Pisagor, ?ifa sanat?n?n en kutsal sanat oldu?unu s?ylemi?tir. ?ifa en kutsal sanatsa, o halde bedenle oldu?u kadar ruhla da ilgilenmelidir; ?ünkü hi?bir varl?k, en ?nemli par?as? hasta oldu?u sürece sa?l?kl? olamaz. ? ? ? ? ? ? ? ?Tyana’l? Apolionius Bu ?nemli ?al??mada, Kuantum ?yile?me, deyince ?unu anl?yoruz, kuantum fizi?i esaslar?na ve Modern bilime g?re iyile?me t?bbi kurallar? ile alternat?ve T?p, yani S?fac?l?k ??retisini birle?tiren bu kitap, ?e?itli hasta vaklar?n? ve Hastal?klara ili?kin vücuttaki ruhsal süredurumlara kuantum mekan???n?n modelleriyle yakla??m sa?layarak, grafiksel detayl? anlat?m?n? kullanarak, okura sa?l?kl? ve net bir yeni ?a??n s?fac? bilgisini kadim ??retileri kuantum mekan??iyle harmanlayarak aktarmaktad?r. Buna g?re, bu ?al??man?n amac?, zihin-beden-ruh bütünlü?ünü sa?lamaya deniyor ve mutlu olman?n tek ?art?n?n, ?al??ma boyunca, bu ü?ünün birli?inden ge?ti?ine inan?l?yor. Buradaki "iyile?me"den kas?t ise, Zihin-Beden-Ruh koordinasyonu kastedilmi?tir, yani tüm bir zihinsel bedensel ve ruhsal ?akra alanlar?n?n tam bir s?fas? konu edilmi?tir.. Hastal?klara kar?? ba????kl?k sisteminin etkileri muhakkak ki, ?a??m?zda art?k yads?namaz bir ger?ektir. Fakat ne var ki, buradaki esas ama?, hastal?klar? iyile?tirmekten ziyade, hasta olmaman?n yollar?n? aramakt?r bu esere g?re. (Daha da do?rusu "sa?l?kl? ol"ma ve “sa?l?kl? kal”ma halini ve süreklili?ini yakalamak ve bu süreklili?i hayat boyu sa?laman?n y?ntemi ara?t?r?l?yor ve analiz ediliyor..) Buradaki "hastal?k" terimi, t?bbi referanstan ?ok; yokluk, yaln?zl?k, i?sizlik, ba?ar?s?zl?k, mutsuzluk, kendini bo?lukta hissetme ve de?ersizlik gibi duygulara refere edilmektedir. Buna g?re, ?nsan sadece t?bbi hasta olmaz, fakir bir insan da hastad?r, yaln?z bir insan da! Kanser nas?l bir hastal?ksa; cimrilik, kabal?k, güvensizlik, korku, endi?e ve nefret de o oranda hastal?kt?r.. Sa?l?kl? bir insan tan?m?n? ??yle yap?yoruz hep genellikle: Kazanc?nda ve kahkahas?nda bolluk-bereket i?inde, ba??ms?z, gü?lü, ili?kilerinde mutlu, sevgiyi her daim ya?ayan ve etraf?ndakilerle payla?an, güven i?inde, sa?l?kl? ve güzel kalabilmek... ??te, bu kitab?n da yegane yaz?lma hedefi ve amac? da bunu sürekli olarak okura kazand?racak bilginin anahtar?n? vermektir. Yani, bir anlamda y?llard?r ki?isel geli?im alan?nda, s?k?a yap?lan yanl?? uygulamalar sonucunda, benzer ?al??malar?n yapt??? bal?k vermeyi ??retmek yerine, okura bal??? nas?l tutaca??n? ??retmeyi hedeflemektedir..

Linda Blair, absolvent? de psihologie la Colegiul Wellesley din Massachusetts, a lucrat ?n cadrul unit??ii de comportament animal de la Medical Research Council, Universitatea Cambridge, studiind, ?mpreun? cu profesorul Robert Hinde, rela?iile dintre mam? ?i sugar la primate. A ob?inut ulterior o burs? la Harvard pentru a studia activit??ile de joc ?i dezvoltarea limbajului la copii ?i este psiholog clinician specializat ?n terapia cognitiv?.La sf?r?itul anilor 1980 a ?nceput s? ?in? prelegeri ?n ?coli ?i universit??i, pe tema adapt?rii la stresul examenelor. Particip? la emisiuni radio ?i TV ?i a publicat articole ?n The Guardian ?i ?n revista Psychologies. ?n prezent, semneaz? rubrici ?n The Times ?i ?n revista Junior.Este membr? a comitetului media pe care British Psychological Society ?l recomand? comentatorilor de pres?, radio ?i televiziune, membr? a British Psychological Society (unde este associate fellow) ?i a fost acreditat? de British Association for Behavioral and Cognitive Psychotherapies.

Martie 1997. O t?n?r? femeie e g?sit? moart? ?n spatele unui bar din or??elul Carter Crossing, Mississippi, nu departe de o mare baz? militar?. Criminalul este un localnic sau un soldat? Maiorul Jack Reacher din poli?ia militar? prime?te misiunea de a supraveghea, sub acoperire, activitatea poli?iei locale. Folosindu-?i intui?ia ?nn?scut?, dar ?i abilit??ile dob?ndite ?n lunga sa experien?? ca militar, maiorul pune cap la cap indiciile, descoperind o conspira?ie a t?cerii ce pare s? urce p?n? la cel mai ?nalt nivel. Prins ?ntre datoria militar? ?i dorin?a de a face dreptate, Jack Reacher ??i risc? viitorul profesional pentru aflarea adev?rului. Iar farmecele ?erifului Elizabeth Deveraux, o femeie uimitor de frumoas?, fost ofi?er ?n infanteria marin?, nu fac dec?t s?-i complice sarcina.?Jack Reacher i-ar putea bate pe Bond, Dirty Harry, Jason Bourne ?i Ethan Hunt cu ambele m?ini legate la spate. Apoi, s-ar culca cu iubitele lor, c?te dou? deodat?, ?nainte de a p?r?si ora?ul cu ultimul autobuz.“ – The Sun?Cea mai bun? carte a lui Child de p?n? acum… Reacher este deopotriv? un mare lupt?tor ?i un g?nditor, deopotriv? Schwarzenegger ?i Socrate. Crezul s?u va fi ?ntotdeauna ?make love and war?.“ – The Independent ?Jack Reacher ?i-a c??tigat de mult un loc de seam? ?n panteonul eroilor americani formidabili…“ – The New York TimesC?r?ile lui Lee Child sunt traduse ?n 40 de limbi, ?n aproape 100 de ??ri ale lumii.

LUIS AGUIRRE had been living in Gibraltar for about a month. He had arrived with the intention of sailing at once upon a vessel bound for Oceanica, where he was to assume his post as a consul to Australia. It was the first important voyage of his diplomatic career. Up to that time he had served in Madrid, in the offices of the Ministry, or in various consulates of southern France, elegant summery places where for half the year life was a continuous holiday. ??THE SON of a family that had been dedicated to diplomacy by tradition, he enjoyed the protection of influential persons. His parents were dead, but he was helped by his relatives and the prestige of a name that for a century had figured in the archives of the nation. Consul at the age of twenty-five, he was about to set sail with the illusions of a student who goes out into the world for the first time, feeling that all previous trips have been insignificant. ? AUTOR: Vicente Blasco Ibanez nacio el 29 de enero de 1867 en Valencia (Espana). Era hijo de Ramona Ibanez y del comerciante Gaspar Blanco. Estudio Derecho en la Universidad de Valencia. Participo en la politica uniendose al Partido Republicano". En 1894 fundo el periodico El pueblo. En el ano 1896, fue detenido y condenado a varios meses de prision. En 1889 contrajo matrimonio con Maria Blasco del Cacho, hija del magistrado Rafael Blasco y Moreno. Cuando subio al poder Canovas del Castillo, el escritor se exilio brevemente en la ciudad de Paris. Fue un autor vinculado en muchos aspectos al naturalismo frances. Por otra parte, la explicita intencion politicosocial de algunas de las novelas de Blasco Ibanez, aunada al escaso bagaje intelectual del autor, lo mantuvo alejado de los representantes de la Generacion del 98. Murio el 28 de enero de 1928 en Menton (Francia)a los 60 anos. Entre sus titulos destacan: "Arroz y Tartana" (1894), "La Barraca" (1898), "Entre Naranjos (1900), "Canas y Barro" (1902), "La Horda" (1905), "Sangre y Arena" (1908) o "Los Cuatro Jinetes Del Apocalipsis" (1916).

Recuerdo que en cierta ocasión tuve en mis manos un ejemplar de la Gaceta Imperial de Pekín, y al revolver sus finas hojas de papel de arroz, entre las apretadas columnas de misteriosos caracteres, sólo encontré dos anuncios comprensibles por sus grabados: el que llaman vulgarmente tío del bacalao, ó sea el marinero que lleva á sus espaldas un enorme pez, pregonando las excelencias de la Emulsión Scott, y una botella de largo cuello con la etiqueta ?Vichy-?tat?. Pocas empresas en el mundo habrán hecho la propaganda que la Compa?ía Arrendataria de las aguas de Vichy. Circulan por las calles de la peque?a y elegante ciudad francesa los pesados carromatos cargados de cajones, camino de la estación del ferrocarril. Marchan las botellas alineadas en apretadas filas al salir de Vichy, para luego esparcirse como una esperanza de salud. ?Adonde van?... ? ?AUTOR: Vicente Blasco Ibanez nacio el 29 de enero de 1867 en Valencia (Espana). Era hijo de Ramona Ibanez y del comerciante Gaspar Blanco. Estudio Derecho en la Universidad de Valencia. Participo en la politica uniendose al Partido Republicano". En 1894 fundo el periodico El pueblo. En el ano 1896, fue detenido y condenado a varios meses de prision. En 1889 contrajo matrimonio con Maria Blasco del Cacho, hija del magistrado Rafael Blasco y Moreno. Cuando subio al poder Canovas del Castillo, el escritor se exilio brevemente en la ciudad de Paris. Fue un autor vinculado en muchos aspectos al naturalismo frances. Por otra parte, la explicita intencion politicosocial de algunas de las novelas de Blasco Ibanez, aunada al escaso bagaje intelectual del autor, lo mantuvo alejado de los representantes de la Generacion del 98. Murio el 28 de enero de 1928 en Menton (Francia)a los 60 anos. Entre sus titulos destacan: "Arroz y Tartana" (1894), "La Barraca" (1898), "Entre Naranjos (1900), "Canas y Barro" (1902), "La Horda" (1905), "Sangre y Arena" (1908) o "Los Cuatro Jinetes Del Apocalipsis" (1916).

Cu doar c?teva zile ?naintea Cr?ciunului, fostul agent secret Cotton Malone se vede nevoit s?-?i ?ntrerup? traiul ?n anticariatul s?u lini?tit, pentru a s?ri ?n ajutorul bunului s?u prieten, miliardarul Henrik Thorvaldsen. B?tr?nul danez este hot?r?t s?-?i r?zbune fiul ucis ?ntr-un schimb de focuri ?n capitala Mexicului, dar ambi?ia lui nu numai c? ?i pune via?a ?n pericol, ci ajunge s? scoat? la iveal? o adev?rat? conspira?ie interna?ional?. O aventur? ame?itoare, cu numeroase r?sturn?ri de situa?ie, ?l poart? pe Cotton Malone ?ntre Copenhaga, Londra ?i Paris, pun?ndu-i la ?ncercare intui?ia, priceperea, dar ?i loialitatea. Aflat ?ntr-o permanent? lupt? cu timpul, americanul va face tot posibilul s? ?mpiedice o serie de atacuri teroriste ce au ca ?int? mai multe monumente din capitala francez?, ?ncerc?nd totodat? s? nu-?i dezam?geasc? cel mai bun prieten. ?G?sim aici toate tr?s?turile distinctive ale lui Berry: anvergur?, grada?ie, r?sturn?ri de situa?ie, istorie – ?i suspans de la un cap?t la altul. ?mi place la nebunie tipul ?sta.“ – Lee Child ?Steve Berry ?mbin? abil suspansul contemporan ?i misterul istoric ?n cel mai recent roman cu fostul agent secret Malone… acest thriller urzit cu iscusin?? ofera o mul?ime de surprize.“ – Publishers Weekly

Coresponden?? primit? de Geo Bogza de la Stephan Roll, Sa?a Pan?, Mary-Ange Pan?, Victor Brauner, Ilarie Voronca, Colomba Voronca, grupul ?Alge“ ??n Epistolarul avangardist, care con?ine coresponden?a pe care Geo Bogza a primit-o de la reprezentan?ii grupului Alge, este ?i o poveste con?inut? aici, ?n aceste scrisori, o poveste de via??, de supravie?uire, de construire, de fapt, a unei poetici de grup ?i a unei ac?iuni culturale rom?ne.“ – Carmen Mu?at ?Pe mine cel mai mult m-a emo?ionat Epistolarul. Au fost ni?te lucruri de care nu ?tiam ?i pe care le-am citit cu foarte mult? emo?ie, ceea ce m-a f?cut s? mai r?scolesc ?i s? m? uit cu mai mult? aten?ie. Erau scrisori de la mama, am ?nceput s? m? uit ?i ?n jurnalul ei ?i am descoperit o serie de lucruri extraordinare. O s? continui s? cercetez.“ – Vladimir Pan?

AMERICAN INDIAN FAIRY TALES?By W.T. Larned, 1921, ?Twenty-ninth Edition??* Iagoo, the Story-Teller?* Shin-ge-bis fools the North Wind?* The Little Boy and Girl in the Clouds?* The Child of the Evening Star?* The Boy who Snared the Sun?* How the Summer Came?* Grasshopper?* Mish-o-sha, the Magician?* The Fairy Bride??With one exception, all the tales in this book are adapted from the legends collected by Henry R. Schoolcraft, ethnologist and government agent for the Lake Superior country, and published in 1839 with the title, "Algic Researches."

It was the third week in September when the Fairfields left the seashore and returned to their Vernondale home.??“Now, my child,” said Mr. Fairfield, as they sat on the veranda after dinner, “I will unfold to you my plans for the coming winter, and you may accept, or reject, or amend them as you please.”??“Proceed,” said Patty, settling herself comfortably in her wicker chair; “I feel in an amiable mood this evening, and will probably agree to anything you may suggest.”??“I’ve been thinking for some time,” went on her father, “that I don’t want to spend the coming winter in Vernondale. I would much rather be in New York.”??“Reason number one—Nan,” said Patty, checking it off on her forefinger and smiling at her father.?“Yes,” he responded, with an answering smile, “she is reason number one, but there are others.”?To readers who are unfamiliar with Patty’s earlier history we may say right here that her mother had died when Patty was but three years old. ??At present she lived with her father in their little home in Vernondale, an establishment of which Patty greatly prided herself on her management.?Recently Mr. Fairfield had become engaged to Miss Nan Allen, a young lady who lived in Philadelphia, and who was a dear friend of Patty’s.

The "Times."?"For its rapid action, in fact, we have seldom read a better story, or one which is more full of incidents, sanguinary, trenchant, and robust."??The "Daily Telegraph."?"A true and a wonderfully well-sustained piece of Oriental life and striking history."??The "Spectator."?"This is a very remarkable book. It is a determined attempt to bring the interior Hindoo and Mussulman life of a great Mahratta province during the most exciting times home to the hearts and understandings of Englishmen, to interest them in people with whom they have nothing except human nature in common."??"Morning Post."?"'Tara' is a unique work. There is nothing like it in the English literature of fiction. No other writer has ever attempted the portrayal of Indian life, society, and interests, entirely free from any European admixture of character or incident. The author himself now does so for the first time. 'The Confessions of a Thug' related to British jurisdiction in India. 'Tippoo Sultan' dealt with the gallant struggles of that monarch against the encroaching British power, but 'Tara' is all Indian."??"Saturday Review."?"It is seldom that we meet with a work of fiction executed with anything like the conscientious care and minute elaboration of Captain Meadows Taylor's Indian Tale. His characters have mostly the clearness and individuality of portraits, and his scenery exhibits all the marked and decisive features of photographs taken on the spot. The work throughout is evidently that of a master of Oriental life and character in love with his subject, to whom nothing appears trivial or beneath notice that can illustrate the peculiar traits of Asiatic nature, or kindle an enthusiasm for knowing more of the history, manners, and usages of our fellow-subjects in the east."??The "Standard."?"In no one part of the work has Captain Taylor shown more thorough art than in those pages in which he details the features of the Hindoo and Ma-homedan family life. He never overloads; his characters are not lay figures attired in triple folds of gorgeous robes to hide their nakedness. With a few subtle touches he shows us the interior life of each household, and the morning springs of every character, and he leaves us to fill in the obvious details for ourselves."???My Lord,?The scenes and characters which i have endeavoured to depict in these volumes will be necessarily new and strange to you; but if they excite interest in the native annals of a country of which i find but little real knowledge existing, the object of the work will have been attained; while, by the kind courtesy which permits me to dedicate it to you, your excellency confers upon me a very sincere gratification.??I have the honour to be,?Your Lordship's very faithful servant,??MEADOWS TAYLOR.

n finalul romanului Donna Alba mtile personajelor cad. Mihai Aspru a vrut doar s-o stpneasc“ pe trufaa aristocrat, mbrcndu-i dorina n podoabe strlucitoare luate din cri. n schimb, Georges Radu erban, soul nelat, boier rigid taxat maliios de ctre narator, se dovedete un veritabil erou tragic, sinucigndu-se din dragoste, ca personajul lui Dostoievski.Ct o privete pe Alba, obiectul obsesiei ndelung elaborate, ea e un personaj de film din anii ‘30: femeia fatal, provocatoare de nenorociri pentru brbaii care o iubesc. Intriga dinamic, colorat de suspans, ajunge la o rezolvare cu happy end, care ar fi putut prea facil dac naratorul n-ar fi introdus un accent original de autoironie i umor negru, chiar n legtur cu ultima apariie a Albei. Foarte frumoas n valurile negre de mare doliu, dar deloc ndurerat, ea i apare brbatului ca un nger al morii, promindu-i o primejdioas fericire.

PREFACE?All the stories about Princes and Princesses in this book are true stories, and were written by Mrs. Lang, out of old books of history. There are some children who make life difficult by saying, first that stories about fairies are true, and that they like fairies; and next that they do not like true stories about real people, who lived long ago. I am quite ready to grant that there really are such things as fairies, because, though I never saw a fairy, any more than I have seen the little animals which lecturers call molecules and ions, still I have seen people who have seen fairies—truthful people. ??This book about Princes and Princesses is not one which a child is obliged to read. Indeed the stories are not put in order, beginning with the princes who lived longest ago and coming down gradually to people who lived nearest our own time. The book opens with the great Napoleon Bonaparte, who died when some very old people still living were alive. Napoleon was not born a prince, far from it; his father was only a poor gentleman on a wild rough little island. But he made himself not merely a king, but the greatest of all emperors and generals in war. He is not held up as a person whom every boy should try to imitate, but it is a truth that Napoleon always remained a boy in his heart. He liked to make up stories of himself, doing wonderful things which even he was unable to do. When he was a boy he played at being a general, making snow fortresses and besieging them, just as many boys do. And when he was a man he dreamed of conquering all the East, Asia, and India, and Australia; and he tried to do all that, but it was too much even for him.

Now ponder well, you parents deare,?These wordes which I shall write;?A doleful story you shall heare,?In time brought forth to light.??A gentleman of good account?In Norfolke dwelt of late.?Who did in honour far surmount?Most men of his estate.??Sore sicke he was, and like to dye,?No helpe his life could save;?His wife by him as sicke did lye,?And both possest one grave.??No love between these two was lost,?Each was to other kinde;?In love they liv'd, in love they dyed,?And left two babes behinde:??The one a fine and pretty boy,?Not passing three yeares olde;?The other a girl more young than he?And fram'd in beautye's molde. Randolph Caldecott (1846 – 1886) was an English artist and illustrator, born in Chester. The Caldecott Medal was named in his honour. He exercised his art chiefly in book illustrations. His abilities as an artist were promptly and generously recognised by the Royal Academy. Caldecott gre-atly influenced illustration of children's books during the nineteenth century. Two books illustrated by him, priced at a shilling each, were published every Christmas for eight years. Caldecott also illustrated novels and accounts of foreign travel, made humorous drawings depicting hunting and fashionable life, drew cartoons and he made sketches of the Houses of Parliament inside and out, and exhibited sculptures and paintings in oil and watercolour in the Royal Academy and galleries. After six years at Whitchurch, Caldecott moved to the head office in Manchester of the Manchester & Salford Bank. He lodged variously in Aberdeen Street, Rusholme Grove and at Bowdon. He took the opportunity to study at night school at the Manchester School of Art and practised continually, with success in local papers and some London publications. It was a habit of his at this time, which he maintained all his life, to decorate his letters, papers and documents of all descriptions with marginal sketches to illustrate the content or provide amusement. A number of his letters have been reprinted with their illustrations in Yours Pictorially, a book edited by Michael Hutchings. In 1870, a painter friend in London, Thomas Armstrong, put Caldecott in touch with Henry Blackburn, the editor of London Society, who published a number of his drawings in several issues of the monthly magazine. Encouraged by this evidence of his ability to support him-self by his art, Caldecott decided to quit his job and move to London; this he did in 1872 at the age of 26. Within two years he had become a successful magazine illustrator working on commission. His work included individual sketches, illustrations of other articles and a series of illustrations of a holiday which he and Henry Blackburn took in the Harz Mountains in Germany. The latter became the first of a number of such series.

alardan beridir insanln duygularn, rüyalarn, davranlarn, düüncelerini, hemen her eyini etkileyen ve algland kadaryla sorduu baz sorularn günümüz dünyasnda anlalmaya, kaplarnn aralanp bilincimizi yeniden ekillendirmeye baladn grürken, yeni sorular oluturmaya baladmz grüyoruz. Bugünlere kadar hepimizin merak ettii sorularn bazlar unlardr: - Canllk nedir - Duygularmz nedir - Ben neyim Bunlar alglayp yorumlayabildiimiz bilin nedir - Beden ile düünce zamanda nasl balanmtr - Düüncelerimi, grdüklerimi, gzleyen nedir - Uzay nedir Nasl var olmutur - Evrende neyin ifadesiyiz - Zaman nedir - lümden sonras var mdr Ruh olarak tanmladk, zihin-beden arasnda balanty kurmaya, duygular anlamaya alrken. Bilincin, algnn ve tüm bunlarla nasl bir ilikisi olabileceini sorguladk. Genelde yle oluyor ya bütünün nce paralarn anlamaya, paralara ayrp anlamaya almann, sorunlarn izlerini sürüp bütünle olan etkileimini grmeye yneliyoruz. Zamann iinde zaman geirmemize ramen, bilincimizle, canllmzla nasl balantl olduunu grmezden geldik. Günümüz dünyasnn ulat bilgi, yaamsal deneyimlerin kaydedilip aktarlmas, izlediimiz filmlerden tutun da, deneyimlerimizin hzl etkileimiyle zaman aralklarn orduk. Snr sistemimize benzeyen internet alar oluturduk. nsanlk olarak yapay zekalar gelitirdik. Hücre ile beden benzeri; canlyla tüm canlln, ekosistemin, varln etkileim rüntüsü olduunu anlamaya baladk. Belki de oluturduumuz yeni anlamlar, gelecekte oluacaklarn paralardr. Deiim devam ediyor. Grünen o ki, canllar bu evrenin en ileri evrensel alanlardr. Soralm kendimize; Evrende canllktan daha anlaml bir ey var mdr

Cartea e ca o pies? de teatru alc?tuit? din personaje, parantezele autorului, dialoguri, secven?e, scene, acte, cu leg?tura necesar?, intre acestea. ?n treac?t fie spus, critica poate s? ?ntre?in? longevitatea operei, dac? are destul? vigoare ?i dac? opera e de calitate. Sunt vorbe optimiste la vremea Internetului care, deocamdat?, nu de?ine puterea controlului critic ?i nici nu se ?ntrev?d ?anse de aceast? natur?. Tocmai de aceea pericolul dispari?iei c?rt?ii de h?rtie pare anun?area unui cataclism. Noi mai credem ?n ceva. R?m?ne hot?r?t c? interpretarea critic?, pentru a fi c?t mai aproape de text, trebuie s? se asocieze cu "partea estetic?" a demersului, care e scriitura, citatul, descrierea ?i altele. O "conversa?ie", pe c?t posibil neretoric?.

“Star Maker”, regarded as one of the true classics of science fiction, Star Maker is a poetic and deeply philosophical work. The story details the mental journey of an unnamed narrator who is transported not only to other worlds but also other galaxies and parallel universes, until he eventually becomes part of the "cosmic mind." First published in 1937, Olaf Stapledon's descriptions of alien life are a political commentary on human life in the turbulent inter-war years. The book challenges preconceived notions of intelligence and awareness, and ultimately argues for a broadened perspective that would free us from culturally ingrained thought and our inevitable anthropomorphism. This is the first scholarly edition of a book that influenced such writers as C.S. Lewis and Arthur C. Clarke and which Jorge Luis Borges called "a prodigious novel."? Some Books of Stapledon: Last and First Men (1930) Sirius: A Fantasy of Love and Discord (1944) Odd John: A Story Between Jest and Earnest (1935) Last Men in London (1932) A Modern Magician (1979) Death into Life (1946) Darkness and the Light (1942) A World of Sound (1936) A Man Divided (1950) The Seed and the Flower (1916)

On the 26th of July, 1864, under a strong gale from the northeast, a magnificent yacht was steaming at full speed through the waves of the North Channel. The flag of England fluttered at her yard-arm, while at the top of the mainmast floated a blue pennon, bearing the initials E. G., worked in gold and surmounted by a ducal coronet. ??The yacht was called the Duncan, and belonged to Lord Glenarvan, one of the sixteen Scottish peers sitting in the House of Lords, and also a most distin-guished member of the "Royal Thames Yacht Club," so celebrated throughout the United Kingdom.??Lord Edward Glenarvan was on board with his young wife, Lady Helena, and one of his cousins, Major MacNabb. The Duncan, newly constructed, had just been making a trial voyage several miles beyond the Frith of Clyde, and was now on her re-turn to Glasgow. Already Arran Island was appearing on the horizon, when the look-out signaled an enormous fish that was sporting in the wake of the yacht. ??The captain, John Mangles, at once informed Lord Glenarvan of the fact, who mounted on deck with Major MacNabb, and asked the captain what he thought of the animal.??"Indeed, your lordship," replied Captain Mangles, "I think it is a shark of large proportions."?"A shark in these regions!" exclaimed Glenarvan.?"Without doubt," replied the captain. "This fish belongs to a species of sharks that are found in all seas and latitudes. It is the 'balance-fish,' and, if I am not greatly mistaken, we shall have an encounter with one of these fellows. ??If your lordship consents, and it pleases Lady Helena to witness such a novel chase, we will soon see what we have to deal with."??"What do you think, MacNabb?" said Lord Glenarvan to the major; "are you of a mind to try the adventure?"??"I am of whatever opinion pleases you," answered the major, calmly.??"Besides," continued Captain Mangles, "we cannot too soon exterminate these terrible monsters. Let us improve the opportunity, and, if your lordship pleases, it shall be an exciting scene as well as a good action." ? ?AUTHOR: Jules Gabriel Verne (1828 – 1905) was a French novelist, poet, and playwright best known for his adventure novels and his profound influence on the literary genre of science fiction. Verne was born to bourgeois parents in the seaport of Nantes, where he was trained to follow in his father's footsteps as a lawyer, but quit the profession early in life to write for magazines and the stage. His collaboration with the publisher Pierre-Jules Hetzel led to the creation of the Voyages extraordinaires, a widely popular series of scrupulously researched adventure novels including Journey to the Center of the Earth (1864), Twenty Thousand Leagues Under the Sea (1870), and Around the World in Eighty Days (1873). Verne is generally considered a major literary author in France and most of Europe, where he has had a wide influence on the literary avant-garde and on surrealism. His reputation is markedly different in Anglophone regions, where he has often been labeled a writer of genre fiction or children's books, largely because of the highly abridged and altered translations in which his novels are often reprinted. ?

Caragiale a delimitat si impus teritoriul dramaturgiei romanesti cu numai cinci piese patru comedii si o drama scrise pe durata a doar unsprezece ani. Timp de un secol si peste trei decenii cat a trecut pana astazi de la prima lectura publica a Noptii furtunoase cea dintai dintre marile lui piese perimetrul problematic de viziune stilistic si tipologic al teatrului romanesc atat in registrul comediei cat si in cel al dramei fie aceasta ?de idei“ fantastica ori mitologizanta a ramas cel stabilit de Caragiale. Pentru literatura dramatica romaneasca el a avut si are acelasi rol ca in literatura franceza Corneille Racine si Molière laolalta. I-a fixat pentru eternitate probabil tiparele si ?ntinderea specificul si frontierele. MIRCEA IORGULESCU

“The Blazing World”, is a Description of a New World, Called The Blazing-World, better known as The Blazing World, is a 1666 work of prose fiction by English writer Margaret Cavendish, the Duchess of Newcastle. It has been described as an early fore-runner of science fiction.??Here on this Figure Cast a Glance.?But so as if it were by Chance,?Your eyes not fixt, they must not Stay,?Since this like Shadowes to the Day?It only represent's; for Still,?Her Beauty's found beyond the Skill?Of the best Paynter, to Imbrace?These lovely Lines within her face.?View her Soul's Picture, Judgment, witt,?Then read those Lines which Shee hath writt,?By Phancy's Pencill drawne alone?Which Peces but Shee, can justly owne.??To The Duchesse of Newcastle, ?On Her New Blazing-World.??Our Elder World, with all their Skill and Arts,?Could but divide the World into three Parts:?Columbus, then for Navigation fam'd,?Found a new World, America 'tis nam'd;?Now this new World was found, it was not made,?Onely discovered, lying in Time's shade.?Then what are You, having no Chaos found?To make a World, or any such least ground??But your Creating Fancy, thought it fit?To make your World of Nothing, but pure Wit.?Your Blazing-World, beyond the Stars mounts higher,?Enlightens all with a C?lestial Fier.??William Newcastle.

Am mplinit, la 3 martie anul acesta, 81 de ani. O via de om, cu bune i mai puin bune. Am fost martor i actor al multor evenimente, dintre care unele au schimbat cursul istoriei. n cteva dintre aceste schimbri se poate gsi i contribuia mea.[…] Trecerea n revist a istoriei celor 21 de ani de la Revoluia din Decembrie 1989, cu reuite i nereuite, cu experiene pozitive i negative, cu bune i cu rele, trebuie s fie prilej de nvminte pentru toi, s ne inspire pentru a gsi cile cele mai potrivite de redresare i de cuplare a Romniei la procesul n curs de construcie european, n condiiile adncirii procesului amplu de globalizare a economiei i a vieii sociale, n beneficiul tuturor cetenilor rii.“Sunt un om de stnga, nu neg i nu-mi reneg trecutul. Mi-l asum, cu toate ale lui. Dar nimeni nu-mi poate reproa lipsa bunei-credine n ceea ce am fcut. i nici faptul c nu a fi evoluat, c nu a fi nvat din leciile pe care viaa i oamenii mi le-au dat.[…] Nu m-a interesat puterea n sine i nu am folosit puterea pe care am avut-o pentru a face ru sau n interes personal. Puterea devine interesant doar n momentul n care ai un proiect, i ea devine un instrument pentru materializarea lui.Nimic nu corupe mai mult dect puterea. i trebuie s fii, moral vorbind, extrem de puternic pentru a nu te lsa corupt de putere. mi place s cred c pe mine puterea nu m-a corupt. Muli au fost uimii de modul firesc n care s-a fcut transferul de putere n 1996, dup ce domnul Emil Constantinescu a ctigat alegerile prezideniale. Cei care se ateptau la altceva nu m cunosc. Nu mi-am dorit puterea, n 1989, ci mi-am asumat o responsabilitate. Era normal s fiu primul care s respecte regulile la structurarea crora lucrase.[…] Formal, suntem o ar cu toate instituiile i mecanismele unei ri europene, membr a Uniunii Europene. n realitate, lucrurile sunt departe de a fi normale. Am fost i sunt contient de faptul c acestea sunt marile noastre slbiciuni, cele care ne mpiedic s progresm. Nu tiu s existe o soluie miraculoas care s ne vindece de aceste pcate. Cred doar c libertatea de circulaie i dreptul romnilor de a munci n Europa vor permite, n timp, schimbarea profund a Romniei.“

-THE DOUBLE- centers on a government clerk who goes mad. It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist. ??The motif of the novella is a doppelganger (Russian "dvoynik"), known throughout the world in various guises such as the fetch. * * *? It was a little before eight o’clock in the morning when Yakov Petrovitch Golyadkin, a titular councillor, woke up from a long sleep. He yawned, stretched, and at last opened his eyes completely.?For two minutes, however, he lay in his bed without moving, as though he were not yet quite certain whether he were awake or still asleep, whether all that was going on around him were real and actual, or the continuation of his confused dreams. ??Very soon, however, Mr. Golyadkin’s senses began more clearly and more distinctly to receive their habitual and everyday impressions. The dirty green, smoke-begrimed, dusty walls of his little room, with the mahogany chest of drawers and chairs, the table painted red, the sofa covered with American leather of a reddish colour with little green flowers on it, and the clothes taken off in haste overnight and flung in a crumpled heap on the sofa, looked at him familiarly. At last the damp autumn day, muggy and dirty, peeped into the room through the dingy window pane with such a hostile, sour grimace that Mr. Golyadkin could not possibly doubt that he was not in the land of Nod, but in the city of Petersburg, in his own flat on the fourth storey of a huge block of buildings in Shestilavotchny Street.