Нельсон Мандела — п?вденноафриканський правозахисник, юрист, пол?тик, президент П?вденно-Африкансько? Республ?ки (1994 –??1999 рр.). Мандела був першим президентом ПАР, обраним на демократичних, не сфальсиф?кованих виборах. У сво?й трет?й книз? Нельсон Мандела в?дверто опису? ?н?ц?ац?ю африканських хлопчик?в, побут ? злидн? свого дитинства, навчання й одруження, народження ? смерть сво?х д?тей, жах самотност? в’язня на остров? Роббен ? вистраждану Свободу. Житт?вий досв?д та погляди Нельсона Мандели як н?коли актуальн? в контекст? нин?шн?х укра?нських реал?й, бо ?правда поляга? в тому, що ми ще не в?льн?, ми просто здобули свободу бути в?льними, право не бути пригноблюваними…справжн? випробування нашо? в?дданост? свобод? лише почина?ться?.??

THE history, the features, and the most famous examples of European architecture, during a period extending from the rise of the Gothic, or pointed, style in the twelfth century to the general depression which overtook the Renaissance style at the close of the eighteenth, form the subject of this little volume. I have endeavoured to adopt as free and simple a mode of treatment as is compatible with the accurate statement of at least the outlines of so very technical a subject. Though it is to be hoped that many professional students of architecture will find this hand-book serviceable to them in their elementary studies, it has been my principal endeavour to adapt it to the requirements of those who are preparing for the professional pursuit of the sister arts, and of that large and happily increasing number of students who pursue the fine arts as a necessary part of a complete liberal education, and who know that a solid and comprehensive acquaintance with art, especially if joined to some skill in the use of the pencil, the brush, the modelling tool, or the etching needle, will open sources of pleasure and interest of the most refined description. The broad facts of all art history; the principles which underlie each of the fine arts; and the most precious or most noteworthy examples of each, ought to be familiar to every art student, whatever special branch he may follow. Beyond these limits I have not attempted to carry this account of Gothic and Renaissance architecture; within them I have endeavoured to make the work as complete as the space at my disposal permitted. THE architecture generally known as Gothic, but often described as Christian Pointed, prevailed throughout Europe to the exclusion of every rival for upwards of three centuries; and it is to be met with, more or less, during two others. Speaking broadly, it may be said that its origin took place in the twelfth century, that the thirteenth was the period of its development, the fourteenth that of its perfection, and the fifteenth that of its decline; while many examples of its employment occur in the sixteenth. In the following chapters the principal changes in the features of buildings which occurred during the progress of the style in England will be described. Subsequently, the manner in which the different stages of development were reached in different countries will be given; for architecture passed through very nearly the same phases in all European nations, though not quite simultaneously. It must be understood that through the whole Gothic period, growth or at least change was going on; the transitions from one stage to another were only periods of more rapid change than usual. The whole process may be illustrated by the progress of a language. If, for instance, we compare round-arched architecture in the eleventh century to the Anglo-Saxon form of speech of the time of Alfred the Great, and the architecture of the twelfth century to the English of Chaucer, that of the thirteenth will correspond to the richer language of Shakespeare, that of the fourteenth to the highly polished language of Addison and Pope, and that of the fifteenth to the English of our own day. We can thus obtain an apt parallel to the gradual change and growth which went on in architecture; and we shall find that the oneness of the language in the former case, and of the architecture in the latter, was maintained throughout. For an account of the Christian round-arched architecture which preceded Gothic, the reader is referred to the companion volume in this series. Here it will be only necessary briefly to review the circumstances which went before the appearance of the pointed styles.

"Where ocean bathes earth's footstool these sea-bowersBedeck its solid wavelets: wise was heWho blended shore with deep, with seaweed flowers,And Naiads' rivulets with Nereids' sea." Strictly speaking the peninsula on which the city stands is of the form of a trapezium. It juts out into the sea, beating back as it were the fierce waves of the Bosphorus, and forcing them to turn aside from their straight course and widen into the Sea of Marmora, which the ancients called the Propontis, narrowing again as it forces its way between the near banks of the Hellespont, which rise abrupt and arid from the European side, and slope gently away in Asia to the foot of Mount Ida. Northwards there is the little bay of the Golden Horn, an arm as it were of the Bosphorus, into which run the streams which the Turks call the Sweet Waters of Europe. The mouth of the harbour is no more than five hundred yards across. The Greeks of the Empire spanned it by a chain, supported here and there on wooden piles, fragments of which still remain in the Armoury that was once the church of S. Irene. Within is safe anchorage in one of the finest harbours of the world. South of the Golden Horn, on the narrow tongue of land—narrow it seems as seen from the hills of the northern shore—is the city of Constantine and his successors in empire, seated, like the old Rome, on seven hills, and surrounded on three sides by sea, on the fourth by the still splendid, though shattered, medi?val walls. Northwards are the two towns, now linked together, of Pera and Galata, that look back only to the trading settlements of the Middle Ages.The single spot united, as Gibbon puts it, the prospects of beauty, of safety, and of wealth: and in a masterly description that great historian has collected the features which made the position, "formed by Nature for the centre and capital of a great monarchy," attractive to the first colonists, and evident to Constantine as the centre where he could best combine and command the power of the Eastern half of his mighty Empire. Byzantium Before Constantine.It is impossible to approach Constantinople without seeing the beauty and the wonder of its site. Whether you pass rapidly down the Bosphorus, between banks crowned with towers and houses and mosques, that stretch away hither and thither to distant hills, now bleak, now crowned with dark cypress groves; or up from the Sea of Marmora, watching the dome of S. Sophia that glitters above the closely packed houses, till you turn the point which brings you to the Golden Horn, crowded with shipping and bright with the flags of many nations; or even if you come overland by the sandy wastes along the shore, looking across the deep blue of the sea to the islands and the snow-crowned mountains of Asia, till you break through the crumbling wall within sight of the Golden Gate, and find yourself at a step deep in the relics of the middle ages; you cannot fail to wonder at the splendour of the view which meets your eyes. Sea, sunlight, the quaint houses that stand close upon the water's edge, the white palaces, the crowded quays, and the crowning glory of the Eastern domes and the medi?val walls—these are the elements that combine to impress, and the impression is never lost. Often as you may see again the approach to the imperial city, its splendour and dignity and the exquisite beauty of colour and light will exert their old charm, and as you put foot in the New Rome you will feel all the glamour of the days that are gone by.

Щороку ми д?зна?мося дедал? б?льше нових сл?в у галуз? економ?ки, комп’ютерних технолог?й ? маркетингу, натом?сть невпинно убож?? наш лексикон у сфер? етики й морал?. Дев?д Брукс б’? на сполох: очевидно, що сучасне сусп?льство у гонитв? за новац?ями нехту? усталеними етичними принципами, втрача? моральн? стимули й ?деали, руйну? св?й духовний стрижень. ?ДНК особистост?? про те, як переглянути власн? пр?оритети ? зосередитися на внутр?шн?х чеснотах. Вона покаже, як деяким людям вдалося проторувати шлях до сильного характеру ? стати г?дною особист?стю. ?хн? ?стор?? стануть для читача певними ор??нтирами у пошуках власно? стратег?? гартування характеру, допоможуть п?знати себе, в?днайти душевну гармон?ю ? щастя.

Капталзм свобода — класика полтико-економчно лтератури ХХ столття — як нколи актуальна для Украни. Нобелвський лауреат Млтон Фрдман розгляда зв’язок мж економчною та полтичною свободою. Вн опису, чому варто обмежити вплив держави в економку, децентралзувати владу, забезпечити гнучкий валютний курс, роздержавити сфери освти соцального забезпечення.

Piping down the valleys wild,?Piping songs of pleasant glee,?On a cloud I saw a child,?And he laughing said to me:??"Pipe a song about a Lamb!"?So I piped with merry cheer.?"Piper, pipe that song again;"?So I piped: he wept to hear.??"Drop thy pipe, thy happy pipe;?Sing thy songs of happy cheer!"?So I sang the same again,?While he wept with joy to hear.??"Piper, sit thee down and write?In a book, that all may read."?So he vanish'd from my sight;?And I pluck'd a hollow reed,??And I made a rural pen,?And I stain'd the water clear,?And I wrote my happy songs?Every child may joy to hear. ?

Багато людей не визначають пр?оритет?в, не формулюють мети життя ?, як насл?док, просто пливуть за теч??ю. Так? люди ризикують опинитися не там, де хот?ли. Коли житт?ва р?ка почина? кидати тебе на порогах, де шукати рят?вний круг, як не втратити весло, що допоможе повернутися на обраний шлях? Автори ц??? книжки — в?домий блогер Майкл Гаят ? б?знес-тренер Ден?ел Гаркав? — вважають, що вряту? ефективний житт?вий план. ??Книжка ?Дивись уперед? покрокова ?нструкц?я з? створення карти д?й, яка стане вашим найважлив?шим проектом. Книжка стане в нагод? ус?м, хто хоче розвиватись ? зм?нюватись, та вважа?, що життя ма? приносити рад?сть.

Одного дня життя дев’ятир?чного хлопчика повн?стю зм?нилося. Дитяча ц?кав?сть обернулася страшною пожежею, внасл?док яко? хлопчик отримав оп?ки майже усього т?ла. Пробувши у л?карн? п’ять м?сяц?в, в?н пережив ампутац?ю пальц?в та бол?сну реаб?л?тац?ю. Але якщо рубц? на т?л? можна прикрити одягом, то що робити ?з душевними шрамами? Чи можна п?сля цього мр?яти про повноц?нне щасливе життя? ?У полум’?? — це книга-спов?дь про незламн?сть, пошук себе ? велику роботу на шляху до усп?ху. Вона написана на основ? реальних под?й, як? зм?нили життя багатьох людей.

Книга объединяет два главных прижизненных издания основателя и ярчайшего представителя поэзии абсурда. Эдвард Лир (1812-1888) – прославленный английский поэт и художник, отец литературного лимерика, жанра, оказавшего заметное влияние на литературу конца XIX и всего XX века. Лимерики (216 забавных пятистиший) приведены на языке оригинала с параллельными переводами, выполненными лучшим российским интерпретатором поэзии нонсенса Борисом Архипцевым, и сопровождаются авторскими иллюстрациями. Переводчик посвятил работе более 20 лет жизни, добившись уникального результата, невиданной прежде полноты раскрытия авторского замысла в сочетании с красотой и естественностью звучания русского стиха. ?…Архипцев переводит Эдварда Лира, как благочестивый толковник – Писание: он передает и смысл, и звук. Точен – часто до мельчайших деталей. Звучен – до самой лихой эквилибристики…??Н. Горбаневская. Книга погружает читателя в атмосферу тонкого английского юмора, превосходно переданного переводчиком, в мир абсурда, делая его близким и понятным человеку любого возраста – от младшего школьного до старшего пенсионного. Издательство Animedia Company желает вам приятного чтения.

Rū?ītis ?ī skaistā pasaka ir mazā elfa dzīves stāsts. Vi?? mitinājās bagāta tirgotāja mājā un vienmēr bija pārticis.? ?ajā mājā dzīvoja arī kāds trūcīgs students, kur? bie?i cieta badu, jo visu naudu tērēja grāmatām. Kādu dienu Rū?ītis ieskatījās studenta istabi?ā pa atslēgas caurumu. Ko vi?? tur ieraudzīja? Kas notika tālāk? Lasiet pa?i! ?ajā burvju pasakā ir daudzas svarīgas patiesības un morāles vērtības. Tās saturs, noska?a un krāsainās ilustrācijas noteikti iepriecinās visus bērnus

Un incredibile tornado si abbatte sul Kansas travolgendo la fattoria della piccola Dorothy e trasportandola, insieme con il suo cagnolino Toto, in un paese lontano e sconosciuto. Qui, dopo aver schiacciato la malvagia Strega dell'est, la bambina è accolta come un'eroina dal popolo che la megera teneva in ostaggio. Ma per tornare a casa Dorothy dovrà affrontare mille avventure accompagnata da uno Spaventapasseri, un Taglialegna di Latta e un Leone Vigliacco. Insieme sperano di incontrare il potente Mago di Oz nella splendida città di Smeraldo, l'unico che si dice sarà in grado di aiutarli.

Dvadeset godina nakon epohalne promjene 1989., koja je na postjugoslavenski prostor djelovala na posve druk?iji na?in nego na druge prija?nje realsocijalisti?ke europske zemlje, ova studija predstavlja poku?aj analiti?kog osvrta na dva desetlje?a razvoja civilnog dru?tva na zapadnom Balkanu. Njen autor Sr?an Dvornik iz Hrvatske, u to je dobro upu?en. Nije slu?ajno ?to se kroz cijeli sadr?aj i u strukturi ove knjige ispreple?u teorija i praksa te odnosi unutar i izvan “civilnodru?tvenog” razvoja. (...) Ova je studija va?an doprinos, dosad nedostatnim, razmatranjima o mogu?nostima i ograni?enjima akter? civilnog dru?tva u (post)autoritarnim dru?tvima. Istovremeno ona donosi i pouku da instrumenti zapadne politike demokratizacije imaju pred sobom jo? dug put razvoja do to?ke na kojoj ?e posve iscrpsti svoje dosada?nje organizacijske i politi?ke potencijale, da bi potom na nove me?unarodne izazove, koje nam novi svjetski (ne)red postavlja posljednja dva desetlje?a, mogli primjerenije reagirati. dr. Azra D?aji?-Weber

Creep, Shadow! was written in the year 1934 by Abraham Merritt. This book is one of the most popular novels of Abraham Merritt, and has been translated into several other languages around the world.This book is published by Booklassic which brings young readers closer to classic literature globally.

The Virgin and the Gipsy was written in the year 1930 by David Herbert Lawrence. This book is one of the most popular novels of David Herbert Lawrence, and has been translated into several other languages around the world.This book is published by Booklassic which brings young readers closer to classic literature globally.

Skye a világon mindennél jobban szereti az ikertesóját, Summert. Mindig mindent együtt csinálnak, ám a Skye újabban kezdi azt érezni, teljesen elt?nik testvére árnyékában, mellette mindig csak a második legjobb lehet. Emiatt is érinti annyira fájdalmasan, mikor kiderül, Alfie is csak azért barátkozik vele, hogy meghódíthassa Summer szívét. Skye szeretne ?nmaga lenni, megmutatni saját stílusát és egyéniségét. De nem k?nny? elszánnia magát, hiszen egy t?kéletes, men? és népszer? ikertestvér mellett miért lenne bárki pont rá kíváncsi? ?t lány, ?t néz?pont, ?t k?nyv. Cherry után a Mályvacukor égboltból megismerjük Skye t?rténetét. Egy k?nyvsorozat, melyben minden testvérnek megvan a maga t?rténete Neked melyik lány lesz a kedvenced? Talán a Mályvacukor égbolt f?h?se, Skye? ? az a lány, akinek sz?ke, hullámos a haja, kék a szeme, egy kissé talán kül?nc, de mindig vidám, kedves és barátságos. Igazi egyéniség. A szerz?r?l: Cathy Cassidy nyolc-kilencéves korában írta meg els? képesk?nyvét kis?ccsének, és azóta ontja magából a t?rténeteket. Magyarul els?ként a Csajok és csokik-sorozata jelent meg (a Cseresznyés ábrándot most a második k?tet, a Mályvacukor égbolt k?veti), melynek a vagány Tanberry-n?vérek a f?h?sei. De mellettük felt?nik néhány szupermen? srác is, valamint Cathy egyik legnagyobb szerelme, a csokoládé is fontos szerepet kap. Cathy Skóciában él a családjával. Az ?sszes munka k?zül, amivel valaha megpróbálkozott, az írást szereti a legjobban hiszen amikor ír, mást sem kell csinálnia, mint ébren álmodozni egész álló nap.

Alexandra Lansing is looking forward to a vacation from her job as an operative with the Commonwealth’s counterterrorist task force.? She has three blissful weeks off, and plans to spend the entire time in France. After all, everyone needs a break from stress and worry. But when she’s snatched from the Left Bank in Paris she isn’t sure if her kidnapping is a case of being in the wrong place at the wrong time or a direct plot against the task force. When she discovers Praed has also been abducted, the vacation is officially over, and the possibility of an informer at task force headquarters becomes a very real, very frightening possibility. The pair manages to escape, and flees to Praed’s family home where they are forced to defend his brother’s wife and children from armed terrorists determined to recapture the operatives. With no clue as to who is behind the plot, or even a motive to explain why someone wants to take Praed and Alex prisoner, and the identity of the informant at HQ is a complete mystery. While Henry Davison races to eliminate suspects at headquarters, Praed offers himself as bait to draw out the kidnappers, hoping to discover the mastermind behind the plot. ? Alex is in hot pursuit, but will she be able to reach him before his captors extract the information they want and execute him?

Koragi is a promising young seamstress who longs to open her own tailoring shop in her home village of Cordak. Like most young girls in the village, she has an eye for Tebanis, the handsome militia captain with a crooked smile and a fierce sword arm. Hooded thugs attack Koragi during the annual harvest festival in the capital city of Eiskre. Tebanis mysteriously takes the form of a black dog to track and rescue her. He takes her away from the city on horseback, but they arrive in Cordak to find the village devastated. A massive golden dragon lies dead in the smoldering ruins. Tebanis reveals that Koragi is born of the gods, and she must cast aside her simple life to seek out three Pearls of Power in order to awaken the full capacity of her birthright. As she grieves the loss of her worldly mother and the deaths of countless villagers, Koragi is compelled to travel with Tebanis to Raitom, the City of Swords, in a desperate search for the strength to take retribution. Alongside Tebanis, Koragi battles agents of the dark goddess Ariana as she embarks on a quest to find her Pearls and gather allies and power enough to stand against the wicked goddess who plagues Camriiole. Facing treachery and the agony of loss, can Koragi overcome her own fears and pain to complete the impossible task which prophecy has placed before her?

One terrorist, six hostages, a single bombing…?nothing out of the ordinary for task force operatives Alexandra Lansing and Mark Praed. With one exception; this request comes from the High Council on Kyree. An appeal from Kyree for task force help is peculiar enough for a planet where non-violence is practiced by all its citizens, but the Council is very specific in their choice of task force personnel: Mark Praed. Praed is baffled by the request. This is the same planet where his birth to a well born Kyreen female caused a galactic scandal, forcing his human father to flee Kyree with his half-human infant. The operatives travel to Kyree and meet with the High Council’s leader, Dame Ruthanon. Her orders are clear: the hostages are to be released and the terrorist captured, all without the use of violence. Alex and Praed are soon caught up in something more devious than the straight-forward capture of a terrorist. Nothing is as it appears, and what should have been a simple operation turns into a tangled mess of falsehoods, secret associations and hidden agendas.

Intro to GDPR is written by experienced data protection professional Punit Bhatia. Bhatia has served as the Privacy and Protection Officer in an EU-based bank and lecturer at the Solvay Brussels School of Economics and Management. He is Certified Information Privacy Professional ? Europe (CIPP-E), Certified Information Privacy Manager (CIPM), and Certified Outsourcing Professional (COP). Bhatia will lead you through the complex journey to the GDPR compliance with the simple language and many practical examples. Whether you are a complete beginner or experienced data protection practitioner this book is the right resource for you. Intro to GDPR is a complete guide to compliance. Bhatia uses the simple language, understandable to everyone in order to lead you from the introduction all the way to getting your organization GDPR compliant. In this book you will learn: 1. Which organisations need to be compliant with the GDPR? 2. Key terms in the GDPR. You will get familiarized with key terms that form the basis of the GDPR. You will learn definitions of terms: “Personal data”, “Special categories of personal data”, “Processing” difference between terms “Controller” and “Processor” and others. 3. Myths about the GDPR like “the GDPR is only applicable in the EU”, “The GDPR is about fines” and others. 4. Transparency through the privacy notice. As written in the book, “transparency is one of the key principles in the EU GDPR” so it is important to understand what is transparency and privacy notice but also what are the key requirements and contents of a privacy notice. 5. Data breaches. “GDPR requirements on data breaches are different for controllers and for processors” – this chapter will make you aware of data breach requirements and key actions that are required once a breach is detected. 6. What is the first thing to do to become compliant and what are the key factors to remain compliant with the GDPR, and much more. Written in plain English, with many practical examples, Intro to GDPR is the only book you need on the subject of GDPR.

You should never fall in love with a flyer. You should only be in love with flight. ? That’s the rule that Roxy Loewen – aviatrix, and protégé of the great Amelia Earhart – always lives by. Until she falls hard for fellow pilot Jocco Zomack and he leads her into a whole heap of trouble. From African skies to a cellar in Madrid, from the Berlin Olympics to the last flight of the Hindenburg, from gun running to the heist of the century, Roxy is just one step ahead of the Nazis – and one loop-de-loop from disaster. ? “A barrel-rolling barn-burner of a book! Roxy's got a tender heart with a steel jacket, and the skill and courage to bring her in on a wing and a prayer.?A good thing, because this girl doesn't pack a parachute." —Diana Gabaldon

Plays for Today by Women A wide-ranging collection of plays by women dealing with contemporary subjects such as sexual abuse, recession, war, poverty and the complexity of modern women’s lives. Many roles for women and girls provided. Suitable for study or for performance or as part of courses in Women’s Studies or Feminist Theatre Studies. All the plays have been produced and performed in the UK to acclaim and are written by commissioned playwrights. ? “The expanse of subjects this short collection covers shows that women are not just writing about the kitchen sink, the claim so often levelled. This collection (provides) a snapshot of an exciting time for female writers” ? @17percent ? The Plays For A Button ?by Rachel Barnett: comic two hander about two friends and the lengths one will go to, to remain best friends. Yours Abundantly, From Zimbabwe ?by Gillian Plowman: a middle-aged woman decides to leave her comfy life in the UK and work in a school in Zimbabwe. Welcome To Ramallah ?by Sonja Linden and Adah Kay: two Jewish sisters are forced to confront the reality of what their forefathers have done to the Palestinians. From The Mouths Of Mothers ?by Amanda Stuart Fisher: a verbatim drama detailing the distressing stories of mothers who learned that their child has been abused. The Awkward Squad ?by Karen Young: a three-generational drama involving Northern women who are trying to live and work in recessionary Britain. Sweet Cider ?by Emteaz Hussain: In a rundown park, two teenage runaways Tazeem and Nosheen hang out, chatting to the boys and an old bag lady, trying to reconcile being British with their Pakistani cultural traditions. ? About the editors Cheryl Robson ?is an award-winning playwright and publisher who founded Aurora Metro Books over 20 years ago to develop and publish new writers in drama and fiction. She also established The Virginia Prize for Fiction in 2009 to promote emerging women novelists. Previously, she worked for the BBC, ran a theatre company and taught in higher education. Rebecca Gillieron ?is an editor and musician with various releases on independent labels in the US and UK. Keen to raise the profile of women and the arts, she has worked in publishing for fifteen years moving from Virgin and Penguin Books into independent publishing via The Womens Press, Marion Boyars and now Aurora Metro Books.? ? ? ?