Summary Of The 4 Disciplines of Execution: Achieving Your Wildly Important Goals

Summary : How To Win Friends And Influence People

Summary: Never Split The Difference: Negotiating As If Your Life Depended On It

TOEIC700点を800点にするための単語?熟語(リーディング?リスニング暗記特急)リストDL付

TOEFL iBT60点を70点にするための単語?熟語(リーディング?リスニング対応)リストDL付

TOEFL iBT70点を80点にするための単語?熟語(リーディング?リスニング対応)リストDL付

TOEFL iBT80点を90点にするための単語?熟語(リーディング?リスニング対応)リストDL付

中級中国語：1500単語(リスニング?リーディング対応、HSK5級レベル)1秒記憶シリーズ

[単語リストDL付]中国語単語：動詞1799語初級、中級、上級別(HSK1～6級?中検対応)

[単語リストDL付]中国語単語：名詞1815語初級、中級、上級別(HSK1～6級?中検対応)

[単語リストDL付]TOEIC900点以上を目指すための超上級英単語(リスニング?リーディング用)

[単語リストDL付]TOEIC600点以上を目指すための中級英単語(リスニング?リーディング用単語)

3年間の中学英語?単語1352?熟語336(リストダウンロード付き)

From Aeneas to Charlemagne. According to Wikipedia: "Charlotte Mary Yonge ( 1823 - 1901), was an English novelist, known for her huge output, now mostly out of print. ... She began writing in 1848, and published during her long life about 100 works, chiefly novels. ... Among the best known of her works are The Heir of Redclyffe, Heartsease, and The Daisy Chain. A Book of Golden Deeds is a collection of true stories of courage and self-sacrifice. She also wrote Cameos from English History, Life of John Coleridge Patteson: Missionary Bishop of the Melanesian Islands and Hannah More.... Although Yonge's work is largely out of print today, during her lifetime she was admired and respected by such notable literary figures as Alfred Tennyson and Henry James, and strongly influenced the Pre-Raphaelite Brotherhood, especially William Morris and D. G. Rossetti."

So you've written a book. Big deal. Did you write one good enough to sell? Will it sell? There are millions of books out there. Why should readers buy yours? Before you put your book up for sale, before you even finish writing, you should read this book. Find out what you're doing wrong, and what you're doing right. Discover why character development and editing are everything. And learn to make your readers laugh and cry. ?

Guaranteed Not to Be Confusing Don't Ever Be Confused by Grammar Again. Take a "bite" out of Grammar with No Mistakes Grammar Bites. It seems as if many dictionaries and books on grammar do their best to confuse people. Words and explanations are defined using grammatical terminology that is difficult to understand; in fact, if you knew that terminology, you probably wouldn't have to look up the words to begin with. We're aiming to get rid of that and explain things in plain English, using language that is easy to understand. Try it out and see for yourself. If you find these books confusing, write to me and get a refund; they're guaranteed.

Guaranteed Not to Be Confusing Don't Ever Be Confused by Grammar Again. Take a "bite" out of Grammar with No Mistakes Grammar Bites. It seems as if many dictionaries and books on grammar do their best to confuse people. Words and explanations are defined using grammatical terminology that is difficult to understand; in fact, if you knew that terminology, you probably wouldn't have to look up the words to begin with. We're aiming to get rid of that and explain things in plain English, using language that is easy to understand. Try it out and see for yourself. If you find these books confusing, write to me and get a refund; they're guaranteed.

Guaranteed Not to Be Confusing Don't Ever Be Confused by Grammar Again. Take a "bite" out of Grammar with No Mistakes Grammar Bites. It seems as if many dictionaries and books on grammar do their best to confuse people. Words and explanations are defined using grammatical terminology that is difficult to understand; in fact, if you knew that terminology, you probably wouldn't have to look up the words to begin with. We're aiming to get rid of that and explain things in plain English, using language that is easy to understand. Try it out and see for yourself. If you find these books confusing, write to me and get a refund; they're guaranteed.

Maksym Rylsky (1895-1964) is one of the most outstanding Ukrainian poets of the the 20th century and master of the genres of the modern sonnet and the long narrative poem. He was closely associated with the Neoclassicist group of Ukrainian poets, who employed traditional poetic forms with rhyme and meter, wrote in a clear and accessible contemporary idiom, and often referenced Ancient Greek and Roman mythology as well as numerous other authors from world literature in their poetry. Rylsky was also a prolific translator from English, French, German, and Polish as well as a folklore and literary scholar, who worked most of the earlier part of his life as a teacher of philology. He published his first book of poetry at the precocious age of fifteen—On White Islands in 1910. His other early books of poetry include The Edge of the Forest: Idylls (1918), Under Autumn Stars (1918), The Blue Distance (1922), Long Poems (1924), Through a Storm and Snow (1925), Beneath Autumn Stars (1926), Thirteenth Spring (1926), Where Roads Meet (1929), and Echo and Re-echo (1929). Rylsky gained considerable popularity among the Ukrainian reading public for his neo-romantic contemplative musings and intimate lyrical poetry that focused on love, life and nature. While his poetry was completely apolitical, at the end of the Ukrainian cultural renaissance in the 1920s that was crushed by Stalin, Rylsky was sternly rebuked in the state-controlled press for focusing on the personal and not writing in service to the state. In 1931 the Soviet secret police, the NKVD, arrested and publicly humiliated him. He was released in 1932 after he agreed to write in the style of socialist realism and was one of the few prominent Ukrainian writers to survive the Stalinist purges of the 1930s. During the wartime period he wrote two masterful long poems that deviated from socialist realism—“Thirst” (1942) and “Journey to Youth” (1941-4), for which he was again publicly chastised. In 1942 he became Director of the Institute of Fine Arts, Folklore and Ethnography in Kyiv, a post that he held until his death in 1964. The Institute now bears his name. He published some 30 collections of original poetry during his lifetime as well as numerous translations and scholarly works. By 1974 almost five million copies of his works in the original or in translation had appeared in the USSR. In his last two books—In the Shadow of the Lark (1961) and Winter Notes (1964) published during The Thaw, a period of relaxed censorship during the reign of Nikita Khrushchev, Rylsky’s poetic voice returned to the stature of his early poetry. This selected works edition includes poetry from virtually all of Rylsky’s early collections of poetry, with selection primarily based on esthetic principles; the powerful long poem “Thirst,” penned during the darkest days of World War II for Ukraine; and other poems from various periods of his life. Translated by Michael M. Naydan. With a guest introduction by Maria Zubrytska

Who Said That? provides an entertaining and authoritative reference for the origins and meanings of our common figures of speech. Who said 100+ famous expressions? Who really said them? What did they actually say? What did they actually mean? Why did they say them that way? Who repeated what was said? Surprisingly true, sometimes strange, always fascinating, the stories about whence came these expressions will entertain, educate, and even amaze you.

Pavlo Tychyna (1891-1967) is arguably the greatest Ukrainian poet of the twentieth century and has been described as a “tillerman’s Orpheus” by Ukrainian poet and literary critic Vasyl Barka. With his innovative poetics, deep spirituality and creative word play, Tychyna deserves a place among the pantheon of his European contemporaries such as T.S. Eliot, Ezra Pound, Rainer Maria Rilke, Federico Garcia Lorca, and Osip Mandelstam. His early collections Clarinets of the Sun (1918), The Plow (1920), Instead of Sonnets and Octaves (1920), The Wind from Ukraine (1924), and his poetic cycle In the Orchestra of the Cosmos (1921) mark the pinnacle of his creativity and poetically document the emotional and spiritual toll of the Revolution of 1917 as well as the Civil War and its aftermath in Ukraine. Tychyna coined the term “Clarinetism” to describe his earliest works, which intrinsically exhibit the clarity and the haunting sound of a clarinet. He harkens back to ancient Greek literature to form what has been called the “tragic lyric” in his short collection Instead of Sonnets and Octaves, which gives a personal, humanistic understanding to the tragic events of the Revolution. John Fizer has noted Tychyna’s close affinity with Walt Whitman’s cosmism, particularly in his cycle In the Orchestra of the Cosmos. While Tychyna in may ways displays the moral conscience of his times in his early works, later in his life he acquiesced to Soviet authorities in order to survive the horrors of Stalin’s regime. He was forced by authorities to refuse a nomination for the Nobel Prize, the only reason for which would have been his Ukrainian ethnicity. This edition of Tychyna’s complete early works includes translations of all his major early collections as well as his poetic masterpieces “Mother was Pealing Potatoes,” “Funeral of My Friend,” and his highly patriotic “In Memory of the Thirty.” The volume includes a guest introduction by eminent Ukrainian poet Viktor Neborak. Translated by Michael M. Naydan.