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The Most Dangerous Game
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The Most Dangerous Game
The Adventures of Huckleberry Finn
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The Adventures of Huckleberry Finn
Tessa the Tank and the Classic Vehicle Show
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Tessa the Tank and the Classic Vehicle Show
The Grand Babylon Hotel
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The Grand Babylon Hotel
The Mystery of Cloomber
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The Mystery of Cloomber
Fantastic Fables
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Fantastic Fables
The Age of Innocence
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The Age of Innocence
The Mystery of Choice
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The Mystery of Choice
The Custom of the Country
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The Custom of the Country
A Strange Disappearance
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An early detective story by a woman writer about a sewing girl in a rich man's house who is abducted. The housekeeper reports the crime and the detective in charge doesn't understand why it is imperative that the servant be found. There are some twists and things aren't as they seem.
The Moon Rock
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"The Moon Rock" (1922) is Australian mystery writer Arthur J. Rees' locked-room conundrum. In fact, the room -- the murder scene -- not only is locked from the inside, but also two hundred feet up the cold wall of Flint House. And the house looms on the edge of a cliff in Cornwall. Slip, and a falling body would strike the pale Moon Rock and its legend of doomed love. "A lonely, weird place," Scotland Yard's Det. Barrant sums it up, and that's even before he finds out what happened. The deceased is Robert Turold, a bitter and silent man obsessed with proving his noble linage and claim to a great estate. At last, he succeeds -- only to be found dead in the locked room, shot in the chest. Suicide? Barrant suspects not. The house is full of suspects: servants, relatives, a lovely daughter with a ruinous secret. Rees knew all the conventions of a mystery novel -- he wrote more than twenty -- and how to set the table with plenty of red herrings. But the question is more than who-done-it. Tension builds, too, on the identity of the Moon Rock's next victim. The one word to describe "The Moon Rock" is, literally: Cliffhanger.
The Rome Express
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A mysterious murder on a flying express train, a wily Italian, a charming woman caught in the meshes of circumstantial evidence, a chivalrous Englishman, and a police force with a keen nose for the wrong clue, are the ingredients from which Major Griffiths has concocted a clever, up-to-date detective story.
The Mysterious Key And What It Opened
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The story begins with the mysterious death of Sir Richard Trevlyn. All the reader knows is that Richard's wife, Alice, who is pregnant with their first child, listens through a keyhole in the library door to a conversation Richard has with a visitor. What she hears horrifies her, she faints, and a servant, Hester, finds her and helps her to bed. Alice insists Richard not be disturbed, but Hester is worried and goes to the library anyway to tell him his wife is ill. She finds him slumped over his desk, dead. ? Twelve years later the child, Lillian, meets a stranger on the grounds, a sixteen year old boy named Paul who applies for work on the estate. He does his job well, advancing in position and earning the affection of family and servants alike. Some of the servants suspect he may be more than a mere gardener or groom, but they like him and when he leaves without a word to anyone they are confused and disappointed.
Alice's Adventures in Wonderland
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This Point Blank Classics edition includes the full original text as well as exclusive images exclusive to this edition and an easy to use interactive table of contents.
Finnegans Wake
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This Point Blank Classics edition includes the full original text as well as exclusive images exclusive to this edition and an easy to use interactive table of contents.
The Horse-Stealers and Other Stories
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Twenty-two stories deal with an insane asylum, an old, retired Army officer, superstition, a matchmaker, an architect's trip back to his home town, and a man's efforts to have his brother released from prison.
The Dynamiter
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More New Arabian Nights: The Dynamiter (1885) is a collection of linked short stories by Robert Louis Stevenson and Fanny Vandegrift. ? "Prologue of the Cigar Divan" "Challoner's adventure: The Squire of Dames" "Story of the Destroying Angel" "The Squire of Dames (Concluded)" "Somerset's adventure: The Superfluous Mansion" "Narrative of the Spirited Old Lady" "The Superfluous Mansion (Continued)" "Zero's Tale of the Explosive Bomb" "The Superfluous Mansion (Continued)" "Desborough's Adventure: The Brown Box" "Story of the Fair Cuban" "The Brown Box (Concluded)" "The Superfluous Mansion (Concluded)" "Epilogue of the Cigar Divan"
Rasselas:Prince of Abyssinia
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While the story is thematically similar to Candide by Voltaire, also published early in 1759 – both concern young men travelling in the company of honoured teachers, encountering and examining human suffering in an attempt to determine the root of happiness – their root concerns are distinctly different. Voltaire was very directly satirising the widely read philosophical work by Gottfried Leibniz, particularly the Theodicee, in which Leibniz asserts that the world, no matter how we may perceive it, is necessarily the "best of all possible worlds". In contrast the question Rasselas confronts most directly is whether or not humanity is essentially capable of attaining happiness. Writing as a devout Christian, Johnson makes through his characters no blanket attacks on the viability of a religious response to this question, as Voltaire does, and while the story is in places light and humorous, it is not a piece of satire, as is Candide.
Four Weird Tales
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This collection assembles four of Blackwood's greatest stories: "The Insanity of Jones," "The Man Who Found Out," "The Glamour of the Snow," and "Sand." ? The son of a preacher, Blackwood had a life-long interest in the supernatural, the occult, and spiritualism, and firmly believed that humans possess latent psychic powers. The autobiography Episodes Before Thirty (1923) tells of his lean years as a journalist in New York. In the late 1940s, Blackwood had a television program on the BBC on which he read . . . ghost stories!
Clarissa:The History of a Young Lady
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Clarissa, or, the History of a Young Lady is an epistolary novel by Samuel Richardson, published in 1748. It tells the tragic story of a heroine whose quest for virtue is continually thwarted by her family, and is regarded as the longest novel in the English language (based on estimated word count). It is generally regarded as Richardson's masterpiece. ? Clarissa Harlowe, the tragic heroine of Clarissa, is a beautiful and virtuous young lady whose family has become wealthy only recently and now desires to become part of the aristocracy. Their original plan was to concentrate the wealth and lands of the Harlowes into the possession of Clarissa's brother James Harlowe, whose wealth and political power will lead to his being granted a title. Clarissa's grandfather leaves her a substantial piece of property upon his death, and a new route to the nobility opens through Clarissa marrying Robert Lovelace, heir to an earldom. James's response is to provoke a duel with Lovelace, who is seen thereafter as the family's enemy. James also proposes that Clarissa marry Roger Solmes, who is willing to trade properties with James to concentrate James's holdings and speed his becoming Lord Harlowe. The family agrees and attempts to force Clarissa to marry Solmes, whom she finds physically disgusting as well as boorish.
American Fairy Tales
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American Fairy Tales is the title of a collection of twelve fantasy stories by L. Frank Baum, published in 1901 by the George M. Hill Company, the firm that issued The Wonderful Wizard of Oz the previous year. ? L. Frank Baum was doing well in 1901, better than ever before in his life. He had written two popular books, Father Goose: His Book and The Wonderful Wizard of Oz, and was determined to capitalize on this success. In addition to American Fairy Tales, Baum's Dot and Tot of Merryland and The Master Key appeared in 1901. ? Publisher George M. Hill sold the serialization rights to the twelve stories in AFT to five major newspapers, the Pittsburgh Dispatch, the Boston Post, the Cincinnati Enquirer, the St. Louis Republic, and The Chicago Chronicle. The stories appeared between March 3 and May 19, 1901; the book followed in October. The first three papers used or adapted the book's illustrations for their publications of the stories, while the Chronicle and the Republic had their own staff artists do separate pictures.
