"If you want an emotional romantic adventure to nineteenth century frontier America this is for you." Jane Hunt Reviews For fans of Diana Palmer and Linda Lael Miller comes a new novella in The Men of Fir Mountain series. As sheriff of Silver Creek, Matthew Marston's job is to look after his town. But when he fails to protect the most important person in his life, Claire, from an attack, Matt feels as though he will never be able to forgive himself. Her husband-to-be's newly found overprotectiveness drives the headstrong Claire from his arms. She can't see a future with a man who won't allow her to follow her dreams. In a small town where everybody knows your name and your business, it's impossible for the pair to stay apart, especially as Claire finds that she can't completely turn her back on the lawman that she loves.

The second in the series set in the Derbyshire Peak District, Dancing with the Virgins is a tense psychological follow-up to Stephen Booth’s acclaimed debut Black Dog. ‘The body of the woman sprawled obscenely among the stones… She looked like a dead woman, dancing.’ The ring of cairns known as the Nine Virgins has stood on the windswept moors of Derbyshire for centuries. Now, as winter closes in, a tenth figure is added – a body – and a modern tragedy is added to the dark legend that surrounds the stones. There’s no shortage of suspects, each with their own guilty secret, but what DS Fry and DC Cooper lack is any kind of motive. As they search separately for answers, it seems the reasons for the strange behaviour of the moor’s inhabitants may lie somewhere in the past, in a terrible crime yet to be discovered…

NEXT ON “IT GIRL”… EPISODE 4 -It’s the first episode of Dance Off, and Dexter relents by giving Veronica a classy dress: “You look lovely in that dress. I presume it meets with your approval. It’s from the Judi Dench fall collection.” “It’s beautiful, Dexter. I appreciate it.” -Veronica lets it slip that she finds Dexter attractive: He flashed a sinister grin. “So, you think I have a perfect face and body?” So much for my having the upper hand. -Veronica and Dexter are celebrity escorts at a high school prom and made the honorary king and queen… which means they have to share a dance with Dexter in control. “Just let me lead.” “Don’t get used to it.” Will their first dance be a disaster, or lead to something more?

Taking us back to the realm of Caedmon and Rowena, AJ Nuest has created a breathtaking follow up to The Golden Key Chronicles. Waiting for the next Outlander? Don’t miss this enthralling fantasy romance! ‘Incredibly tantalizing’ – Love Reading Romance Since the day of her birth, Princess Faedrah Austiere has been defined by her place within the kingdom. As the single heir to the half-blood gypsy king and his prophesied white queen, she is fiercely protected, shuttered inside an ivory castle and well-trained in the art of war. Yet neither her obligations as future queen nor the black infestation threatening her kingdom fail to hinder the mysterious pull of the antique armoire hidden in her parents’ bedchamber. And stealing the golden key for a leap through time is the only way to confront the dark lord haunting her dreams. One face. The image of one defiant, relentless woman has been stuck in Rhys McEleod’s head ever since he was old enough paint her luscious curves on the canvas. But the day she walks into his life off the street—sexier than hell and itching for a fight—he’s not convinced she’s the same women he’s envisioned since childhood. That is, not until he spots the golden key around her neck—an object he’d never fully shown in any of his paintings. Now if he could just persuade his lovely muse he’s not the enemy. Unless the elusive Faedrah Austiere learns to trust him, he’ll never have her in his bed—the one place he’s convinced she belongs.

Taking us back to the realm of Caedmon and Rowena, AJ Nuest has created a breathtaking follow up to The Golden Key Chronicles. Waiting for the next Outlander? Don’t miss this enthralling fantasy romance! ‘Incredibly tantalizing’ – Love Reading Romance The homecoming celebration held in honor of Princess Faedrah is fraught with perilous frustration. Her nightmares have returned thricefold and, to her horror, a horrendous blight has spread like a plague throughout the kingdom. Compounding her worries, Rhys’ arrival in her world has been welcomed with the exact horror-filled reaction she expected. Her beloved has been cast into the dungeons, and no amount of arguing with the king and queen will prove he’s her fated love. Magical powers were supposed to be a gift, or so Rhys McEleod had always believed. Too bad the second he landed in Faedrah’s world the legacy he inherited slammed into his body like a weight. He’s got zero control and his constant visions of Faedrah fighting an evil entity aren’t helping. At least her parents made the right decision and stuck him away someplace safe. Until he can figure out his next move, prove himself an ally and uncover the clues to stopping Faedrah’s nightmares, he’s got no choice but to wait…and learn exactly what he’s become.

There are many interesting questions about history of which the most common are 'why does it happen?' and 'is there any way of stopping it?' Second only to these is the question of the infamous outlaw Robin Hood, with whom this book is concerned. Was Robin Hood a great outlaw who dispensed justice like some kind of Sherwood pharmaceutical or was he, perhaps, just a man with a bow who happened to be in the wrong place when the Sheriff of Nottingham went on a law and order drive? In this mediaeval romp, inspired by writers such as Douglas Adams and Terry Pratchett, we can promise that the answer to this question will be, if not answered, at least definitively ignored. Comedy, adventure and romance, all can be found within its pages (particularly if you use them to wrap up your valuable video collection).

Taking us back to the realm of Caedmon and Rowena, AJ Nuest has created a breathtaking follow up to The Golden Key Chronicles. Waiting for the next Outlander? Don’t miss this enthralling fantasy romance! ‘Incredibly tantalizing’ – Love Reading Romance The second Faedrah Austiere walked into his life off the canvas, everything in Rhys McEleod’s world stopped making sense. Not only does her story sound like a Grimm’s fairy tale, evidently he’s been cast as the villain. If that isn’t enough, the mirror inside that old, beat up armoire at her uncle’s condo is supposedly a doorway to another world. Ever since the pathway opened, something inside him has seemed…off. If what his muse says is true, they are headed for an epic showdown, but he isn’t about to let her go. Nothing is more important than Faedrah’s protection, even if her parents refuse to accept him. Though certain their fates are bound by more than the golden key Princess Faedrah wears around her neck, it is paramount Rhys’ true identity be kept secret. Should news of his bloodline ever reach her kingdom, their entire quest to save her people could be lost. Their only hope to prove his loyalty is to steal the map to the dark lord’s Crystal Crypt. Yet her a plan endangers her beloved more than the accusations he faces in her kingdom and, to escape evil’s grasp, she and Rhys must take a leap of faith beyond her wildest imagination.

A short story from No. 1 international bestseller and Swedish crime sensation Camilla Lackberg, perfect for fans of Stieg Larsson and Jo Nesbo. Marianne has opened a cafe in memory of her husband: Café Widows. Most customers that walk through the door are middle aged women, accompannied by men whose behaviour is often quite unpleasant. Suddenly there is a policeman on the doorstep, confronting Marianne with the news that there have been several deaths recently. Men of all different ages and origins are dying of heart attacks, after visiting Cafe Widows. Could it just be a coincidence, or is there something more sinister at play?

Taking us back to the realm of Caedmon and Rowena, AJ Nuest has created a breathtaking follow up to The Golden Key Chronicles. Waiting for the next Outlander? Don’t miss this enthralling fantasy romance! ‘Incredibly tantalizing’ – Love Reading Romance Rhys had one job to do. One measly errand that shouldn’t have been a problem, given the nature of his powers. But when an old enemy reappears, detailing the result of his actions, Rhys is forced to make a choice between a future with Faedrah or dying before his time. Frustrated and out of options, he agrees to her suggestion they to leap forward in time to the future…even though a good chance exists his powers will be nothing but a memory in his world. Flying blind on a wing and a prayer, they prepare to fight for everything they love against a wizard of insurmountable power. Faedrah does her best to gather their closest allies. The sides are squared in a war to control the future of both worlds. With the stakes so high, only one advantage has been cast in their favor. The sigil of utmost protection inherent in Rhys’ signature. If not enough to thwart the evil awaiting at the Austiere gates, she could find herself imprisoned in the future, while her kingdom and all those she has sworn to protect are lost to the mists of time.

A classic tale of nautical adventure from the author of the acclaimed Aubrey/Maturin series, now published in eBook for the very first time to commemorate the Patrick O’Brian centenary. When Sullivan and Ross decide to go shark fishing among the atolls of the Great Barrier Reef little do they know what awaits them. With their schooner beached for cleaning they take a small whaler out to sea, but when the very devil of a storm turns the whole of the sea white, it drives them to the nearest atoll for shelter. It is only when they set out once again that they discover the seas are now filled with sharks, driven to a bloodlust by the smell of their butchered fellows that clings to the whaler. Becalmed and surrounded by the world's most fearsome predators, Sullivan and Ross discover that the hunters and become the hunted. First published under a pseudonym, this classic tale of nautical adventure will thrill every fan of Patrick O'Brian's Aubrey-Maturin series of Napoleonic sagas. Together with 'Two's Company' and 'No Pirates Nowadays', it is also a captivating companion to his novel, THE ROAD TO SAMARCAND, which also features Sullivan and Ross.

A classic tale of nautical adventure from the author of the acclaimed Aubrey/Maturin series, now published in eBook for the very first time to commemorate the Patrick O’Brian centenary. The lighthouse was one of the most lonely in the world, guarding a dangerous reef in the cold northern seas. It therefore seemed a good idea to Sullivan and Ross that they both be its keepers; after all, two's company. But long months of isolation and boredom can test even the stoutest of friendships. So when a great storm deposits the carcass of a huge whale on the rocks, attracting to it flocks of hungry seabirds and packs of deadly sharks, and later the arrival of two unexpected guests, it provides the two friends with a welcome distraction from their tedium. Yet as the months drag on, they find that there is only so long that man can live in peace with his fellow. First published under a pseudonym, this classic tale of nautical adventure will thrill every fan of Patrick O'Brian's Aubrey-Maturin series of Napoleonic sagas. Together with 'Noughts and Crosses' and 'No Pirates Nowadays', it is also a captivating companion to his novel, THE ROAD TO SAMARCAND, which also features Sullivan and Ross.

NEXT ON “IT GIRL”… EPISODE 3 -Veronica discovers she’s definitely met her match in Dexter Bishop, and she’s ready to take him on: “Yes, it’s quite clear you’re not some fair damsel in distress. You’re more like a damsel who causes distress.” “Oooooh, I kinda like that, Dexter.” -Our heroine is paired up with her dance partner, and not at all happy about the revealing “costumes” she’ll have to wear. “He wants me to wear this?” Bradley shrugged as I held up the electric blue spandex outfit that would no doubt make me look like Catwoman had escaped from a seventies disco. “You’ve got the body for it.” “Thank you, but that’s beside the point.” Though it’s awfully nice that you noticed. -Is the object of Veronica’s affection attached, or not? His cell phone rang, interrupting my question. “Hang on a second,” he said, as he pulled the phone from his pocket. I stole a glance at the screen and saw the face of a spectacular blonde. “I gotta take this.” “Sure,” I said, quickly reassuring myself that a guy who looks like this surely has some beautiful women in his life. She’s probably one of the other dancers. Yeah, let’s go with that.

A vivid, compelling and intensely moving novel from an exciting new voice in young adult fiction. Coo is trying to cope with the hand that life has dealt her. At sixteen, she feels she’s too young to have lost her older brother, Sam, to alcoholism. She’s skipping school to avoid the sympathy and questions of her friends and teachers, and shunning her parents, angry that they failed to protect her, and desperate to avoid having to face the fact that, towards the end, she began to wish Sam would leave forever – even die. Then, one day, truanting by the Brighton seafront, Coo meets Banks, a homeless alcoholic and she’s surprised to discover that it is possible for her life to get more complicated. Despite warnings from her friends and family, Coo and Banks develop an unlikely friendship. Brought together through a series of unexpected events, strange midnight feasts, a near drowning and the unravelling of secrets, together they seek their chance for redemption. That is, until Coo’s feelings start getting dangerously out of hand.

In this compelling collection of short stories, bestselling author Michael Chabon explores adolescent desire, love, friendship and fatherhood, moving subtly and incisively across this powerful emotional ground. Wry and whimsical, but also with intellectual depth, A MODEL WORLD is a collection of eleven wonderful stories about growing up and growing wise. In ‘S Angel’ a group of wedding guests is hijacked by a fast-talking real estate agent, but not before the bride herself disappears. ‘Smoke’ takes us to a baseball catcher’s funeral, where one of the mourners – a has-been pitcher – confronts the ruins of his career. In the hilarious title story, a graduate student plagiarizes a dissertation on the movement of clouds, only to find himself and his faculty advisor in a parlour game where each player must confess the worst thing he or she has ever done. The second part of the book, ‘The Lost World’, is a series of stories about a young boy, Nathan Shapiro, who must face the wrenching emotions caused by his parents’ bitter divorce. Serious, yet shot through with wit, humour and compassion, these are unforgettable stories from one of America’s most celebrated writers.

In offering this study to a public accustomed only to the unquestioning acceptance of the home as something perfect, holy, quite above discussion, a word of explanation is needed. First, let it be clearly and definitely stated, the purpose of this book is to maintain and improve the home. Criticism there is, deep and thorough; but not with the intention of robbing us of one essential element of home life—rather of saving us from conditions not only unessential, but gravely detrimental to home life. Every human being should have a home; the single person his or her home; and the family their home. The home should offer to the individual rest, peace, quiet, comfort, health, and that degree of personal expression requisite; and these conditions should be maintained by the best methods of the time. The home should be to the child a place of happiness and true development; to the adult a place of happiness and that beautiful reinforcement of the spirit needed by the world's workers. We are here to perform our best service to society, and to find our best individual growth and expression; a right home is essential to both these uses. The place of childhood's glowing memories, of youth's ideals, of the calm satisfaction of mature life, of peaceful shelter for the aged; this is not attacked, this we shall not lose, but gain more universally. What is here asserted is that our real home life is clogged and injured by a number of conditions which are not necessary, which are directly inimical to the home; and that we shall do well to lay these aside. As to the element of sanctity—that which is really sacred can bear examination, no darkened room is needed for real miracles; mystery and shadow belong to jugglers, not to the truth. The home is a human institution. All human institutions are open to improvement. This specially dear and ancient one, however, we have successfully kept shut, and so it has not improved as have some others.

The War of the Worlds is a military science fiction novel by H. G. Wells. It first appeared in serialized form in 1897, published simultaneously in Pearson's Magazine in the UK and Cosmopolitan magazine in the US. The first appearance in book form was published by William Heinemann of London in 1898. It is the first-person narrative of the adventures of an unnamed protagonist and his brother in Surrey and London as Earth is invaded by Martians. Written between 1895 and 1897, it is one of the earliest stories that detail a conflict between mankind and an extraterrestrial race. The novel is one of the most commented-on works in the science fiction canon. The War of the Worlds has two parts, Book One: The Coming of the Martians and Book Two: The Earth under the Martians. The narrator, a philosophically-inclined author, struggles to return to his wife while seeing the Martians lay waste to southern England. Book One also imparts the experience of his brother, also unnamed, who describes events in the capital and escapes the Martians by boarding a ship near Tillingham, on the Essex coast. The plot has been related to invasion literature of the time. The novel has been variously interpreted as a commentary on evolutionary theory, British Imperialism, and generally Victorian superstitions, fears and prejudices. At the time of publication it was classified as a scientific romance, like his earlier novel The Time Machine. The War of the Worlds has been both popular (having never gone out of print) and influential, spawning half a dozen feature films, radio dramas, a record album, various comic book adaptations, a television series, and sequels or parallel stories by other authors. It has even influenced the work of scientists, notably Robert Hutchings Goddard. Plot SummaryYet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.— H. G. Wells (1898), The War of the Worlds The Coming of the MartiansThe narrative opens in an astronomical observatory at Ottershaw where explosions are seen on the surface of the planet Mars, creating much interest in the scientific community. Later a "meteor" lands on Horsell Common, near the narrator's home in Woking, Surrey. He is among the first to discover that the object is an artificial cylinder that opens, disgorging Martians who are "big" and "greyish" with "oily brown skin," "the size, perhaps, of a bear," with "two large dark-coloured eyes," and a lipless "V-shaped mouth" surrounded by "Gorgon groups of tentacles." The narrator finds them "at once vital, intense, inhuman, crippled and monstrous." They briefly emerge, have difficulty in coping with the Earth's atmosphere, and rapidly retreat into the cylinder. A human deputation (which includes the astronomer Ogilvy) approaches the cylinder with a white flag, but the Martians incinerate them and others nearby with a heat-ray before beginning to assemble their machinery. Military forces arrive that night to surround the common, including Maxim guns. The population of Woking and the surrounding villages are reassured by the presence of the military. A tense day begins, with much anticipation of military action by the narrator.

This book is called The White Spark as the white spark or vacuum cell in Nature IS THE RIGHT HAND OF GOD—it is a ubiquitous principle of the universe and is the cause and parent of electricity, combustion, radium, snow-flakes, flowers, trees, leaves, crystallization, wireless telegraphy, animal forms and EVEN LIFE ITSELF. This book is the key to every department of human endeavor, as it enunciates the basic principle and THE PRIME MOVER of the universe.?It tells the road to health, the cause and cure of disease, the truth about the germ humbug and drug treatments, serums and antitoxins. It shows why luminosity is produced on the flesh of various organisms, why a slice of pollock when first iced, then heated to 100 degrees and then thrust into a temperature of 50 degrees becomes luminous. It shows the farmer that he can become a magician of agriculture—tells that the nitrogen of the air is only a dust of quartz rocks, like the invisible moisture of the air is "a dust of water"—that the nodules on the roots of the clover and legumes do not abstract nitrogen from the air, for if they did nature would have placed these bacteriological growths on the vine and not the root, the scientists have the cart before the horse in this case and the nodular cells form the proteids from sand or silica, this book tells how it is done. It tells what a trance is and how the soul can leave the body temporarily. How JESUS CHRIST is carrying out the biblical prophesy by TELEPATHY. Gives the truths about the ideal society, alcohol, drunkenness, causes of crime, longevity and law.

Creep, Shadow! was written in the year 1934 by Abraham Merritt. This book is one of the most popular novels of Abraham Merritt, and has been translated into several other languages around the world.This book is published by Booklassic which brings young readers closer to classic literature globally.

Skye a világon mindennél jobban szereti az ikertesóját, Summert. Mindig mindent együtt csinálnak, ám a Skye újabban kezdi azt érezni, teljesen elt?nik testvére árnyékában, mellette mindig csak a második legjobb lehet. Emiatt is érinti annyira fájdalmasan, mikor kiderül, Alfie is csak azért barátkozik vele, hogy meghódíthassa Summer szívét. Skye szeretne ?nmaga lenni, megmutatni saját stílusát és egyéniségét. De nem k?nny? elszánnia magát, hiszen egy t?kéletes, men? és népszer? ikertestvér mellett miért lenne bárki pont rá kíváncsi? ?t lány, ?t néz?pont, ?t k?nyv. Cherry után a Mályvacukor égboltból megismerjük Skye t?rténetét. Egy k?nyvsorozat, melyben minden testvérnek megvan a maga t?rténete Neked melyik lány lesz a kedvenced? Talán a Mályvacukor égbolt f?h?se, Skye? ? az a lány, akinek sz?ke, hullámos a haja, kék a szeme, egy kissé talán kül?nc, de mindig vidám, kedves és barátságos. Igazi egyéniség. A szerz?r?l: Cathy Cassidy nyolc-kilencéves korában írta meg els? képesk?nyvét kis?ccsének, és azóta ontja magából a t?rténeteket. Magyarul els?ként a Csajok és csokik-sorozata jelent meg (a Cseresznyés ábrándot most a második k?tet, a Mályvacukor égbolt k?veti), melynek a vagány Tanberry-n?vérek a f?h?sei. De mellettük felt?nik néhány szupermen? srác is, valamint Cathy egyik legnagyobb szerelme, a csokoládé is fontos szerepet kap. Cathy Skóciában él a családjával. Az ?sszes munka k?zül, amivel valaha megpróbálkozott, az írást szereti a legjobban hiszen amikor ír, mást sem kell csinálnia, mint ébren álmodozni egész álló nap.

Red Eve was written in the year 1911 by Henry Rider Haggard. This book is one of the most popular novels of Henry Rider Haggard, and has been translated into several other languages around the world.This book is published by Booklassic which brings young readers closer to classic literature globally.

In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in. The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boathook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight head-way against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river. But, in the intensity of her look there was a touch of dread or horror. Allied to the bottom of the river rather than the surface, by reason of the slime and ooze with which it was covered, and its sodden state, this boat and the two figures in it obviously were doing something that they often did, and were seeking what they often sought. Half savage as the man showed, with no covering on his matted head, with his brown arms bare to between the elbow and the shoulder, with the loose knot of a looser kerchief lying low on his bare breast in a wilderness of beard and whisker, with such dress as he wore seeming to be made out of the mud that begrimed his boat, still there was a business-like usage in his steady gaze. So with every lithe action of the girl, with every turn of her wrist, perhaps most of all with her look of dread or horror; they were things of usage. 'Keep her out, Lizzie. Tide runs strong here. Keep her well afore the sweep of it.' Trusting to the girl's skill and making no use of the rudder, he eyed the coming tide with an absorbed attention. So the girl eyed him. But, it happened now, that a slant of light from the setting sun glanced into the bottom of the boat, and, touching a rotten stain there which bore some resemblance to the outline of a muffled human form, coloured it as though with diluted blood. This caught the girl's eye, and she shivered. 'What ails you?' said the man, immediately aware of it, though so intent on the advancing waters; 'I see nothing afloat.' The red light was gone, the shudder was gone, and his gaze, which had come back to the boat for a moment, travelled away again. Wheresoever the strong tide met with an impediment, his gaze paused for an instant. At every mooring-chain and rope, at every stationery boat or barge that split the current into a broad-arrowhead, at the offsets from the piers of Southwark Bridge, at the paddles of the river steamboats as they beat the filthy water, at the floating logs of timber lashed together lying off certain wharves, his shining eyes darted a hungry look. After a darkening hour or so, suddenly the rudder-lines tightened in his hold, and he steered hard towards the Surrey shore. Always watching his face, the girl instantly answered to the action in her sculling; presently the boat swung round, quivered as from a sudden jerk, and the upper half of the man was stretched out over the stern.