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Romana 531. (Reflektorfény)
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Romana 531. (Reflektorfény)
Szívhang 460. (Esküv?i harangok)
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Szívhang 460. (Esküv?i harangok)
A hercegn?k nem sírnak
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A hercegn?k nem sírnak
Valóra vált álmok
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Valóra vált álmok
T?bb mint ügyvéd
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T?bb mint ügyvéd
Vendég a farmon
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Vendég a farmon
Luxusmodell
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Luxusmodell
?rd?gb?l ?rangyal
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rdgbl rangyal
Kül?n?s állásinterjú
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Kül?n?s állásinterjú
Egy csók és k?vetkezményei
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Egy csók és k?vetkezményei
Romana 542. (A szerelem hullámain)
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Romana 542. (A szerelem hullámain)
Romana 537. (Hamupip?ke t?sarkúban)
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Romana 537. (Hamupip?ke t?sarkúban)
A francia f?n?k
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A francia f?n?k
Egy kis mennyország
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Egy kis mennyország
A legszebb hastáncosn?
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A legszebb hastáncosn?
Páncélba zárt szív
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Páncélba zárt szív
Romana 576. (Veszélyes test?r)
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Romana 576. (Veszélyes test?r)
Romana 572. (Vonakodó szerelem)
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Romana 572. (Vonakodó szerelem)
Júlia 585. (A sejk lakosztalya - Chatsfield Hotel 1.)
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Júlia 585. (A sejk lakosztalya - Chatsfield Hotel 1.)
Pasakos Hanso Christiano Anderseno
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Nici avangardi?tii cei mai radicali n-au putut ignora total tradi?ia, de?i, la modul teoretic, au pretins c? au aruncat-o la co?ul de gunoi. Un Urmuz a valorificat absurdul care nu lipse?te din folclor, dar nici din Caragiale. ?Constructivi?tii” au sim?it tenta?ia s?-l asimileze pe Br?ncu?i la avangard? etc. Iat? ?ns? c? postmoderni?tii au ajuns la ??n?elepciunea” c? lumea contemporan? ?ncepe doar cu d?n?ii. Am auzit voci spun?nd c? Liviu Rebreanu este at?t de ??nvechit”, ?nc?t nu mai are ce c?uta ?n programele de ?nv???m?nt. Nu mai vorbim de Eminescu. Acesta n-ar fi dec?t un scriitor ?istoricizat”, interesant, cel mult, prin c?teva poeme cu tent? parodic-textualist?, cum sus?ine un eminent istoric literar, care consider? c? locul ?n ?canonul literar” rom?nesc trebuie cedat postmodernistului Mircea C?rt?rescu, cu detronarea ?poetului na?ional”, sintagm? complet ?dep??it?”. Captatio benevolentiae din conferin?a Aurei Crhisti ?ncepe cu o astfel de provocare: ?M-am ?ntrebat nu o dat?, pe ?ntinderea ultimilor ani, ce s-ar ?nt?mpla dac?, ?ntr-o bun? zi, ne-am pomeni fa?? ?n fa?? cu Mihai (sau Mihail, cum ?i spunea Nichita St?nescu) Eminescu, cu Lucian Blaga sau Nicolae Iorga, cu George C?linescu sau Liviu Rebreanu, cu Titu Maiorescu sau cu una dintre marile doamne ale literaturii rom?ne, Hortensia Papadat-Bengescu? S-ar sim?i acas?? Aici, printre noi, scriitorii rom?ni… Aceste ?ntreb?ri ar st?rni, f?r? ?ndoial?, ironiile sau comentariile sarcastice ale multor postmoderni?ti, textuali?ti, dou?mii?ti sau post-post-moderni?ti, care ?i-au ?ntocmit, ?ntr-o grab? suspect?, precipitat?, o ?nou? tabl? de valori acceptate?, fiindc? no?iunea de cultur? e... ?suspect? din punct de vedere politic!? Desigur, ace?ti mari scriitori nu s-ar mai sim?i acas?, ci abandona?i, cu patria lor cu tot, ?n numele alteia, obscur?, fudul?, ?n vulgaritatea ei, hibrid? din punct de vedere nu numai cultural, a?a cum o prevedea, alarmat, Mircea Eliade ?n celebra lui conferin?? din 1953, Destinul culturii rom?ne?ti. (Theodor Codreanu)
Cosmos
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Cosmos I Go search the ?ons an you willWhere withered leaves of Doubt are whirled,And who hath solved this riddle, Life,Or Death - that moves with sails unfurled,Beyond the straining eyes of manMarooned upon an unknown world. II Nor tongue hath told, nor vision caughtThat paradox. Primeval Cause;Each age has had some parableEach age succeeding marked the flaws;While shifted, with the calendar,What men have termed generic laws. III Creed after creed behold them nowLike Etna on Vesuvius piled;Till, scaled to earth by drifting sandsThey lie in later days reviled,And pushed aside by Time's rough handAs toys are, by a peevish child.
