Proza scurt? scris? de t?n?rul scriitor, originar din Timi?oara, se distinge printr-un stil ?ngrijit, expresiv, ?n mod cert, situat ?n siajul lui Matei Caragiale. O carte incitant? despre lumea pestri?? ?i sugestiv? a tranzi?iei autohtone. Cartea este destinat? publicului larg ?i va constitui un succes de libr?rie.

Chipul cotropit pe partea dreapt de urmrile unei intervenii chirurgicale pstreaz, n mare, farmecul i drzenia. Prul strns n cretet i barba abundent te-ar trimite cu gndul la marii pontifi hiperboreeni sau la preoii taoiti, dac vioiciunea i gesticulaia nu te-ar opri la timp. tie multe, dar mrturisete puine. Viaa l-a fcut prudent. Cine i va dezvlui spiritul profund Poetul i savantul nu au fcut niciodat concesii. Nici omul nu are pe contiin fapte grandilocvent-regretabile, dei a stat sub vremi, iar ideologia marxist i-a fcut pe muli s-i ascund spiritul critic.“ – Gheorghe Postelnicu

Endu?stri 4.0 d?nemi ile fabrikadaki u?retim ekipmanlar? birbirleriyle konu?up anla?acak ve gelecekte insans?z fabrikalar yayg?nla?acak. ?? kazalar? azalacak ve teknolojik verimlilik sa?lanacak. Yeni endu?stri devrimi hem enerji tasarrufu sa?layacak hem de maliyetleri du??u?recek. Alman Hu?ku?metinin u?retim su?re?lerini bilgisayarla?ma y?nu?nde te?vik etme ve yu?ksek teknolojiyle donatmas? projesi olarak kabul edilen Endu?stri 4.0, ayn? zamanda d?rdu?ncu? sanayi devrimi anlam?na geliyor. Endu?stri 4.0 ile tu?m yaz?l?m ve networklerde u?ru?n geli?tirme, u?retim ve servis su?re?lerinin ileti?imi, makinalar?n ve u?ru?nlerin ger?ek zamanl? bilgi al??veri?i, otonom kontrol ve optimizasyonu mu?mku?n olacak. 1784’te ortaya ??kan ilk sanayi devriminde, su ve buhar gu?cu?nu?n kullan?m?yla u?retim yap?lmas? hakim iken, 1870’lerde elektrik enerjisinin kullan?m?, ikinci sanayi devriminin de kap?lar?n? a?t?. Dijital devrim olarak da adland?r?labilecek u??u?ncu? sanayi devrimi ise, 1969’da elektronik ve bili?im teknolojilerinin kullan?m? ile ortaya ??kt?. 2013 y?l?na geldi?imizde ise internet uygulamalar?, yatay-dikey entegrasyonlu ve ger?ek zamanl? yeni de?er zincirleri, siber-fiziksel sistemler ve ak?ll? fabrikalar hayatlar?m?zdaki varl???n? gu??lendirdi. Yazar Hakk?nda [Tarkan ?zhan, 1969-] ???REN?M DURUMU: Trakya üniversitesi B?lüm: Fen Fakultesi Kimyager MESLE??: Borsac?, Trader, Portfoy Y?netimi Aktif ?al??ma süresi; 25 y?l

"Hast thou seen that lordly castle,?That castle by the sea??Golden and red above it?The clouds float gorgeously." ??Do you remember Gratian—Gratian Conyfer, the godson of the four winds, the boy who lived at the old farmhouse up among the moors, where these strange beautiful sisters used to meet? Do you remember how full of fancies and stories Gratian's little head was, and how sometimes he put them into words to please Fergus, the lame child he loved so much? ??The story I am now going to tell you is one of these. I think it was their favourite one. I can not say that it is in the very words in which Gratian used to tell it, for it was not till long, long after those boyish days that it came to be written down. But all the same it is his story. About Author: Mary Louisa Molesworth, née Stewart (1839 – 1921) was an English writer of children's stories who wrote for children under the name of Mrs Molesworth. Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham. She was born in Rotterdam, a daughter of Charles Augustus Stewart (1809–1873) who later became a rich merchant in Manchester and his wife Agnes Janet Wilson (1810–1883). Mary had three brothers and two sisters. She was educated in Great Britain and Switzerland: much of her girlhood was spent in Manchester. In 1861 she married Major R. Molesworth, nephew of Viscount Molesworth; they legally separated in 1879. Mrs Molesworth is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879), and A Christmas Child (1880). She has been called "the Jane Austen of the nursery," while The Carved Lions (1895) "is probably her masterpiece." In the judgement of Roger Lancelyn Green: Mary Louisa Molesworth typified late Victorian writing for girls. Aimed at girls too old for fairies and princesses but too young for Austen and the Brontes, books by Molesworth had their share of amusement, but they also had a good deal of moral instruction. The girls reading Molesworth would grow up to be mothers; thus, the books emphasized Victorian notions of duty and self-sacrifice. Typical of the time, her young child characters often use a lisping style, and words may be misspelt to represent children's speech—"jography" for geography, for instance.She took an interest in supernatural fiction. In 1888, she published a collection of supernatural tales under the title Four Ghost Stories, and in 1896 a similar collection of six tales under the title Uncanny Stories. In addition to those, her volume Studies and Stories includes a ghost story entitled "Old Gervais" and her Summer Stories for Boys and Girls includes "Not exactly a ghost story." A new edition of The Cuckoo Clock was published in 1914.

E textul pe baza cruia am fcut spectacolul Habemus bebe, n primvara lui 2014, mpreun cu soul meu, regizorul Robert Blan. Iniial nu-l voiam publicat, apoi m-am rzgndit, publicarea i d o via textului pe care scena nu i-o poate da (i invers cred c e la fel de valabil). Non Stress Test va fi un poem mai lung, pe o tem care nu a fost i nici nu este la mod: maternitatea. E nsoit i de un set de fotografii, sper s fie o carte mito. i de data asta m-am jucat cu limitele genului: o variant a textului a aprut deja n traducere (n bulgar i n maghiar) ca text de teatru”. (Elena Vldreanu)

Peter Pan, or The Boy Who Wouldn't Grow Up and Peter and Wendy are the stage play and novel (respectively) which tell the story of Peter Pan, a mischievous little boy who can fly, and his adventures on the island of Neverland with Wendy Darling and her brothers, the fairy Tinker Bell, the Lost Boys, the Indian princess Tiger Lily, and the pirate Captain Hook. The story was written by Scottish playwright and novelist J. M. Barrie, inspired by his friendship with the Llewelyn-Davies family.

Ap?rut ?n 1897 ?i tradus pentru prima dat? ?n limba rom?n?, romanul Zile ?i nop?i ??i are r?d?cinile ?n experien?a de soldat a lui Jarry ?nsu?i. Conflictul dintre o inteligen?? aleas? ?i abrutizanta disciplin? militar?, absurdul ?i grotescul caz?rmilor ?i al spitalelor militare se ?mbin? aici cu evocarea fratelui absent – un adev?rat dublu al eroului -, pasiunea pentru heraldic? sau deliciile unui dezm?? ha?i?in. Satira, de care nu scap? nici lumea militar?, nici cea intelectual-artistic?, se las? atenuat? de lirism ?i jocuri de limbaj. Iar ?ntr-unul dintre capitole ??i face apari?ia chiar ?i conceptul de patafizic?.

alardan beridir insanln duygularn, rüyalarn, davranlarn, düüncelerini, hemen her eyini etkileyen ve algland kadaryla sorduu baz sorularn günümüz dünyasnda anlalmaya, kaplarnn aralanp bilincimizi yeniden ekillendirmeye baladn grürken, yeni sorular oluturmaya baladmz grüyoruz. Bugünlere kadar hepimizin merak ettii sorularn bazlar unlardr: - Canllk nedir - Duygularmz nedir - Ben neyim Bunlar alglayp yorumlayabildiimiz bilin nedir - Beden ile düünce zamanda nasl balanmtr - Düüncelerimi, grdüklerimi, gzleyen nedir - Uzay nedir Nasl var olmutur - Evrende neyin ifadesiyiz - Zaman nedir - lümden sonras var mdr Ruh olarak tanmladk, zihin-beden arasnda balanty kurmaya, duygular anlamaya alrken. Bilincin, algnn ve tüm bunlarla nasl bir ilikisi olabileceini sorguladk. Genelde yle oluyor ya bütünün nce paralarn anlamaya, paralara ayrp anlamaya almann, sorunlarn izlerini sürüp bütünle olan etkileimini grmeye yneliyoruz. Zamann iinde zaman geirmemize ramen, bilincimizle, canllmzla nasl balantl olduunu grmezden geldik. Günümüz dünyasnn ulat bilgi, yaamsal deneyimlerin kaydedilip aktarlmas, izlediimiz filmlerden tutun da, deneyimlerimizin hzl etkileimiyle zaman aralklarn orduk. Snr sistemimize benzeyen internet alar oluturduk. nsanlk olarak yapay zekalar gelitirdik. Hücre ile beden benzeri; canlyla tüm canlln, ekosistemin, varln etkileim rüntüsü olduunu anlamaya baladk. Belki de oluturduumuz yeni anlamlar, gelecekte oluacaklarn paralardr. Deiim devam ediyor. Grünen o ki, canllar bu evrenin en ileri evrensel alanlardr. Soralm kendimize; Evrende canllktan daha anlaml bir ey var mdr

Cartea e ca o pies? de teatru alc?tuit? din personaje, parantezele autorului, dialoguri, secven?e, scene, acte, cu leg?tura necesar?, intre acestea. ?n treac?t fie spus, critica poate s? ?ntre?in? longevitatea operei, dac? are destul? vigoare ?i dac? opera e de calitate. Sunt vorbe optimiste la vremea Internetului care, deocamdat?, nu de?ine puterea controlului critic ?i nici nu se ?ntrev?d ?anse de aceast? natur?. Tocmai de aceea pericolul dispari?iei c?rt?ii de h?rtie pare anun?area unui cataclism. Noi mai credem ?n ceva. R?m?ne hot?r?t c? interpretarea critic?, pentru a fi c?t mai aproape de text, trebuie s? se asocieze cu "partea estetic?" a demersului, care e scriitura, citatul, descrierea ?i altele. O "conversa?ie", pe c?t posibil neretoric?.

“The Blazing World”, is a Description of a New World, Called The Blazing-World, better known as The Blazing World, is a 1666 work of prose fiction by English writer Margaret Cavendish, the Duchess of Newcastle. It has been described as an early fore-runner of science fiction.??Here on this Figure Cast a Glance.?But so as if it were by Chance,?Your eyes not fixt, they must not Stay,?Since this like Shadowes to the Day?It only represent's; for Still,?Her Beauty's found beyond the Skill?Of the best Paynter, to Imbrace?These lovely Lines within her face.?View her Soul's Picture, Judgment, witt,?Then read those Lines which Shee hath writt,?By Phancy's Pencill drawne alone?Which Peces but Shee, can justly owne.??To The Duchesse of Newcastle, ?On Her New Blazing-World.??Our Elder World, with all their Skill and Arts,?Could but divide the World into three Parts:?Columbus, then for Navigation fam'd,?Found a new World, America 'tis nam'd;?Now this new World was found, it was not made,?Onely discovered, lying in Time's shade.?Then what are You, having no Chaos found?To make a World, or any such least ground??But your Creating Fancy, thought it fit?To make your World of Nothing, but pure Wit.?Your Blazing-World, beyond the Stars mounts higher,?Enlightens all with a C?lestial Fier.??William Newcastle.

Dinu are 25 de ani, o carier? ?n presa de scandal ?i nemul?umiri pe toate planurile: e convins c? iubita ?l ?n?al?, a scris o carte pe care nu reu?e?te s-o publice, iar jobul s?u, de a scoate senza?ionalul din necazurile altora, nu-i aduce nici o satisfac?ie. ?n loc s?-?i accepte cu demnitate condi?ia de t?n?r intelectual rom?n, e decis s?-?i rezolve toate problemele, ?n doar o s?pt?m?n?. ?ntr-o astfel de situa?ie, de o gravitate medie, c?teva sfaturi ra?ionale ar putea fi exact ce are nevoie. Din p?cate, persoanele din jurul s?u nu se obosesc cu a?a ceva. Luca, prietenul s?u cel mai bun ?i fost coleg de facultate, ?l ?mpinge, de fiecare dat?, spre cea mai simpl? sau imoral? solu?ie. De cealalt? parte, fratele s?u Andrei ?ncearc? s?-l transforme ?ntr-un bun cre?tin, precum ceilal?i membrii ai sectei. Obsesia fa?? de starul hip-hop Ty Julius, impus? de cerin?ele publicului de tabloid, e singurul lucru care reu?e?te s?-i mai st?rneasc? sentimente puternice. Asta p?n? c?nd o ?nt?lne?te pe Simona, care i-ar putea schimba via?a complet, ?n bine, sau ?n r?u, sau poate chiar deloc.

n Ferma, tnrul Daniel primete pe neateptate o vizit de la mama sa, Tilde, care i spune, cu o for de convingere i o coeren tulburtoare, o istorie ntunecat a regiunii rurale din Suedia n care se retrsese de cteva luni mpreun cu soul ei. n povestea aceasta se amestec abuzul sexual, conspiraia i crima, iar Daniel este avertizat c, dac refuz s-o cread, propria lui mam n-o s l mai considere fiul ei. Pe de alt parte, un telefon primit de la tatl lui l informeaz pe Daniel c Tilde a suferit o cdere nervoas i povestea ei e rodul unei imaginaii paranoide. Care este adevrul Tnrul va trebui s cltoreasc pn la ferm n cutarea unor rspunsuri de care acum depinde chiar viaa mamei sale.

A fascinating study of the actions and antidotes of snake poison, including many case studies. Written by late-19th century physician Dr A. Mueller, who was the first to introduce strychnine injections to treat snake bites.

Mare poet clasic, Co?buc ?i-a asigurat locul printre marii creatori: Eminescu, Creang?, Caragiale, Slavici, prin con?inutul na?ional al operei sale, prin cultivarea ?i frecventarea clasicilor, prin puritatea expresiei ?i claritatea stilului, prin promovarea idealului de frumuse?e echilibrat?, ?n general prin ?nnoirea limbii poetice. Co?buc este – unanim recunoscut – un mare clasic al versului rom?nesc. Poet al naturii ?i al omului de la ?ar?, al exuberan?ei juvenile, al iubirii, al revoltei ?i luptei, al b?rb??iei, Co?buc ?nscrie una din cele mai pre?ioase experien?e ale literelor rom?ne?ti, ?ntr-un moment de r?scruce, c?nd, prin scrierile unei pletore de pseudoeminescieni, se crease ?n poezia noastr? o stare deprimant?, maladiv?, din care se p?rea c? nu exist? perspective de ie?ire spre un liman s?n?tos. ?n acest climat de mal de siecle, de Wetschmerz r?sare nea?teptat de viguros ?i nou George Co?buc, redres?nd poezia rom?neasc?, aduc?nd noi orizonturi, noi sensuri, noi valori artistice.

Pove?tile lui Creang? sunt delectabile deopotriv? pentru copii ?i pentru adul?i. ?ns? numai cei din urm? le pot gusta pe deplin savoarea. Creanga pare a nu-?i fi b?tut capul s? inventeze pove?ti: avea de?tul material la ?ndem?n? ca s? mai fie nevoie de a?a ceva. C?t datoreaz? el crea?iei folclorice anonime ?i c?t ?i este aceasta tributar? dup? publicarea pove?tilor ?i absorb?ia – sau re?ntoarcerea – acestora ?n circuitul oralit??ii e o chestiune ce poate interesa mig?loase cercet?ri erudite. Farmecul pove?tilor lui Creang? nu st? ?n inven?ie – cel mult, aici ?i-a spus cuv?ntul selec?ia f?cut? de scriitor dintr-un inventar disponibil at?t de bogat. Ceea ce atrage ?i cucere?te, ?n primul r?nd, e ?punerea ?n scen?“ – nemaivorbind de darul rostirii plastice, suculen?e, at?t de mult comentat ?i analizat.LIVIU PAPADIMA

National Book Critics Circle Award 2005 pentru carte de nonfic?iune. Premiul pentru Pace Erich-Maria-Remarque, 2001 Carte interzis? ?n Bielorusia ?Explozia reactorului num?rul 4 va deveni cel mai mare dezastru nuclear civil din istoria omenirii. Zona este o realitate ?n toat? monstruozitatea ei. La fel ca ?n cartea SF a fra?ilor Struga?ki, Picnic la marginea drumului, Zona este un infern pe p?m?nt, guvernat de propriile legi. Aici danseaz? lumini deasupra c?mpului, praful ridicat de v?nt are culori ciudate, se nasc copii cu muta?ii genetice, popula?ia a fost evacuat?, regiunea, interzis? ?i p?zit? de patrule militare, dar oameni stranii ?i-au f?cut din Zon? locul ?n care tr?iesc. Ei sunt C?l?uzele reale ?n Zona reactorului de la Cernob?l.“ – Ion M. Ioni?? C?nd fra?ii Arkadi ?i Boris Struga?ki publicau ?n 1972 celebrul lor roman SF Picnic la marginea drumului, nu ?i-ar fi putut imagina, nici ?n cele mai negre vise, c? Zona descris? ?n roman va deveni realitate paisprezece ani mai t?rziu, ?n ?ara lor, URSS. Conform ideologiei oficiale, Zona nu avea cum s? apar? ?n patria sovietelor. Doar URSS construia cele mai sigure reactoare nucleare din lume care ?ar fi putut fi instalate chiar ?n Pia?a Ro?ie, at?t de fiabile erau“. Nu a fost a?a. Pe 26 aprilie 1986, lumea avea s? intre ?n epoca Cernob?l. Explozia reactorului num?rul patru va deveni cel mai mare dezastru nuclear civil din istoria omenirii. Zona este o realitate ?n toat? monstruozitatea ei. La fel ca ?n cartea SF a fra?ilor Struga?ki, Zona este un infern pe p?m?nt, guvernat de propriile legi. Aici lumini danseaz? deasupra c?mpului, praful ridicat de v?nt are culori ciudate, se nasc copii cu muta?ii genetice, popula?ia a fost evacuat?, regiunea, interzis? ?i p?zit? de patrule militare, dar oameni stranii ?i-au f?cut din Zon? locul ?n care tr?iesc. ?O istorie oral? mi?c?toare a catastrofei din 1986 de la reactorul nuclear de la Cernob?l, ?n care curajul fatalist ?i stoic este dublat de un umor incredibil de negru. Jurnalista rus? Svetlana Aleksievici a ?nregistrat o serie de m?rturii pe care le-a prezentat sub forma unor ?monologuri?, ?n stil romanesc, care zugr?vesc imaginea vie a atmosferei generale de nemul?umire de la sf?r?itul perioadei comuniste, ?n care liderilor de partid agresivi, propagandei paranoice ?i mobiliz?rilor haotice li se opun sarcasmul deprimant, g?ndurile amare ?i abuzul de votc?. Rezultatul este o radiografie de neuitat a sufletului rus.“ – Publishers Weekly

Twenty-seven-year old Anne Elliot is Austen's most adult heroine. Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne's family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love?Jane Austen once compared her writing to painting on a little bit of ivory, 2 inches square. Readers of Persuasion will discover that neither her skill for delicate, ironic observations on social custom, love, and marriage nor her ability to apply a sharp focus lens to English manners and morals has deserted her in her final finished work.

The Sherlock Holmes series read in unabridged form by David Timson is widely regarded as one of the finest. Here, Timson brings his remarkable performance skills to one of Doyle's full-length novels. Holmes and faithful Dr. Watson are summoned to a country house by a coded message. They arrive too late to save a life, but pursue the trail to unmasking the murderer.

Pali kilencéves. Magányos otthon és az iskolában is. Egyik téli reggel aztán a mogorva újságárus csodálatos üveggolyót ad neki. Délutánra a konyhában felt?nik egy Egér, az ablakban megtelepszik egy Pók, egy Légy és egy Katica. Kik ezek és mit akarnak Palitól? Talán a rejtélyekre is fény derül, mikor egy picike kislány magával rántja a fiút a tük?rbe…

The friends of Mr. Sherlock Holmes will be glad to learn that he is still alive and well, though somewhat crippled by occasional attacks of rheumatism. He has, for many years, lived in a small farm upon the downs five miles from Eastbourne, where his time is divided between philosophy and agriculture.

A Torzonborz, a rabló és a Torzonborz újabb gaztettei után itt a trilógia befejez? darabja, a Torzonborz megjavul. Otfried Preu?ler legeslegutolsó paprikajancsis és vitézlászlós t?rténete. ?jra felbukkan Torzonborz, a rabló. ?s ez bizony megrémíti Paprika Jancsit, Vitéz Lászlót, Nagymamát, s?t még ?st?llési századost is. De akkor ijednek meg csak igazán, mikor Torzonborz bejelenti: sz?gre akasztja széles karimájú kalapját és felhagy a rablómesterséggel. Vajon mihez kezd ezután az egykori hétt?r?s gazember...? Az életkori besorolás 6+