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Feast of Solhoug (1856)
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Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. He was Norwegian and although set his plays in Norway, he wrote them in Danish and lived most of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors are clearly demonstrated in The Feast of Solhoug, Ibsen's first publicly successful drama which employed Ibsen's poetic style to great effect providing a melody to the lines echoing old Scandinavian ballads and songs. The plot centres around Magrit who as the play opens is marrying the master of Solhoug, Bengt Guateson, Knut Gersling who wants to marry her and Gudmund Alfson, who she wants to marry but is in love with another woman. These make good ingredients for a wonderful melodrama with tantalising misunderstandings. The play has been said to possess the charm of a northern summer night, in which the glimmer of twilight gives place only to the gleam of morning.
Barretts of Wimpole Street
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Rudolf Wilhelm Besier was born in Blitar, East Java, in the Dutch East Indies,on July 2nd, 1878. His father, the Dutch soldier Rudolf Wilhelm Besier, died whilst his mother, Margaret Ann Collinson, was pregnant with him. He was given his father's name in respect and remembrance. As a playwright his early career, which began with The Virgin Goddess in 1906, was somewhat limited. In 1912 he worked with HG Wells to turn Kipps into a stage play and after the war with Hugh Walpole on Robin's Father. Other plays were produced but received little attention. His great success came only in 1930. The Barretts of Wimpole Street was based on Elizabeth Barrett and Robert Browning's courtship. It was rejected by two London producers but did get to premiere at the Malvern Festival of 1930, produced by Sir Barry Jackson. (The first Malvern Drama Festival took place in 1929 dedicated to Bernard Shaw, six Shaw plays have debuted at Malvern including the 1929 English premiere of The Apple Cart, and the world premiere of Geneva in 1938). Alas, American producers were not at all interested. Twenty seven were approached and 27 rejected it. The actress Katharine Cornell however staged at the Hanna Theatre in Cleveland in 1931, and then New York where it opened on February 9th, 1931 at the Empire Theatre, starring Katharine Cornell and Brian Aherne. The Barretts of Wimpole Street became a major theatrical success and was turned, in 1934, into a glossy MGM film, starring Fredric March, Norma Shearer and Charles Laughton. The play was later used as the basis for a 1964 musical Robert and Elizabeth. Rudolf Besier died in Surrey on June 16th, 1942, at the age of 63.
十年以后(英语文库)
￥23.99
本书作为我社“经典英语文库”第15辑中的一种，精选法国十九世纪著名作家大仲马所作长篇小说《十年以后》。本书是《三个火枪手》的续集。为“达塔尼昂浪漫三部曲”之一。三部曲的故事发展到《十年以后》一书中的阶段，个中的场景已不再是三十年前的刀光剑影、血雨腥风，取而代之的是法王路易十四挥金如土、宫闱暧昧、官场明争暗斗以及贵妇人之间争风吃醋等情节。其中，柔弱质朴、胆小怕事的路易丝·德拉瓦利埃小姐如何一步步被设局沦落为路易十四情妇的经过，为下来《路易丝·德拉瓦利埃》的展做足了铺垫。
傲慢与偏见(英文版)
促销价:￥7.99|￥23.99
这是奥斯汀*受欢迎的一部小说，它写的是爱情纠葛，但显然并不限于爱情。一本书能成为名著，当然不仅仅它能让人感到愉悦，更重要的是，它能让人有所启迪。 那时候，作者就告诉我们：为了财产、金钱和地位而结婚是错误的。但是，200年后，我们不还是如此吗？
福尔摩斯探案集(英文版)
促销价:￥6.99|￥23.99
精选了一些福尔摩斯的英文短篇探案故事，练练英文阅读还是好的，毕竟中文之外还有更多优秀的小说值得你阅读。
A Négyek jele
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A Négyek jele
Taken: Part 2 of 3
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Experienced foster carer, Rosie Lewis, takes on the heart-breaking case of Megan, a baby born with a drug addiction and a cleft palate. Addicted to drugs from birth because of her mother’s substance abuse during pregnancy, new-born Megan is taken into Rosie’s loving care. Rosie is supposed to help Megan find her new permanent home, but it turns out that Megan has already found her ‘forever mummy’ in Rosie. Rosie grows incredibly attached to Megan and applies to adopt her, but the system refuses her in favour of a young couple and Rosie is devastated. Against all her instincts, Rosie does her job and prepares Megan for her new ‘forever family’, but everything about Megan leaving feels wrong. When Rosie learns a few months later that Megan’s adoption has broken down, she is saddened but also filled with hope – will this little girl be allowed to return to her true ‘forever home’?
Taken: Part 1 of 3
￥24.33
Experienced foster carer, Rosie Lewis, takes on the heart-breaking case of Megan, a baby born with a drug addiction and a cleft palate. Addicted to drugs from birth because of her mother’s substance abuse during pregnancy, new-born Megan is taken into Rosie’s loving care. Rosie is supposed to help Megan find her new permanent home, but it turns out that Megan has already found her ‘forever mummy’ in Rosie. Rosie grows incredibly attached to Megan and applies to adopt her, but the system refuses her in favour of a young couple and Rosie is devastated. Against all her instincts, Rosie does her job and prepares Megan for her new ‘forever family’, but everything about Megan leaving feels wrong. When Rosie learns a few months later that Megan’s adoption has broken down, she is saddened but also filled with hope – will this little girl be allowed to return to her true ‘forever home’?
Taken: Part 3 of 3
￥24.33
Experienced foster carer, Rosie Lewis, takes on the heart-breaking case of Megan, a baby born with a drug addiction and a cleft palate. Addicted to drugs from birth because of her mother’s substance abuse during pregnancy, new-born Megan is taken into Rosie’s loving care. Rosie is supposed to help Megan find her new permanent home, but it turns out that Megan has already found her ‘forever mummy’ in Rosie. Rosie grows incredibly attached to Megan and applies to adopt her, but the system refuses her in favour of a young couple and Rosie is devastated. Against all her instincts, Rosie does her job and prepares Megan for her new ‘forever family’, but everything about Megan leaving feels wrong. When Rosie learns a few months later that Megan’s adoption has broken down, she is saddened but also filled with hope – will this little girl be allowed to return to her true ‘forever home’?
Book of Eve
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The Book of Eve is neither male nor female, rather a poetic revelation of one's exploration of life. A quest for knowledge, wisdom, truths and understanding, Eve takes us on a heartfelt journey of discoveries, fears, needs and desires. Melanie E. Haggins is a poet, a creative writer and former radio personality. She is strongly influenced by a musical and business background, which later helped her to progress into the world of media as the host of her own popular radio magazine show, where she conducted celebrity interviews with musicians and vocalists alike. An inspirational figure to young people and women of all ages, Melanie has worked for many years as a passionate educator and mentor to young people within her community, championing a number of initiatives on behalf of young people and human rights. With a keen eye for innovation, she draws inspiration from all she encounters for the purpose of improving the lives of those who come into contact with her as she continues to put her visionary ideas and quests for truths into poetic forms.
Неизвестный Линкольн
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Неизвестный Линкольн
Waking the Lion:Inside Writing (1984 to 2017)
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American futurist poet and playwright Mark Antony Rossi has selected essays, notes and interviews from the past thirty three years of writing covering poetry, short fiction and drama. A short book of instruction and discovery meant to help fellow writers.
Tales from the Riverside
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Tales from the Riverside tells true and unique stories about one man’s struggle with alligators, snakes, killer bees, and hordes of nasty critters on a daily basis in his swamp. Experience the danger without the need for professional medical services. Life in a swamp is not for everyone.
Elon Musk: Moving the World One Technology at a Time
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Put aside what you read on the web about Elon Musk. There is a significant amount more to him than just his genius and his accomplishments. This book lays out the life that he had before arriving in the United States and looks at the boy inside who set a path for himself, and literally went through the fires of hell before getting the opportunities that he wished for.He did not fall into wealth and he did not work his way up the corporate ladder, Elon made every bit of his life that you see today. Some of the stories that you find in this book will shock and awe you and change the way you look at your own challenges. From arriving in a new country with just a few bucks and not knowing anyone, to working in farms and cleaning up after barn animals, to working in the fires of a toxic furnace. Read about the man that is about to make this planet a safer place to live. Elon Musk is an inspiration for a generation because he represents many of the values that define today's Millennials and Generation X. From PayPal to Tesla, the driving force that built these icons of the imagination was the desire to make the world a better place for everyone – it was never about the money. This book gives you a deeper look and analysis of a man that defies the traditional mold of industrialist, entrepreneur, and achiever.? Don't wait any longer! Scroll up and click the 'Buy Now' button to learn more about this technology mogul!
B?iatul care a furat calul lui Attila
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Volumul de fa?? din seria Eminescu, poem cu poem ne dezva?? de toate vechile obiceiuri de interpretare care au prezentat ?n limbaj de lemn poeziile eminesciene. Alex. ?tef?nescu ne face din nou cuno?tin??, de data aceasta ?n cuvinte simple ?i idei proaspete, cu unele dintre cele mai cunoscute poezii din literatura rom?n?. Analiza sa cuprinde observa?ii fresh ?i referin?e culturale pe gustul elevilor, tinerilor ?i iubitorilor de literatur? care (re)descoper? ast?zi crea?ia eminescian?.
Radio ?n z?pad?
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uneori moartea vinedac? lumea arde multe lum?n?ri,dar muribunda astanu pricepe,nu vrea ca inima s?-i crape ?nc? ?ise tot pune pe partea st?ng?ca s-o lini?teasc?,?i url? c?t poate:?sunt vie! de ce pleca?i?“
lumin?, ?ncet
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C?t?lin Ghi?? este unul dintre cei mai serio?i, mai informa?i ?i mai inspira?i cercet?tori care se afirm? ?n comparatistica literar? ?i cultural? de la noi. Neotematismul s?u este unul atent la diferen?e – ?i ?n primul r?nd la diferen?a estetic? –, reticent fa?? de exploatarea ideologizant? a literaturii. Cartea de fa?? ??i acoper? tema cu mare grij?, cu acribie filologic? ?i teoretic?, dar o ?i dep??e?te uneori prin implica?ii nea?teptate ?i prin considera?ii de ansamblu. ?mi place ?n mod deosebit luciditatea autocritic? a autorului, ?n care v?d reflexul moral al modestiei ?i, ?n acela?i timp, orgoliul justificat al competen?ei profesionale“. – Mircea Martin
Genera?ia mea
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...A ine jurnal, a nu fi singur sub canonad. A duce n crc trupul cu multe rni al unui camarad, toate sngernde... El mai tria n momentul cnd l-ai aburcat n spate, dar nu mai prea n simiri. naintezi prin viscolul de gloane i schije, dintre care unele adorm scurt n carnea lui dens. Cel puin aa crezi, cel puin aa ndjduieti – c loviturile nu s-au oprit n tine. Dar poi fi sigur Prin canonad nainte, sau cine mai tie ncotro, snge a curs i se mai prelinge nc din trupul prietenului, sau i dintr-al tu Greutatea lui te deznoad, i simi cldura... Mai triete oare ntrebarea nu are nevoie de rspuns, oricum n-ai s te debarasezi de strvul lui: te-a aprat i o s te mai apere de lovitura mortal. (El, camaradul, el, jurnalul.) i de vzut cine dintre noi mai supravieuiete, vom vedea la urm, i spui.“ – Ion Lazu
O precizie cu adev?rat ?nsp?im?nt?toare
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Nu cred c trebuie s interpretm altfel referirile lui Clinescu la vechimea poporului romn dect ca o proiecie mitic a unor date istorice i, mai ales, a unor intuiii i ambiii personale. Dar chiar i aa, aceste idei meritau s fie formulate i ncarnate n imagini, aceste pagini meritau s fie scrise, fie i numai pentru clipele de reverie istoric i de mobilizare afectiv pe care ni le produc, pentru ficiunile verosimile pe care ni le propun cu atta trie i n care suntem liberi s credem cu propria noastr trie ca ntr-un alt posibil destin.“ – Mircea Martin
101 poeme
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Prin u?ile l?sate vrai?teDe cei ce nu se mai ?ntorcPrin pere?ii pe care i?i zg?riar?ViseleD? buzna glasul mul?imiiCare se zbateDeja prins? ?ntre fireleIscusitei urzeli a paianjenilorPoliticiThrough the wide-open doorsBy those who never returnThrough the walls on which they’d scratchedTheir dreamsThe voice barges through from a crowdWhich is strugglingAlreadz trappedIn the skillfullz/woven webOf the spiders of politics
Poemul de diminea??
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Sonete n-ai s? sco?i b?t?nd pe taste?i complet?nd trei strofe ?i jumateCu vorbe-plevi, cu furca adunatePe aria rom?nei limbi prea vaste;Nu-?i ies nici cu ?epu?a pus?-n coaste,Nici cu-nghiontiri ?n prip?, pe la spate,Cum nu aduni senten?e, pe-nserateDin tigva celor ce-au tr?it la Oaste...C? ies din taste doar voroave proasteS?-mproa?te broa?te din b?ltoace-opace,Cum in?i peltici ?i babe prost?nace?ngaim? t?lcuri, cum c? via?a iaste...Nu ies sonetele lovind ?n clape.Sub ele Inefabilul nu-ncape.
