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The dominant motives in Calderon's dramas are characteristically national: fervid loyalty to Church and King, and a sense of honor heightened almost to the point of the fantastic. Though his plays are laid in a great variety of scenes and ages, the sentiment and the characters remain essentially Spanish; and this intensely local quality has probably lessened the vogue of Calderon in other countries. In the construction and conduct of his plots he showed great skill, yet the ingenuity expended in the management of the story did not restrain the fiery emotion and opulent imagination which mark his finest speeches and give them a lyric quality which some critics regard as his greatest distinction. Of all Calderon's works, "Life is a Dream" may be regarded as the most universal in its theme. It seeks to teach a lesson that may be learned from the philosophers and religious thinkers of many ages—that the world of our senses is a mere shadow, and that the only reality is to be found in the invisible and eternal. The story which forms its basis is Oriental in origin, and in the form of the legend of "Barlaam and Josaphat" was familiar in all the literatures of the Middle Ages. Combined with this in the plot is the tale of Abou Hassan from the "Arabian Nights," the main situations in which are turned to farcical purposes in the Induction to the Shakespearean "Taming of the Shrew." But with Calderon the theme is lifted altogether out of the atmosphere of comedy, and is worked up with poetic sentiment and a touch of mysticism into a symbolic drama of profound and universal philosophical significance. LIFE IS A DREAM DRAMATIS PERSONAE Basilio King of Poland.Segismund his Son.Astolfo his Nephew.Estrella his Niece.Clotaldo a General in Basilio's Service.Rosaura a Muscovite Lady.Fife her Attendant. Chamberlain, Lords in Waiting, Officers,Soldiers, etc., in Basilio's Service. The Scene of the first and third Acts lies on the Polish frontier: of the second Act, in Warsaw. As this version of Calderon's drama is not for acting, a higher and wider mountain-scene than practicable may be imagined for Rosaura's descent in the first Act and the soldiers' ascent in the last. The bad watch kept by the sentinels who guarded their state-prisoner, together with much else (not all!) that defies sober sense in this wild drama, I must leave Calderon to answer for; whose audience were not critical of detail and probability, so long as a good story, with strong, rapid, and picturesque action and situation, was set before them. about author: Pedro Calderon de la Barca was born in Madrid, January 17, 1600, of good family. He was educated at the Jesuit College in Madrid and at the University of Salamanca; and a doubtful tradition says that he began to write plays at the age of thirteen. His literary activity was interrupted for ten years, 1625-1635, by military service in Italy and the Low Countries, and again for a year or more in Catalonia. In 1637 he became a Knight of the Order of Santiago, and in 1651 he entered the priesthood, rising to the dignity of Superior of the Brotherhood of San Pedro in Madrid. He held various offices in the court of Philip IV, who rewarded his services with pensions, and had his plays produced with great splendor. He died May 5, 1681. At the time when Calderon began to compose for the stage, the Spanish drama was at its height. Lope de Vega, the most prolific and, with Calderon, the greatest, of Spanish dramatists, was still alive; and by his applause gave encouragement to the beginner whose fame was to rival his own. The national type of drama which Lope had established was maintained in its essential characteristics by Calderon, and he produced abundant specimens of all its varieties. Of regular plays he has left a hundred and twenty; of "Autos Sacramentales," the peculiar Spanish allegorical development of the medieval mystery, we have seventy-three; besides a considerable number of farces.

Illustrierte Ausgabe (mit s?mtliche über 89 Illustrationen von Maurice de Becque und andere Illustratoren). Das Dschungelbuch (englischer Originaltitel The Jungle Book) ist eine Sammlung von Erz?hlungen und Gedichten des britischen Autors Rudyard Kipling. Der erste Band erschien 1894, der zweite 1895 unter dem Titel The Second Jungle Book (?Das zweite Dschungelbuch“); seither werden die Erz?hlungen der beiden B?nde zumeist gemeinsam publiziert, oft als The Jungle Books (?Die Dschungelbücher“). Die bekanntesten Erz?hlungen darin handeln von Mowgli (in verschiedenen ?bersetzungen auch Maugli oder Mogli geschrieben), einem Findelkind, das bei Tieren im indischen Dschungel aufw?chst. Die Geschichten über Mowgli stehen dem Genre des Entwicklungsromans nahe, da sie Mowglis Erwachsenwerden und Bewusstwerdung vom verspielten Kind bis hin zum Herrn über die Tierwelt aufzeigen. Mowgli muss lernen, dass die Gesetze der Natur hart sind und ein hohes Ma? von Verantwortung fordern. Im Kampf mit den Kr?ften der Natur, mit den Tieren und mit den Menschen reift das Kind zum selbstbewussten Jugendlichen. Trotz mancherlei kritischer Betrachtungen – man hat in der Darstellung der Charaktere und der Betonung des Gesetzes des Dschungels Kiplings positive Stellung zum Kolonialismus erblickt – ist die Bedeutung des Dschungelbuches für die sp?tere literarische Entwicklung sowie seine Stellung als eines der bekanntesten und erfolgreichsten Jugendbücher der Welt kaum zu übersch?tzen. Joseph Rudyard Kipling (* 30. Dezember 1865 in Bombay; ? 18. Januar 1936 in London) war ein britischer Schriftsteller und Dichter. Seine bekanntesten Werke sind Das Dschungelbuch und der Roman Kim. Au?erdem schrieb er Gedichte und eine Vielzahl von Kurzgeschichten. Kipling gilt als wesentlicher Vertreter der Kurzgeschichte und als hervorragender Erz?hler. Seine Kinderbücher geh?ren zu den Klassikern des Genres. 1907 erhielt er, noch keine 42 Jahre alt, als erster englischsprachiger Schriftsteller den Literaturnobelpreis; den Rekord als jüngster Literaturnobelpreistr?ger h?lt er bis heute. Verschiedene andere Ehrungen wie die Erhebung zum Poet Laureate und in den Adelsstand lehnte er ab. ?bersetzt von Curt Abel-Musgrave und andere ?bersetzer. About this edition This Kentauron edition has been professionally formatted for e-readers with a linked table of contents. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Kentauron is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes. Also available as English-German, French-German, German-Italian, English-French, English-Italian, and French-Italian bilingual parallel text editions, and single language editions. Sign up for the Kentauron Publishing Newsletter here: http://www.kentauron.com/newsletters

L'idiota (in russo: Идиот, Idiot) è un romanzo di F?dor Michajlovi? Dostoevskij. Considerato uno dei massimi capolavori della letteratura russa, vuole rappresentare “un uomo positivamente buono”, un Cristo del XIX secolo. La stesura fu contemporanea all'esilio dello scrittore, dovuto ai debiti: ebbe inizio a Ginevra nel settembre del 1867, proseguì a Vevey (sul lago di Ginevra), a Milano, e terminò nel gennaio del 1869 a Firenze. Una targa al numero 18 di Piazza de' Pitti ricorda la permanenza dell'autore nel palazzo per quasi un anno. L'opera nel frattempo uscì a puntate dal 1868 sulla rivista Russkij vestnik (il Messaggero Russo), mentre fu presentata in forma unica l'anno successivo. In una lettera del 1867 indirizzata allo scrittore Apollon Nikolaevi? Majkov, Dostoevskij descrisse il nucleo poetico del romanzo a cui stava lavorando: ?Da tempo mi tormentava un’idea, ma avevo paura di farne un romanzo, perché è un’idea troppo difficile e non ci sono preparato, anche se è estremamente seducente e la amo. Quest’idea è raffigurare un uomo assolutamente buono. Niente, secondo me, può essere più difficile di questo, al giorno d’oggi soprattutto.? ? importante sottolineare come l'aggettivo "buono" usato nella lettera fosse nell'originale russo "prekrasnyi", che indica lo splendore della bellezza e della bontà insieme. L'opera ha avuto diversi adattamenti teatrali, cinematografici e televisivi. Nel corso del romanzo è più volte citato e discusso dai personaggi, il quadro di Hans Holbein il Giovane, "Il corpo di Cristo morto nella tomba". Dostoevskij aveva visto il dipinto nel 1867 a Basilea e ne era rimasto fortemente impressionato. Traduzione di Federigo Verdinois (1927). Federigo Verdinois (Caserta, 2 luglio 1844 – Napoli, 11 aprile 1927) è stato un giornalista, scrittore e traduttore italiano. F?dor Michajlovi? Dostoevskij (in russo: Фёдор Михайлович Достоевский; Mosca, 11 novembre 1821 – San Pietroburgo, 9 febbraio 1881) è stato uno scrittore e filosofo russo.? considerato, insieme a Tolstoj, uno dei più grandi romanzieri e pensatori di tutti i tempi.

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本书是一本超便携的韩语门书，外形小巧便于携带，让读者可以利用琐碎时间来学习韩语这门语言。本书从韩国文字的发音及写法、韩国文字的结构，以及循序渐以课文的方式向大家讲解韩语的实用语法和核心词汇。全书每组韩文词汇、每篇课文都搭配超可爱手绘图片，用“看”的学韩文，门超简单！为回馈广大读者的厚爱，本书特别赠送可读有声电子书“超好学韩语门书”。

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A?l?k Sanat??s?

本书的撰写目的旨在使韩语初学者及零基础学习者在较短的时间内快速掌握韩语的发音特，掌握3000个韩语句子，并能够在日常生活的不同场景中熟练运用本书中所学到的句子行日常交流。本书由发音门篇和会话篇两大部分组成，归纳了150个场景，涵盖日常生活、兴趣娱乐、文化旅游等，每个场景里又包含20个句子和一组迷你小对话。每个核心句均配有中文释义，并罗列与之相关的衍生句、相似句与反义句、疑问句与答句、敬语表达与非敬语表达、常用词汇等。会话场景尽可能真实地贴近和反映韩国人的日常生活和韩国社会的方方面面。会话围绕着日常生活起居、寒暄问候、情感意愿的表达、休闲物、兴趣爱好等场景展，包含在医院、银行、商场和汗蒸房等公共场所经常用到的韩语句，在职场中可能碰到的诸如求职面试、首日上班报到、发送邮件、公司聚餐等场景的韩语句，与旅游出行相关的诸如签证、机票、住宿、美食、旅游、突发情况等场景的韩语句应有尽有。

《零起?马上口说泰语》包含两大内容！正文部分是实用会话。该部分共有15个话题，2 000多句实用会话，网罗了生活中的方方面面，包括日常寒暄、居家生活、生活服务、交通出行、休闲娱乐、欢度节日、恋爱婚姻、交际往来、情感表达、电话交流、旅游度假、乘机事宜、宾馆住宿、时尚话题和职场工作。附录部分收录泰语核心词汇，涵盖了数字、公司岗位、食品、泰国节假日、泰国政府机构与执政职位、国际品牌等，旨在扩大读者的词汇量。

关系场理论RFT（Relationship field theory）是以中国传统文化为土壤，以心理学理论为研究基础，以关系场为研究内容，以耗散结构理论为指导原则建构起来的思想体系。是一组内在有序外在广泛联系并尝试对主观世界中的事件做出一般意义上的描述和解释的观念、法则、原理的集合。关系场理论的提出旨在协助人们理解自己的心理事实，解释人际中的各种现象，并能够在此基础上对未来做出有效的预测和控制。 书中从六个层面观察和分析了沟通中所发生的事件。这六个层面分别为：零维元始要素，一维相对关系，二维标准平面，三维心理容器，四维生命个体，五维关系场域。本书包括五章，*章是总述，主要介绍了关系场理论的总体目标及其相关的一些专有概念。第二章是核心假设，列举了九条关系场的理论假设，这九条假设将成为整个关系场丛书的理论根基。第三章谈及五维关系场的结构，先论述了零维元始要素的基本含义和性质，之后从一维到五维逐一展开论述。针对具体事件的分析，可以从这六个维度入手，使分析更加有层次，也更*。第四章的标题是关系场理论中的十级概念，*级概念中只包含一个内容：有序。第十级概念中有十个内容，是有效沟通所用的简要十步。它们既可用于关系场咨询实践，也可用于营销和谈判等其它实践活动中。第五章关系场咨询理论，侧重探讨关系场理论在心理咨询中的应用，包括咨询原则、咨询对象、咨询技术、咨询理念、原因分析、疗效因子、咨询步骤等七个方面的内容。

One of the most popular and critically respected American poets of the twentieth century, Robert Frost created a body of poetry that is now celebrated for portraying the life of ordinary men, whilst being rich in its depiction of rural life and subtle in its handling of complex social and philosophical themes. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents the pre-1923 poetical works of Robert Frost, with beautiful illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Frost's life and works * Brief introduction to the life and poetry of Frost * Excellent formatting of the poems * Poetry includes line numbers - ideal for students * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Scholarly ordering of poems into chronological order Please note: the collection presents Frost’s poetry up until 1922 to comply with copyright. Once new texts enter the public domain, they will be added to the eBook as a free update. Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Poetry of Robert Frost BRIEF INTRODUCTION: ROBERT FROST The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER Please visit www.delphiclassics.com to browse through our range of exciting titles

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针对初学者的需要，列举了韩语中常用的基础语法词汇，同时详述了用法、适用场合，并举出了会话实例、常用句子，让读者学以所用。还配有简易拼音发音表，可以帮助初学者更快地掌握韩语发音。地道的MP3文件更能让读者接触到原味的韩国语，使读者养成良好的发音习惯。 赠送听力MP3：http://e.dangdang.com/html/mp3/bb.136825452476707363.rar>>

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本书独创日语“词源+联想记忆法”，从日语假名的“发音”和“形状”入手，追本溯源，将以往被认为没有意义的假名赋予含义，并充分利用了以心理学理论为基础的左脑的逻辑思维和右脑的想象功能进行联想，解析日语单词的内在规律，为读者提供了一种记忆日语词汇的全新思维和有效方法，帮助读者在短期内攻克词汇记忆大关。 　　独创日语“词源+联想记忆法” 从日语假名的“发音”和“形状”入手，解析日语单词的内在规律，帮助读者在短期内攻克词汇记忆大关。 　　充分运用心理学的左脑的逻辑思维和右脑的想象功能进行联想，为读者提供有效的记忆单词的方法。 　　逐一标注单词的假名及音调，辅以作者原声朗读的MP3光盘一张，引领读者彻底告别“哑巴日语”

　　《日语50音学起来》是新东方名师唐盾总结十年教学精华，倾情打造的实用、轻松、效的50音学习书。本书将日语初学者难记住的假名的发音和写法用一句话配图的形式展现出来，力图让读者通过记住一句话就能记住假名，帮助读者快速记忆日语50音。辅以日语假名的介绍、语音语调的介绍、日语常用口语等，帮助读者全面打好日语基础。 　　本书还提供配套音频及视频，读者可登录网址下载或扫描书中二维码获取。

《好妈妈 强儿子》是美国著名青少年教育专家、儿科医生、医学博士梅格米克的*作品。米克博士认为，当今男孩面对着前所未有的挑战与压力，母亲的责任是帮助儿子走出困境，成长为富有勇气与自信的男人。

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