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Picture - Ambition, in a private man is a vice, is in a prince the virtue
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Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.
When We Dead Awaken (1899)
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Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. He was Norwegian and although set his plays in Norway, he wrote them in Danish and lived most of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors are clearly demonstrated in When We Dead Awaken which centres around celebrated sculptor Arnold Rubek whose fame rests with his great work "e;The Day of the Resurrection"e; which he sculpted when he was younger. The model for this piece had been Irene and although he had feelings for her, he moved on and married Maia. He feels his creativity has dwindled and Irene might be able to unleash this again. Irene appears mysteriously and perceives her modelling for his work as the epitome of her life and therefore is now dead to any other experiences and has lost any respect for the sanctity of life. Ibsen's exploration of artistic intensity and integrity through this powerful relationship with its pervading images of stone demonstrates a passion for life that is unable to be realised and gives the play an ironic conclusion that is a must read.
Marriage A La Mode - Better shun the bait, than struggle in the snare.
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John Dryden was born on the 19th August 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. Over the course of his career he made an immense contribution to literary life, so much so that the Restoration Age is also known as the Age Of Dryden. He was educated at Westminster and Trinity College Cambridge. In 1654 he graduated from Trinity but a short while later his Father died leaving him a little land and with it an income but unfortunately not enough to live on. He returned to London during the Protectorate and at Cromwell's funeral on November 23rd 1658 he walked in a procession with the Puritan Poets. That same year he published his first major poem, Heroique Stanzas (1658), a restrained eulogy on Cromwell's death. In 1660 he celebrated the Restoration of the monarchy and the return of Charles II with Astraea Redux, an authentic royalist panegyric. In this work the interregnum is a time of anarchy, and Charles is seen as the restorer of peace and order. With this Dryden established himself as the leading poet of the day and with it came his allegiance to the new government. On December 1st 1663 he married Lady Elizabeth Howard who was to bear him three sons. He also began to write plays now that theatres had re-opened after the Puritan ban. In 1665 the Great Plague of London ensured that all London theatres were closed again. Dryden retreated to Wiltshire. The next year the Great Fire of London swept through London. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the events of 1666; the English defeat of the Dutch naval fleet and the Great Fire of London. It was a modern epic in pentameter quatrains that established him as the preeminent poet of his generation. By 1668 he was the Poet Laureate and had also contracted to write 3 plays a year for the King's Company. This was for many years to now become the main source of his income and of course his Restoration Comedies are almost without peer. Dryden's career remains a glorious example of English culture and for many he is as revered as Shakespeare. Dryden died on 12 May 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later
Cruel to Be Kind: Part 3 of 3: Saying no can save a child’s life
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Cruel To Be Kind is the true story of Max, aged 6. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Cruel To Be Kind is the true story of Max, aged 6. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Fostering Max gets off to a bad start when his mother, Caz, complains and threatens Cathy even before Max has moved in. Cathy and her family are shocked when they first meet Max. But his social worker isn’t the only one in denial; his whole family are too.
十年以后(英语文库)
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本书作为我社“经典英语文库”第15辑中的一种，精选法国十九世纪著名作家大仲马所作长篇小说《十年以后》。本书是《三个火枪手》的续集。为“达塔尼昂浪漫三部曲”之一。三部曲的故事发展到《十年以后》一书中的阶段，个中的场景已不再是三十年前的刀光剑影、血雨腥风，取而代之的是法王路易十四挥金如土、宫闱暧昧、官场明争暗斗以及贵妇人之间争风吃醋等情节。其中，柔弱质朴、胆小怕事的路易丝·德拉瓦利埃小姐如何一步步被设局沦落为路易十四情妇的经过，为下来《路易丝·德拉瓦利埃》的展做足了铺垫。
傲慢与偏见(英文版)
促销价:￥7.99|￥23.99
这是奥斯汀*受欢迎的一部小说，它写的是爱情纠葛，但显然并不限于爱情。一本书能成为名著，当然不仅仅它能让人感到愉悦，更重要的是，它能让人有所启迪。 那时候，作者就告诉我们：为了财产、金钱和地位而结婚是错误的。但是，200年后，我们不还是如此吗？
福尔摩斯探案集(英文版)
促销价:￥6.99|￥23.99
精选了一些福尔摩斯的英文短篇探案故事，练练英文阅读还是好的，毕竟中文之外还有更多优秀的小说值得你阅读。
A Négyek jele
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A Négyek jele
Taken: Part 2 of 3
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Experienced foster carer, Rosie Lewis, takes on the heart-breaking case of Megan, a baby born with a drug addiction and a cleft palate. Addicted to drugs from birth because of her mother’s substance abuse during pregnancy, new-born Megan is taken into Rosie’s loving care. Rosie is supposed to help Megan find her new permanent home, but it turns out that Megan has already found her ‘forever mummy’ in Rosie. Rosie grows incredibly attached to Megan and applies to adopt her, but the system refuses her in favour of a young couple and Rosie is devastated. Against all her instincts, Rosie does her job and prepares Megan for her new ‘forever family’, but everything about Megan leaving feels wrong. When Rosie learns a few months later that Megan’s adoption has broken down, she is saddened but also filled with hope – will this little girl be allowed to return to her true ‘forever home’?
Taken: Part 1 of 3
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Experienced foster carer, Rosie Lewis, takes on the heart-breaking case of Megan, a baby born with a drug addiction and a cleft palate. Addicted to drugs from birth because of her mother’s substance abuse during pregnancy, new-born Megan is taken into Rosie’s loving care. Rosie is supposed to help Megan find her new permanent home, but it turns out that Megan has already found her ‘forever mummy’ in Rosie. Rosie grows incredibly attached to Megan and applies to adopt her, but the system refuses her in favour of a young couple and Rosie is devastated. Against all her instincts, Rosie does her job and prepares Megan for her new ‘forever family’, but everything about Megan leaving feels wrong. When Rosie learns a few months later that Megan’s adoption has broken down, she is saddened but also filled with hope – will this little girl be allowed to return to her true ‘forever home’?
Taken: Part 3 of 3
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Experienced foster carer, Rosie Lewis, takes on the heart-breaking case of Megan, a baby born with a drug addiction and a cleft palate. Addicted to drugs from birth because of her mother’s substance abuse during pregnancy, new-born Megan is taken into Rosie’s loving care. Rosie is supposed to help Megan find her new permanent home, but it turns out that Megan has already found her ‘forever mummy’ in Rosie. Rosie grows incredibly attached to Megan and applies to adopt her, but the system refuses her in favour of a young couple and Rosie is devastated. Against all her instincts, Rosie does her job and prepares Megan for her new ‘forever family’, but everything about Megan leaving feels wrong. When Rosie learns a few months later that Megan’s adoption has broken down, she is saddened but also filled with hope – will this little girl be allowed to return to her true ‘forever home’?
Book of Eve
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The Book of Eve is neither male nor female, rather a poetic revelation of one's exploration of life. A quest for knowledge, wisdom, truths and understanding, Eve takes us on a heartfelt journey of discoveries, fears, needs and desires. Melanie E. Haggins is a poet, a creative writer and former radio personality. She is strongly influenced by a musical and business background, which later helped her to progress into the world of media as the host of her own popular radio magazine show, where she conducted celebrity interviews with musicians and vocalists alike. An inspirational figure to young people and women of all ages, Melanie has worked for many years as a passionate educator and mentor to young people within her community, championing a number of initiatives on behalf of young people and human rights. With a keen eye for innovation, she draws inspiration from all she encounters for the purpose of improving the lives of those who come into contact with her as she continues to put her visionary ideas and quests for truths into poetic forms.
Chimney The Poetic Story Of A Family Cat
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Chimney is a much loved family cat who has chosen to tell her own story in poetic form as only a cat can. She charts her life from mischievous kittenhood to thoughtful maturity in the company of two glorious IRISH SETTERS. Cat lovers and owners everywhere will recognise many of her ways and cat philosophy and those, who do not know cats well, will be surprised at their observational skills!
Sketches Sartorial, Tonsorial and the Like
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St Claire Bullock - a Professor of Philosophy, no less - in the intervals between pondering the great questions of life, turned his hand to penning light verse in the manner of Hilaire Belloc, Ogden Nash and Edward Lear. In rhyming couplets these wry and witty poems ponder the foibles and vanities of mortals. Some of these are captured in pen and ink drawings which caricature the subject of the poems. Each character is given an amusing name, beginning with Master Cecil Abercorn, through Clarence Castle, Serena Huff, The Marchioness of Mal de Mer, Major Houghton Reid and Thomas Tinkham Tattersall to Roland Washburn White. There are 70 poems in all of which 10 are illustrated. The illustration on the front cover relates to Rupert Ashe: 'The greatest pride of Rupert Ashe was his luxuriant moustache. He took great care to keep it groomed, And even, with restraint, perfumed. He brushed it upward every day, and it made such a grand display, that people who were not the wiser, imagined that he was the Kaiser.'
John Clare
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John Clare (1793-1864) was born at a time of great social upheaval, just months after the beheading of Louis XVI and the outbreak of war with France which was to last till the defeat of Napoleon at Waterloo in 1815. He also lived through the upheavals of the land enclosure movement and agricultural revolution which changed the face of the countryside and the way of life in rural England. His father was a farm worker who managed to pay for his son’s schooling, though this was cut short as conditions worsened, but at least Clare had by then learnt to read and write so he could continue his own education, reading whatever books he could lay his hands on. At the age of sixteen he witnessed the social dislocation caused by the local enclosure Act and observed how the landscape was gradually transformed. Drawing on Clare’s writing, this extensively researched study gives the modern reader an appreciation of the divisive effects of these policies. Structured chronologically, this exploration of John Clare’s life highlights the socio-economic and environmental aspects of his observations and includes his reports on an insidious revolution taking place in the English countryside. Parliament, dominated by landowners, authorised the enclosure of large tracts of common land by private acts without considering the effect on those who had enjoyed rights of use and pasturage for centuries. Land enclosures, and the improved agricultural techniques which this permitted, was important in increasing food production at a time when the population of England was growing rapidly. While additional work was initially provided for agricultural labourers in the fencing and walling needed, this was temporary. The introduction of new, labour-saving machinery further reduced the opportunities for work. Insufficient attention, the author argues, has been given to the consequences. Those driven out of their homes in the country were left with no option but to migrate to the towns and sell their labour to whoever would pay for it. In effect, land enclosure created a market in land; landlessness created a market in labour. These are the foundations of our modern market economy. The author asserts that the harshness of the early years of the industrial revolution were the product of land enclosure which the welfare state has to some extent mitigated, although at the cost of creating a dependency culture in contrast to the sturdy independence of Clare’s parents’ generation of farm workers.
The Age of Aquarius
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The Age of Aquarius
Centered & Balanced: How to Love Yourself More and Restore Your Flow of Energy
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Centered & Balanced: How to Love Yourself More and Restore Your Flow of Energy
The Pilgrim's Progress
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The Pilgrim's Progress
When Death Comes: Why, How and When We Die
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When Death Comes: Why, How and When We Die
The Best Real Estate Book for Beginners: Winning in the game of Real estate inve
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The Best Real Estate Book for Beginners: Winning in the game of Real estate investments
Teaching Strategies to Motivate College Students
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Teaching Strategies to Motivate College Students
