techniques that would later come to fruition in Ulysses and Finnegans Wake. The Modern Library ranked Portrait as the third greatest English-language novel of the twentieth century.

Esta novela se adentra en la historia de un verdugo, su hijo y del hombre que intentará redimirlos del destino funesto que los acecha. En una Espa?a convencida de la necesidad de la pena de muerte, pese a las intolerables circunstancias de desigualdad en las que se vivía, la hipocresía dominante abomina del hombre que aprieta el cuello de los condenados. Emilia Pardo Bazán nos ense?a en esta novela el estado de cosas y la lucha moral de unos personajes resultantes de la mezquindad moral y la miseria.