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Beyond: Time
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Three thrilling tales that transcend time: The Long Commute Shon Howard and others like him go to work every day to reverse the ravages of climate change, pollution, and other evils. His daughter’s life depends on it. Because in Shon’s world, mistakes of past centuries can be corrected by visiting key moments in time. As long as he doesn’t get caught. A Taste Of Time Gabby Dufour hates the blueberries that grow over the site of her home town, destroyed in a fire decades ago. Then young berry-loving Amanda comes to visit, with inexplicable knowledge about the town, and Gabby is forced to wonder if there’s more to blueberries than meets the tongue. (First published in On Spec #88 vol 24 no 1, August 2014.) Hurricane The crew of a Hurricane Hunter aircraft is assigned to monitor an experiment designed to collect the awesome energy of a powerful storm. When the project succeeds too well, nowhere is beyond its destructive reach. Praise for Scott Overton: “A storyteller of boundless skill…a writer to watch.” “A gifted wordsmith.”
Wyrde and Wayward
￥26.07
‘If you had not already realised it, this is a very strange house you are come to.’ The Scions of the House of Werth are all born normal. It is what happens afterwards that sets them apart. It is not easy being the most supernatural family in England. Nell talks to the dead; Lord Werth is too often to be found out in the churchyard at the dead of night; and the less said about Lord Bedgberry, the better. Only Miss Gussie Werth has missed out on the family curse. She sups on chocolate, not blood; she's blissfully oblivious to spectres (except for Great-Aunt Honoria, of course); and she hasn't the smallest inclination to turn into a beast upon the full moon, and go ravening about the countryside. But there's more to the Wyrde than meets the eye. When a visit to a neighbouring family goes spectacularly, deliciously wrong, Gussie's ideas about her own nature undergo a swift and serious change. Far from being the most ordinary of the bunch, she may just prove to be the most disastrous Werth of them all... Refined Regency sensibilities meet gothic comedy to delightfully absurd effect in Wyrde and Wayward, a fresh new series from the author of Modern Magick and the Malykant Mysteries.
Where The Black and Grey Wolves Kiss: Book Two: The Sabienn Feel Adventures
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In his quest to seek the mysterious missing stone, the occult item sought to ensure victory in war, Sabienn Feel journeys with his three companions to the island of Cajj Cajj. The island is to be invaded as a result of an event that has yet to occur and is currently being held by the Turrs, a people Sabienn has always been at variance with.In his endeavours, he needs to work closely with these people for his mission to succeed. He knows he dislikes the Turrs. But is he capable of falling in love with one? Where The Black and Grey Wolves Kiss is the second of twelve books in the Sabienn Feel Adventures.Interview with the AuthorQ - What inspired you to write The Sabienn Feel Adventures?A – I’ve always loved the idea of the epic journey. I’m acquainted with the book Journey to the West but was more familiar with the TV series in the 80’s based on the book called Monkey. The idea of four souls travelling across a wide expanse of geography to complete a quest appealed to me. So I planned a series of twelve books to go from one place in the south of this space colony that they live on twice removed from Earth, to end up in the north, meeting danger at every turn. Q – Why does your main character Sabienn Feel grow wings?A - Good question. I wanted something very drastic to occur to these people physically. Something that would be difficult to hide and offer an immediate prejudice. The idea of growing wings constantly came up for me. There’s a Pearl Jam song I found inspiring that says, “And sometimes is seen a strange spot in the sky. A human being that was given to fly”. And in my mind’s eye, I could see this figure. Almost like the Led Zeppelin Icarus logo but with bat wings. But they couldn’t fly otherwise they’d hit the sky and the journey would be over in no time. I made them only able to swim because being submerged in water has elements of dealing with the subconscious. To me it satisfies all elements of those prophecy, fantasy, epic adventure type of stories that involve friendship and brotherhood. Q - So, why should readers give these books a try?A – Well I would say they were humour-filled, page-turning, epic, fantasy adventure novels which involve a quest. But then that’s what you would expect me to say. Why not try and read one of the books and let me know what you think? Some of the books are free so you’ve got nothing to lose.Sorry if that sounded a little flippant. I’m immensely grateful that anyone is reading my books. And hopefully I can make them the best stories possible for my magnificent readers.
Code Red: The President Will Die
￥26.07
Political Thriller about the people of Syria and their fight against their government and ISIS, and how one man went to extreme measures to get America’s help to give the power back to the people of Syria.
Tales of the Abducted Princess: Adult Romance
￥26.07
Jean is a headstrong nineteen-year-old girl that knows what she wants, and that is to marry Joe the Blacksmith, he keeps saying he is too old for her that he is old enough to be her father. But his age doesn’t worry Jean especially after she had wormed her way into his bed and found out what a good lover he was. Jean finds loads of other men to satisfy her lust as she tells Joe about them just to tease him. Joe had promised Jean’s father he would bring Jean up as best as he could when he and his wife were handed Jean to them as a baby. Joe’s wife died and Joe struggled to bring Jean up on his own as a travelling blacksmith going from village to village in a caravan, he tried not to fall in love with Jean but he failed all too easily. Joe has a big secret to tell Jean, and he was sure she would hate him when she finds out, and the king would have him hanged for his relationship with Jean. Tale of the Abducted Princess is an Adult Romance set in England in the 1060s when there was a lot of unrest in England. Jean has been brought up more like a boy as Joe taught her to hunt with the bow and arrow, he taught her so well that she became a huntress. Follow Jean as she hops in and out of bed with the king’s soldiers and discovers a plot to kill a member of the royal family. Will, she catches the two assassins in time and will she forgive Joe.
Harkworth Hall
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Ask him about his wives. Caroline Daniels must marry, and marry well. But in her remote corner of England eligible suitors are few and far between, and none hold a candle to her closest friend, Diana Fitzroy. When Sir Edward Masterson arrives, he seems the answer to Caroline’s financial worries, though she instinctively dislikes the reticent, older merchant. Soon Sir Edward has set his sights on acquiring both Caroline and the decaying Harkworth Hall. Caroline’s future seems secure, save that Sir Edward’s enigmatic secretary hints at a dark secret, and Sir Edward shows an unusual interest in the nearby bay. To discover Sir Edward’s true purpose, Caroline will have to face the horror beneath Harkworth Hall—and the woman who will change her life.
A s?tétség országa
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A s?tétség országa
A Dazzler cirkálón
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A Dazzler cirkálón
West kisasszony diadala
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West kisasszony diadala
A légió kalandora
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A légió kalandora
Falesa
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Falesa
Esti dal
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Esti dal
Yerba Buena
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Yerba Buena
Napsugár kisasszony
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Napsugár kisasszony
Kés? este
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Kés? este
Berger Valentin úr orra
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Berger Valentin úr orra
Атлант розправив плеч?. Частина друга. Або – або
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O que poderá talvez deixar mais intrigado o leitor que pela primeira vez se depare com o título Travessias pela Literatura Portuguesa: estudos críticos de Saramago a Vieira é a aparente anomalia na disposi??o dos nomes que aparecem em subtítulo: de Saramago a Vieira. N?o faria mais lógica de Vieira a Saramago? No entanto, quando percorremos o conjunto de oito artigos que comp?em este volume, compreendemos que eles n?o est?o dispostos por ordem cronológica.
Monsieur Thomas - Death hath so many doors to let out life
￥26.98
John Fletcher was born in December, 1579 in Rye, Sussex. He was baptised on December 20th. As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given. Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591. There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church. However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London. The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher. With Essex involved in the failed rebellion against Elizabeth Giles was also tainted. By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre. Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608. By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy. By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625. By that time, he had produced, or had been credited with, close to fifty plays.
Pirates of Penzance - or The Slave of Duty
￥26.98
The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.
Don Sebastian - A Tragedy
￥26.98
John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.
Gondoliers - or The King of Barataria
￥26.98
The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.
