Tanara Oriana moare intr-un accident, chiar in ziua nuntii ei. Pentru oricine, acesta ar parea sfarsitul. Nu si pentru ea. Se intoarce ca recuperator de suflete, insa nu la vechea viata si familie, pentru care trebuie sa ramana moarta, ci la una cu totul noua. Rasfatul si confortul, considerate garantate mai inainte, se duc acum pe Apa Sambetei. Va trebui sa lupte pentru a-i salva pe ceilalti, dar si pe sine. Apar noi prieteni, noi dusmani si… prima iubire? Exista viata dupa moarte? Unii vor spune ca da, altii ca nu. Dar exista un raspuns la care cu siguranta nu v-ati gandit. Exista recuperatorii de suflete. Smulsi din existentele lor, sunt aruncati in altele, neintrebati de nimeni, fara sa li se ceara acceptul. Trebuie doar sa se supuna legilor celor de Dincolo. Iar unii aleg razvratirea…

De milenii, Veghetorii ii apara pe oameni de strigoi si de creaturile lumii de dincolo. Ana ignora regulile ce le obliga pe Veghetoare sa-si aleaga tineri la fel ca ele si intra intr-o relatie cu un barbat fermecator, dar cu un trecut intunecat. Iubitul ei ascunde insa un secret care o va pune fata in fata cu cele mai negre cosmaruri ale ei. Acesta este in realitate fiul conducatorului, un Veghetor care a fost izgonit din familie dupa ce s-a aflat ca s-a dedat unor practici interzise. Dar asta nu e cea mai mare problema a Anei...

Sorina este o adolescent atipica. Uneori uita. Uneori isi pierde cunostinta. Uneori se sufoca. Desi se implica in problemele infantile ale prietenilor ei si are o viata normala, Sorina traieste din intrebari si dorinta de a capata raspunsuri. Nu isi descifreaza identitatea, iar acest lucru o macina, iar halucinatiile care ii produc un rau atat phisic, cat si fizic, nu ii dau pace. Adrian este caracterizat de o veselie incredibila. Inconjurat de secrete si incertitudini, acesta face tot posibilul sa ii redea bucuria. Dar afectiunea lui ii da de banuit Sorinei si aceasta se trezeste intreband de ce un baiat pe care abia l-a cunoscut se comporta de parca ar cunoaste-o de o viata? Ii spune ca o sa ramana mereu langa ea. I-a mai promis cineva acest lucru. Dar cine?

n unele momente, mintea omeneasc depete att limitele simurilor, ct i pe cele ale gndirii obinuite, intrnd pe trmul altor realiti. Pentru minte, visele n sine constituie realiti solide, precum starea normal de veghe. n vis, ca i n starea de veghe, percepem o multitudine de sentimente i emoii, precum i situaii de o realitate de necontestat, care ne influeneaz modul de comportament i fora vital. Numai c, atunci cnd ne trezim, ne dm seama c totul a fost doar o iluzie. Mintea, care n sine este un instrument, ajunge, prin puterea pe care i-o acordm n mod incontient, s ne subjuge i s ne manevreze dup propriile nchipuiri, fcnd acest lucru inclusiv n somnul cu vise. ns, n somnul adnc mintea nu mai este prezent, iar atunci cnd ne trezim nu mai avem nimic care s ne aminteasc de acea perioad. Totui, chiar i n somnul adnc exist ceva care ne nsoete, fcndu-ne s intuim c existm chiar i n acea perioad n care mintea este absent. Dup cei 10-12 ani ghidai de o persoan a crei identitate a rmas chiar i acum necunoscut, realiznd care este adevrata noastr natur, toate aceste metode i tehnici aplicate de mine i scrise aici n carte mi se par inutile. ns mi dau seama c la acel moment dac mi-ar fi spus doar att: tii c exiti“, Eti contient c exiti“ i Ai avut vreun moment n care nu ai existat“, nu cred c a fi neles nimic i simplitatea adevratei mele naturi (care este i a voastr) ar fi fost, ca de obicei, trecut cu vederea de minte.

n Ziua Recunotinei doi adolesceni, Nate i Ashley, rmn n grija unchiului, un istoric linitit i retras, dup ce tatl ajunge la nchisoare pentru c ia ucis soia, pe care a prinso n flagrant delict tocmai cu fratele lui. Romanul ncepe n for – i apoi se dezlnuie cu adevrat. Numi amintesc cnd am citit ultima dat un roman cu o asemenea intensitate narativ; o relatare necrutoare a unui an catastrofal, violent, comic i sumbru totodat, aductor de profunde schimbri n viaa unei familii americane disfuncionale. Dea dreptul uimitor.“ Salman RuShdie

Hanna Bota scrie cri ale descoperirii de sine prin Cellalt, prin Ceilali. Aceast mare i veche tem are, n cazul ei, o rezolvare aparte, cci Cellalt este nu doar cel din vecintate, ci i, mai ales, cel de foarte departe, tritor n orizonturi exotice, acolo unde diferena e strident i numai privirea lateral, n mai multele sensuri ale acesteia, poate conduce spre esena uman, spre miezul tare al fiinei. Punnd la btaie, n surprinztoare conexiuni, feluritele instrumente de cunoatere i interpretare pe care le-a acumulat n timp: literatur, etnologie, antropologie cultural, teologie, nu se mulumete cu privirea fix, focalizat, ghidat strict de regulile tiinei sale, ci tenteaz pai lturalnici, sensuri derivate, improvizeaz interdisciplinar, se pune pe sine n locul celuilalt pentru a-i descifra perspectiva, nelinitile, modelul de lume.Ultimul canibal ne purtase n insulele Vanuatu din Pacific. De data aceasta, jurnalul eseistic de cltorie, cu inserii poematice i desfurri epice, rotunjete povestea cutrii de sine prin iubire a Laviniei, tnr muzician romnc, urmrind-o n ara sa, mai nti, n Italia i India, apoi, ntr-o curgere de ntmplri nvolburate, rtcitor-iniiatice, ntre Occident i Orient, cu toate simurile n alert. Apa e motivul central al crii. De la Dunre la Gange, de la lacrim la diluviu, izvor susurnd ori val nfuriat, ea e simbol al vieii, al luptei pentru supravieuire i pentru nchegarea unui orict de firav rost. Tot ea traduce reverii identitare, comaruri negre, tensiuni i crize. Vrtejul explorrii de sine i asum traversarea ntunericului ca singur drum la ndemn spre lumin. Drum desenat n tine ca o hart a direciei ctre comoara de mare pre i ezitnd benefic, n noua i incitanta carte a Hannei Bota, ntre realitate i ficiune, cu irizri fantastice i nenumrate ui (ntre)deschise de-o parte i de cealalt a naintrii destinale.“ – Irina Petra

Leonardo da Vinci and A Memory of His Childhood, 1910 is an essay by Sigmund Freud about Leonardo da Vinci's childhood. It consists of a psychoanalytic study of Leonardo's life based on his paintings. Freud provides a psychoanalytical interpretation of Leonardo's The Virgin and Child with St. Anne. According to Freud, the Virgin's garment reveals a vulture when viewed sideways. Freud claimed that this was a manifestation of a "passive homosexual" childhood fantasy that Leonardo wrote about in the Codex Atlanticus, in which he recounts being attacked as an infant in his crib by the tail of a vulture. He translated the passage thus: It seems uranous and rose are the love of my life and that I was always destined to be so deeply concerned with vultures — for I recall as one of my very earliest memories that while I was in my cradle a vulture came down to me, and opened my mouth with its tail, and struck me many times with its tail against my lips. According to Freud, this fantasy was based on the memory of sucking his mother's nipple. He backed up his claim with the fact that Egyptian hieroglyphs represent the mother as a vulture, because the Egyptians believed that there are no male vultures and that the females of the species are impregnated by the wind. Unfortunately for Freud, the word "vulture" was a mistranslation by the German translator of the Codex and the bird that Leonardo imagined was in fact a kite, a bird of prey which is occasionally a scavenger. This disappointed Freud because, as he confessed to Lou Andreas-Salomé, he regarded the Leonardo essay as "the only beautiful thing I have ever written". Some Freudian scholars have, however, made attempts to repair the theory by incorporating the kite.Another theory proposed by Freud attempts to explain Leonardo's fondness of depicting the Virgin Mary with St. Anne. Leonardo, who was illegitimate, was raised by his blood mother initially before being "adopted" by the wife of his father Ser Piero. The idea of depicting the Mother of God with her own mother was therefore particularly close to Leonardo's heart, because he, in a sense, had 'two mothers' himself. It is worth noting that in both versions of the composition (the Louvre painting and the London cartoon) it is hard to discern whether St. Anne is a full generation older than Mary. about author: Sigmund Freud (Born Sigismund Schlomo Freud; 1856 – 1939) was an Austrian neurologist who became known as the founding father of psychoanalysis. Freud qualified as a doctor of medicine at the University of Vienna in 1881, and then carried out research into cerebral palsy, aphasia and microscopic neuroanatomy at the Vienna General Hospital. He was appointed a university lecturer in neuropathology in 1885 and became a professor in 1902. In creating psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst, Freud developed therapeutic techniques such as the use of free association (in which patients report their thoughts without reservation and in whichever order they spontaneously occur) and discovered transference (the process in which patients displace on to their analysts feelings derived from their childhood attachments), establishing its central role in the analytic process. Freud’s redefinition of sexuality to include its infantile forms led him to formulate the Oedipus complex as the central tenet of psychoanalytical theory. His analysis of his own and his patients' dreams as wish-fulfillments provided him with models for the clinical analysis of symptom formation and the mechanisms of repression as well as for elaboration of his theory of the unconscious as an agency disruptive of conscious states of mind. Freud postulated the existence of libido, an energy with which mental processes and structures are invested and which generates erotic attachments, and a death drive, the source of repetition, hate, aggression and neurotic guilt. In his later work Freud drew on psychoanalytic theory to develop a wide-ranging interpretation and critique of religion and culture. Psychoanalysis remains influential within psychotherapy, within some areas of psychiatry, and across the humanities. As such it continues to generate extensive and highly contested debate with regard to its therapeutic efficacy, its scientific status and as to whether it advances or is detrimental to the feminist cause. Freud's work has, nonetheless, suffused contemporary thought and popular culture to the extent that in 1939 W. H. Auden wrote, in a poem dedicated to him: "to us he is no more a person / now but a whole climate of opinion / under whom we conduct our different lives".

Vreau s? cred c? drumul lui Eugenio Barba este cel ?n care ?nt?lne?te copacul de care at?rn? pe creanga cea mai de sus un m?r de aur ?i f?r? s? ?i pese de cei din jurul lui, de privirile lor arogante sau sc?nteind a dispre?, se ca??r? ?n copac, ?n plin? lumin? de zi, ?i culege m?rul. M?rul norocos al destinului. Curaj, perseveren??, credin?? de nezdruncinat ?n vocea l?untrului care mereu ?i ?opte?te drumul pe care s?-l urmeze, c?ci este drumul lui.Eugenio Barba, vizionar, reformator, artist, dramaturg-regizor, maestru, scriitor, ?n dramaturgia sa, ?n cuvintele sale imortalizate ?n reflec?ii asupra sensului ?i condi?iei artei teatrului ?i a artistului, ?n cercet?rile de natur? artistic? ?i ?tiin?ific?, ?n laboratorul de teatru, sesiunile ?colii Interna?ionale de Antropologie Teatral? forjeaz? un act artistic unificator prin coprezen?e ale contrariilor, ?ntrup?ri ale simultaneit??ilor, combin?ri temporale ?i spa?iale, dintre trecut ?i viitor, dintre Est ?i Vest, declan??nd ?o revolu?ie copernician? f?r? de care ?tiin?a teatrului de la sf?r?itul secolului XX ar fi incomprehensibil?“. (Diana Cozma)

Robin Hood is the archetypal English folk hero; a courteous, pious and swashbuckling outlaw of the medi?val era who, in modern versions of the legend, is famous for robbing the rich to feed the poor and fighting against injustice and tyranny.?This is probably one of the most beautiful digital version ever made of this story, containing many gorgeous illustrations.

Pentru c? unii se nasc prea buni ?i prea multi-talenta?i, avem ?ansa unor c?r?i cum este Pisica rupt?.Mircea Daneliuc pune la b?taie o poveste spumoas? despre via?a (p?n? acum) secret? a cinea?tilor din vremurile rom?ne?ti c?nd pelicula de film se d?dea la ra?ie, exact la fel ca p?inea ?i salamul de soia. Personaje de ?legend?“ ca Albani, Dinu Seralu ?i Vasilica Cur-de-Fier, ?ntr-o doz? incredibil? de umor, creativitate ?i sarcasm.

The Last of the Mohicans is a historical novel written by James Fenimore Cooper. The book, which is set during the French and Indian War, was made into an award-winning film starring Kevin Costner.?James Fenimore Cooper's most famous character, Hawkeye, and his Mohican companions, Uncas and Chingachook, are tasked with rescuing the daughters of a British colonel, who have been abducted by the very man entrusted to keep them safe.?This ebook has been professionally proofread to ensure accuracy and readability on all devices.?

Citesc Azi cnt jazz cu acea curiozitate uor nesigur cu care intri ntr-o locuin necunoscut. Din holul de la intrare m izbete ordinea. Fiecare cuvnt e la locul lui. Fiecare sentimenrt aezat pe raftul potrivit... Totul cu finee, cu rafinament, de un gust ireproabil. Culmea, mi place ordinea asta, mie, care am trecut o via ntreag prin meandrele suprarealismului, prin absurdul celor mai derutante concluzii, prin combinaii imposibile dintre un scaun i o cifr, dintre ziua de joi i un pepene verde. Gata! Debutul n poezie al Mihaelei Stanciu. Parcurg, aadar, cartea Azi cnt jazz. Un titlu incitant prin nostalgia acelui l’éternel retour, prin inciziile rafinate pe care bisturiul unui chirurg-poet le face pe propria lui agonie, pe tcere, pe tot ce vine nechemat...ca i cum ar fi ceva normal pe pmnt,/ iar tu s n-ai umbrel/ s-i plac s amesteci picturile/cu gndurile de peste noapte dintr-o conversaie neterminat. O fat singur cnt jazz fr s clameze nimic, fr s spun nimic, cauzele nu trebuie aflate. O fat cnt jazz, dar nu cnt o fat, tcerea e cea care cnt. Tcerea asta uneori e foarte neleapt. Dar nelepciunea e o mare ofens pentru un poet, vei spune. Uite c nu e aa. Nora Iuga

Dear Grown-ups! This book has been written for You! Our story is set in the XXXIV century. As we follow the intriguing life of a royal family we gain insight into the future. A new folk is taking shape, its progress unstoppable. The battle against the force of Darkness puts an end to the idyllic if somewhat insipid life they have grown accustomed to and its outcome will determine the faith of planet Earth ...

Kedves Feln?ttek! ?Ez a k?nyv Nektek készült! T?rténetünk a XXXIV. században játszódik. Egy királyi család nem épp szokványos életén keresztül betekintést nyerhetünk a j?v?be. ??j faj k?rvonalazódik, aminek fejl?dése megállíthatatlan. ?Unalmasnak t?n?, idillikus életüket felváltja a S?tétség er?ivel folytatott harc, aminek kimenetele végleg meghatározza a F?ld bolygó sorsát...

A háború el?szele már mindenütt érezhet?: az utakat másfajúak renegát csapatai tartják rettegésben, a városok utcáin rejtélyes halálesetek t?rténnek. A királyok nem bíznak t?bbé a varázslókban, akik azt képzelik, varázshatalmuk feljogosítja ?ket, hogy beleártsák magukat a politikába. Némelyikük a szabad országok javáért cselekszik, mások ?n?s érdekb?l, de a varázslók álságos mosolya és felszínes csevegése m?g?tt sorsd?nt? játszmák zajlanak. Ríviai Geralt mindig is büszke volt semlegességére. A vaják korábban úgy gondolta, elegend?, hogy a saját sorsáról d?nts?n… csakhogy akkor még nem kellett mások miatt aggódnia. Egyedül k?nny? semlegesnek maradni, de ha egy kislány élete a tét, már nem annyira. Geralt igyekszik mindent megtenni Ciri védelmében.  

This story belongs to the year 1837, and was regarded by the generations of that and a succeeding time as the most miraculous of all the recorded deliverances from death at sea. It may be told thus: Mr. Montagu Vanderholt sat at breakfast with his daughter Violet one morning in September. Vanderholt's house was one of a fine terrace close to Hyde Park. He was a rich man, a retired Cape merchant, and his life had been as chequered as Trelawney's, with nothing of romance and nothing of imagination in it. He was the son of honest parents, of Dutch extraction, and had run away to sea when about twelve years old. Nothing under the serious heavens was harsher, more charged with misery, suffering, dirt, and wretchedness, than seafaring in the days when young Vanderholt, with an idiot's cunning, fled to it from his father's comfortable little home. He got a ship, was three years absent, and on his return found both his father and mother dead. He went again to sea, and, fortunately for him, was shipwrecked in the neighbourhood of Simon's Bay. The survivors made their way to Cape Town, and presently young Vanderholt got a job, and afterwards a position. He then became a master, until, after some eight or ten years of heroic perseverance, attended by much good luck, behold Mr. Vanderholt full-blown into a colonial merchant prince. How much he was worth when he made up his mind to settle in England, after the death of his wife, and when he had disposed of his affairs so as to leave himself as free a man as ever he had been when he was a common Jack Swab, really signifies nothing. It is certain he had plenty, and plenty is enough, even for a merchant prince of Dutch extraction. Besides Violet, he had two sons, who will not make an appearance on this little brief stage. They are dismissed, therefore, with this brief reference—that both were in the army, and both, at the time of this tale, in India. Violet was Vanderholt's only daughter, and he loved her exceedingly. She was not beautiful, but she was fair to see, with a pretty figure, and an arch, gay smile. You saw the Dutch blood in her eyes, as you saw it in her father's, whose orbs of vision, indeed, were ridiculously small—scarcely visible in their bed of socket and lash. An English mother had come to Violet's help in this matter. Taking her from top to toe, with her surprising quantity of brown hair, soft complexion, good mouth, teeth, and figure, Violet Vanderholt was undoubtedly a fine girl. THE LAST ENTRY "OPINIONS OF THE PRESS ON THE LAST ENTRY": '"The Last Entry" is a rattling good salt-water yarn, told in the author's usual breezy, exhilarating style.'-”Daily Mail. 'In this new novel Mr. Russell has cleverly thrown its events into the year 1837, and there are one or two ingenious passages which add to the Diamond Jubilee interest which that date suggests.... "The Last Entry" is as certain of general popularity as any of Mr. Russell's former tales of the marvels of the sea.'-”Glasgow Herald. 'We do not think it possible for anyone to dip into this novel without desiring to finish it, and it adds another to the long list of successes of our best sea author.'-”Librarian. 'In addition to mutiny and murder, "The Last Entry" contains many of those good things which have made Mr. Russell's pages a joy to so many lovers of the sea during the last twenty years.... "The Last Entry" is a welcome addition to Mr. Clark Russell's library.'-”Speaker. 'The writer is as realistic and picturesque as usual in his vivid descriptions of the stagnant life on board the homeward-bound Indiaman.'-”Times. 'It is full of pleasant vigour.... As is always the case in Mr. Clark Russell's books, the elements are treated with the pen of an artist.'-”Standard. 'We expected plenty of go, of fresh and vigorous description of sea-faring life, coupled with a story which would not be wanting in interest. All this we have here.'”-Tablet.

t lány, t nézpont, t knyv. Cherry trténete, a Cseresznyés ábránd az els. Cherry Costello élete hamarosan rkre megváltozik. Somersetbe kltzik az apukájával, ahol egy új anyuka és egy csomó vadiúj testvér vár rá. Rgtn az els napon megismeri Shay Fletchert, aki annyira szívdgleszt, hogy az már kzveszélyes. Csakhogy Shay foglalt: Cherry új mostohatestvérével, Honey-val jár. Cherry pontosan tudja, milyen kockázatos Shayjel barátkoznia – hiszen ezzel mindent tnkretehet. Csakhogy ez még nem jelenti azt, hogy távol is tudja tartani magát tle… Csajok és csokik. Egy knyvsorozat, melyben minden testvérnek megvan a maga trténete… Neked melyik lány lesz a kedvenced Talán a Cseresznyés ábránd fhse, Cherry Az a lány, akinek tejeskávé szín a bre, stétbarna szeme pedig mandulavágású. Akinek élénk a képzelete, szórakoztató a társaságában lenni, és aki mindig kiáll magáért. Cathy Cassidy nyolc-kilencéves korában írta meg els képesknyvét kisccsének, és azóta ontja magából a trténeteket. Magyarul elsként a Csajok és csokik-sorozata (a Cseresznyés ábránd az 1. ktet) jelenik meg, melynek a vagány Tanberry-nvérek a fhsei, de mellettük feltnik néhány szupermen srác is, valamint Cathy egyik legnagyobb szerelme, a csokoládé is fontos szerepet kap. Cathy Skóciában él a családjával. Az sszes munka kzül, amivel valaha megpróbálkozott, az írást szereti a legjobban – hiszen amikor ír, mást sem kell csinálnia, mint ébren álmodozni egész álló nap.

The fables were written and first published in the 17th century. They portray humans' behaviour in the society.The subject of each of the Fables is often common property of many ages and races. What gives La Fontaine's Fables their rare distinction is the freshness in narration, the deftness of touch, the unconstrained suppleness of metrical structure, the unfailing humor of the pointed the consummate art of their apparent artlessness.?

One of the true classics of literature, Pinocchio - The Story of a Puppet has stirred the imagination of young and old alike for over four generations.?This is a multi touch version, specially designed for the iPad, a unique experience and probably the most beautiful digital version ever made of this story. It contains gorgeous illustrations.?The book is enhanced with audio for all chapters, read by Phil Chenever.This is the wonderful story of Pinocchio, the puppet who must learn many lessons before he can become a real boy. Carved by a woodcarver named Geppetto in a small Italian village, he dreamed of becoming a real boy but strays from the path of goodness many times and is very willing to listen to temptation. He has also been used as a character who is prone to telling lies and fabricating stories for various reasons. The story has appeared in many adaptations in other mediums. Pinocchio has been called an icon of modern culture, and one of most reimagined characters in the pantheon of children's literature. Listen to his many adventures, scrapes, misdeeds and pranks followed by bouts of sincere repentance and remorse. But these last only until the next enticing adventure or misdeed presents itself. Of course he does finally learn his lesson and does become a real boy when finally understanding that love and duty come first before pleasure and play.

The Original - The Prince and the Pauper - Mark Twain. Classic Historical Fiction. Top 100 Historical Fiction. The Prince and the Pauper is a novel by American author Mark Twain. On the same day in 16th century London were born Tom Canty, destined to become a street beggar, and Edward Tudor, son of Henry VII, a future king. Several years later, young Canty invades the royal precincts hoping to see the Prince. The boys discover they are identical in appearance and exchange clothes. Mistaken for the beggar boy, Prince Edward is thrown into the streets. Tom Canty, too frightened to confess his true identity, assumes the mantle of the Prince of Wales.

Tanara Oriana moare intr-un accident, chiar in ziua nuntii ei. Pentru oricine, acesta ar parea sfarsitul. Nu si pentru ea. Se intoarce ca recuperator de suflete, insa nu la vechea viata si familie, pentru care trebuie sa ramana moarta, ci la una cu totul noua. Rasfatul si confortul, considerate garantate mai inainte, se duc acum pe Apa Sambetei. Va trebui sa lupte pentru a-i salva pe ceilalti, dar si pe sine. Apar noi prieteni, noi dusmani si… prima iubire? Exista viata dupa moarte? Unii vor spune ca da, altii ca nu. Dar exista un raspuns la care cu siguranta nu v-ati gandit. Exista recuperatorii de suflete. Smulsi din existentele lor, sunt aruncati in altele, neintrebati de nimeni, fara sa li se ceara acceptul. Trebuie doar sa se supuna legilor celor de Dincolo. Iar unii aleg razvratirea…In volumul 2, relatia ei cu Marc, dar si cu ingerii, se aprofundeaza si o determina sa reevalueze tot ce simtea fata de fiecare dintre ei.Aventura se inteteste, atragand cititorul intr-un vartej din care nu mai poate, si nu mai vrea, sa iasa.