When Zoe was taken into care at the age of 13, she thought she was finally going to escape from the cruel abuse she had suffered throughout her childhood. Then social services placed her in a residential unit known to be 'a target for prostitution', and suddenly Zoe's life was worse than it had ever been before. Abused and ostracized by her mother, humiliated by her father’s sexual innuendos, physically assaulted and bullied by her eldest brother, even as a young child Zoe thought she deserved the desperately unhappy life she was living. ‘I’ve sharpened a knife for you,’ her mother told her the first time she noticed angry red wounds on her daughter’s arms. And when Zoe didn’t kill herself, her mother gave her whisky, which she drank in the hope that it would dull the miserable, aching loneliness of her life. One day at school Zoe showed her teacher the livid bruises that were the result of her mother’s latest physical assault and within days she was taken into care. Zoe had been at Denver House for just three weeks when an older girl asked if she’d like to go to a party, then took her to a house where there were just three men. Zoe was a virgin until that night, when two of the men raped her. Having returned to the residential unit in the early hours of the morning, when she told a member of staff what had happened to her, her social worker made a joke about it, then took her to get the morning-after pill. For Zoe, the indifference of the staff at the residential unit seemed like further confirmation of what her mother had always told her – she was worthless. Before long, she realised that the only way to survive in the unit was to go to the ‘parties’ the older girls were paid to take her to, drink the drinks, smoke the cannabis and try to blank out what was done to her when she was abused, controlled and trafficked around the country. No action was taken by the unit's staff or social workers when Zoe asked for their help, and without anyone to support or protect her, the horrific abuse continued for the next few years, even after she left the unit. But in her heart Zoe was always a fighter. This is the harrowing, yet uplifting story, of how she finally broke free of the abuse and neglect that destroyed her childhood and obtained justice for her years of suffering.

This is Alex Hanscombe’s powerful, inspirational account as seen on This morning, BBC Breakfast, BBC Newsnight and published in The Sunday Times, Mail on Sunday and The Sun. ‘I was the most famous child in the British Isles…’ A coming-of-age story that begins with tragedy but ends in understanding, forgiveness and peace. The stunning and heartbreaking story of the young son of Rachel Nickell – who witnessed the brutal attack on his mother and whose childhood was shaped by the media storm that followed. A coming-of-age story that begins with a tragedy but ends in optimism, forgiveness and peace. On a beautiful July morning in 1992, just three weeks before his third birthday, Alex Hanscombe and his young mother, Rachel Nickell, went walking on Wimbledon Common. Life was never the same again. Shortly after ten o’clock that morning, Alex was discovered by the side of his mother’s body – she had been assaulted, stabbed forty-nine times in a frenzied attack, and left dead. Alex was the only witness to the attack. Letting Go is Alex’s heartbreaking account of that morning, the aftermath, and the devastating effect on his father, the extended family and the wider community. Alex tells the story of the resulting media storm, the legal cases following and the peace and understanding that he has now found, as a young man. In telling his story, and the truth, this is the last stage of Alex’s incredible journey to letting go.

The explosive sequel to #1 Sunday Times bestseller Bad Blood. Set 18 years later, Hidden Sin is the story of Joey, his girlfriend Paula and Rasta Mo, the man he is to discover is his dad. Joey Parker is a young man with big dreams. Almost eighteen, he’s desperate to escape the shackles of his window cleaning round, so when’s offered the chance to try out as a drummer in a local Blondie tribute band he jumps at the chance. But it isn’t just the music that moves him. It’s also the fact that Paula Foster is the lead singer. The daughter of his mum’s old mate, Josie, she was once a childhood friend. They’ve not seen each other in years, and their mutual attraction is immediate. Meanwhile, notorious local drug overlord, Rasta Mo, has recently returned to Bradford after a spell inside and years in Marbella. He is instantly enamored with the good-looking drummer he discovers is his son. He decides that his new club is in need of a house band – and so begins his attempts to woo him. This book charts a journey between two men into a future neither visualized. And, in Joey’s case, into a dangerous criminal world he’s never known. And, while his mother and step-father can only look on in horror as Joey potentially becomes the one thing she’s always dreaded – his father’s son. Joey is oblivious to who Mo is. The truth has always been hidden from him. All he cares about is that his and Paula’s dreams are all starting to come true. But will the cost of achieving them be too high to pay?

The true story of 2 year-old Anna, abandoned by her natural parents, left alone in a neglected orphanage. Elaine and Ian had travelled half way round the world to adopt little Anna. She couldn’t have been more wanted, loved and cherished. So why was she now in foster care and living with me? It didn’t make sense. Until I learned what had happened. … Dressed only in nappies and ragged T-shirts the children were incarcerated in their cots. Their large eyes stared out blankly from emaciated faces. Some were obviously disabled, others not, but all were badly undernourished. Flies circled around the broken ceiling fans and buzzed against the grids covering the windows. The only toys were a few balls and a handful of building bricks, but no child played with them. The silence was deafening and unnatural. Not one of the thirty or so infants cried, let alone spoke.

Un volum fundamental, pagini memorabile despre literatura francez? nu numai pentru elevi, studen?i, profesori, constituind un manual indirect de literatur? francez?; este editat pentru prima dat? ?n Colec?ia Edi?ii Definitive, ?n condi?ii grafice cu totul excep?ionale. ??...Vor crede poate c? a fost un bufon, un farsor?. Medicul Pierre Boulenger nu se ?n?el? scriind astfel despre faima viitoare a marelui s?u prieten, Rabelais. Nimic mai ridicol dec?t p?rerile felurite care s-au risipit ?n decursul veacurilor pe socoteala maestrului Alcofibras. Mirarea acestuia ar fi mare dac? le-ar putea afla ?i desigur nu o dat? ar azv?rli printre hohote c?te-o vorba pe care urechile noastre mult prea fine de fii ai veacului al dou?zecilea nu ar putea-o cuprinde dec?t ?nro?indu-se. Ronsard vede ?n autorul lui Gargantua un animal jovial ?i ve?nic ?nsetat, t?v?lindu-se ?n b?l?i de vin ?ca o broasc? ?n noroi?. Tabloul acesta bestial cred c? n-a mai fost reluat de altul. ?n schimb judec??ile au fost tot at?t de neverosimile.” O carte esen?ial?. Un manual indirect de literatur? francez?.

Aura Christi posed numeroase virtui. Fora compoziiei pe multe planuri. Impactul personal ntre lecturi bogate i o viguroas inventivitate. Mijloace suple de caracterizare. O stilistic adaptat nevoilor expresive.” (Ion Ianoi) Corpul romanesc conine originalitate i – cel mai mare ctig – un timbru numai al su. E inclasificabil, n termenii triadei manolesciene doric-ionic-corintic. Dar, spre deosebire de alte scrieri tinere, i face s zvcneasc pe toi trei.” (Nicoleta Slcudeanu)

Se poate comunica i e necesar sǎ se comunice cu valorile literaturii universale, pǎstrandu-se o perspectivǎ istoricǎ, citindu-l pe Sofocle ca pe contemporanul lui Pericle. Dar, am nceput sǎ nelegem, spre deosebire de secolul trecut, istoricist, cǎ tot att de necesarǎ, ba poate chiar mai fecundǎ, e o comunicare cu trecutul, adoptndu-se o perspectivǎ actualizatoare, citindu-l pe Sofocle ca pe contemporanul nostru. Dincolo de aceastǎ perspectivǎ care, n cele din urmǎ, e i ea oarecum istoricistǎ, doar cǎ istoria e localizatǎ n actualitate, se deschide o perspectivǎ a sincroniei literare care dispune sǎ-l citim pe Sofocle ca pe contemporanul nimǎnui ori al tuturor, ca pe un martor al esenialitǎii umane i nu numai al unei existene istoric cantonate. ncercare ambiioasǎ, ce nǎzuiete sǎ derelativizeze valorile literar-artistice, pǎstrnd totodatǎ contiina unei relativitǎi a formelor i figurilor pe care o hermeneuticǎ a textelor se cuvine sǎ o punǎ n luminǎ. Relativitate impusǎ chiar de prezena autorului, a cititorului interpret, a scriitorului i hermeneutului n comentariile sale. n cartea aceasta a attor cǎri, scribul interpret apare n textele sale ca i pictorul ce se zugrǎvete pictnd n propriile sale tablouri. Sǎ-i fie iertatǎ aceastǎ ultimǎ deertǎciune.” (Nicolae Balot)

Berlin, 1945 – Az ?sszeomlás

Casey’s Unit is, as ever, full of troubled, disaffected pupils, and new arrival Leo is something of a conundrum. Thirteen year old Leo isn’t a bad lad – in fact, he’s generally polite and helpful, but he’s in danger of permanent exclusion for repeatedly absconding and unauthorised absences. Despite letters being sent home regularly, his mother never turns up for any appointments, and when the school calls home she always seems to have an excuse. Though Casey has her hands full, she offers to intervene for a while, to try get Leo engaged in learning again and remaining in school. The head’s sceptical though and warns her that this is Leo’s very last chance. But Casey’s determined, because there’s something about Leo that makes her want to fight his corner, and get to the bottom of whatever it is that compels this enigmatic boy to keep running away. With Leo so resolutely tight-lipped and secretive, Casey knows that if she’s going to keep this child in education, she’s going to have to get to the bottom of it herself…

A New Model of the Economy

Evermore Shall Be So

Homeland?meets Marie Lu’s?Legend?in the explosive sequel to?Blackout, which #1?New York Times?bestselling author Ally Condie called “a thrilling combination of Wells’s trademark twists and terror. Fantastic!”It began with a virus. Then a series of attacks erupted across the nation. Now America is at war—and a handful of teens with impossible powers are its only defense.In?Dead Zone, Robison Wells delivers his most nail-bitingly tense read yet—and an electrifying conclusion to a two-book series that’s perfect for fans of?The Maze Runner?and?I Am Number Four.

Angus:My mixed-breed cat, half domestic tabby, half Scottish wildcat. The size of a small Labrador, only mad.Thongs:Stupid underwear. What's the point of them, anywayThey just go up your bum, as far as I can tell.Full-Frontal Snogging:Kissing with all the trimmings, lip to lip, open mouth, tongues ... everything.Her dad's got the mentality of a Teletubby (only not so developed). Her cat, Angus, is trying to eat the poodle next door. And her best friend thinks she looks like an alien -- just because she accidentally shaved off her eyebrows. Ergghhhlack. Still, add a little boy-stalking, teacher-baiting, and full-frontal snogging with a Sex God, and Georgia's year just might turn out to be the most fabbitty fab fab ever!

When Gia Montgomery's boyfriend, Bradley, dumps her in the parking lot of her high school prom, she decides to do the unthinkable…convince the cute guy waiting to pick up his sister to pretend to be her boyfriend for the night. The task is simple: two hours, zero commitment, a few white lies.The problem is that days after prom, she can't stop thinking about her fill-in boyfriend. But can Gia turn her fake boyfriend into a real one without exposing her lie and possibly destroying her friendships and her newfound relationship?Smartly observed and wonderfully romantic, Kasie West's talent shines in this tale of one girl's unexpected quest to find love…and possibly herself.

In the next 72 hours, Kenna may lose everything—her friends, her freedom, and maybe even herself. One kiss of the blade was all it took to get her sent to the psych ward for 72 hours. There she will face her addiction to cutting, though the outcome is far from certain.When fifteen-year-old Kenna is found cutting herself in the school bathroom, she is sent to a facility for a mandatory psychiatric watch. There Kenna meets other kids like her—her roommate, Donya, who's there for her fifth time; the birdlike Skylar; and Jag, a boy cute enough to make her forget her problems . . . for a moment.Madeleine Kuderick's gripping debut is a darkly beautiful and lyrical novel in verse, perfect for fans of Sonya Sones and Laurie Halse Anderson. Kiss of Broken Glass pulses with emotion and lingers long after the last page.Supports the Common Core State Standards

A titok

Computer programmer and network security specialist, Tecumseh ‘Tek’ Carrier has been delving into matters he has been told do not concern him. Following abandonment by his family, Tek isolates himself in his son’s bedroom to spend long nights breaching his bank’s computer network, compiling money laundering information gathered from their database; enough information, he hopes, to make a difference before it is too late. ? From his estate in Lyons, France, Ahmed Al-Malmasi enjoys the finest vintages of the region and immersing himself in the history and culture of people he detests. Utilizing his great wealth, Al-Malmasi has launched a plot extending from Southeast Asia and the Spanish Riviera to the golden shores of the United States. While Al-Malmasi’s agents hasten to complete their mission, Tek battles bank corruption while struggling to reconnect with his family. ? Instigated by Tek’s revelation, American law enforcement race to identify the threat and prevent a disaster that will materialize directly in the path of Tek and his family.

From modern tales involving myths re-told, to trips to the far future where the end of the world is imminent, to an alternate reality where a jetpack-wearing hero fights for truth and justice. Other tales include a vampire and an elf vanquishing evil thus saving the worlds they inhabit. ?A remarkable collection of exciting stories guaranteed to thrill you. ?Stories included: War Eagle Captain Virtue and the League of Evil The Beast of Cadboro Bay Dark Night A Simple Assignment Scavengers

Védtelenül

Mesterl?vész

Iat?, ?n cuvintele Aurei Christi, curg?nd abundent, din surse ascunse, fluidul vivifiant al poeziei, s? nu ne temem de retorica majusculelor, al marii Poezii. (Nicolae Balot?) Aura Christi a uimit critica de specialitate prin ample volute metaforice, calde, ?ndr?zne?e, abord?nd, ?n c?teva volume, printr-o splendid? frond?, clasicul sonet poetic ?i dovedind o excelent? st?p?nire a limbii, a mijloacelor specifice, ?ntr-o liric? a medita?iei grave, ad?nci, exprimat? ?n metafore, ?n care modernitatea ?i sensibilitatea secolului se confund?, cu vigoare clar?, de o marcat? originalitate, tumultuos ?i muzical aproape, ?ntr-o subtil? rezonan?? eufonic?, cu trimiteri, accente ?i imagini simbolice, cu marele torent al liricii europene de ?nalt nivel, de la Rimbaud ?i Baudelaire, la Rilke ?i Blaga. ?i, ?nc? odat?, la ?vetaieva ?i Nichita St?nescu. (Nicolae Breban) M? auzi tu, oare, ?nstr?inato? Am citit poeziile tale la ceas de sear?, pe o teras?, av?nd ?n fa?? colinele Ierusalimului. Eu nu sunt un bun comentator de poezie, cei care au scris despre poezia ta te-au ?prins“ foarte bine, ai for??, un sim? rar al tragicului ?i antene pentru transcenden??… (Leon Volovici) Ignor?nd retorica unei poezii postmoderniste intolerante, metonimice – baliz?ndu-se ?n criteriul retoricului, un trop ajunge, iat?, s? impun? un model poetic – Aura Christi continu? s? ofere un osp?? metaforic. Psalmul coexist? cu viziunea aspr?, expresionist?. Universul ?i limbajul au torsiuni tragice, ?n nara?iuni poematice deopotriv? fruste ?i fabuloase, cvasimitice. Moartea e o prezen?? familiar?, ca privirea ?i olfac?ia ?ns??i. Mitul e prezent ca joc automodelator. Calea spre mit ajunge o traversare a suferin?ei. (Marian Victor Buciu) A scrie c?derea apocaliptic? nu e u?or. E un merit al Aurei Christi faptul de a g?si singura solu?ie la aceast? c?dere fatal?, dat? din pornire: cel care o scrie o ?i ?opre?te“, ?incit?nd rigoarea/ celui din urm? frig“. Doar un fel de zeu al poeziei, o divinitate descoperit? cu greu, con?tient? de destr?marea mitului, poate s? impun? din nou mitul: instituirea ?mai viului“ este cu putin?? doar datorit? mor?ii. ?nvierea nu e posibil? dec?t datorit? ei. Sensul celei mai mari dintre taine se dezleag?, astfel, paradoxal, prin r?sturnarea negativit??ii generale a sensului. (...) Descoperirea f?cut? de poet? este c? realul ?nsu?i are origine poetic? (nu real?!), prin c?derea ?n ?emisfera cealalt?“, de parc? Dante ?nsu?i ar fi acum reeditat ?n alt? semantic?: ?Ah, calul e fiu al pega?ilor dintotdeauna“. Fiin?ele existente ??i au ob?r?ia ?n himere, iar realitatea ia fiin?? din metafor?. (...) Alt? ?descoperire“ poetic?: ?ntreg mitul temporal al omenirii poate fi ranversat. (…) Iat?, deci, cum se poate recupera mitul ?ntr-o epoc? ?n care toat? lumea postmodern? a visat la demitizare ?i dez-iluzionare pentru a se apropia de realul ca atare. (?tefania Mincu)