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When David and Doris Johnson restored a French mini-chateau, they learnt new skills, solved the mysteries of septic drainage, and excavated not only the ancient foundations, but the chequered history of the house itself. And through all this, and through new friends, they also rediscovered themselves. French property expert, Clive Kristen, records their adventures.

Valaki azt mondta nekem, hogy az állatoknak nincs kultúrt?rténete. Ez a k?nyvecske a bizonyíték rá, hogy téved. A kutyák és macskák históriája a régmúltba nyúlik és nagyon izgalmas. Személyes t?rténeteik színesek, h?ségük megható, sokoldalúságuk megd?bbent?. Remélem a Kedves Olvasó hasonló szeretettel fogadja t?rténeteiket, mint amilyen szeretettel én gy?jt?gettem.

Maksym Rylsky (1895-1964) is one of the most outstanding Ukrainian poets of the the 20th century and master of the genres of the modern sonnet and the long narrative poem. He was closely associated with the Neoclassicist group of Ukrainian poets, who employed traditional poetic forms with rhyme and meter, wrote in a clear and accessible contemporary idiom, and often referenced Ancient Greek and Roman mythology as well as numerous other authors from world literature in their poetry. Rylsky was also a prolific translator from English, French, German, and Polish as well as a folklore and literary scholar, who worked most of the earlier part of his life as a teacher of philology. He published his first book of poetry at the precocious age of fifteen—On White Islands in 1910. His other early books of poetry include The Edge of the Forest: Idylls (1918), Under Autumn Stars (1918), The Blue Distance (1922), Long Poems (1924), Through a Storm and Snow (1925), Beneath Autumn Stars (1926), Thirteenth Spring (1926), Where Roads Meet (1929), and Echo and Re-echo (1929). Rylsky gained considerable popularity among the Ukrainian reading public for his neo-romantic contemplative musings and intimate lyrical poetry that focused on love, life and nature. While his poetry was completely apolitical, at the end of the Ukrainian cultural renaissance in the 1920s that was crushed by Stalin, Rylsky was sternly rebuked in the state-controlled press for focusing on the personal and not writing in service to the state. In 1931 the Soviet secret police, the NKVD, arrested and publicly humiliated him. He was released in 1932 after he agreed to write in the style of socialist realism and was one of the few prominent Ukrainian writers to survive the Stalinist purges of the 1930s. During the wartime period he wrote two masterful long poems that deviated from socialist realism—“Thirst” (1942) and “Journey to Youth” (1941-4), for which he was again publicly chastised. In 1942 he became Director of the Institute of Fine Arts, Folklore and Ethnography in Kyiv, a post that he held until his death in 1964. The Institute now bears his name. He published some 30 collections of original poetry during his lifetime as well as numerous translations and scholarly works. By 1974 almost five million copies of his works in the original or in translation had appeared in the USSR. In his last two books—In the Shadow of the Lark (1961) and Winter Notes (1964) published during The Thaw, a period of relaxed censorship during the reign of Nikita Khrushchev, Rylsky’s poetic voice returned to the stature of his early poetry. This selected works edition includes poetry from virtually all of Rylsky’s early collections of poetry, with selection primarily based on esthetic principles; the powerful long poem “Thirst,” penned during the darkest days of World War II for Ukraine; and other poems from various periods of his life. Translated by Michael M. Naydan. With a guest introduction by Maria Zubrytska

So you've written a book. Big deal. Did you write one good enough to sell? Will it sell? There are millions of books out there. Why should readers buy yours? Before you put your book up for sale, before you even finish writing, you should read this book. Find out what you're doing wrong, and what you're doing right. Discover why character development and editing are everything. And learn to make your readers laugh and cry. ?

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Prefa?? de Andrei Vochin Pe mul?i dintre ei i-a comentat pe viu! Pe al?ii i-a v?zut juc?nd, iar despre ceilal?i a aflat citindu-i pe marii cronicari ai acelor vremuri... Avand ?n spate o experien?? de peste 2000 de meciuri comentate la cel mai ?nalt nivel, Bogdan Socol a ?ncercat s? prezinte, a?a cum a fost, via?a ?i cariera a "100 de fotbali?ti legendari". Dupa o munc? minu?ioas?, mig?loas?, dar ?i foarte frumoas?, comentatorul Digi Sport a reu?it s? adune ?n 400 de pagini 100 de pove?ti speciale ale unor oameni care au marcat nu doar istoria fotbalului, dar ?i a omenirii prin impactul lor. ?n "100 de fotbali?ti legendari", ve?i afla cum un meci de fotbal i-a salvat via?a unui viitor campion mondial, cum cel mai mare atacant italian al tuturor timpurilor se motiva cel mai bine ?naintea meciurilor petrec?nd o noapte ?ntreag? lang? ni?te doamne de companie sau care a fost primul juc?tor care a f?cut o schimbare, f?r? ca antrenorul s? mai aib? vreun cuv?nt de spus. Pe parcursul lecturii acestei c?r?i, ve?i ajunge, prin intermediul celor 100 de eroi, din epoca interbelic? p?n? ?n zilele noastre, trec?nd ?i prin dramele din preajma celui de-al Doilea R?zboi Mondial, prin comunismul care a obstruc?ionat at?tea cariere m?re?e, prin dictaturile militare din America Latin? ?i prin toat? perioada de incertitudini a R?zboiului Rece. Fotbalul a ?nvins toate problemele, ?ns?, ?i a mers mai departe cu pove?tile sale. "100 de fotbali?ti legendari" ?i cinste?te a?a cum se cuvine ?i pe cei mai mari juc?tori rom?ni care ne-au marcat existen?a, Nicolae Dobrin, Ilie Balaci, Gic? Hagi, Gic? Popescu ?i Miodrag Belodedici. Bogdan Socol a ?capturat” ?ntre coper?ile noii sale lucr?ri 100 de fotbali?ti legendari din istoria acestui sport. Nu m? pot aventura s? spun c? ei sunt cei mai mari, pentru c? ?n orice astfel de anchet? nici un argument nu este mai puternic dec?t altul. Poate a mai sc?pat unul, poate c? noi, cei mai vechi, i-am prins ?i pe al?ii juc?nd ?i i-am v?zut pe viu, motiv pentru care am putea spune c? au fost mai buni ca al?ii care au prins un loc ?n volumul de fa??. De fapt, nici nu mai conteaz?. Ceea ce va r?m?ne atunci c?nd ve?i termina de citit ?i ultima poveste din acest volum va fi sentimentul acela de prea plin de informa?ie, de pl?cut? sa?ietate, pe care orice consumator de sport o dore?te. Cu at?t mai mult unul care e ?i el prizonier pe via?? ?n aceast? minunat? ?nchisoare a pasiunii numit? fotbal. (Andrei Vochin)

Tab nabs were the biscuits dished out in the mess rooms of ships in the merchant navy. If a helmsman was asked if the ship's helm was hard a-starboard or hard a-port, he often would reply, "e;Hard a tab nab, sir."e; Master Mariner J. R. de L. Inniss has spent a lifetime sailing the world's oceans, first as a boy seaman on the aircraft carrier HMS Illustrious in the mid 1950s and then working his way up through the ranks of the merchant navy. He saw the great days of British shipping, and was able to adapt to the great changes that transformed the merchant marine during his long career. There were long hours of very hard work, hardly any sleep and, at times, atrocious feeding; but the seafaring life also lived up to its reputation for excitement and adventure, with a good deal of fun and laughter along the way.