Diego Rodríguez de Silva y Velázquez (June 6, 1599 – August 6, 1660) was a Spanish painter who was the leading artist in the court of King Philip IV and one of the most important painters of the Spanish Golden Age. He was an individualistic artist of the contemporary Baroque period, important as a portrait artist. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures, and commoners, culminating in the production of his masterpiece Las Meninas (1656). From the first quarter of the nineteenth century, Velázquez's artwork was a model for the realist and impressionist painters, in particular ?douard Manet. Since that time, famous modern artists, including Pablo Picasso, Salvador Dalí and Francis Bacon, have paid tribute to Velázquez by recreating several of his most famous works. Early lifeBorn in Seville, Andalusia, Spain, Diego, the first child of Jo?o Rodrigues da Silva and Jerónima Velázquez, was baptized at the church of St Peter in Seville on Sunday, June 6, 1599. This christening must have followed the baby's birth by no more than a few weeks, or perhaps only a few days. Velázquez's paternal grandparents, Diego da Silva and Maria Rodrigues, had moved to Seville from their native Porto, Portugal decades earlier. As for Jo?o Rodrigues da Silva and his wife, both were born in Seville, and were married, also at the church of St Peter, on December 28, 1597. They came from the lesser nobility and were accorded the privileges generally enjoyed by the gentry. Velázquez was educated by his parents to fear God and, intended for a learned profession, received good training in languages and philosophy. Influenced by many artists he showed an early gift for art; consequently, he began to study under Francisco de Herrera, a vigorous painter who disregarded the Italian influence of the early Seville school. Velázquez remained with him for one year. It was probably from Herrera that he learned to use brushes with long bristles. After leaving Herrera's studio when he was 12 years old, Velázquez began to serve as an apprentice under Francisco Pacheco, an artist and teacher in Seville. Though considered a generally dull, undistinguished painter, Pacheco sometimes expressed a simple, direct realism in contradiction to the style of Raphael that he was taught. Velázquez remained in Pacheco's school for five years, studying proportion and perspective and witnessing the trends in the literary and artistic circles of Seville.To Madrid (early period) By the early 1620s, his position and reputation were assured in Seville. On April 23, 1618, Velázquez married Juana Pacheco (June 1, 1602 – August 10, 1660), the daughter of his teacher. She bore him two daughters—his only known family. The elder, Francisca de Silva Velázquez y Pacheco (1619–1658), married painter Juan Bautista Martínez del Mazo at the Church of Santiago in Madrid on August 21, 1633; the younger, Ignacia de Silva Velázquez y Pacheco, born in 1621, died in infancy. Velázquez produced notable works during this time. Known for his compositions of amusing genre scenes (also called bodegones), such as Old Woman Frying Eggs, his sacred subjects include Adoración de los Reyes (1619, The Adoration of the Magi), and Jesús y los peregrinos de Emaús (1626, Christ and the Pilgrims of Emmaus), both of which begin to express his more pointed and careful realism.

O carte pasionant i minuios documentat.“ – Le Figaro Littéraire Dac exist o dinastie care s ntrupeze Europa, aceea este Casa de Habsburg“, scrie Jean des Cars n debutul acestei cavalcade pasionante prin istoria zbuciumat a Europei. Destinul prodigios al Habsburgilor ncepe, n cheie minor, n secolul al XI-lea, ntr-o fortrea situat n cantonul elveian Aargau, prinde aripi n 1273, odat cu alegerea, cu totul neateptat, a contelui Rudolf de Habsburg ca mprat al Sfntului Imperiu German, i i ncheie epopeea monarhic la Schnbrunn, pe 11 noiembrie 1918, cnd Carol al IV-lea semneaz actul de renunare la coroana imperial a Austriei. Vreme de apte secole, Habsburgii au dominat o mare parte a Europei, a Orientului Apropiat i a Americii de Sud. Cuceritorul Carol Quintul, reformatoarea Maria Tereza, Franz Joseph i legendara sa soie Sisi, Zita, suverana datoriei, sunt doar cteva dintre figurile emblematice ale acestei familii excepionale, care a marcat istoria. Nendoielnic, dispariia lor semnaleaz prbuirea unei lumi, dar numele lor rmne venic sinonim cu nflorirea artelor, grandoarea politic i identitatea european. Pentru alctuirea acestui volum incitant, n care faptul istoric documentat se ntlnete fericit cu excursul jurnalistic profesionist i bine calibrat, dar i cu o anecdotic ncnttoare, Jean des Cars, talentat raconteur i recunoscut cronicar al marilor monarhii europene, a consultat arhive, a vizitat toate locurile-reper ale dinastiei, a realizat interviuri i a cules mrturiile inedite ale mprtesei Zita i ale arhiducelui Otto de Habsburg. Istoria este plin de maiesti individuale, ns Habsburgii ntruchipeaz maiestatea dinastic. [...] A ajunge s nu mai constitui doar o familie, s nu mai reprezini doar o ar, ci un agregat de naiuni, a stpni jumtate din Europa i o mare parte din America, a purta o coroan mai grea chiar dect coroana Imperiului Britanic, dar a te plimba, n acelai timp, prin Prater, cu o umbrel sub bra, iat un spectacol pe care omenirea nul va mai vedea vreodat.“ – Paul Morand n 1919, prbuirea imperiilor i, apoi, o redivizare geografic arbitrar elimin de la conducere familii vechi i puternice, cum ar fi Romanovii, Hohenzollernii i Habsburgii. Dup veacuri de prestigiu i influen, vechile case domnitoare sunt terse de pe hart, asasinate sau surghiunite. Dar, n timp ce familiile imperiale din Rusia i din Germania au fost nevoite, ulterior, s se mulumeasc, dup caz, cu nostalgii discrete, compromisuri regretabile sau reabilitri tardive, Habsburgii au luptat mpotriva anihilrii progresive la care erau supui, ripostnd chiar fa de ostracizarea care le era impus. Nu fr eforturi sau adversiti umilitoare, ei au reuit s triasc, s i refac imaginea, s existe din nou, s impun respect fa de numele lor nainte de anii ’40 i s redobndeasc un loc att n memoria vechii Europe, ct i n noua construcie european, ceea ce este un lucru excepional.“ – Jean des Cars

Richard Webber writes regulary about TV in his job as a journalist and writer. He contributes to a host of newspapers and magazines, including TV Quick, Daily Express, Sunday Express and the Sunday Telegraph and is the author of over a dozen books celebrating classic comedy.

Dan Hancox is a native Londoner who writes about music, politics, gentrification, social exclusion, protest and the margins of urban life, chiefly for the Guardian, but also the New York Times, Vice, The Fader, Dazed & Confused and XXL. He is the author of The Village Against the World (Verso).

The Royal Scottish Country Dance Society (Charity No. SC 016085; Company No. SC480530), is dedicated to promoting Scottish Country Dance. The Society exists to promote and develop Scottish country dancing worldwide for the benefit of present and future generations. It has a world-wide network of Branches and Affiliated Groups, with a small administrative team at its central office in Edinburgh.

Star Trek. These two simple words bring forth a vast web of mental associations to millions of people. For more than twenty-five years, a remarkable and widely varied group of characters has seemingly taken over a sizable portion of our collective consciousness and made it its own. Perhaps the late science fiction visionary Philip K. Dick saw this when he had a character in his novel A Scanner Darkly refer to the latest entertainment extravaganza as a “captainkirk.”

“Like Spain’s Francisco Franco, Star Trek has been fatally dead for a long time. Now and then the mortuary shoots an electric current through the corpse, and the resultant spasm releases yet another manual or quiz or convention or novel or book of fan fiction or whathaveyou, but after nearly a decade there’s little life left in the old cadaver.”

Linda Birch paints in oils, watercolour and pastels and has taught amateurs for many years. She writes regularly for the Leisure Painter magazine and is author of The Indoor Artist. She has also illustrated many children’s books.

It’s one of the fundamental things that makes us human: wondering why the world is the way it is. For some of us, it is enough merely to wonder. For most, basic explanations of why and how we came to be here satisfy a casual curiosity. But for a special few – the British geniuses featured in this book – entire lives are dominated by posing questions that no one has asked before, and then finding the answers.That’s what this book is about: the lives and achievements of the Britons who discovered and decoded the mysteries of the universe. Men and women who changed our perception of ourselves and of our surroundings from a belief in mystical superstitions to rational understandings of our existence. Household names such as Isaac Newton, Charles Darwin and Michael Faraday, but also lesser-known geniuses such as J.J. Thompson, John Hunter and Fred Hoyle.This history of British science and its scientists begins in the late seventh century, when Vikings were overrunning the last vestiges of Roman culture. Only a few monks in the north-east of England were keeping scientific enquiry alive by studying and translating classical Greek and Roman philosophical works of nature, medicine, astronomy and arithmetic. But in this tiny pocket of philosophical learning the course was being set for the unimaginably rich and fascinating journeys of scientific exploration that continue to this day.

John Harris, author of ‘Britpop!: Cool Britannia and the Spectacular Demise of English Rock’, has written for Rolling Stone, Mojo, Q, Independent, NME, Select, and New Statesman. He lives in Hay on Wye, England.

L?comie ?nfr?nt?

Lady Windermere's Fan

Man and Superman

Desaparecer

While I wait for my turn

Twelfth Night

A Música em Portugal: O que os Músicos Portugueses Precisam Saber para ter Sucesso

Amar a Vida: Os Poemas Mais Populares de Noel Dignity

Pesme

Pesme

The Merchant of Venice