Jedi apprentices and little princesses will delight in this (heart)felt retelling of the Star Wars saga. And so will Star Wars fans of any age! The series launches with the original trilogy, and every word counts in these small but perfectly formed yarns. That's because each volume features 12 iconic scenes, handcrafted in felt and pithily summarized in just a single word. The attention to detail is eye-opening; the proportions are just-right for small hands; the fun is guaranteed. In A New Hope, Princess Leia sends a hologram message through R2-D2, Luke Skywalker will learn how to use a lightsaber, and our heroes triumph. and TM Lucasfilm Ltd. Used Under Authorization

Bold and beautiful, this volume presents hundreds of film stills from the Pixar archives in a glorious spectrum of color. Starting with bright white images and seamlessly flowing through the colors of the rainbow, it becomes crystal clear how each frame tells a story. Bound into a gorgeous volume, The Color of Pixar encapsulates everything there is to love about the studio: the attention to detail, the playful characters, and the sheer scope of their work in over 20 years of iconic feature films.Copyright 2017 Disney Enterprises, Inc. and Pixar. All rights reserved.

HBO's Game of Thrones reigns as cable's highest-rated series. This official companion book gives fans new ways to enter this fictional world and discover more about the beloved (and reviled) characters and the electrifying plotlines. Hundreds of set photos, production and costume designs, storyboards, and insider stories reveal how the show's creators translated George R. R. Martin's best-selling fantasy series into the world of Westeros. Featuring interviews with key actors and crew members that capture the best scripted and unscripted moments from the first two seasons, as well as a preface by George R. R. Martin, this special volume offers exclusive access to this unprecedented television series.

Pixar Animation Studios, the innovators behind Toy Story, Finding Nemo, and Ratatouille, created this genre-defying film with an intriguing and unorthodox question in mind: What if mankind had to leave Earth, and somebody forgot to turn off the last robot? WALL-E (Waste Allocation Load Lifter-Earth Class) is this last, soulful robot. When his lonely work is interrupted by the arrival of the sleek probe-droid EVE, a rollicking adventure across the galaxy ensues.The Art of WALL-E features the myriad pieces of concept art on which this fantastic, futuristic film was built, including storyboards, full-color pastels, digital and pencil sketches, character studies, color scripts, and more. Astute text-featuring quotes from the director, artists, animators, and production team-unearths the filmmakers' historical inspirations and recounts the creative process in intimate detail. This richly illustrated portal into the artistic spirit of Pixar reveals a studio confidently pushing the limits of animation.

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

James Shirley was born in London in September 1596. His education was through a collection of England's finest establishments: Merchant Taylors' School, London, St John's College, Oxford, and St Catharine's College, Cambridge, where he took his B.A. degree in approximately 1618. He first published in 1618, a poem entitled Echo, or the Unfortunate Lovers. As with many artists of this period full details of his life and career are not recorded. Sources say that after graduating he became "e;a minister of God's word in or near St Albans."e; A conversion to the Catholic faith enabled him to become master of St Albans School from 1623-25. He wrote his first play, Love Tricks, or the School of Complement, which was licensed on February 10th, 1625. From the given date it would seem he wrote this whilst at St Albans but, after its production, he moved to London and to live in Gray's Inn. For the next two decades, he would write prolifically and with great quality, across a spectrum of thirty plays; through tragedies and comedies to tragicomedies as well as several books of poetry. Unfortunately, his talents were left to wither when Parliament passed the Puritan edict in 1642, forbidding all stage plays and closing the theatres. Most of his early plays were performed by Queen Henrietta's Men, the acting company for which Shirley was engaged as house dramatist. Shirley's sympathies lay with the King in battles with Parliament and he received marks of special favor from the Queen. He made a bitter attack on William Prynne, who had attacked the stage in Histriomastix, and, when in 1634 a special masque was presented at Whitehall by the gentlemen of the Inns of Court as a practical reply to Prynne, Shirley wrote the text-The Triumph of Peace. Shirley spent the years 1636 to 1640 in Ireland, under the patronage of the Earl of Kildare. Several of his plays were produced by his friend John Ogilby in Dublin in the first ever constructed Irish theatre; The Werburgh Street Theatre. During his years in Dublin he wrote The Doubtful Heir, The Royal Master, The Constant Maid, and St. Patrick for Ireland. In his absence from London, Queen Henrietta's Men sold off a dozen of his plays to the stationers, who naturally, enough published them. When Shirley returned to London in 1640, he finished with the Queen Henrietta's company and his final plays in London were acted by the King's Men. On the outbreak of the English Civil War Shirley served with the Earl of Newcastle. However when the King's fortunes began to decline he returned to London. There his friend Thomas Stanley gave him help and thereafter Shirley supported himself in the main by teaching and publishing some educational works under the Commonwealth. In addition to these he published during the period of dramatic eclipse four small volumes of poems and plays, in 1646, 1653, 1655, and 1659. It is said that he was "e;a drudge"e; for John Ogilby in his translations of Homer's Iliad and the Odyssey, and survived into the reign of Charles II, but, though some of his comedies were revived, his days as a playwright were over. His death, at age seventy, along with that of his wife, in 1666, is described as one of fright and exposure due to the Great Fire of London which had raged through parts of London from September 2nd to the 5th. He was buried at St Giles in the Fields, in London, on October 29th, 1666.

Victor Marie Hugo was born on 26th February 1802 and is revered as the greatest of all French writers. A poet, novelist, dramatist and painter he was a passionate supporter of Republicanism and made a notable contribution to the politics of his Country.His life was paralleled by the immense political and social movements of the 19th Century. When he was two Napoleon was proclaimed Emperor but before he was eighteen the Bourbon Monarchy was restored.It was only with his Mother's death in 1821 that he felt confident enough to marry Adele Foucher, a relationship he had kept secret from his mother. Their first child was born inside a year but died in infancy. Leopoldine was born the following year, followed by three further siblings.Hugo published his first novel the year following year, Han d'Islande, (1823). Three years later his second, Bug-Jargal (1826).Between 1829 and 1840 he would publish five further volumes of poetry solidifying his reputation as one of the greatest elegiac and lyric poets of his time. His reputation was growing not only in France but across Europe.In 1841 he was elected to the Academie Francaise, cementing his position in the world of French arts and letters. Hugo also now began to turn his attention to an involvement in French politics.Elevated to the peerage by King Louis-Philippe in 1841 he spoke eloquently and at length against the death penalty and social injustice as well as passionately in favour of freedom of the press and self-government for Poland.When Napoleon III seized power in 1851, and established an anti-parliamentary constitution, Hugo openly declared him a traitor to France and began a long exile, based mainly in Guernsey.In exile, Hugo published his famous political pamphlets; Napoleon le Petit and Histoire d'un crime. Although the pamphlets were banned in France, they nonetheless made a strong impact there. His exile also seemed to have a creative impetus. He composed or published some of his greatest work including Les Miserables, and three widely honoured collections of poetry (Les Chatiments, 1853; Les Contemplations, 1856; and La Legende des siecles, 1859).In 1870 the Third Republic was established and Hugo finally returned home, where he was elected to the National Assembly and the Senate. That same year War erupted between France and Prussia and the French were badly beaten.With the end of the War Hugo began his campaign for a great valuation and protection for the rights of artists and copyright. He was a founding member of the Association Litteraire et Artistique Internationale, which led to the Berne Convention for the Protection of Literary and Artistic Works.Victor Hugo's death on 22nd May 1885, at the age of 83, generated intense nation-wide mourning. Revered not only as a towering figure in literature, he was a statesman who had helped to shape the Third Republic and democracy in France.

William was born in Stratford-upon-Avon in late April 1565 and baptised there on 26th April. He was one of eight children. Little is known about his life but what is evident is the enormous contribution he has made to world literature. His writing was progressive, magnificent in scope and breathtaking in execution. His plays and sonnets helped enable the English language to speak with a voice unmatched by any other. William Shakespeare died on April 23rd 1616, survived by his wife and two daughters.

The greatest gift to us is caring. What would the world be like without someone to care for or to care with? Would love survive if we don't care? From the world of twenty-three science fiction and fantasy authors comes a world that can be funny, heartwarming, strange, or sad. Or not what we expect. Nominated – 2018 (Canadian SF&F) Aurora Award Shortlist (anthology/Best Related Work) 2018 Alberta Book Publishing Award Shortlist (Best Speculative Fiction) Finalist One story selected for Best of British Science Fiction 2017 (ed. by Donna Scott) One story selected for Best Indie Speculative Fiction, Vol. 1 (Bards & Sages Publishing) Five stories on Tangent Online Recommended Reading List 2017 One story nominated – 2018 (Canadian SF&F) Aurora Award Short Fiction Finalist One story – 2018 WSFA Small Press Award Finalist One story nominated – 2018 Sunburst Award for Excellence in Canadian Literature of the Fantastic Short Fiction Shortlist Three stories – 2018 Sunburst Award for Excellence in Canadian Literature of the Fantastic Short Fiction Longlist How can a henchman keep up with a mischievous retired supervillain? Can a dog help a hockey player score again? Will an odd couple with a zany sense of adventure and diminished capabilities survive an earthquake? Where does a stray cat go to find love every night? What secret does a pious monk have with a cargo of sleeping human? Will terrorism in space take out a young apprentice and a blind welder? What does an oracle tell a lover about her final days? Can a "heart of gold" prevent a soldier from crossing the enemy line with the governor's children? These, and many more. Featuring Original Stories by Colleen Anderson, Charlotte Ashley, Brenda Cooper, Ian Creasey, A.M. Dellamonica, Bev Geddes, Claire Humphrey, Sandra Kasturi, Tyler Keevil, Juliet Marillier, Matt Moore, Heather Osborne, Nisi Shawl, Alex Shvartsman, Karina Sumner-Smith, Kate Story, Amanda Sun, Hayden Trenholm, James Van Pelt, Liz Westbrook-Trenholm, Edward Willett, Christie Yant & Caroline M. Yoachim With Introduction by Dominik Parisien Edited by Susan Forest and Lucas K. Law Anthologies in this series (Strangers Among Us, The Sum of Us, Where the Stars Rise) have been recommended by Publishers Weekly, Booklist (American Library Association), Kirkus Reviews, Library Journal, School Library Journal, Locus, Foreword Reviews, and Quill & Quire. REVIEWS for THE SUM OF US “A strong collection . . . make it worth reading.” –Publishers Weekly “Definitely consider buying a copy, if not for yourself, then for someone who is serving as a caretaker. At the very least, it should make us all appreciate caretakers for all they do.” –Lightspeed Magazine “Thought provoking page-turners.” –Tangent “These stories take a broad exploration of what care can mean . . .” —Speculating Canada (Derek Newman-Stille)

When the ties of loyalty are severed, whom do you trust?Part of?The Love and War Series, novels set during the 20th century's darkest years. World War Two. It is June 1940. France has surrendered and the Nazi German occupation begins. A small village in northern France awaits the arrival of a garrison of conquering Germans.?To their dismay, 16-year-old Pierre and his parents, Georges and Sandrine, are forced to accommodate a German major, Major Hurtzberger. He is the enemy within their midst; the invader of their country, and, more pertinently, the unwanted lodger within their home. The problem, however, is that the German is annoyingly pleasant. The major, with a son of his own, empathises with Pierre in a way Georges has never been able to. Immediately the two of them find a bond, leaving Pierre confused and his understanding of good and bad, of black and white, shattered.?But then, Georges, Pierre’s father, is arrested by the Gestapo and taken away. Forced to confront the prejudices of others, as well as his own, Pierre has to ask where his loyalties lie, and who are his friends and who, exactly, is the enemy.?Desperate to prove himself a man, Pierre is continually thwarted by those he trusts – his parents, the villagers and especially Claire, the girl he so desires.?Pierre’s quest brings to the fore a traumatic event in the family’s past, a tragedy never forgotten but never mentioned. Only by confronting his trauma, can Pierre find the answer and prove he is a man in a country at war.From the founder of the History In An Hour series, comes another powerful work of WW2 historical fiction that will remain with you long after you’ve turned the final page.“Really enjoyed this book. Loved the characters and their involvement in the story.”“This is a book with difference. I will look for more books by this author.”“Colley draws his characters with fine lines, illustrating both the brutality and compassion shown by individuals on both sides of this war.”“Told with great poignancy.”Historical fiction with heart and drama.

Three thrilling tales that transcend time: The Long Commute Shon Howard and others like him go to work every day to reverse the ravages of climate change, pollution, and other evils. His daughter’s life depends on it. Because in Shon’s world, mistakes of past centuries can be corrected by visiting key moments in time. As long as he doesn’t get caught. A Taste Of Time Gabby Dufour hates the blueberries that grow over the site of her home town, destroyed in a fire decades ago. Then young berry-loving Amanda comes to visit, with inexplicable knowledge about the town, and Gabby is forced to wonder if there’s more to blueberries than meets the tongue. (First published in On Spec #88 vol 24 no 1, August 2014.) Hurricane The crew of a Hurricane Hunter aircraft is assigned to monitor an experiment designed to collect the awesome energy of a powerful storm. When the project succeeds too well, nowhere is beyond its destructive reach. Praise for Scott Overton: “A storyteller of boundless skill…a writer to watch.” “A gifted wordsmith.”

Can British magick survive? As the pace of modern life accelerates, the old ways wither and die. But to the Society for Magickal Heritage, that just isn’t good enough. The Witch: Friend to the unicorns, lover of pancakes, and wielder of potent artefacts, star agent Cordelia “Ves” Vesper will stop at nothing — okay, very little — to drag ancient magicks back out of the grave. The Waymaster: New recruit Jay Patel has some rare and powerful arts at his disposal. With a penchant for old books and motorbikes in near equal measure, he’s a force to be reckoned with. The Necromancer: Prankster Zareen Dalir may be high-spirited but she’s got a darker side. A much, much darker side. Head of the Toil and Trouble division, Zar’s the best kind of bad news. The Baron: Is Baron Alban the handsomest troll alive or... forget it, yes. Yes, he is. But he’s not just a pretty face. With the powerful Troll Court at his back and a smile to slay an army, Alban’s a staunch ally. Join these four champions, the enigmatic “Milady” of the Society, and the sentient house they call Home as they fight to keep magick alive! This compendium brings you the first three wild adventures all in one: The Road to Farringale, Toil and Trouble, and The Striding Spire.? Praise for the Modern Magick series: 'Charming, quirky, and funny.' 'Enjoyable and imaginative fantasy series with whimsical overtones... A fresh magical world.' 'This is an incredibly entertaining story... help, I'm running out of superlatives.' 'The writing is excellent and fun... a rousing, gripping adventure. ' '...delightfully fun, whimsical and engaging, with great characters and settings.' 'If you like Jodi Taylor's St Mary's books, this is for you.' '...quirky and fun and I couldn't ask for more... Her usual unique charm.' ''...characters that are easy to love, an invisible boss and a house that seems to have a mind of it's own. I devoured the book in one sitting.' 'Written with charm and intelligence, this series is a delight to read!' '...the pages just seem to fly by! Can't wait to read the next one.' '...the entire quirky cast is fun and endearing... our heroine is a delightful companion for adventure.'

Later revised by James ShirleyOr The Little Thief. A Comedy.As it was presented by her Majesties Servants, at the Private House in Drury LaneJohn Fletcher was born in December, 1579 in Rye, Sussex. He was baptised on December 20th.As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given.Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591. There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church.However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London.The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher. With Essex involved in the failed rebellion against Elizabeth Giles was also tainted.By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre.Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608.By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy.By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625. By that time, he had produced, or had been credited with, close to fifty plays.

Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. However, according to Russia's leading newspaper, Pravda, the most performed single play in the world is Ibsen's A Doll's House. He was not Russian but actually Norwegian and although set his plays in Norway, he wrote them in Danish and lived mot of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors, together with a slight psychological introspection, are clearly demonstrated in A Doll's House which strives to portray life accurately and shuns the usual idealised visions of it that had thus far been on stages throughout the world. The play highlights Ibsen's wish for women to have greater rights as the central protagonist is a woman who although leads a privileged life with an adoring husband, beautiful children and everything a woman of station might want, has, a past secret which unravels her precise calibrated life. This play was written in prose and should be read as such whether it be before or after seeing a performance as it is a true masterpiece.

William Shakespeare was born in Stratford-upon-Avon in late April 1565 and baptised there on 26th April. He was one of eight children. Little is known about his life but what is evident is the enormous contribution he has made to world literature. His writing was progressive, magnificent in scope and breathtaking in execution. His plays and sonnets helped enable the English language to speak with a voice unmatched by any other. William Shakespeare died on April 23rd 1616, survived by his wife and two daughters. He was buried two days after his death in the chancel of the Holy Trinity Church. The epitaph on the slab which covers his grave includes the following passage, Good friend, for Jesus's sake forbear, To dig the dust enclosed here. Blessed me the man that spares these stones, And cursed be he that moves my bones. Here we publish his comedy from 1595 'A Midsummer Night's Dream'.

Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

Euripides is rightly lauded as one of the great dramatists of all time. In his lifetime, he wrote over 90 plays and although only 18 have survived they reveal the scope and reach of his genius. Euripides is identified with many theatrical innovations that have influenced drama all the way down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. As would be expected from a life lived 2,500 years ago, details of it are few and far between. Accounts of his life, written down the ages, do exist but whether much is reliable or surmised is open to debate. Most accounts agree that he was born on Salamis Island around 480 BC, to mother Cleito and father Mnesarchus, a retailer who lived in a village near Athens. Upon the receipt of an oracle saying that his son was fated to win "e;crowns of victory"e;, Mnesarchus insisted that the boy should train for a career in athletics. However, what is clear is that athletics was not to be the way to win crowns of victory. Euripides had been lucky enough to have been born in the era as the other two masters of Greek Tragedy; Sophocles and schylus. It was in their footsteps that he was destined to follow. His first play was performed some thirteen years after the first of Socrates plays and a mere three years after schylus had written his classic The Oristria. Theatre was becoming a very important part of the Greek culture. The Dionysia, held annually, was the most important festival of theatre and second only to the fore-runner of the Olympic games, the Panathenia, held every four years, in appeal. Euripides first competed in the City Dionysia, in 455 BC, one year after the death of schylus, and, incredibly, it was not until 441 BC that he won first prize. His final competition in Athens was in 408 BC. The Bacchae and Iphigenia in Aulis were performed after his death in 405 BC and first prize was awarded posthumously. Altogether his plays won first prize only five times. Euripides was also a great lyric poet. In Medea, for example, he composed for his city, Athens, "e;the noblest of her songs of praise"e;. His lyric skills however are not just confined to individual poems: "e;A play of Euripides is a musical whole....one song echoes motifs from the preceding song, while introducing new ones."e; Much of his life and his whole career coincided with the struggle between Athens and Sparta for hegemony in Greece but he didn't live to see the final defeat of his city. Euripides fell out of favour with his fellow Athenian citizens and retired to the court of Archelaus, king of Macedon, who treated him with consideration and affection. At his death, in around 406BC, he was mourned by the king, who, refusing the request of the Athenians that his remains be carried back to the Greek city, buried him with much splendor within his own dominions. His tomb was placed at the confluence of two streams, near Arethusa in Macedonia, and a cenotaph was built to his memory on the road from Athens towards the Piraeus.

Aphra Behn was a prolific and well established writer but facts about her remain scant and difficult to confirm. What can safely be said though is that Aphra Behn is now regarded as a key English playwright and a major figure in Restoration theatre. Aphra was born into the rising tensions to the English Civil War. Obviously a time of much division and difficulty as the King and Parliament, and their respective forces, came ever closer to conflict. There are claims she was a spy, that she travelled abroad, possibly as far as Surinam. By 1664 her marriage was over (though by death or separation is not known but presumably the former as it occurred in the year of their marriage) and she now used Mrs Behn as her professional name. Aphra now moved towards pursuing a more sustainable and substantial career and began work for the King's Company and the Duke's Company players as a scribe. Previously her only writing had been poetry but now she would become a playwright. Her first, "e;The Forc'd Marriage"e;, was staged in 1670, followed by "e;The Amorous Prince"e; (1671). After her third play, "e;The Dutch Lover"e;, Aphra had a three year lull in her writing career. Again it is speculated that she went travelling again, possibly once again as a spy. After this sojourn her writing moves towards comic works, which prove commercially more successful. Her most popular works included "e;The Rover"e; and "e;Love-Letters Between a Nobleman and His Sister"e; (1684-87). With her growing reputation Aphra became friends with many of the most notable writers of the day. This is The Age of Dryden and his literary dominance. From the mid 1680's Aphra's health began to decline. This was exacerbated by her continual state of debt and descent into poverty. Aphra Behn died on April 16th 1689, and is buried in the East Cloister of Westminster Abbey. The inscription on her tombstone reads: "e;Here lies a Proof that Wit can never be Defence enough against Mortality."e; She was quoted as stating that she had led a "e;life dedicated to pleasure and poetry."e;

Robert Browning is one of the most significant Victorian Poets and, of course, English Poetry.Much of his reputation is based upon his mastery of the dramatic monologue although his talents encompassed verse plays and even a well-regarded essay on Shelley during a long and prolific career. He was born on May 7th, 1812 in Walmouth, London. Much of his education was home based and Browning was an eclectic and studious student, learning several languages and much else across a myriad of subjects, interests and passions. Browning's early career began promisingly. The fragment from his intended long poem Pauline brought him to the attention of Dante Gabriel Rossetti, and was followed by Paracelsus, which was praised by both William Wordsworth and Charles Dickens. In 1840 the difficult Sordello, which was seen as willfully obscure, brought his career almost to a standstill. Despite these artistic and professional difficulties his personal life was about to become immensely fulfilling. He began a relationship with, and then married, the older and better known Elizabeth Barrett. This new foundation served to energise his writings, his life and his career. During their time in Italy they both wrote much of their best work. With her untimely death in 1861 he returned to London and thereafter began several further major projects. The collection Dramatis Personae (1864) and the book-length epic poem The Ring and the Book (1868-69) were published and well received; his reputation as a venerated English poet now assured. Robert Browning died in Venice on December 12th, 1889.

If ever a writer needed an introduction Arthur Conan Doyle would not be considered that man. After all, Sherlock Holmes is perhaps the foremost literary detective of any age. Add to this canon his stories of science fiction and his poems, his historical novels, his plays, his political campaigning, his efforts in establishing a Court Of Appeal and there is little room for anything else. Except he was also an exceptional writer of short stories of the horrific and macabre. Something very different from what you might expect. Born in Arthur Conan Doyle was born on 22 May 1859 at 11 Picardy Place, Edinburgh, Scotland. From 1876 - 1881 he studied medicine at the University of Edinburgh following which he was employed as a doctor on the Greenland whaler Hope of Peterhead in 1880 and, after his graduation, as a ship's surgeon on the SS Mayumba during a voyage to the West African coast in 1881. Arriving in Portsmouth in June of that year with less than GBP10 (GBP700 today) to his name, he set up a medical practice at 1 Bush Villas in Elm Grove, Southsea. The practice was initially not very successful. While waiting for patients, Conan Doyle again began writing stories and composed his first novel The Mystery of Cloomber. Although he continued to study and practice medicine his career was now firmly set as a writer. And thereafter great works continued to pour out of him.

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.