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Gabriel Syme is recruited at Scotland Yard to a secret anti-anarchist police corps. Lucian Gregory, an anarchistic poet, lives in the suburb of Saffron Park. Syme meets him at a party and they debate the meaning of poetry. Gregory argues revolt is the basis of poetry. Syme demurs, insisting the essence of poetry is not revolution, but rather law. He antagonizes Gregory by asserting the most poetical of human creations is the timetable for the London Underground.

The dreary succession of randomly selected Kings of England is broken up when Auberon Quin, who cares for nothing but a good joke, is chosen. To amuse himself, he institutes elaborate costumes for the provosts of the districts of London. All are bored by the King's antics except for one earnest young man who takes the cry for regional pride seriously – Adam Wayne, the eponymous Napoleon of Notting Hill.

Father Brown is a short, stumpy Roman Catholic Church priest, formerly of Cobhole in Essex, and now working in London, with shapeless clothes and a large umbrella, and an uncanny insight into human evil.

A Conversation with Tan Sri Leo Moggie

LA is a beast. A city that swallows most with its glamour and glitz. However, as a science fiction writer, Sarah Fuller has a hard time trying to fit in with the socialites, granola moms and trendy hipsters. That’s why she chooses to passively sit by and make fun of them. No one is safe from her ridicule. Thrown back into the dating arena in her late thirties, Sarah encounters brand new challenges. Readers will laugh out loud at the adventures and mishaps this sassy protagonist gets herself into. She explores LA life, seeing it through her unique lens. Adventures in WeHo, drag queen bingo, pot dispensaries and all the strangeness that comes out of LA weave together in this crazy, episodic adventure. Can you handle the absurdities?? Fans of Chelsea Handler and Sex in the City will love Everyone in LA is an Asshole, a series that doesn’t hold back and says what we’re all secretly thinking.? ?

Doomsday is here and the earth is suffering with each breath she takes. Whether it’s from the nuclear meltdown, the wrath of the Four Horsemen, a war with technology, or a consequence of our relationship with the planet, humanity is left buried and hiding, our bones exposed, our hearts beating somewhere in our freshly slit throats. This is a collection that strips away civilization and throws readers into the lives of its survivors. The poems inside are undelivered letters, tear-soaked whispers, and unanswered prayers. They are every worry you’ve had when your electricity went out, and every pit that grew in your stomach watching the news at night. They are tragedy and trauma, but they are also grief and fear, fear of who—or what—lives inside us once everything is taken away. These pages hold the teeth of monsters against the faded photographs of family and friends, and here, Wytovich is both plague doctor and midwife, both judge and jury, forever searching through severed limbs and exposed wires as she straddles the line evaluating what’s moral versus what’s necessary to survive. What’s clear though, is that the world is burning and we don’t remember who we are. So tell me: who will you become when it’s over? "Reading this collection is like dancing through Doomsday, intoxicated by the destructive, decadent truth of desire in our very mortality." --Saba Syed Razvi, author of?Heliophobia?and?In the Crocodile Gardens "Vivid, each word a weight on your tongue, these poems taste of metal and ash with a hint of spice, smoke. She reminds us the lucky ones die first, and those who remain must face the horrors of a world painted in blisters and fear." --Todd Keisling, author of?Ugly Little Things?and?Devil's Creek "Set in a post-apocalyptic world that at times seems all too near, Wytovich's poems conjure up frighteningly beautiful and uncomfortably prescient imagery." --Claire C. Holland, author of?I Am Not Your Final Girl "A surreal journey through an apocalyptic wasteland, a world that is terrifyingly reminiscent of our own even as the blare of evacuation alarms drowns out the sizzle of acid rain, smiling mannequins bear witness to a hundred thousand deaths, and "the forest floor grows femurs in the light of a skeletal moon."--Christa Carmen, author of?Something Borrowed, Something Blood-Soaked "Like a doomsday clock fast-forwarding to its final self-destruction, Wytovich's poetry will give you whiplash as you flip through page after page. The writing here is ugly yet beautiful. It reads like a disease greedily eating up vital organs. The apocalypse has arrived and it couldn't be more intoxicating!"--Max Booth III, author of?Carnivorous Lunar Activities

A collection of three plays by former Olympic Coach and best-selling author Tom McNab delving into the murky world of Olympic politics (1936: Berlin), the troubled mind of George Orwell (Orwell on Jura), and an imaginary meeting between the acclaimed director Orson Welles and infamous fellow filmmaker Leni Riefenstahl, who directed Hitler’s propaganda film The Triumph of the Will, and filmed the 1936 Olympic Games (Whisper in the Heart). Reviews On 1936: Berlin “A powerful, thought-provoking, richly rewarding piece of theatre.” ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?–What’sOnStage “There’s no doubt McNab has a fascinating story to tell... This battle of idealsand ambition is where the play takes flight, as McNab provocatively parallelsAmerica’s treatment of its black athletes, Jesse Owens included, with racismunder the Third Reich.” ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?– The Guardian About the Author Tom McNab is a leading figure in the sporting world, having won five titles in the Scottish triple jump and coached Greg Rutherford to a gold medal as a long jumper and the English rugby team to win silver in 1992. He was Technical Director on the film Chariots of Fire and has written several radio plays and novels including best seller Flanagan’s Run, with film rights sold to Disney. In 1982 he won the Scottish Novelist of the Year award. He has been a commentator for ITV and Channel 4, a freelance journalist for the Observer, Sunday Telegraph, Times and Independent.

Cartea Autori ?i opere reune?te prefe?e, postfe?e, studii introductive ori de sine st?t?toare elaborate de-a lungul mai multor decenii de profesorul Ion Iano?i, rev?zute ?i ?mbun?t??ite pentru actuala edi?ie. Lucrarea ?nsumeaz? trei volume, cu subtitlurile: Culturi occidentale, Cultura rus?, Cultura rom?n?. Volumul I, Culturi occidentale, cuprinde 15 studii, organizate ?n trei par?i. Partea 1 trateaz? ?ase scriitori clasici ?i importante opere ale lor, majoritar rom?ne ale secolului XX. Partea a 2-a analizeaz? tot ?ase scrieri distincte apar?in?nd unor g?nditori ilu?tri din veacurile XIX ?i XX. Partea a 3-a prezint? opera de ansamblu a c?torva filosofi. Printre autorii discuta?i ?i amintim pe Italo Svevo, Franz Kafka, Robert Musil; Heinrich Heine, Friedrich Nietzsche, Martin Heidegger: dup? cum se vede, ?n majoritatea lor de limb? german?. Volumele Autori ?i opere ?ntregesc monografiile profesorului Ion Iano?i, prima – pe cele despre Thomas Mann ?i Hegel, cea de a doua – despre Dostoievski ?i Tolstoi, cea de a treia – despre Constantin Noica. Astfel, ele ?mplinesc preocup?ri de o via?? cu privire la figuri tutelare din literatura ?i filosofia german?, rus? ?i rom?neasc?, din ultimele secole.

Volumul de eseuri Melancolii portugheze radiografiaz? c?teva dintre v?rstele literaturii portugheze. Secven?ele alese ?i au ca protagoni?ti pe Luis de Camoes, Mariana Alcoforado, Fernando Pessoa, José Saramago ?i Antonio Lobo Antunes. De la ardoarea baroc? la melancolie, de la ie?iri patetice la replieri nostalgice, traseul puncteaz? treptele ?i centrii de tensiune ai unui tip de sensibilitate aparte, ?ntors, dup? expresia lui Camoes, ?cu spatele la p?m?nt ?i fa?a spre mare“. Demersul nu va fi str?in de procedeele, artificiile ?i ?ntregul arsenal al criti-fic?iunii.