“Midsummer Night's Dream” is Shakespeare's classic tale of two couples who can't quite pair up to everyone's satisfaction. Demetrius and Lysander love Hermia. ??Hermia loves Lysander but has been promised to Demetrius by her father. Hermia's best friend Helena loves Demetrius, but in his obsession for Hermia Demetrius barely even notices her smitten friend. ??When Hermia and Lysander plan to elope all four find themselves in the forest late at night where the fairy Puck and his lord Oberon wreck havoc on the humans with a love potion that causes the victim to fall in love with the first thing they see upon waking.??- Some Books of Shakespeare:?- Romeo and Juliet (1597)?- Hamlet (1599)?- Macbeth (1606)?- Julius Caesar (1599)?- Othello (1603)?- The Merchant of Venice (1598)?- Much Ado About Nothing (1600)?- King Lear (1606)?- The Taming of the Shrew (1594)?- The Comedy of Errors (1594)

n 1960, Adolf Eichmann, artizanul soluiei finale“, era capturat n Argentina de un comando al Mossadului i adus n Israel pentru a fi judecat. Avea s fie doar una dintre rsuntoarele operaiuni ale temutului serviciu secret israelian. Au ieit la iveal multe altele – eradicarea gruprii Septembrie Negru (responsabil de atentatul sngeros de la München, din 1972), distrugerea facilitilor nucleare siriene, eliminarea savanilor iranieni implicai n proiectul nuclear, lichidarea unor lideri teroriti extrem de periculoi etc.Despre misiunile Mossadului s-a scris puin, n comparaie cu alte servicii secrete de elit (KGB, CIA sau MI5). Cu att mai fascinant este cartea autorilor Michael Bar-Zohar i Nissim Mishal, care ne introduce n culisele spionajului israelian, de la nfiinarea acestuia pn n prezent. Metodele pe care le folosete, de la otrav la virui informatici i drone, par desprinse din filmele cu spioni, de o complexitate i o eficien incredibile. Nu este de mirare c Mossadul a cptat, n timp, o aur de legend, fiind considerat n prezent cel mai eficient serviciu de spionaj din lume.Aceast carte ne spune ceea ce ar fi trebuit s fie tiut i nu este – c fora ascuns a Israelului este la fel de formidabil ca puterea lui fizic recunoscut.“ – Shimon Peres, preedinte al statului Israel

THE Mesopotamian civilization shares with the Egyptian civilization the honour of being one of the two earliest civilizations in the world, and although M. J. de Morgan’s excavations at Susa the ruined capital of ancient Elam, have brought to light the elements of an advanced civilization which perhaps even antedates that of Mesopotamia, it must be remembered that the Sumerians who, so far as our present knowledge goes, were the first to introduce the arts of life and all that they bring with them, into the low-lying valley of the Tigris and Euphrates, probably themselves emigrated from the Elamite plateau on the east of the Tigris; at all events the Sumerians expressed both “mountain” and “country” by the same writing-sign, the two apparently being synonymous from their point of view; in support of this theory of a mountain-home for the Sumerians, we may perhaps further explain the temple-towers, the characteristic feature of most of the religious edifices in Mesopotamia, as a conscious or unconscious imitation in bricks and mortar of the hills and ridges of their native-land, due to an innate aversion to the dead-level monotony of the Babylonian plain, while it is also a significant fact that in the earliest period Shamash the Sun-god is represented with one foot resting on a mountain, or else standing between two mountains. However this may be, the history of the Elamites was intimately wrapped up with that of the dwellers on the other side of the Tigris, from the earliest times down to the sack of Susa by Ashur-bani-pal, king of Assyria, in the seventh century. Both peoples adopted the cuneiform system of writing, so-called owing to the wedge-shaped formation of the characters, the wedges being due to the material used in later times for all writing purposes—the clay of their native soil—: both spoke an agglutinative, as opposed to an inflexional language like our own, and both inherited a similar culture. A further, and in its way a more convincing argument in support of the mountain-origin theory is afforded by the early art of the Sumerians. On the most primitive seal cylinders1 we find trees and animals whose home is in the mountains, and which certainly were not native to the low-lying plain of Babylonia. The cypress and the cedar-tree are only found in mountainous districts, but a tree which must be identified with one or the other of them is represented on the early seal cylinders; it is of course true that ancient Sumerian rulers fetched cedar wood from the mountains for their building operations, and therefore the presence of such a tree on cylinder seals merely argues a certain acquaintance with the tree, but Ceteris paribus it is more reasonable to suppose that the material earthly objects depicted, were those with which the people were entirely familiar and not those with which they were merely casually acquainted. Again, on the early cylinders the mountain bull, known as the Bison bonasus, assumes the r?le played in later times by the lowland water-buffalo. This occurs with such persistent regularity that the inference that the home of the Sumerians in those days was in the mountains is almost inevitable. Again, as Ward points out, the composite man-bull Ea-bani, the companion of Gilgamesh, has always the body of a bison, never that of a buffalo. So too the frequent occurrence of the ibex, the oryx, and the deer with branching horns, all argues in the same direction, for the natural home of all these animals lay in the mountains.

Doamna Marusia CIRSTEA, doctor in stiinte istorice, a investigat, in baza cercetarii unei extrem de bogate bibliografii si a unor studii intense in arhivele diplomatice si militare interne (Arhiva Ministerului de Externe al Romaniei - Bucuresti, Arhivele Militare Nationale – Bucuresti si Pitesti, Arhivele Nationale ale Romaniei - Bucuresti, Biblioteca Nationala si Biblioteca Academiei Romane, ambele din Bucuresti), o problema de mare interes, abordata pana acum de numerosi istorici romani si straini (Paul D. Quinlan, Elisabeth Barker, V. F. Dobrinescu, Gh. Pascalau, Ion Patroiu s.a.). Tocmai de aceea, meritul autoarei este cu totul deosebit, intrucat, bazandu-se pe rezultatele cercetarilor anterioare, dar, aprofundandu-le si completandu-le substantial cu documente inedite, este in masura sa realizeze o contributie stiintifica de reala valoare pe marginea evolutiei raporturilor politico-diplomatice intre Romania si Marea Britanie intr-una din perioadele cele mai captivante si mai dificile ale epocii contemporane – ajunul conflagratiei mondiale din 1939-1945. Asa dupa cum se subliniaza in ampla Introducere, problema cercetata ?constituie o tema de studiu si de reflectie importanta, interesanta si plina de invataminte, nu numai pentru istoricul de astazi, dar si pentru omul simplu, pasionat de istorie si, indeosebi, pentru politicianul si diplomatul care trebuie sa gaseasca solutii practice unor aspecte interesand raporturile internationale“ (p. 3). Astfel, dupa o pertinenta si documentata Introducere, care elucideaza si aspectele istoriografice ale cercetarii, autoarea realizeaza o consistenta monografie privind relatiile dintre Bucuresti si Londra intre 1936 si 1939, in cuprinsul a patru capitole judicios repartizate pentru a se asigura tratarea globala si unitara a materiei. De un mare interes si cu o importanta pondere in economia lucrarii se dovedesc, nu mai putin, Concluziile (pp. 200-213), Bibliografia (pp. 214-232) si cele 25 de Anexe (pp. 233-350).Ultimele luni de pace si inceputul celui de-al doilea razboi mondial, evolutia raporturilor anglo-romane in context fac obiectul celui de-al IV-lea capitol. Principalele evenimente tratate sunt, in ordine cronologica, faimosul caz Tilea; garantiile franceze si britanice acordate Poloniei, Greciei si Romaniei; rostul pactului sovieto-german din 23 august 1939 in politica europeana; declansarea razboiului si atitudinea Romaniei si, in sfarsit, proclamarea neutralitatii Romaniei in razboi vizavi de implicarea Marii Britanii in ostilitati. Temeinicia cercetarii este atestata de o bogata si sistematica Bibliografíe, care, fara indoiala, intregeste, in chip fericit, textul lucrarii. In acelasi timp, Anexele ingaduie specialistului si cititorului interesat sa aprecieze amploarea si seriozitatea investigatiilor arhivistice.

Are you a fan of heart-throb actor Johnny Depp? Do you want to know 101 amazing facts about him that you probably weren't aware of until now? If so, then this easy-to-digest eBook is perfect for you. Contained within are 101 facts about the much loved-actor. Test yourself and your friends' knowledge with these handily-packaged facts easily organised into categories for maximum enjoyment. Subjects include his acting, music and of course his long line of romantic flings and relationships such as Winona Ryder, Kate Moss and Vanessa Paradis. Show everyone that you are the world expert on Johnny Depp!

This book contains over 100 questions on the TV show The Walking Dead. Mainly covered in volume 1 is the first season of the worldwide hit. The questions range from being about the episodes and character themselves to the people behind the making of The Walking Dead.

Are you a fan of world-famous folk rock band Mumford ＆ Sons? Do you want to know everything there is to know about the multi-instrumentalist Grammy-award-winning chart-toppers? If so, then this is the book for you.Contained within are over one hundred amazing facts about everything from how the band got together to facts about Marcus Mumford's amazing talents, awards the band have won, their singles, albums and much, much more. Get the facts you want quick!

Everything you see, Asimov, is a deception.' This book is a collection of deceptions, of reflections, of fictions, of distractions and distortions. 'Media Unfriendly' features vignettes, short stories, improvisations, meditations and sketches inspired by, but not exclusive, to John Simm, Five Star, Elvis impersonators, cream jeans, androids, Italo disco, Nicole Kidman, media barons, psychosis, local councils, Swedish pop groups and idea material one cannot mention in a family publication. It requires your emotional and financial investment, and your attention span. You could 'Like' if you are a slave to platitudes. Or buy it, if this blurb is not considered too smug to the point that you want to smash the authors face in. With a horse skull.

Are you the world's biggest Justin Timberlake fan? Or do you want to know everything there is to know about the SexyBack superstar, actor and ex *NSYNC singer?If so, then this is the book for you! Contained within are 101 amazing facts about everything, from how Justin got started as both a singer and as an actor, his love life, awards he has won and much more. The book is easily organised into sections so you can find the information you want fast and is perfect for all ages!

Jacob Bronowski (1908-1974) lived through what he described as 'the two great catastrophes of the twentieth century: the rise of Hitler in 1933 and the dropping of the atomic bombs in 1945', and yet the keynote of his astonishingly rich and varied life and work was an enduring optimism. Bronowski was a professional scientist, scientific administrator, poet, philosopher, dramatist and television and radio personality, possessing an energy and versatility that make him a rare figure in our cultural history. His final achievement, the groundbreaking television series The Ascent of Man, first shown in 1973, influenced and inspired millions of ordinary people by bringing an awareness of human evolution and the adventure of science into their homes. Anthony James describes his own journeys to key locations in Bronowski's television series The Ascent of Man, from Auschwitz, a monument to human depravity that has haunted the conscience of contemporary society, to Iceland, where democracy in northern Europe was born more than a thousand years ago. Bronowski would not have been surprised by our dilemmas today, but he would have insisted that confidence in our ascent as a species is a far greater force than the cynical destructiveness of politicians. Although human beings are inevitably fallible, the pursuit of knowledge is, in Bronowski's philosophy, an adventure: in his own words a 'happy passion'.

This book is part of a series of 50 quick facts about each of the United States of America. This book covers the state of Alabama. Facts about the major cities, the history of the state, famous people from 'Bama, the Crimson Tide and many more subjects. This book contains all you will ever need to know about the yellowhammer state.

AT the east end of the choir aisle of the Cathedral there is a portion of the wall which is possibly the oldest piece of masonry in Oxford, for it is thought to be a part of the original Church of St. Frideswyde, on whose site the Cathedral Church of Christ (to give its full title) now stands. Even so it is not possible to speak with historical certainty of the saint or of the date of her Church, which was built for her by her father, so the legend says, when she took the veil; though the year 740 may be provisionally accepted as the last year of her life. St. Frideswyde's was a conventual Church, with a Priory attached, and both were burnt down in 1002, but rebuilt by Ethelred. How much of his handiwork survives in the present structure it is not easy to de-termine; but the Norman builders of the twelfth century effected, at any rate, such a transformation that no suggestion of Saxon architecture is obtruded. Their work went on for some twenty years, under the supervision of the then Prior, Robert of Cricklade, and the Church was consecrated anew in 1180. The main features of the interior—the massive pillars and arches—are substantially the same to-day as the builders left them then. THIS BOOK, is not intended to compete with any existing guides to Oxford: it is not a guide-book in any formal or exhaustive sense. Its purpose is to shew forth the chief beauties of the University and City, as they have ap-peared to several artists; with such a running commentary as may explain the pictures, and may indicate whatever is most interesting in connection with the scenes which they represent. Slight as the notes are, there has been no sacrifice, it is believed, of accuracy. The principal facts have been derived from Alexander Chalmers' History of the Colleges, Halls, and Public Buildings of the University of Oxford, from Mr. Lang's Oxford, and from the Oxford and its Colleges of Mr. J. Wells. The illustrations, with the exception of six only, which are derived from Ackermann's Oxford, are reproduced from the paintings of living artists, mostly by Mr. W. Matthison, the others by Mrs. C. R. Walton, Walter S. S. Tyrwhitt, Mr. Bayzant, and Miss E. S. Cheesewright.

Na prostorima nekada?nje Jugoslavije u posljednjih sto godina dogodile su se vi?estruke promjene, nastajale su? i nestajale dr?ave i politi?ki sistemi, doga?ali su se brojni ratovi i prevrati, povijest je nemilice mar?irala ulicama razdvajaju?i obitelji i tra?e?i od pojedinca da joj se povinuje ili suprotstavi. O jednoj takvoj povijesti pi?e Igor ?tiks? u svojoj kapitalnoj knjizi Dr?avljanin, gra?anin, stranac, neprijatelj. Nastala kao plod dugogodi?njeg bavljenja temama dr?avljanstva i gra?anstva na doktorskim? i postdoktorskim studijima, niza predavanja i referata te iznimnoga terenskog rada, ova knjiga kao nijedna do sada propituje pravo pojedinca i njegovu ulogu unutar dr?ave. ?tiks iz pojma dr?avljanina i gra?anina razvija i dokazuje tezu o mijenama politi?kih sistema i zajednica te koliko su i kako utjecali na poziciju i ?ivot pojedinca. Odgovara na pitanja ?to uop?e zna?i biti dr?avljanin, biti uklju?en ili pak isklju?en, kako se osje?ati u poziciji gra?anina i ?to se doga?a kada se ona mijenja u onu stranca ili pak neprijatelja. Knjiga Dr?avljanin, gra?anin, stranac, nepri?jatelj povijesna je, kulturolo?ka i sociolo?ka, ali prije svega politi?ka studija koja pokazuje koliko su krhki identiteti, kako se lako stvaraju i grade novi te koliko je pitanje dr?avljanstva i gra?anstva va?no i danas.

Europa, 1900.–1914.: svijet u tra?enju, pulsiraju?e razdoblje kreativ?nosti i suprotnosti. Glavne su teme terorizam, globalizacija, imigranti, konzumerizam, propast moralnih vrijednosti i suparni?tvo velikih sila. Dvadeseto stolje?e nije se rodilo u rovovima kod Somme ili Passchendaela, nego u petnaest vrtoglavih godina koje su prethodile Prvome svjetskom ratu. U kratkom razdoblju novi svjetski poredak proiza?ao je iz tragi?nih suprotnosti staroga. Posljedice industrijske revolucije, na politi?kom i osobnom planu, osje?ale su se u cijelom svijetu: gradovi rastu zbog pristizanja seoskog stanovni?tva koje napu?ta svoje tradicionalne vrijednosti, znanost donosi napredak, ali i izume iz no?nih mora, obrazovanje je milijunima ljudi otvorilo nove mogu?nosti, masovno proizvedeni predmeti promijenili su svakodnevni ?ivot, radnici zahtijevaju udio u politi?koj vlasti, ?ene ?ele promijeniti svoj polo?aj u dru?tvu i prirodu seksualnih odnosa. Od nevjerojatne nade u novo stolje?e koju je utjelovio Svjetski sajam u Parizu 1900. do atentata na austrijskog nadvojvodu u Sarajevu 1914., povjesni?ar Philipp Blom ovo razdoblje istra?uje godinu po godinu. Premijeri i seljaci, anarhisti i glumice, znanstvenici i psihopati susre?u se na pozornici novoga stolje?a u ovom prikazu rasko?noga, nestabilnog doba na rubu katastrofe. Prelijepo napisana i puna vje?to ispri?anih anegdota, knjiga Vrtoglave godine o?ivljava ?udesa, u?ase i strahove ranoga dvadesetog stolje?a.

The Interrelation Between Art Worlds is a part of PhD thesis and it deals with the simultaneous and successive art using the illustrations of Bhagavad Gita, in 18 chapters, where each chapter has two versions. The substance of the author's interest is a transfer of thoughts and feelings from the ancient Indian epic, through visual elements, that is, the visualization of temporal arts. She tried to explain the philosophy of Bhagavad Gita?through composition, color, contrast, third dimension, structure, texture, proportion, rhythm and dynamics, which is particular because in India philosophy equals religion, and vice versa. Described is also the analogy between temporal and spatial arts, such as color (valeur), music (chord). Through the synergy of meaning and radiation on the illustrations, we can achieve experience of "reading the image". ? Tatjana Burzanovi? is a writer, artist, graphics designer, and interior designer, professor at the Faculty of Culture and Tourism, where she teaches Indian culture, and Faculty of Design and Multimedia, at the University of Donja Gorica in Podgorica, Montenegro. She graduated from Academy of Fine Arts in Sarajevo, and acquired her PhD at Faculty of Art and Design at the University of Belgrade. She presented her works in numerous solo and group exhibitions, and took part in several artistic and pedagogical colonies. She received several awards for her book designs. The book The Interrelation Between Art Worlds?was awarded at 11th Book Fair in Podgorica for the best designed art book.

Idu?i ?enskom stranom hrvatske knji?evnosti Lidija Duji? sla?e koncizan i zanimljiv pregled izabranog segmenta doma?e knji?evne povijesti. Ocrtava sociolo?ke krokije hrvatskih knji?evnica, iznosi kratke karakterizacije, uzgred problematiziraju?i ?enski geto didakti?ke i dje?je knji?evnosti. Analiziraju?i i ponovno vrednuju?i neka djela, prihva?ena pod etiketom ??enskog pisma“, autorica dovodi u pitanje mnoga op?a mjesta, ne ?tite?i se krinkom autoriteta znanstvene objektivnosti – pi?u?i u prvom licu. Knjiga se temelji na njezinoj doktorskoj disertaciji, ali je pisana popularno te je namijenjena ?iroj publici.

Kijárat az Adriára cím? nagysiker? munkája után Lovas Ildikó újabb regénye a mai divatos n?irodalommal száll szembe, a test, az érzékiség nyelvét nem radikalizálja tovább, hanem ?visszavesz” bel?le, mivel rendkívüli tudatossággal újra és újra az ártatlanság nyelvén akar szólni. A Spanyol menyasszony az erotikus krimi és a klasszikus lányregény mesteri ?tv?zete. A regény két síkon játszódik, az egyik az én-elbeszél? kiskamaszkoráig vezet vissza, míg a másik a neves orvos-író Csáth Géza feleségének, Jónás Olgának az utolsó napját beszéli el, abból próbálja megfejteni az író és felesége kegyetlenül túlf?t?tt, és tragédiába torkolló kapcsolatát.

Németh Miklós és Pozsgay Imre egy k?tetben! Mellettük pedig Mayer Péter, Markovics Ferenc, Arató István, Kajli Béla, Kerezsi István és még sokan mások. Ismert, k?zismert és kevésbé ismert nevek egy beszélget?k?nyvben, amely a munkás?rség t?rténetét ?leli fel. A szerz?k megfogalmazásában: t?bb szempontból sem hagyományos interjúk?tetet készítettünk, vállalva ennek el?nyeit és hátrányait egyaránt. K?sz?nhet? volt ez annak is, hogy a k?nyv megírását megel?zte egy, a testület teljes t?rténetét feldolgozó kétrészes, ?sszesen k?zel egyórás dokumentumfilm elkészítése a Munkás?rség - Egy párthadsereg t?rténete címmel. A munkás?r?k nehéz ládát cipelnek. Amikor letették, hogy megpihenjenek, épp arra j?n János bácsi, a téesz juhásza és megkérdi: Mit cipelnek fiaim? Hadititok!, feleli az egyik munkás?r. ?s nagyon nehéz a láda? Már hogyne lenne nehéz, mikor tele van kézigránáttal?, válaszol az egyik munkás?r. A korabeli viccben és t?bbek emlékezetében is úgy él a Munkás?rség, mint egy kissé esetlen, sokszor id?s embereknek a gy?jt?helye vagy klubja. De a valóságban ez egyáltalán nem így volt. Az '56-os forradalom leverését k?vet?en létrehozott szervezet feladata sokáig kizárólag a rend(szer) védelmének a biztosítása volt. A kádári állam kiépülését k?vet?en kidolgozták háborús, határ?rizeti és polgári védelmi feladataikat is. A kezdetben harminc-, majd hatvanezer f?s párthadsereg létszámát tekintve a korabeli Magyar Néphadseregéhez képest is jelent?s volt! A rendszerváltás során a hatalom részér?l felmerült a testület átmentése is, de erre végül nem került sor. A Munkás?rség felszámolását 1989-ben a teljes ellenzék k?vetelte, leszerelésük jelent?s izgalommal t?lt?tte el a magyar társadalmat. De hogy látták mindezt a korabeli vezet? politikusok, katonák, és nem utolsó sorban maguk a munkás?r?k? Az interjúk?tet erre próbál választ találni.

MODERN scientific publications, although they may in some or even many cases equal in their scientific quality the memoirs of earlier workers, do not, on the average, reach a high standard as regards illustration. For instance, in Great Britain botany is pre-eminent in its morphological aspects; it should therefore follow that the illustrations, which form so important a part of such papers, should be beyond reproach. This is not always so, a fact which must be patent to anyone with the slightest critical knowledge who looks through a typical journal. This is a fact much to be regretted, since many of the earlier scientists were accomplished draughtsmen and, indeed, often artists; in this connection the Hookers and Pro-fessor Daniel Oliver may be mentioned. The implication is not intended that there are no good amateur draughtsmen nowadays; there are, and in some cases pos-sessed of great ability. The beautiful work of Church in his Floral Mechanisms may be cited as an example. It may, of course, be argued that any picture which serves to illustrate the particu-lar feature is good enough; this is the contention of one who takes an insufficient pride in his work. A feature worthy of an illustration deserves the best the author can produce, more especially as a literary form is still, fortunately, preserved or, at any rate, aimed at.The reason for indifferent illustrations is primarily due to bad or mediocre draw-ings, or to their unsuitability for the kind of reproduction in view. With regard to the first point: this lack of draughtsmanship often obtains; when education entirely replaces mere instruction, it is to be hoped that all students of science will be trained in the rudiments of drawing. Meanwhile the difficulty can be partly overcome, as will be seen later on, by the simple means of drawing on an enlarged scale, in order that in reproduction reduction can be made. The second reason, the onus of which also falls on the authors, is a lack of knowledge regarding the kind of drawing suitable for the different modes of re-production; this is a very important point, for "technical conditions govern even genius itself."Authors, however, are not always to blame; it would appear that even editors sometimes are wanting in the requisite knowledge, for we have known straight-forward line drawings reproduced by half-tone; in other cases the paper used is unsuitable for the reproduction and, at other times, the printers are at fault. With a view to remedying, at any rate in part, these deficiencies, a course of lec-tures, arranged by the Board of Studies in Botany of the University of London, was delivered in the Lent term of 1913 in the Department of Botany of University College, London. In gratifying the wish expressed by some that these lectures should be given a more permanent dress, the author feels that some apology is necessary, for he can lay no claim to authoritative knowledge of much of the subject-matter; questions relating to the graphic arts and to illustrations, however, have always been of in-terest to him, so that he has tried various experiments, often with disastrous re-sults, and thus has gained some experience. In these matters the author has benefited much through his association with Pro-fessor F. W. Oliver, who, characteristically, has been ever ready to discuss these problems with, and to place his knowledge and experience at the disposal of the author.

ROMANCE and the HISTORY of walled cities are inseparable. Who has not felt this to be so at the sight of hoary ruins lichen-clad and ivy-mantled, that proudly rear their battered crests despite the ravages of time and man’s destructive instincts. It is within walled cities that the life of civilized man began: the walls guarded him against barbarian foes, behind their shelter he found the security necessary to his cultural development, in their defence he showed his finest qualities. And such a city—and such a history is that of Ancient Byzantium, the City of Constantine, the Castle of C?sar. What wonder then that man should endeavour to express by pen and pencil his sense of the greatness and beauty, the Romance of a Walled City such as Constantinople. The more so that a movement is on foot to remove these ancient landmarks of the history of Europe and Asia. True there are other works on this same subject, works by men deeply learned in the history of this fair city, works that bid fair to outlive the city walls if the fell intent of destroying them is carried into execution, and from these men and their works I derived inspiration and information, and so wish to chronicle my gratitude to them—Sir Edwin Pears and Professor van Millingen of Robert College, Constantinople. There are many others too in Constantinople to whom my thanks are due—His Majesty’s Vice-Consul, my host, his colleagues, now my friends, and many others too numerous to mention. They all have helped me in this work, and I am grateful for the opportunity offered me of here recording my thankfulness for their kind offices.B. Granville Baker.

A obra encadeia associa??es entre os valores técnicos da língua e os valores estéticos da literatura. Realiza, ent?o, duas abordagens complementares, defi nida a unidade língua/literatura como uma díade com polos inseparáveis – a língua sustentando um código limitativo e prescritivo; a literatura alimentando a reprodu??o artística do sistema linguístico –, da fus?o de ambas resultando um efeito de sentido.