Are you a fan of rock band the Arctic Monkeys? Have you followed their career from the early days when the band first gained recognition via the internet through to international success? Would you like to know more about your favourite indie band? 101 Interesting Facts on Arctic Monkeys gives you the chance to pick up some little-known trivia about popular band from Sheffield. What was the original line-up and who was the band's other lead singer with Alex Turner? What NME first did the Arctic Monkeys clock up in 2006? What offer did the Band repeatedly turn down during 2005? Find out the answers in this exciting new book along with many more fascinating facts. Packed with information including many personal details about the individual band members as well as up-to-date news on the Arctic Monkeys' recent projects. This book will appeal to anyone with an interest in contemporary music and is a must-have for all Arctic Monkeys' fans.

Are you a fan of One Direction? Have you followed the popular boyband from their very first performance on The X Factor to international stardom? Would you like to find out more about the 1D boys? If so, you there is no better way to get to know your favourite band than with 101 Interesting Facts About One Direction. Which member of One Direction was the first to suggest the name for the band? When and where was the premiere of 1D's 2013 film This Is Us held? What new product did One Direction launch in September 2013? Find out the answers inside this book, full of up to the minute information all about 1D. The book includes many personal details about each of the band members as well as facts about their past and current projects.Make sure that you are up to date on all the latest 1D news with this new book. If you love One Direction, you won't want to be without it.

Ronnie Biggs is widely known for his part in the Great Train Robbery of 1963, his subsequent escape from prison, and notoriety as he lived as a fugitive around the globe with his family. Biggs' story has been well documented over the years but how much do you really know about the man behind the headlines? The Ronnie Biggs Quiz Book is your chance to gen up on all the facts. How old was Ronnie when he first appeared in court? On what date did Ronnie receive a 30 year sentence? Who was Ronnie's famous cellmate in Brazil? The answers to these questions and more can all be found in this fascinating new book. The 50th anniversary of the Great Train Robbery in 2013 has renewed interest in the gang who pulled of this audacious heist, and Ronnie Biggs in particular. Packed with information, this book will tell you everything you want to know about Ronnie Biggs, his life on the run and his part in one of the most talked about crimes of all time.

Are you a fan of classical music? Can you name all the well-known composers, conductors and the compositions they are associated with? Or perhaps, you would like to learn more about them? If so, you are certain to enjoy the quotes and musical miscellany in 101 Quirky Observations on Classical Music. Who defined music as 'a science that would have us laugh and sing and dance'? Which composer said, 'the trombones are too sacred for frequent use'? What writer requested, 'please do not shoot the pianist, he is doing his best'? The answers to these questions and similar brain-teasers can all be found inside this book. With sections on composers, compositions, instruments, orchestras and their musicians, conductors, soloists and opera as well as much more classical music related trivia, this book has something for everyone. This book is a great way to find out more about classical music and those who have been involved in writing, playing and performing it through the years. This is a must-have for anyone who listens to, plays or appreciates classical music.

Are you interested in true life crime? Would you like to find out more about some of the most highly publicised crimes ever committed in Great Britain? Are you curious about the UK's most notorious murderers, bank robbers, kidnappers, fraudsters and career criminals? If so, you won't want to be without 101 Interesting Facts on Britain's True Life Crimes? What event marked the start of the 'supergrass' era in the UK? Who were the Bridgewater Four and what crime were they convicted of? Can you name Britain's supposed wealthiest criminal, also known as 'Goldfinger'? Who was the 'Black Widow' and how did she come by her nickname? The answers can all be found inside Mike Gray's fascinating new true crime book. Discover the truth about more than 100 actual events that grabbed the headlines and shocked the UK including details of serial killers, gangsters, thieves, crimes of passion, those who were caught or got away and the falsely accused. It is all inside this compelling book, a must-have read for all true crime fans.

Playing Sherlock Holmes contains three verbatim interviews - with John Wood, Robert Stephens and Christopher Lee - about their very different experiences of appearing as Holmes on stage and screen. The interviews were conducted in 1974. At the time, John Wood was appearing on stage in an acclaimed revival of William Gillette's play Sherlock Holmes, a Royal Shakespeare Company production; Robert Stephens had recently completed The Private Life of Sherlock Holmes for film director Billy Wilder; and Christopher Lee - who had a role as Mycroft Holmes in that film - had earlier played the lead role in Sherlock Holmes and the Deadly Necklace. The interviews have been transcribed from tapes held in the Arthur Conan Doyle Collection - Richard Lancelyn Green Bequest at Portsmouth Museum.

Are you a fan of American girl band Fifth Harmony? Have you followed the girls' success from auditioning as solo artists on The X Factor USA to the formation of Fifth Harmony and beyond? If you think you know all about Ally, Normani, Dinah, Lauren and Camilla, or would like to find out more about them, dip inside The Fifth Harmony Quiz Book. What song did Ally sing during her audition on The X Factor USA in 2012? When the group was formed by Simon Cowell and Demi Lovato, what was the band's original name? What award did Fifth Harmony win at the 'People's Choice Awards 2016'? The answers can all be found in this exciting new quiz book. With 100 questions and fascinating facts all about Fifth Harmony, including many personal details, you are certain to learn something new about this popular girl band. This is a must-have book for everyone who supported the girls on their The X Factor USA journey and who continue to enjoy the music of Fifth Harmony.

The Great Train Robbery is one of the most well documented crimes of all time but how much do you really know about what happened on that fateful day in 1963 and in the years beyond? This new quiz book will tell you everything you ever wanted to know about the Great Train Robbery and the people involved.How many train robbers escaped from prison? What was the robbers' hideout called? Who was the first '30-year sentence' train robber to be released? The answers to these brain teasers and more can all be found inside The Great Train Robbery Quiz Book.With 100 questions all about the people involved in the robbery, where they are now, the detectives, Judge, books, films and TV programmes, this is a comprehensive guide to the most talked about UK heist in history.With 2013 marking the 50th anniversary, there is still a great deal of interest in the Great Train Robbery and if you would like to know more, this book is all you need.

In what year did Concorde 001 first take off from Toulouse? What did the African country of Zaire change its name to in 1997? What popular sweet was invented by Frank Fleer in 1906? If you would like to know the answers to these brain-teasers and more like them take a look at The Brilliant General Knowledge Quiz Book.Find out how much you know about everyday things and the world we live in with the 100 testing questions in this book. Full of interesting facts and covering a range of topics including sport, history, geography, science, films and celebrities, this book provides a fun and easy way to learn. Whether you want to help the kids with their homework, challenge your friends or set the questions for the next pub quiz, this book is just all you need to improve your general knowledge. So if you have always wanted to know who invented the World Wide Web or the number of players in a water polo team this is the book for you.

On The Buses was a classic British situation comedy, created by Ronald Wolfe and Ronald Chesney, which ran for seven series from 1969 to 1973, and introduced a host of much-loved memorable characters. The series followed the ups and downs of life on the buses as portrayed by two work shy-busmen, Stan Butler (played by Reg Varney) and his mate Jack Harper (Bob Grant) as they invented new scams to wind up their long suffering boss, inspector Cyril Blakey Blake (Stephen Lewis). This book tells the whole 'On The Buses' story from its inception through to the three spin-off feature films it spawned. It includes details of cast, crew, locations and the many famous faces and catch phrases which made-up one of the most popular sitcoms ever to appear on our TV screens. On The Buses aired in an era where entertainment was unrestrained by politically correct rules but hilarious scripts and quality acting guaranteed the series a legion of loyal fans around the globe. This book is a must have for anyone interested in learning more about On The Buses an example of British sitcom at its best.

Everyone on deck! All hands on deck! Fire! Fire! Bring the hose quick! As the steamship lurched in the heavy seas, Harry Braham grabbed what clothes he could and struggled with the other terrified passengers to climb the ladders. On deck, with the rain lashing down and the wind howling, he gripped the rails of the ship tightly, trying to stay upright. With horror he saw the flames leaping high in the hold and he thought his time had come.It was June 1891. A music-hall star famous for his comic songs and his ability to 'pull mugs', Harry - a seasoned traveler - was on his way from New York to his home in London, after a busy season appearing in a play by W H Crane. As the crew prepared the lifeboats, Harry looked back at his life - his apprenticeship with the Royal Christy Minstrels, his acclaimed tours of Australia and the USA, and his marriage to the vivacious but temperamental singer Lizzie Watson. Was this to be the end? In this well-researched and lively biography, full of fascinating social background, Janet Muir (Harry Braham's great-great-niece) brings to life the world of the Victorian music-hall and traces Harry's career from minstrelsy through to 'legitimate' theatre and finally to moving pictures, where he landed a part in D W Griffith's Birth of a Nation.

Little did anyone know, back in 1958 when the first Carry On film, Carry on Sergeant, was produced by Peter Rogers and directed by Gerald Thomas, that 50 years and 31 films later Carry On would have become such a well-loved British comedy institution, and one that continues to have people rolling in the aisles. And what better way to celebrate Carry On's 50th anniversary in 2008 than to dazzle Carry On fans with this incredibly well-researched treasure trove of information, including technical data about each film, interesting facts about every member of the Carry On team and every conceivable statistic that you could ever imagine. With forewords by Carry On cameraman Alan Hume and actor Jack Douglas, and peppered with photographs and actors' anecdotes and memories, this book is an absolute must for every Carry On aficionado.

Books of instruction in the practice of painting have rarely been successful. Chiefly because they have been too narrow in their point of view, and have dealt more with recipes than with principles. It is not possible to give any one manner of painting that shall be right for all men and all subjects. To say "do thus and so" will not teach any one to paint. But there are certain principles which underlie all painting, and all schools of painting; and to state clearly the most important of these will surely be helpful, and may accomplish something. It is the purpose of this book to deal practically with the problems which are the study of the painter, and to make clear, as far as may be, the principles which are involved in them. I believe that this is the only way in which written instruc-tion on painting can be of any use. It is impossible to understand principles without some statement of theory; and a book in order to be practical must therefore be to some extent theoretical. I have been as concise and brief in the theoretical parts as clearness would permit of, and I trust they are not out of proportion to the practical parts. Either to paint well, or to judge well of a painting, requires an understanding of the same things: namely, the theoretical standpoint of the painter; the technical problems of color, composition, etc.; and the practical means, processes, and materials through which and with which these are worked out. It is obvious that one cannot become a good painter without the ability to know what is good painting, and to prefer it to bad painting. Therefore, I have taken space to cover, in some sort, the whole ground, as the best way to help the student towards becoming a good painter. If, also, the student of pictures should find in this book what will help him to appreciate more truly and more critically, I shall be gratified. There is a false implication in the saying that "a poor workman blames his tools." It is not true that a good workman can do good work with bad tools. On the contrary, the good workman sees to it that he has good tools, and makes it a part of his good workmanship that they are in good condition. In painting there is nothing that will cause you more trouble than bad materi-als. You can get along with few materials, but you cannot get along with bad ones. That is not the place to economize. To do good work is difficult at best. Econo-mize where it will not be a hindrance to you. Your tools can make your work harder or easier according to your selection of them. The relative cost of good and bad materials is of slight importance compared with the relative effect on your work.The way to economize is not to get anything which you do not need. Save on the non-essentials, and get as good a quality as you can of the essentials. Save on the number of things you get, not on the quantity you use. You must feel free in your use of material. There is nothing which hampers you more than parsimony in the use of things needful to your painting. If it is worth your while to paint at all, it is worth your while to be generous enough with yourself to insure ordinary freedom of use of material.The essentials of painting are few, but these cannot be dispensed with. Put it out of your mind that any one of these five things can be got along without:—You must have something to paint on, canvas or panel. Have plenty of these.

Sir Peter Paul Rubens ( 28 June 1577 – 30 May 1640), was a Flemish Baroque painter, and a proponent of an extravagant Baroque style that emphasised movement, colour, and sensuality. He is well known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe.. Early lifeRubens was born in the German city of Siegen, Westphalia to Jan Rubens and Maria Pypelincks. His father, a Calvinist, and mother fled Antwerp for Cologne in 1568, after increased religious turmoil and persecution of Protestants during the rule of the Spanish Netherlands by the Duke of Alba. Jan Rubens became the legal advisor (and lover) of Anna of Saxony, the second wife of William I of Orange, and settled at her court in Siegen in 1570; their daughter Christine was born in 1571. Following Jan Rubens's imprisonment for the affair, Peter Paul Rubens was born in 1577. The family returned to Cologne the next year. In 1589, two years after his father's death, Rubens moved with his mother Maria Pypelincks to Antwerp, where he was raised as a Catholic. Religion figured prominently in much of his work and Rubens later became one of the leading voices of the Catholic Counter-Reformation style of painting (he had said "My passion comes from the heavens, not from earthly musings").In Antwerp, Rubens received a humanist education, studying Latin and classical literature. By fourteen he began his artistic apprenticeship with Tobias Verhaeght. Subsequently, he studied under two of the city's leading painters of the time, the late Mannerist artists Adam van Noort and Otto van Veen. Much of his earliest training involved copying earlier artists' works, such as woodcuts by Hans Holbein the Younger and Marcantonio Raimondi's engravings after Raphael. Rubens completed his education in 1598, at which time he entered the Guild of St. Luke as an independent master. Italy (1600–1608)In 1600, Rubens travelled to Italy. He stopped first in Venice, where he saw paintings by Titian, Veronese, and Tintoretto, before settling in Mantua at the court of Duke Vincenzo I Gonzaga. The coloring and compositions of Veronese and Tintoretto had an immediate effect on Rubens's painting, and his later, mature style was profoundly influenced by Titian. With financial support from the Duke, Rubens travelled to Rome by way of Florence in 1601. Last decade (1630–1640)The Exchange of Princesses, from the Marie de' Medici Cycle. Louvre, ParisRubens's last decade was spent in and around Antwerp. Major works for foreign patrons still occupied him, such as the ceiling paintings for the Banqueting House at Inigo Jones's Palace of Whitehall, but he also explored more personal artistic directions.In 1630, four years after the death of his first wife, the 53-year-old painter married 16-year-old Hélène Fourment. Hélène inspired the voluptuous figures in many of his paintings from the 1630s, including The Feast of Venus (Kunsthistorisches Museum, Vienna), The Three Graces and The Judgment of Paris (both Prado, Madrid). In the latter painting, which was made for the Spanish court, the artist's young wife was recognized by viewers in the figure of Venus. In an intimate portrait of her, Hélène Fourment in a Fur Wrap, also known as Het Pelsken, Rubens's wife is even partially modelled after classical sculptures of the Venus Pudica, such as the Medici Venus. In 1635, Rubens bought an estate outside of Antwerp, the Steen, where he spent much of his time. Landscapes, such as his Ch?teau de Steen with Hunter (National Gallery, London) and Farmers Returning from the Fields (Pitti Gallery, Florence), reflect the more personal nature of many of his later works. He also drew upon the Netherlandish traditions of Pieter Bruegel the Elder for inspiration in later works like Flemish Kermis (c. 1630; Louvre, Paris).

"Reportajele din aceast? carte vorbesc despre aspecte din istoria recent?, cum ar fi migra?ia, corup?ia, via?a ?n penitenciare sau problemele minorit??ilor, ?nchiderea spitalelor sau stresul care schimb? vie?i, crizele din s?n?tate, pove?ti ale unor oameni obi?nui?i, care fac lucruri speciale. Reg?sim, ?ns?, ?i pove?ti de demult, cum e cazul reportajelor despre lupt?torii anticomuni?ti din mun?i, despre tezaurul de la Pietroasele sau istoriile din satele s?se?ti. Reportajele surprind realit??i dintr-o Rom?nie aflat? ?n continu? schimbare, cu enorme discrepan?e. Sunt ca o fotografie a realit??ii. Cine le cite?te afl? cum se tr?ia sau cum se tr?ie?te ?n anumite locuri. Cum se schimb? sau de ce nu se schimb? lucrurile ?i mentalit??ile. Cartea cuprinde 30 de reportaje publicate ?n revista Dilema veche, dar ?i adapt?ri dup? reportaje sau documentare radio difuzate la Europa FM ?i Radio Rom?nia Actualit??i. Reportajul e un gen mai rar ?nt?lnit ast?zi ?n presa din Rom?nia. Dar asta nu se ?nt?mpl? din cauza lipsei de interes a publicului, ci din pricina lipsei de bani ?i de investi?ii ?ntr-o pres? de calitate. De fiecare dat? c?nd totu?i apar reportaje bine f?cute, se constat? c? publicul le urm?re?te cu interes, tot a?a cum urm?re?te reportajele ?i documentarele oferite de televiziunile str?ine. Asta fiindc? oamenii au nevoie de pove?ti. Un reportaj bine f?cut este de fapt o poveste adev?rat?. P?n? la urm?, ?i aceast? carte este o carte cu pove?ti adev?rate." (Liliana Nicolae)

How well do you know your 90s Movies? This Quiz book will test even the most avid fan, with questions that span the 90s films of all genres! Test yourself and your friends with this 90s Movies Quiz Book.

"When all the gods had assembled in conference, Zeus arose among them and addressed them thus" . . . "it is with this line that Plato's story of Atlantis ends; and the words of Zeus remain unknown." -- Francis Bacon, New Atlantis Of all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises in the infancy of physical science, out of the confusion of theological, mathematical, and physiological notions, out of the desire to conceive the whole of nature without any adequate knowledge of the parts, and from a greater perception of similarities which lie on the surface than of differences which are hidden from view. To bring sense under the control of reason; to find some way through the mist or labyrinth of appearances, either the highway of mathematics, or more devious paths suggested by the analogy of man with the world, and of the world with man; to see that all things have a cause and are tending towards an end—this is the spirit of the ancient physical philosopher. He has no notion of trying an experiment and is hardly capable of observing the curiosities of nature which are 'tumbling out at his feet,' or of interpreting even the most obvious of them. He is driven back from the nearer to the more distant, from particulars to generalities, from the earth to the stars. He lifts up his eyes to the heavens and seeks to guide by their motions his erring footsteps. But we neither appreciate the conditions of knowledge to which he was subjected, nor have the ideas which fastened upon his imagination the same hold upon us. For he is hanging between matter and mind; he is under the dominion at the same time both of sense and of abstractions; his impressions are taken almost at random from the outside of nature; he sees the light, but not the objects which are revealed by the light; and he brings into juxtaposition things which to us appear wide as the poles asunder, because he finds nothing between them. He passes abruptly from persons to ideas and numbers, and from ideas and numbers to persons,—from the heavens to man, from astronomy to physiology; he confuses, or rather does not distinguish, subject and object, first and final causes, and is dreaming of geometrical figures lost in a flux of sense. He contrasts the perfect movements of the heavenly bodies with the imperfect representation of them (Rep.), and he does not always require strict accuracy even in applications of number and figure (Rep.). His mind lingers around the forms of mythology, which he uses as symbols or translates into figures of speech. He has no implements of observation, such as the telescope or microscope; the great science of chemistry is a blank to him. It is only by an effort that the modern thinker can breathe the atmosphere of the ancient philosopher, or understand how, under such unequal conditions, he seems in many instances, by a sort of inspiration, to have anticipated the truth. The influence with the Timaeus has exercised upon posterity is due partly to a misunderstanding. In the supposed depths of this dialogue the Neo-Platonists found hidden meanings and connections with the Jewish and Christian Scriptures, and out of them they elicited doctrines quite at variance with the spirit of Plato. Believing that he was inspired by the Holy Ghost, or had received his wisdom from Moses, they seemed to find in his writings the Christian Trinity, the Word, the Church, the creation of the world in a Jewish sense, as they really found the personality of God or of mind..

Sorsdráma. Szrny, barbár mese. Véres és szexuális talányok. Elnyomott emlékek és gyermekkori borzalmak flkeverése. Hirtelen, képtelen, elre tudott és mégis elháríthatatlan katasztrófa. Babona, vallás és matematika külns fonadékú szvete. A sors irracionális gykereinek ízeit érezzük. Micsoda ellentét forma és tartalom kzt! Ilyen vad, si, nyers, babonás mélyeket éppen csak az emberi tudat és kultúra leglucidasabb mvészete tár fl: annál megrendítbb! A Szophoklész mvészete” – írja Babits Mihály Az európai irodalom trténeté-ben.

What is the magic of pastoral Greece? What is it that gives to you a sensation of being gently released from the cares of life and the boredom of modern civilization, with its often unmeaning complications, its unnecessary luxuries, its noisy self-satisfactions? This is not the tremendous, the spectacular release of the desert, an almost savage tearing away of bonds. Nothing in the Greece I saw is savage; scarcely anything is spectacular. But, oh, the bright simplicity of the life and the country along the way to Marathon! It was like an early world. One looked, and longed to live in those happy woods like the Turkish Gipsies. Could life offer anything better? The pines are small, exquisitely shaped, with foliage that looks almost as if it had been deftly arranged by a consummate artist. They curl over the slopes with a lightness almost of foam cresting a wave. Their color is quite lovely. The ancient Egyptians had a love color: well, the little pine-trees of Greece are the color of happiness. You smile involuntarily when you see them. And when, descending among them, you are greeted by the shining of the brilliant-blue sea, which stretches along the edge of the plain of Marathon, you know radiance purged of fierceness.? The road winds down among the pines till, at right angles to it, appears another road, or rough track just wide enough for a carriage. This leads to a large mound which bars the way. Upon this mound a habitation was perched. It was raised high above the ground upon a sort of tripod of poles. It had yellow walls of wheat, and a roof and floor of brushwood and maize. A ladder gave access to it, and from it there was a wide outlook over the whole crescent-shaped plain of Marathon. This dwelling belonged to a guardian of the vineyards, and the mound is the tomb of those who died in the great battle. PICTURESQUE DALMATIA ? Chapter I: PICTURESQUE DALMATIA IN AND NEAR ATHENS ? Chapter II: IN AND NEAR ATHENS THE ENVIRONS OF ATHENS ? Chapter III: THE ENVIRONS OF ATHENS DELPHI AND OLYMPIA ? Chapter IV: DELPHI AND OLYMPIA IN CONSTANTINOPLE ? Chapter V: IN CONSTANTINOPLE STAMBOUL, THE CITY OF MOSQUES ? Chapter VI: STAMBOUL, THE CITY OF MOSQUE

Firefly is the brainchild of the hugely talented Joss Whedon. A space western drama that lasted on 14 episodes but in that time gathered a hardcore and vociferous following that like to call themselves Browncoats. This quiz book contains well over 100 questions from subjects like the original crew of the Firefly-class ship Serenity, the interpersonal relationships of the crew members, the deadly Reavers, the antics of the hero they call Jayne and many more. Prepare to test your knowledge on this short lived but much loved series.You can't stop the signal.

As in the case of "The Bases of Design," to which this is intended to form a companion volume, the substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a way intended to bear rather upon the practical work of an art school, and to be suggestive and helpful to those face to face with the current problems of drawing and design. These have been approached from a personal point of view, as the results of conclusions arrived at in the course of a busy working life which has left but few intervals for the elaboration of theories apart from practice, and such as they are, these papers are now offered to the wider circle of students and workers in the arts of design as from one of themselves. They were illustrated largely by means of rough sketching in line before my student audience, as well as by photographs and drawings. The rough diagrams have been re-drawn, and the other illustrations reproduced, so that both line and tone blocks are used, uniformity being sacrificed to fidelity.? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?WALTER CRANE. Outline, one might say, is the Alpha and Omega of Art. It is the earliest mode of expression among primitive peoples, as it is with the individual child, and it has been cultivated for its power of characterization and expression, and as an ultimate test of draughtsmanship, by the most accomplished artists of all time. The old fanciful story of its origin in the work of a lover who traced in charcoal the boundary of the shadow of the head of his sweetheart as cast upon the wall by the sun, and thus obtained the first profile portrait, is probably more true in substance than in fact, but it certainly illustrates the function of outline as the definition of the boundaries of form.Silhouette As children we probably perceive forms in nature defined as flat shapes of colour relieved upon other colours, or flat fields of light on dark, as a white horse is defined upon the green grass of a field, or a black figure upon a background of snow.Definition of BoundariesTo define the boundaries of such forms becomes the main object in early attempts at artistic expression. The attention is caught by the edges—the shape of the silhouette which remains the paramount means of distinction of form when details and secondary characteristics are lost; as the outlines of mountains remain, or are even more clearly seen, when distance subdues the details of their structure, and evening mists throw them into flat planes one behind the other, and leave nothing but the delicate lines of their edges to tell their character. We feel the beauty and simplicity of such effects in nature. We feel that the mind, through the eye resting upon these quiet planes and delicate lines, receives a sense of repose and poetic suggestion which is lost in the bright noontide, with all its wealth of glittering detail, sharp cut in light and shade. There is no doubt that this typical power of outline and the value of simplicity of mass were perceived by the ancients, notably the Ancient Egyptians and the Greeks, who both, in their own ways, in their art show a wonderful power of characterization by means of line and mass, and a delicate sense of the ornamental value and quality of line. Formation of LettersRegarding line—the use of outline from the point of view of its value as a means of definition of form and fact—its power is really only limited by the power of draughtsmanship at the command of the artist. From the archaic potters' primitive figures or the rudimentary attempts of children at human or animal forms up to the most refined outlines of a Greek vase-painter, or say the artist of the Dream of Poliphilus, the difference is one of degree.