Το συγγραφικ? αυτ? ?ργο ε?ναι απ?σταγμα των ιδια?τερων συναισθηματικ?ν δεσμ?ν του συγγραφ?α με το εσ?τερο κομμ?τι τη? ψυχ?? του και τον αν?τερο φ?λακα ?γγελ? του, ?που ο ?διο? ο ?γγελο? μιλ? με σαφ?νεια και απαρ?μιλλη αγ?πη προ? αυτ?ν, μεταφ?ροντα? την ευλογ?α που συναντ? κανε?? στα κρυμμ?να καταπρ?σινα λιβ?δια του καρδιακο? πεδ?ου, ?που επ?ση? τα ροζ λουλο?δια επικρατο?ν. Ε?ναι πρ?γματι μια προσωπικ? μελ?τη γεμ?τη με πλο?σια συναισθ?ματα, ?που τι? ιερ?? στιγμ?? τη? σιωπ?? αναδ?ονται τα στοιχε?α του πυρ?να τη? ?παρξη? και αυτ? αντιμ?χονται την κ?λπικη προσωπικ?τητα, με νικηφ?ρα πορε?α την υπ?ρμαχο αγ?πη και τη συμπ?νια για κ?θε τι που υπ?ρχει σ?μερα. ?Μπορε? το σ?μερα να νικ?σει την εμμον? στο παρελθ?ν και το φευγι? στο μ?λλον?? ... Μα δεν υπ?ρχει τ?ποτε ?λλο παρ? μ?νο αυτ? η στιγμ? που διαβ?ζει? αυτ? την απλ? φρ?ση!!!... Υπ?ρχει? τ?ρα!!!...

American futurist poet and playwright Mark Antony Rossi has selected essays, notes and interviews from the past thirty three years of writing covering poetry, short fiction and drama. A short book of instruction and discovery meant to help fellow writers.

Worldwide Appreciation of the Short Story Form Spans Cultures and Centuries! In this concise volume, Gulnaz Fatma traces the short story from its origins in fables, ancient poetry, and tales such as The Arabian Nights, to its modern form in the early American stories of Irving, Poe, and Hawthorne, and then through the twentieth century and throughout the world. The elements of what makes a short story are presented along with a discussion of the difficulties in defining the genre. The short story's relation to the novel as well as its uniqueness as its own form are deftly presented. While the American and European traditions of the short story take up much of this book, the final chapter is a thorough presentation of the short story's development in India. Anyone interested in the short story--teachers, students, writers, and readers--will find this volume informative, thoughtful, and a welcome addition to our understanding of one of literature's most dynamic forms. Gulnaz Fatma is an Indian writer and author. She is a research scholar in the Department of English at Aligarh Muslim University in Aligarh, India. "As a fiction writer who has also taught the short story form, I was impressed by the thoroughness and insight presented in this concise book. Fatma's broad exploration of the short story form is backed by numerous supporting examples and her chapter on the short story in India will introduce many readers to that country's own literary gems." --Tyler R. Tichelaar, Ph.D. and author of the award-winning Narrow Lives From the World Voices Series www.ModernHistoryPress.com Literary Criticism: Short Stories Literary Criticism: Asian - General

How to Write a Suicide Note examines the life of a Chinese/Black woman who grew up passing for white, who grew up poor, who loves women but has always married white men. Writing has saved her life. It has allowed her to name the historical trauma--the racist, sexist, classist experiences that have kept her from being fully alive, that have screamed at her loudly and consistently that she was no good, and would never be any good-and that no one could love her. Writing has given her the creative power to name the experiences that dictated who she was, even before she was born, and write notes to them, suicide notes. Sherry Quan Lee believes writing saves lives; writing has saved her life.Acclaim for How to Write a Suicide Note "How to Write a Suicide Note is a haunting portrait of the daughter of an African mother and a Chinese father. Sherry dares to be who she isn't supposed to be, feel what she isn't supposed to feel, and destroys racial and gender myths as she integrates her bi-racial identity into all that she is. Through her raw honesty and vulnerability, Sherry captures a range of emotions most people are afraid to confront, or even share. Her work is a gift to the mental health community." --Beth Kyong Lo, M.A., Clinical Psychologist "Sherry Quan Lee offers us, in How to Write a Suicide Note, a deep breathing meditation on how love is under continuous revision. And like all the best Blues singers, Quan Lee voices the lowdown, dirty paces that living puts us through, but without regret or surrender." Wesley Brown, author of Darktown Strutters and Tragic Magic "I love the female aspects, the sex, and the strong voice Sherry Quan Lee uses to share her private life in How To Write A Suicide Note. I love the wit, the tongue-in-cheek, the trippiness of it all. I love the metaphors, especially the lover and suicide ones. I love the free-associations, the 'raving, ravenous, relentless' back and forth. Quan Lee breaks the rules and finds her genius. How to Write a Suicide Note is a passionate, risk-taking, outrageous, life-affirming book and love letter." Sharon Doubiago, author of Body and Soul, Hard Country; and other works Learn more about the author at www.SherryQuanLee.com Book #2 in the Reflections of History Series from Modern History Press www.ModernHistoryPress.com Modern History Press is an imprint of Loving Healing Press

From 1915 Gardiner contributed to The Star under the pseudonym Alpha of the Plough. At the time The Star had several anonymous essayists whose pseudonyms were the names of stars. Invited to choose the name of a star as a pseudonym he chose the name of the brightest (alpha) star in the constellation "the Plough." His essays are uniformly elegant, graceful and humorous. His uniqueness lay in his ability to teach the basic truths of life in an easy and amusing manner. Leaves in the Wind is amongst his best known writings.

Space and Time are pleased to bring you this classic presented as a wonderfully presented edition with a fully interactive table of contents.

How Dare We! Write: a multicultural creative writing discourse offers a much needed corrective to the usual dry and uninspired creative writing pedagogy. The collection asks us to consider questions, such as "What does it mean to work through resistance from supposed mentors, to face rejection from publishers and classmates, and to stand against traditions that silence you?" and "How can writers and teachers even begin to make diversity matter in meaningful ways on the page, in the classroom, and on our bookshelves?" How Dare We! Write is an inspiring collection of intellectually rigorous lyric essays and innovative writing exercises; it opens up a path for inquiry, reflection, understanding, and creativity that is ultimately healing. The testimonies provide a hard won context for their innovative paired writing experiments that are, by their very nature, generative. --Cherise A. Pollard, PhD, Professor of English, West Chester University of Pennsylvania So-called "creative writing" classes are highly politicized spaces, but no one says so; to acknowledge this obvious fact would be to up-end the aesthetics, cultural politics (ideology) and economics on which most educational institutions are founded How Dare We! Write, a brilliant interventive anthology of essays, breaks this silence. --Maria Damon, Pratt Institute of Art; co-editor of Poetry and Cultural Studies: A Reader How Dare We! Write a collection of brave voices calling out to writers of color everywhere: no matter how lonely, you are not alone; you are one in a sea of change, swimming against the currents. --Kao Kalia Yang, author of The Latehomecomer: A Hmong Family Memoir, and The Song Poet, a 2017 Minnesota Book Award winner How Dare We! Write is a much needed collection of essays from writers of color that reminds us that our stories need to be told, from addressing academic gatekeepers, embracing our identities, the effects of the oppressor's tongue on our psyche and to the personal narratives that help us understand who we are. --Rodrigo Sanchez-Chavarria, writer, spoken word poet/performer and contributing author to A Good Time for the Truth: Race in Minnesota Learn more at http://blog.SherryQuanLee.com From Modern History Press www.ModernHistoryPress.com

Writers Editors Critics (WEC) An International Biannual Refereed Journal of English Language and Literature Volume 7, Number 2 (September 2017) ISSN: 2231-198X RESEARCH ARTICLES Sharan Speaks: Colours of Resistance and Emancipation on the White Paper - Jaydeep Sarangi Kahlil Gibran's The Prophet: An Appraisal of Life Skills - S. Kumaran Analyzing Intertextuality in Paulo Coelho's Manuscript Found in Accra - Joji John Panicker Multicultural Ideologies in the Select Poems of K. V. Dominic: A Rendition of Poetic Insight - Parthajit Ghosh Confrontation of Democracy and Religion-Centred Politics Intriguing Khushwant Singh's India in The End of India - Sreedevi R and Raichel M. Sylus Pangs of Lacerated Psyche--An Analysis of Ramesh K. Srivastava's My Father's Bad Boy: An Autobiography - Smita Das Poetry and its impact on status quo: The case of poems by Ethiopian students in the 1960s - Tesfaye Dagnew Gebrehiwot Tracing Spirituality in a Feminist Context in Khushwant Singh's I Shall Not Hear the Nightingale - Kanchan Mehta A Study of the Radicalism of Daniel Defoe in the Novel Robinson Crusoe - Iman Abdullah Al Mahdi A Socio-Psychological Analysis of Anita Desai's Baumgartner's Bombay - Atul Rasika Moudgil Conflicts between the Conscious and Unconscious mind in Shashi Deshpande's Strangers to Ourselves - M. Durga Devi Bio-Diversity and Deep Commitment: A Deep-Ecological Study of Bengali Dalit Poetry - Sibasis Jana A Canadian Asset: Mavis Gallant Celebrated For Her Style and Technique - M. Revathi REVIEW ARTICLES T. V. Reddy's Insightful Survey of Indo-English Poetry - Manas Bakshi Effusion of Emotions in Manas Bakshi's Parnassus of Revival - S. Barathi An Economic Perspective of K V Dominic's Short Story "Who is Responsible?" - Mousumi Ghosh Seeing Beyond Seeing: Ecstatic Epiphanies, Uncanny Realizations and Ultimate Transformation in Alexander Raju's And Still Plays The Abyssinian Damsel on her Dulcimer - Kavitha Gopalakrishnan Jacinta: A Pioneer Tribal Poet in Hindi -Fr. Varghese Paul, SJ BOOK REVIEWS O. P. Arora's Heartbeats of Silence: A Collection of Poems - Anisha Ghosh (Paul) Natalia Molebatsi and Tiziana Pers, Elephant Woman Song - Jaydeep Sarangi Jaydeep Sarangi's To Whom I Return Each Day - Patricia Prime SHORT STORIES A Memorable Present - Ramesh K. Srivastava Vanity Fair - T. V. Reddy A Hartal Safari in God's Own Country - K. V. Dominic A Change for the Better - Chandramoni Narayanaswamy As You Sow - Manas Bakshi In the Light of Anamika's Thought - Sabita Chakrabarti Another dawn ... another day... 164 - Molly Joseph POEMS How to Tear away the Self - D. C. Chambial Sitas and Savitris - D. C. Chambial The Chameleon - O. P. Arora I Walked through the Forest - O. P. Arora When I Was Thirteen - O. P. Arora Taking it from Nature - Manas Bakshi Caution - Manas Bakshi In Search of New Hues - Ketaki Datta No Bullets for No Cause - Ketaki Datta Peace Bombed to Doom - Ketaki Datta Poetry - Rajiv Khandelwal Miser - Rajiv Khandelwal Standing Alone - Rajiv Khandelwal A Hymn - Ramesh Chandra Mukhopadhyaya Life Touches - Molly Joseph The Cart - Rita De A Seat - Rita De Learn more at www.ProfKVDominic.com

This Housemartin Classics edition includes the full original text as well as an easy to use interactive table of contents.

When Smoky, a tiny Yorkie Terrier, is miraculously found in a foxhole in the steaming jungles of Papua New Guinea, she has no way of knowing she will become a World War II hero and Hollywood star. Flying with her new owner, Corporal Bill Wynne, on deadly combat missions, she is soon assisting the war effort, entertaining and bringing comfort to the soldiers with her unique tricks and spirited energy. Based on the true events of the American Army’s wartime struggles and Smoky’s subsequent outstanding television career, her moving and uplifting tale is sure to entertain and touch the heart of all who read it. From the author of bestseller Simon Ships Out: How One Brave, Stray Cat Became a Worldwide Hero.

Andrei Tarkovsky died in a Paris hospital in 1986, aged just 54. An internationally acclaimed icon of the film industry, the legacy Tarkovsky left for his fans included Andrei Rublev, Stalker, Nostalgia and a host of other brilliant works. In the Soviet Union, however, Tarkovsky was a persona non grata. Longing to be accepted in his homeland, Tarkovsky distanced himself from all forms of political and social engagement, yet endured one fiasco after another in his relations with the Soviet regime. The Soviet authorities regarded the law-abiding, ideologically moderate Tarkovsky as an outsider and a nuisance, due to his impenetrable personal nature. The documentary novel A Life on the Cross provides a unique insight into the life of Andrey Tarkovsky, the infamous film director and a man whose life was by no means free of unedifying behaviour and errors of judgement. Lyudmila Boyadzhieva sets out to reveal his innate talent, and explain why the cost of such talent can sometimes be life itself.

Pachamama Peaches a is a collection of poetry and prose about life. The poems explore femininity, friendship, relationships, nature, beauty and art imitating life. Each poem serves an individual purpose that is subject to the minds of each reader.

The story follows a young man named Dayne mirroring author's own life experiences in bohemian art scene of emerging Parisian impressionism. These true confessions are often described as the most significant documents of the passionate revolt of English literature against the Victorian tradition. It is in a sense the history of an epoch. It represents one of the great discoveries of English literature —the discovery of human nature.

In a tale of sand, songs, survival and untimely erections, it takes a trek along the Australian coastline for Benjamin Allmon to find himself, and the true key to happiness. It is 2006. After more than a decade trying to make it in the music industry, singer-songwriter Ben is getting desperate. As his former bandmates settle into sensible careers he gives it one last shot and records his debut album. The only problem – how to promote it?? In homage to the Deep South bluesmen who walked and played their way to Chicago, he decides to trek 1000 kilometres of Australian coastline. Kissing his girlfriend goodbye, he sets off with a guitar, a sleeping bag and a heroic miscalculation of what he’s getting into.? Beset by bushfires, dingoes, and septuagenarian nudists, fame seems to forever be over the horizon. Penniless and lost, the tour soon becomes a matter of survival instead of climbing the charts. Through his encounters with the people you only meet when walking slow and sleeping rough, Ben realises that what he wanted at the outset has changed enormously.

Emily Dickinson Complete Works World's Best Collection This is the world’s best Emily Dickinson collection, including the most complete set of Dickinson’s works available plus many free bonus materials. Emily Dickinson Emily Elizabeth Dickinson was an American poet. She lived a mostly introverted and reclusive life, thought of as an eccentric by the locals, known as the ‘Woman in White’ for a penchant for wearing white. Most of her friendships were therefore carried out by correspondence. She was a prolific private poet, her poems are unique with short lines, using slant rhyme as well as unconventional capitalization and punctuation. Many of her unforgettable poems deal with themes of life, love, death and immortality. The ‘Must-Have’ Complete Collection In this irresistible collection you get a full set of Emily Dickinson’s work, totaling more than 1000 poems. Plus a comprehensive biography so you can experience the life of the woman behind the words. Works Included: Life Of Emily Dickinson - Written specially for this collection. The Poetical Works?Including among many, many others: “Because I could not stop for Death” “A Bird came down the Walk” “I’m Nobody! Who are you?” “I Heard a Fly Buzz When I Died” “There is a pain — so utter —” “I taste a liquor never brewed” “I like to see it lap the Miles” “Hope”?is the thing with feathers The heart asks pleasure first The rainbow never tells me The White Heat There is another sky You cannot put a Fire out Get This Collection Right Now This is the best Dickinson collection you can get, so get it now and start enjoying and delving into Dickinson’s thought-provoking world like never before!

En cierta manera, este libro es una extensión natural del trabajo que hacemos en “Se?or Dios, dirígenos”; pues esta es una colección de textos escritos de manera personal, íntima, y honesta acerca de Jesús, el crucificado. Entre quienes escribimos estas letras, hay estudiantes, prestadores de servicio social, graduados, voluntarios, músicos, misioneros, y empleados que tienen la fortuna de poder experimentar la vida de maneras muy distintas los unos de los otros.Algunos pertenecen al área de las ciencias exactas, otros a las ciencias sociales, y hasta de las ciencias de la salud. Además, somos de escuelas públicas, de escuelas privadas, y hasta de escuela en casa; y todavía más, vivimos en diferentes ciudades de México. En esta peque?a obra, podrás encontrar una increíble variedad de perspectivas y experiencias de vida que están siendo transformadas por una misma persona: Jesús, el crucificado. Además, este libro está compuesto por una colección interesante de tipos de textos... poemas, reflexiones, oraciones, canciones, y otros más. Con mucha emoción, cada uno de nosotros y nosotras quisiéramos invitarte, no sólo a encontrarte con el Maestro en las hojas de esta antología, sino a escribir tú mismo… a escribirle letras al crucificado. Soli Deo Gloria.

Η Πο?ηση, οι εμπνε?σει? και τα μην?ματα που προσωπικ? και αυθ?ρμητα εκπ?μπονται απ? την ψυχ? του ποιητ? δ?σκολα περιγρ?φονται και αναλ?ονται. Ο Γι?ργο? Σεφ?ρη? δεν ?θελε να μιλ? και να εξηγε? τ?ποτα απολ?τω? για τα ποι?ματ? του. Ο Euros Bowen ?λεγε πω? ?η Πο?ηση δεν ε?ναι λ?ξει?, αλλ? ο χορ?? τη? φωτι???! Την παραλληλ?ζει δε με τη φωτι?, ?χι με την ?ννοια τη? καταστροφ?? και τη? απ?λειψη?, αλλ? με την εξαιρετικ? ?ννοια του καυτηριασμο?, τη? κ?θαρση? και επομ?νω? τη? θεραπε?α?. Κι αυτ? τα στοιχε?α προσφ?ρονται π?ντα... αθ?ρυβα!

Το βιβλ?ο αυτ? περι?χει: Τη ποιητικ? συλλογ? του Μεν?λαου Καραγκι?ζη, ?Ελληνικ? Πο?ηση?.Αποσπ?σματα απ? δυο υπ?ροχα βιβλ?α:?Φιλολογικο? περ?πατοι?, του Κωστ? Μπαστι?, Εκδ?σει? Καστανι?τη, 1999, ?Γι?ργο? Σαραντ?ρη? ο Μελλο?μενο??, τη? Ολυμπ?α? Καρ?γιωργα?, Εκδ?σει? Δ?αυλο?, 1995, καθ?? κι ?να πο?ημα του Μεν?λαου Καραγκι?ζη ει? μν?μην του Σαραντ?ρη: ?Το Σχ?μα?. Το πο?ημα του Μεν?λαου Καραγκι?ζη, ?Παν?ρχαια Φ?δια? εμπνευσμ?νο απ? τη μετ?φραση στα Ελληνικ? του ποι?ματο? του William B. Yeats, ?A Crazed Girl?.Το πο?ημα του Μεν?λαου Καραγκι?ζη με τ?τλο: ?Σκιρτο?ν οι Φλ?βε?? εμπνευσμ?νο απ’ το πο?ημα του Οδυσσ?α Ελ?τη, ?Οι Κλεψ?δρε? του Αγν?στου, α?.Δυο ποι?ματα του Μεν?λαου Καραγκι?ζη με τ?τλου? ?Ξ?λινο Κορμ?? και ?Ο Πυρωμ?νο? ?γγελο?? εμπνευσμ?να απ? δυο ποι?ματα του Γι?ργου Σεφ?ρη: ?Ο Γυρισμ?? του Ξενιτεμ?νου? και ?Les Anges Sont Blancs?.Αποσπ?σματα απ’ την ?ξοχη και συγκινητικ? εισαγωγ? του John Lehmann στο βιβλ?ο: ?Δημ?τριο? Καπεταν?κη?, Μυθολογ?α του Ωρα?ου, Δοκ?μια και Ποι?ματα?, Εκδ?σει? Χ?ρβε?, 1988.Δυο ποι?ματα του Μεν?λαου Καραγκι?ζη με τ?τλου? ?Ο Λ?ζαρο?? (?πω? και τη μετ?φρασ? του στα Αγγλικ? απ’ τον Δημ?τρη Καλαποθ?κη) και ?Σα? Λυπ?μαι? εμπνευσμ?να απ? δυο ποι?ματα του Δημ?τριου Καπεταν?κη: ?Ο Λ?ζαρο?? και ?Τα νησι? τη? Ελλ?δα?. Δυο ποι?ματα του Μεν?λαου Καραγκι?ζη με τ?τλου? ?Αψηφ?ντα?? και ?Ε?ναι Τ?τοιε? οι Μ?ρε?? εμπνευσμ?να απ? δυο ποι?ματα του Κωνσταντ?νου Τσ?τσου: ?Το Σκληρ? Νησ?? και ?Σιωπ??.Το πο?ημα του Μεν?λαου Καραγκι?ζη με τ?τλο: ?Τραγωδ?α=Τρ?γω+ωδ?, Ουχ? ? Τρ?γων Ωδ? ? Επ? Τρ?γω Ωδ?? εμπνευσμ?νο απ’ το δοκ?μιο του Αντ?νη Κρητικο?: ?Τραγικ? εκ του Τρ?γω, ?τραγον, Δωρικ?? Τ?πο? του Τρ?γω?.Αποσπ?σματα απ’ τον πρ?λογο του Κωνσταντ?νου Τσ?τσου απ’ το βιβλ?ο του: ?Ποι?ματα του Κωνσταντ?νου Τσ?τσου?, Εκδ?σει? των Φ?λων, 1973.Βιογραφικ? στοιχε?α για την Ολυμπ?α Καρ?γιωργα και τον Γι?ννη Μπαστι?. Αποσπ?σματα απ’ το κεφ?λαιο ?Οι Φιλολογικο? περ?πατοι του Μπαστι?, 1930-1932?, απ’ το βιβλ?ο του Γι?ννη Μπαστι? ?Κωστ?? Μπαστι??, Δημοσιογραφ?α-Θ?ατρο-Λογοτεχν?α?, Εκδ?σει? Καστανι?τη, 2005.

Hryhory Skovoroda is considered by many as the first great Slavic philosopher and poet. Written over a period stretching from the 1750s until 1785, his The Garden of Divine Songs is a unique collection of 30 poems, featuring a complex system of strophic structures and with only a few of the songs written in a traditional way. Skovoroda never repeats one and the same strophic structure; this being the case, his Garden of Divine Songs according to writer-scholar Valery Shevchuk functions as a “practical guide to the art of poetry”, exemplifying all the meters and strophic patterns that were possible in Ukrainian poetry of that time. The poet makes masterful use of the accomplishments of academic poetry; the so-called “songs of the world” are the most prominent poems in this collection. These songs are an expression of Skovoroda's views in poetic form, and many ideas from The Garden of Divine Songs, such as the search for happiness in the world in song 21, would later form the basis for some of Skovoroda’s philosophical treatises. Skovoroda’s originality, and his ability to approach the most cardinal problems of human existence, stem from his capacity to combine known motifs, borrowed from literary sources such as classical texts, the Bible, and ancient Ukrainian poetic works, with his own system of thinking that focuses on his philosophy of the heart. The complete poems of Skovoroda are appearing in their entirety here in English for the first time, accompanied by a guest introduction by prominent Ukrainian writer Valery Shevchuk. This title has been realised by a team of the following dedicated professionals: Translated by Michael M. Naydan with an introduction by Valery Shevchuk Translations Edited by Olha Tytarenko Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova (Managing Editor).

This book is a guide for trans women who need help in their first steps to becoming who they are, as well as experienced trans women who wouldn't mind some more advice dealing with everyday issues they might face. The Road to becoming a Woman has never been easy. Even though society has changed over the years, humanity still has a long way to go... Some countries are more accepting, while others are not. This book highlights most of my experience as a transitioning woman living in Greece. A country that does not legally accept transgenders or support LGBT rights for that matter. My advice will help you avoid a lot of mistakes I’ve made in the past and hopefully have an easier time becoming who you are with less heartache. Being who you are is difficult but not impossible. Just stay true to yourself and remember... This is YOUR LIFE!

Poetry has always been in the Kazakh blood, and Galym Mutanov is one of the newly independent nation’s leading poets, a shining light in the Kazakh literary world. In the range of his poetry, Mutanov truly captures the essence of the Kazakh spirit – from the tough and ageless traditions of the wild steppe to moments of tender intimacy. The measured Islamic wisdom and deep sense of morality so intrinsic to Kazakh life of old shines through in verse after verse. The figure of Abai, the 19th century visionary, the deeply spiritual poet of the steppe, looms large over Kazakh poetry. Mutanov takes up the challenge that Abai threw down – to create verse that is both steeped in the Kazakh tradition of oral verse yet rises to a new clarity and spirituality relevant today. Mutanov wrote originally in Kazakh, but many Kazakhs speak only Russian. So his poems were translated into Russian by leading poets Vladimir Buryazev and M. Adibaeva. It is these Russian versions that provided the source for John Farndon’s translations with Olga Nakston for this collection. Galym Mutanov is not only a poet but something of a polymath. He is a hugely distinguished academic, with over 400 scientific papers to his credit, and currently rector of al-Farabi Kazakh National University in Alma-Ata. In 2013, his achievements were recognized in France by the award of a Chevalier L'Ordre des Palmes académiques.