It is a cumulative tale that does not tell the story of Jack's house, or even of Jack who built the house, but instead shows how the house is indirectly linked to other things and people, and through this method tells the story of "The man all tattered and torn", and the "Maiden all forlorn", as well as other smaller events, showing how these are interlinked. Origins: It has been argued that the rhyme is derived from an Aramaic hymn Chad Gadya (lit., "One Young Goat") in Sepher Haggadah, first printed in 1590; but although this is an early cumulative tale that may have inspired the form, the lyrics bear little relationship. It was suggested by James Orchard Halliwell that the reference to the "priest all shaven and shorn" indicates that the English version is probably very old, presumably as far back as the mid-sixteenth century. There is a possible reference to the song in The Boston New Letter of 12 April 1739 and the line: "This is the man all forlorn, &c". However, it did not appear in print until it was included in Nurse Truelove's New-Year's-Gift, or the Book of Books for Children, printed in London in 1755. It was printed in numerous collections in the late eighteenth and early nineteenth centuries. Randolph Caldecott produced an illustrated version in 1878. Cherrington Manor, a handsome timber-framed house in North East Shropshire, England, is reputed to be the actual house that Jack built. There is a former malt house in the grounds. Syntactic structure: Each sentence in the story is an example of an increasingly deeply nested relative clause. The last version, "This is the horse...", would be quite difficult to untangle if the previous ones were not present. See the Noun Phrase for more details about postmodification of the noun phrase in this manner. References in popular culture: The rhyme continues to be a popular choice for illustrated children's books, with recent examples by Simms Taback and Quentin Blake showing how illustrators can introduce a fresh angle and humour into a familiar tale. The popularity of the rhyme can be seen in its use in a variety of other cultural contexts..

An afternoon of a cold winter’s day, when the sun shone forth with chilly brightness, after a long storm, two children asked leave of their mother to run out and play in the new-fallen snow. The elder child was a little girl, whom, because she was of a tender and modest disposition, and was thought to be very beautiful, her parents, and other people who were familiar with her, used to call Violet. But her brother was known by the style and title of Peony, on account of the ruddiness of his broad and round little phiz, which made everybody think of sunshine and great scarlet flowers. The father of these two children, a certain Mr. Lindsey, it is important to say, was an excellent, but exceedingly matter-of-fact sort of man, a dealer in hardware, and was sturdily accustomed to take what is called the common-sense view of all matters that came under his consideration. With a heart about as tender as other people’s, he had a head as hard and impenetrable, and therefore, perhaps, as empty, as one of the iron pots which it was a part of his business to sell. The mother’s character, on the other hand, had a strain of poetry in it, a trait of unworldly beauty—a delicate and dewy flower, as it were, that had survived out of her imaginative youth, and still kept itself alive amid the dusty realities of matrimony and motherhood. So, Violet and Peony, as I began with saying, besought their mother to let them run out and play in the new snow; for, though it had looked so dreary and dismal, drifting downward out of the gray sky, it had a very cheerful aspect, now that the sun was shining on it. The children dwelt in a city, and had no wider play-place than a little garden before the house, divided by a white fence from the street, and with a pear-tree and two or three plum-trees overshadowing it, and some rose-bushes just in front of the parlor windows. The trees and shrubs, however, were now leafless, and their twigs were enveloped in the light snow, which thus made a kind of wintry foliage, with here and there a pendent icicle for the fruit. “Yes, Violet,—yes, my little Peony,” said their kind mother; “you may go out and play in the new snow.”

Holmes decodes a warning from Porlock, an informant against arch-criminal Moriarty, for "Douglas" resident five years at "Birlstone". Scotland Yard's MacDonald asks them to investigate a corpse with the same look and circle-in-triangle brand on the forearm as Birlstone owner Douglas. The head was blown off by an American-style sawed-off shotgun. Apparently, an intruder dropped a card with VV341, and left across a shallow moat. Watson observes the bereaved English wife and best male friend in unusually good spirits. When Holmes pretends the moat will be drained, the conspirators retrieve a missing dumb-bell weighting down the visitor's clothes beneath the water. Douglas comes from hiding, to explain he killed the assassin Baldwin in self-defence; the plan was to save him from more attacks by criminal survivors of Vermissa Valley. He hands Dr. Watson the following account. Young McMurdo gains reputation as tough counterfeiter, Freemen Lodge member fleeing murder charges in Chicago. In the Vermissa coal mine area, McGinty rules Scowrers branded by a circle in square, the local Lodge 341 who extort, murder, and exchange vicious deeds with nearby Lodges. Pretty Ettie prefers McMurdo to nasty Baldwin, and wants to flee, but will wait some months. When word comes that Pinkerton sent Edwards, McMurdo gathers ringleaders in one room, and springs his trap on them, surrounded by the law. Although the worst were hanged, after ten years, villains were freed, and chased McMurdo-Edwards-Douglas, despite changes of name, location, and wife. He married Ettie, then she died in California, where he made a fortune. The Valley of Fear, notable for Professor Moriarty's involvement, is set before "The Final Problem", the short story in which Moriarty was introduced. This introduces a logical difficulty, as in "The Final Problem" Dr. Watson has never heard of Moriarty, whereas by the end of The Valley Of Fear he is, or should be, familiar with his name and character. The "Moriarty" element in the story is tied into the fate of the informer in the story. It ties the Molly Maguire background to another event of that period: the murder of James Carey, an informer who was shot on board a ship off the coast of Natal, South Africa in 1883 by Patrick O'Donnell, an Irish republican who had relatives in the Mollies and briefly visited the Pennsylvania coal mining district, supposedly looking for the suspected informer among them.

The Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. It was small wonder, then, that he suddenly flung down his brush on the floor, said 'Bother!' and 'O blow!' and also 'Hang spring-cleaning!' and bolted out of the house without even waiting to put on his coat. Something up above was calling him imperiously, and he made for the steep little tunnel which answered in his case to the gavelled carriage-drive owned by animals whose residences are nearer to the sun and air. So he scraped and scratched and scrabbled and scrooged and then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, 'Up we go! Up we go!' till at last, pop! his snout came out into the sunlight, and he found himself rolling in the warm grass of a great meadow. 'This is fine!' he said to himself. 'This is better than whitewashing!' The sunshine struck hot on his fur, soft breezes caressed his heated brow, and after the seclusion of the cellarage he had lived in so long the carol of happy birds fell on his dulled hearing almost like a shout. Jumping off all his four legs at once, in the joy of living and the delight of spring without its cleaning, he pursued his way across the meadow till he reached the hedge on the further side. 'Hold up!' said an elderly rabbit at the gap. 'Sixpence for the privilege of passing by the private road!' He was bowled over in an instant by the impatient and contemptuous Mole, who trotted along the side of the hedge chaffing the other rabbits as they peeped hurriedly from their holes to see what the row was about. 'Onion-sauce! Onion-sauce!' he remarked jeeringly, and was gone before they could think of a thoroughly satisfactory reply. Then they all started grumbling at each other. 'How STUPID you are! Why didn't you tell him——' 'Well, why didn't YOU say——' 'You might have reminded him——' and so on, in the usual way; but, of course, it was then much too late, as is always the case. It all seemed too good to be true. Hither and thither through the meadows he rambled busily, along the hedgerows, across the copses, finding everywhere birds building, flowers budding, leaves thrusting—everything happy, and progressive, and occupied. And instead of having an uneasy conscience pricking him and whispering 'whitewash!' he somehow could only feel how jolly it was to be the only idle dog among all these busy citizens. After all, the best part of a holiday is perhaps not so much to be resting yourself, as to see all the other fellows busy working.

Strumming a harp while floating on a white cloud might be Paradise for some people, but it would bore others stiff. Given an unlimited chance to choose your ideal world, what would you specify—palaces or log cabins? I'll take beer, son, and thanks again for the offer. As you can see, I'm kinda down on my luck. I know what you're thinking, but I'm not really on the bum. I usually make out all right—nothing fancy, mind you, but it's a living. Odd jobs in the winter and spring, follow the harvests in the summer and fall. Things are slack right now.You? Electronics, huh? Used to know a fellow in electronics.... His name was Joe Shannon, used to work for Stellar Electric up in Fremont. Young fellow, not more'n twenty-five or so. Rail thin, wispy hair, serious look—you know, the one suit, absent-minded type. Joe was a brain. A triple-A, gold-plated, genuine genius. Had a wife named Marge. Not beautiful but pretty and a nice figure and a cook you never saw the likes of. Like I say, she was married to Joe but Joe was married to his work and after you'd been around a while, you could tell there was friction. But that ain't the beginning.

Cartea I din Trilogia Confluen?eiOra?ele ?i ma?in?riile str?vechi, aflate ?n dezintegrare pe planeta Confluen?a sunt at?t de misterioase, ?nc?t par magice. Plecat din necropola Aeolis spre enigmatica metropol? Ys, Yama descoper? secretele trecutului s?u, pe m?sur? ce este prins ?n iure?ul unui r?zboi de interese politice ?i religioase.?Prin Copilul fluviului, McAuley ?ncepe o trilogie care descrie dispari?ia unei civiliza?ii uluitoare.“ – Washington Post?O saga SF/fantasy ambi?ioas?, ce se desf??oar? pe o planet? unde tehnologiile sunt str?vechi ?i interzise.“ – Library Journal?…o fuziune de hard SF ?i fantasy… un viitor incredibil de fantastic, dar care, ?n timp, se dovede?te a fi guvernat de ra?iunea ?tiin?ific?.“ – Locus

Cea mai bun antologie fantasy a anului.“ – Fantasy LiteratureVoi spune povestea, aadar… dar va trebui s fii cu bgare de seam, pentru c nici povestitoarea nsi n-o nelege pe deplin.Am s v povestesc ce mi-a prezis vrjitoarea.Am s v povestesc despre iubirea pe care am avut-o i am pierdut-o.Am s v povestesc despre…“Epic. Legende fantasy cuprinde 17 proze scrise de unii dintre cei mai faimoi autori moderni: George R. R. Martin, Terry Brooks, Ursula K. Le Guin, Robin Hobb, Orson Scott Card, Tad Williams .a.O vitrin excelent a tot ce are mai bun literatura fantasy actual.“ – Publishers WeeklyAceasta nu este una dintre crile pe care s le devorezi pe nersuflate, ci dintre cele pe care le savurezi de-a lungul multor seri de lectur.“ – Locus

Prima carte din seria Inima Lumii ?Numele meu este Ash, i-a spus el regelui. ?i sunt rōshun, ceea ce ?n limba mea ?nseamn? ?ghea?? de toamn?? – cea care vine devreme. Adic? vin din locul de unde vin to?i rōshunii, de unde porne?te r?zbunarea. A f?cut o pauz?, a?tept?nd ca vorbele sale s?-?i fac? efectul, apoi a continuat: Ai dreptate, am venit s? iau ceva de la tine. Am venit s?-?i iau via?a!“ Ash face parte din secta rōshun, asasini care ofer? protec?ie prin amenin?area cu vendeta. Ajuns prea b?tr?n pentru meseria aceasta ?i afectat de dureri de cap teribile (similare celor care ?i orbiser? tat?l), Ash are o viziune ?n care fostul lui maestru ?i cere s?-?i ia un ucenic. El ?l alege pe Nico, un t?n?r s?rac, disperat ?i singur, ?ns? nu apuc? s?-i termine instruirea, deoarece trebuie s? plece ?n Sf?ntul Imperiu Mann, ?ntr-o misiune care pricinuise deja moartea a trei rōshun. ?Farlander este o carte special?... Intriga fascineaz? de la primul capitol p?n? la finalul surprinz?tor.“ – Locus ?Absolut fascinant?! Pur ?i simplu, n-am putut s-o las din m?n?.“ – Glen Cook, autorul seriei Black Company

Ofi?erul ?n retragere Jack Reacher se ?ntoarce la baza militar? pe care a condus-o ?n urm? cu 16 ani ca s-o cunoasc? pe Susan Turner, actualul comandant. Acolo afl? c? femeia tocmai a fost acuzat? de corup?ie ?i c? el ?nsu?i ar putea fi judecat pentru un abuz ?n serviciu de care nu-?i aminte?te ?i pentru o presupus? paternitate.?mbin?nd o intrig? complicat? ?i o curs? palpitant? pentru justi?ie ?i aflarea adev?rului, Lee Child ?l pune la ?ncercare pe Reacher — ?i ?l face s? se ?ntrebe cine este, ce a f?cut ?i cum va ar?ta via?a sa ?n viitor.?O curs? ame?itoare, ce te ?ine cu sufletul la gur?! Una dintre cele mai bune c?r?i ale seriei Jack Reacher, cu o intrig? foarte bine construit? ?i r?sturn?ri de situa?ie surprinz?toare.“ – The New York Times?Nimeni nu-l egaleaz? pe Reacher, un ?mp?timit al ac?iunii ?i al situa?iilor periculoase. Deviza lui: M-am antrenat s? transform frica ?n agresiune.“ – Kirkus Review?Bun venit ?n lumea lui Jack Reacher: mereu ?n alert?, el se afl? de fiecare dat? ?n locul nepotrivit la momentul potrivit… Child a creat un personaj emblematic pe care al?i autori de thriller ?l invidiaz?. Irezistibil ?i consistent, S? nu te ?ntorci niciodat?! este unul dintre cele mai bune romane ale lui Lee Child.“ – Associated Press?Paternitatea se num?ra printre cele mai des ?nt?lnite probleme ale b?rba?ilor din ?ntreaga istorie uman?. Dar pentru Reacher ?ntotdeauna p?ruse improbabil?. Era ceva eminamente teoretic. Precum c??tigarea Premiului Nobel sau participarea la un joc ?n World Series ori abilitatea de a c?nta. Posibil, ?n principiu, dar mereu probabil s? nu i se ?nt?mple. O destina?ie pentru al?i oameni, dar nu ?i pentru el.“

Premiul Nadal 2015n 1938, scriitorul de romane populare Georges Miet este trimis de o editur din Paris s investigheze moartea suspect a unei tinere din Biarritz i s scrie o carte despre cele ntmplate.Folosindu-se de acest pretext, autorul ne duce n anul 1925, n celebra staiune Biarritz, un loc plin de glamour, unde o societate extrem de sofisticat i tria cei mai fericii ani.n ncercarea de a rezolva misterul morii tinerei, Georges Miet st de vorb cu mai multe personaje, care de care mai surprinztoare, iar cu fiecare nou depoziie ncepem s fim tot mai convini c ceea ce a prut o sinucidere ar putea fi o crim.Roman polifonic,Cabaret Biarritzface radiografia unei epoci fericite, a unei societi care tocmai i revenise dup rnile adnci provocate de Primul Rzboi Mondial, o panoram a aspiraiilor, a visurilor i a comarurilor pe care oamenii le aveau n vara anului 1925.“nCabaret Biarritzancheta poliieneasc se mpletete magistral cu parodia social.” -El País“Dintr-o perspectiv postmodern,Cabaret Biarritzaplic o lentil parodic asupra trecutului. José C. Vales este un scriitor de prim mn, de o for imaginativ i stilistic ieit din comun.” -El Cultural“Investigaia jurnalistic, povetile de dragoste i portretul societii de la acea vreme alctuiesc o naraiune care provoac i surprinde cititorul la fiecare pas.” -Culturamas

De cinci ani, Cameron ?i mama lui se mut? dintr-un loc ?n altul. Tat?l b?iatului e pe urmele lor. Cel pu?in, asta i s-a spus lui Cameron.C?nd se stabilesc la o ferm? izolat?, b?iatul ?ncepe s? vad? ?i s? aud? lucruri care nu pot fi reale. Cur?nd, ajunge s? se ?ndoiasc? de tot ceea ce credea c? ?tie ?i se ?ntreab? dac? nu cumva ??i pierde min?ile.Ce se ascunde ?n noapte? Ce e ?ngropat ?n trecut?Cameron trebuie s? afle secretele ?ntunecate ?nainte ca acestea s?-l distrug?."Un thriller psihologic pe care nu-l po?i l?sa din m?n?… straniu, ?ntunecat ?i inteligent construit. Dialogurile vii, autentice ?i scenele memorabile alc?tuiesc o poveste des?v?r?it?, al c?rei final dramatic ?ntrece toate a?tept?rile." - The Guardian"Un tat? monstruos, h?r?uitor, co?maruri alienante, un b?iat fantomatic, c?ini s?lbatici ?i un subsol d?r?p?nat – cadrul perfect pentru o poveste ?nfior?toare despre un b?iat care, ?ncerc?nd s? dezlege un mister, descoper? ce secrete poate ascunde trecutul cuiva. Un melanj captivant de crime ?i poveste de familie." - Kirkus Review C?inii a c??tigat Red Maple Award ?i a ob?inut numeroase nominaliz?ri, printre care la Young Adult Novel Thriller Award, 2016 ?i American Library Association Best Fiction for Young Adults. Este ?n curs de publicare ?n 13 ??ri.?Drepturile de ecranizare au fost achizi?ionate de Wild Media Entertainment. ?

Icarus e o uria?? nav? spa?ial? care c?l?tore?te prin hiperspa?iu cu vitez? superluminic?.Icarus explodeaz?, iar Lilac LaRoux (fiica celui mai bogat om din univers) ?i Tarver Merendsen (care, la doar 18 ani, este deja erou de r?zboi) sunt singurii supravie?uitori. O navet? de salvare ?i duce pe o planet? pustie, unde g?sesc o form? ciudat? de via?? (“fiin?ele ?optitoare“), supus? unui experiment secret condamnabil, ini?iat de tat?l lui Lilac. Totul se schimb? dup? ce Lilac ?i Tarver dezleag? misterul ?fiin?elor ?optitoare“ ?i afl? c? ar putea fi salva?i. Dar nu vor mai fi niciodat? aceia?i tineri care au p??it c?ndva pe planeta pustie.“O aventur? palpitant? ?n spa?iul cosmic.“ -Kirkus ReviewsCioburi de stele a fost recompensat? cu cel mai prestigios premiu pentru science-fiction ?i fantasy din Australia, Aurealis Award for Best Young Adult Novel.“Nu ?tiu cine sau ce ne urm?re?te, dar ?mi dau seama c? floarea este un dar de la fiin?ele misterioase. Nu ?tiu ce inten?ii au ele, dar ?tiu ce ?nseamn? acest dar pentru mine. Nu sunt singur?. Poate c? n am fost niciodat?. Nici m?car c?nd am intrat ?n m?runtaiele navei. Acele fiin?e ?optitoare ?mi citesc g?ndurile. Citesc ?n sufletul meu.“

Lee Child este un maestru al suspansului. – Entertainment WeeklyJack Reacher, fost ofi?er ?n poli?ia militar? a Statelor Unite, e pus din nou ?n fa?a unui caz complicat. Pl?nuind s? ajung? ?n Virginia, ?n c?utarea unei femei pe care nu a v?zut-o niciodat?, face autostopul. ?n ma?ina care se opre?te sunt doi b?rba?i ?i o femeie ce pare extrem de ?ngrijorat?. Din atitudinea lor, Reacher ?ncepe s? suspecteze c? ascund ceva.FBI-ul lanseaz? un apel de urm?rire general? pentru c? ?n zon? a avut loc o crim? ?i o persoan? a fost r?pit?. Oare ?nso?itorii de drum ai lui Reacher sunt implica?i ?n aceast? poveste? Iar fostul ofi?er din poli?ia militar? e doar o momeal??Al?turi de Julia Sorenson, agent FBI, Reacher porne?te o anchet? pe cont propriu ?i se treze?te prins ?ntr-o conspira?ie uria??, ?n care nimic nu e ceea ce pare ?i nimeni nu spune adev?rul.Urm?rit creeaz? unul dintre cele mai reu?ite personaje feminine din ?ntreaga serie Jack Reacher. – The New York TimesSubtil ?i nuan?at, cu un stil seduc?tor ?i r?sturn?ri irezistibile de situa?ie. – Newsweek?Reacher continu? s? conduc? ?i ?ncepu s? se g?ndeasc? la cele dou? baraje rutiere prin care trecuser?. Opt ma?ini ?i opt poli?i?ti ?n fiecare loc, cu lanterne ?i timp berechet pentru o inspec?ie am?nun?it?. Se imagin? pe sine ?n situa?ia de om urm?rit, cu ?nf??i?are obi?nuit?, c?l?torind singur, trezindu-se dintr-odat? vulnerabil ?i ?ntr-o situa?ie riscant?, poate anticip?nd barajele rutiere dinaintea sa. Ce putea s? fac? un astfel de om ca s? fie preg?tit? Putea s?-?i schimbe ?nf??i?area obi?nuit?, cu fard, plastilin?, peruci, piercinguri false, tatuaje false sau cicatrice false. Trebuia s? nu mai fie singur ?n ma?in?. Ceea ce era simplu, chiar ?i f?r? pricepere sau antrenament. Putea s? ia un autostopist de pe drum.“

M? numesc Gicu ?i sunt poli?ist. Mama crede c? a?a mi-a fost scris ?n marea carte a vie?ii, s? fiu poli?ist, ?i c?, de?i totul pare ?mpotriva mea, Dumnezeu are compasiune pentru mine ?i m? va ajuta. Sunt poli?ist la sec?ia 66 din Bucure?ti, la ordine public?. Acum sunt ?n ?nt?rziere la o ?nt?lnire conspirativ?. Eram decis s? nu m? las impresionat de ceea ce urma s? v?d.De la Universitate o iau pe jos. Ajung t?rziu la ?nt?lnire. Discu?iile introductive au durat mai mult dec?t ar fi fost necesar ?i pentru o clip? m-am ?ntrebat dac? nu era o ?nscenare, ?ns? am respins ideea.

Gndul c a fi putut-o sugruma pe sora mea mai mic, adormit n patul de sub mine i pe care o iubeam mai mult dect orice altceva pe lume. Nu o nebunie slbatic, ci una aproape n joac. O sugestie lene, somnoroas, maliioas, care prea s atepte acolo de mult vreme.“ Acolo, adic n pivnia ntunecoas a fiinei. Gnduri ceoase, impulsuri obscure, vinovii fr vin, acuzaii difuze. Inexplicabilul sau inavuabilul resimite ca reacie fireasc. Benign demonism infantil, dincolo de logic i de orice explicaie. i totul n caruselul Relaiei, cadrul obsedant al acestor istorii de via amar, pestri, derizorie. Relaii ntre prini i copii, surori i frai, bunici i nepoi, unchi, mtui, vecini. Cu avorturi, adultere, accidente, sinucideri, apendicite, bovarism, sex aiurea, decizii pripite de nunt i desprire. Gelozie ntre surori, ura fetiei fa de predicile mamei, Parkinson i Alzheimer, Toronto i Vancouver, baluri provinciale, paralizii, primele fantazri erotice ale vrstei nubile, rochia mamei, azilul, recuperri sentimentale dup jumtate de veac, apologia vieii neinhibate“, dar i rigorile inflexibile ale unui mediu intens irizat religios. Pe scurt, via. Mai precis: draga noastr via. Cea pe care adesea uitm s-o trim, necum s-o mai i gndim.

Azi tr?im o Miori?? r?sturnat?, lumea, ?gur? de rai“, transformat? ?ntr-o lume din ce ?n ce mai mercantil? ?i vanificant?, o lume a g?ndirii economice, cu omogenizarea, dispari?ia diferen?elor, omogenizarea sexelor, a binelui ?i a r?ului, a?a-zisul ?global village“; lumea virtual? care gole?te realitatea, pentru a o umple ?n loc cu ?emo?ii“ dozate de al?ii, ?n tentativa de colectivizare ?i dirijare a sentimentelor ?i g?ndirii oamenilor.Revolu?ia rom?n? a fost o revolu?ie a jertfei mioritice, a tinerilor care au opus r?ului piepturile goale, care a dat, ciudat rod, o societate a corup?iei morale: ea a fost contrapus? ?colhozului global“, at?t sub sensul colectivistic al colhozului comunist, c?t ?i al aceluia omologant, dup? o unic? m?sur?, al popoarelor ?i al valorilor.Cine va recrea punctele cardinale, utopia paradisului mioritic? Noul Ierusalim?Poate c? Miori?a, prin for?a ei spiritual?, ne va reda punctele cardinale ?i pe noi, cei r?t?ci?i de noi, nou? ?n?ine. Altfel, moartea Miori?ei, cea din urm? mioar?, ar fi moartea noastr? a tuturor.

Roman inspirat din istoria contemporan?, Puzzle realizeaz? o viziune cuprinz?toare a voca?iei rom?nilor de-a armoniza ?ntr-un mod necunoscut celorlalte ??ri europene (Constantin Noica) dou? mentalit??i istorice?te opuse: oriental? ?i occidental?. ?n centrul c?r?ii se afl? un singur personaj – profesorul pensionar Neghibaur – ?n jurul c?ruia se dispun faptele ?i oamenii ca pe un ecran al imagina?iei, observa?iei ?i experien?ei fostului dasc?l. Construc?ie dens? ?i insolit?, romanul se re?ine ?i prin deschiderea de amploare ?i de ad?ncime asupra mecanismelor ascunse ale reac?iilor suflete?ti individuale determinate de importantele schimb?ri sociale intervenite ?n via?a ??rii dup? Revolu?ia din Decembrie, 1989.

Cin? cu langustine, ap?rut ini?ial ?n anul 1987 (Editura Cartea Rom?neasc?), se constituie dintr-o suit? de schi?e ?i povestiri av?nd, ca numitor comun, spa?iul geografic al Peninsulei Iberice. Stilul prozelor este alert, cu nota?ii scurte, imprim?nd un ritm viu lecturii. Este o proz? care angajeaz? subtil interesul cititorului, provoc?ndu-l ?ntr-un registru discret la reflec?ie ?i coresponden?e de tr?iri. Povestirile iberice ar putea fi ?i un posibil vestibul de p?trundere ?n lumea uneori fabuloas? a celuilalt cap?t de orizont al Europei. Mihai Giugariu (n. 1929), este autorul unei literaturi beletristice variate, cu predilec?ie romane, proz? scurt?, dar ?i eseuri ?i traduceri. Din portofoliul activit??ii sale literare pot fi re?inute romanele: Condotierul, O vacan?? at?t de lung?, Magdalena, Spre sear?, C?l?uza, precum ?i volumul de eseuri M?rul lui Paris. Romanul Destine, editat ?n 1990 ?i reeditat ?n 2003 a fost distins (ex aequo) cu premiul pentru proz? din anul 1992 al Academiei Rom?ne.

Te voi lua totu?i cu mine, M?iastro… Te voi ascunde ?n inim?, ?n g?nd, ?n vis…. Te voi oglindi ?n treizeci ?i trei de chipuri – ?n marmor? alb?, sur? ?i neagr?, ?n bronz lustruit ca aurul, ?n aur ?nsu?i… Te voi sculpta ?n lumin?, dincolo de lut ?i carne, ??i voi face cu m?inile mele de ??ran din Gorj aripi ?nalte de piatr? sau metal, ?i cu ele te vei ?n?l?a ?i vei zbura ca ?i aci, str?b?t?nd P?m?ntul, de la un cap la altul… (?ncet de tot.) ?i vei c?nta… c?ntecul t?u… ?i al meu…O carte pentru copii antrenant?, pentru pu?tii de toate v?rstele.

Rū?ītis ?ī skaistā pasaka ir mazā elfa dzīves stāsts. Vi?? mitinājās bagāta tirgotāja mājā un vienmēr bija pārticis.? ?ajā mājā dzīvoja arī kāds trūcīgs students, kur? bie?i cieta badu, jo visu naudu tērēja grāmatām. Kādu dienu Rū?ītis ieskatījās studenta istabi?ā pa atslēgas caurumu. Ko vi?? tur ieraudzīja? Kas notika tālāk? Lasiet pa?i! ?ajā burvju pasakā ir daudzas svarīgas patiesības un morāles vērtības. Tās saturs, noska?a un krāsainās ilustrācijas noteikti iepriecinās visus bērnus

Das Buch enth?lt drei wundersch?ne M?rchen. ?Die Hirtin und der Schornsteinfeger“ ist eine fr?hliche Geschichte über Porzellanfiguren, die eine alte Kommode bewohnen. ?Das kleine M?dchen mit den Schwefelh?lzern“ ist eine traurige Erz?hlung über ein M?dchen, das Streichh?lzer am Heiligabend verkaufen muss. “Fünf aus einer Schote“ ist eine rührende Geschichte über ein krankes M?dchen, in dessen Leben unerwartet ein kleines Erbsenkorn auftaucht. Alle Erz?hlungen sind sch?n und farbig illustriert. Die Hirtin und der Schornsteinfeger Die Helden des M?rchens sind Porzellanfiguren: eine Hirtin, ein Schornsteinfeger und ein alter? Chinese, der will, dass die hübsche Hirtin einen geschnitzten Feldwebel heiratet. Das M?dchen ist damit nicht einverstanden, weil sein kleines Herz schon lange für den?? Schornsteinfeger schl?gt. Was passiert weiter?? Das k?nnt ihr hier erfahren. Die Erz?hlung ist sch?n und farbig illustriert. Das kleine M?dchen mit den Schwefelh?lzern Dies ist eines der berühmtesten M?rchen,? das jedes Kind lesen sollte. Es ist eine berührende? Geschichte über? ein armes M?dchen, das? an einem kalten Heiligabend versucht Schwefelh?lzer an die? Passanten zu verkaufen. Was wird mit dem M?dchen weiter geschehen? Ihr k?nnt es hier lesen. Die Erz?hlung ist sch?n und farbig illustriert. Fünf aus einer Schote Es ist eine Erz?hlung über eine kleine Erbse, die durch einen Spalt im Dachgeschoss in eine Wohnung reinf?llt. Dort lebt eine Frau mit ihrer kleinen Tochter, Karolina. Das M?dchen ist? schwer krank und kann seit langem? sein Bett nicht verlassen. Karolina beobachtet mit Neugier die Pflanze, die aus dem Korn w?chst. Was passiert im Leben des M?dchens?? Lest weiter!? Die Erz?hlung ist sch?n und farbig illustriert.?